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LES RFRENCES BIBLIOGRAPHIQUES.
Cette page se découpe en deux parties : dans la première, vous trouverez une liste, non exhaustive, d'ouvrages généraux sur la chanson de geste. *Thesis*! Dans la seconde, les chansons sont classées alphabétiquement avec des articles ou ouvrages spécifiques pour chacune d'elles.
Voici l'explication des abrviations usites dans les rfrences :
CCGB = Chevalier au Cygne et Godefroi de Bouillon.
CCM = Cahiers de Civilisations Mdivales.
HLF = Histoire Littéraire de la France.
PUF = Presses Universitaires de France.
PUL = Presses Universitaires de Lyon.
RCC = Revue des Cours et des Confrences.

Rom. Gan = Romanica Gandensia.
ZRP = Zeitschrift fr romanische Philologie.
BECK, J. *Creative Critique Groups*! B., La musique des Chansons de geste, dans C omptes rendus Acad. *Steroids*! I et B-L , 1911, p. 39-45.
BDIER, Joseph, Les lgendes piques, recherches sur la formation des chansons de geste , Paris, 1908-13, 4 vol. *Boxer*! ; nouv. *Thesis Steroids*! d. 1914-21 ; 3e d. *Walter Benjamin Angel Of History Essay*! 1926-29. *Steroids*! BENDER, Karl-Heinz, König und Vasall. Untersuchung zur Chanson de Geste des XII. Jahrhunderts , Studia Romanica, 13, Heidelberg : Carl Winter, 1967.
BESCH, mile, Les adaptations en prose des chansons de geste au XV e et au XVI e sicle, Revue du Seizime sicle , III, 1915, pp.

151-181.
BICHON, Jean, L’Animal dans la littrature franaise du XII e et du XIII e sicle , Lille, Service de reproduction des thses, 1976, (2 vol.).
BLOCH, Marc, Les rois thaumaturges , Strasbourg, 1924.
BLOCH, Howard, tymologie et gnalogie, Une anthropologie littraire du Moyen Age franais , Paris, Le Seuil, 1989. *Photo*! (version anglaise originale : The University of **steroids**, Chicago Press, 1983). *Creative Writing Groups Online*! BOSSUAT, Robert, Histoire de la Littrature Franaise I, Le Moyen Age , Paris, Gigord , 1931.
BOUTET, Dominique, Les fabliaux , coll. *Thesis On Anabolic Steroids*! tudes littraires, PUF, Paris, 1985. BOUTET, Dominique, La chanson de geste . Forme et signification d'une écriture épique au Moyen Age , PUF, Paris, 1993.
BOUTET, Dominique, Le cycle de Guillaume d'Orange, Anthologie , Paris, collection Lettres Gothiques , 1996.

BRAET, H., Le songe dans la chanson de geste au XIIe sicl e , Gand, Romanica Gandensia 14, 1975. BREUER, Hermann, Uber den Verfasser dreier der letzten Chansons de Geste, ZRP , 42 (1923), p. *Persuasive Essay*! 578-586. *Thesis*! BROSSE, Jacques, Mythologie des arbres , Plon, 1989. *Photo Essay*! CALIN, William, The Epic Quest , Baltimore : Johns Hopkins Univ. Press, 1966.
COMBARIEU du GRES, Micheline de, L’idal humain et l’exprience morale chez les hros des chansons de geste - des origines 1250 - , Aix-en-Provence, Publications de l’Universit de Provence, 2 tomes, 1979. *On Anabolic Steroids*! COMFORT, W. W., The Literary Role of the Saracens in the French Epic, Publications of the **english essays**, Modern Language Association of **steroids**, America , 55 ( 1940), p. *Writing A Children's Book*! 628-659.
CROSSLAND, Jessie, Virgil and the old French epic, dans MLR , t. *Thesis On Anabolic Steroids*! XXII, 1928, pp. 164-73. *Walter Benjamin Of History*! DESSAU, Adalbert, L'idée de la trahison au moyen-âge et son rôle dans la motivation de quelques chansons de geste., CCM , 3 (1960), p. *Thesis Steroids*! 23-26.
DICKMANN, A. J., Le rle du surnaturel dans les chansons de geste , Paris, 1926.

DOUTREPONT, G., Les mises en prose des popes et des romans chevaleresques du XIV e au XVI e sicle , Bruxelles, 1939.
DUBY, Georges, Les Trois Ordres ou l'Imaginaire du fodalisme , Paris, 1978.
FALK, J., Antipathies et sympathies dmocratiques dans l'pope franaise du Moyen ge, Mlanges C. *Boxer Photo Essay*! Walhund , 1896, p. 109-122.
FLUTRE, L., Table des noms propres figurant dans les romans du Moyen Age , Poitiers, 1962.
FOUCHE, P., Phontique historique du franais , Paris, 1966.
FOULET, L., Petite syntaxe de l'ancien franais , Paris, 1930.

GALENT-FASSEUR, Valérie, L'épopée des pèlerins . *Thesis On Anabolic*! Motifs eschatologiques et mutations de la chanson de geste , PUF, 1997.
GAUTIER, Lon, Histoire de la Langue et de la Littrature franaise des Origines 1900 publie sous la direction de L. Petit de Julleville , Paris, Armand Colin, I, pp. 104-106.
GAUTIER, Lon, Bibliographie des chansons de geste , Paris, 1897.
GAUTIER, Lon, Les popes franaises. *Essay*! tudes sur les origines et l’histoire de la littrature nationale , Paris, Victor Palm, 1865-1867, 3 vol. Remaniement en quatre volumes, Paris, 1878-94. *Steroids*! GAUTIER, Léon, Les Epopées françaises, étude sur les origines et l'histoire de la littérature nationale , 5 vols. *Writing A Children's Assignment*! Paris, Société générale de librairie catholique, Victor Palmé, directeur, 1878 ; vol. II : Paris : Librairie Univ. H. Welter, 1892 ; vol.

III : Paris : Palmé, 1880 ; vol. IV : Paris : Palmé, 1882.
GOSSEN, Ch., Grammaire de l'ancien picard , Paris, 1970.
GOTHEIN, P., Die antiken Reminiszenzen in thesis steroids, den Chansons de geste , dans ZfS , t. *Expository*! L, 1927, pp. 39-84.
GRISWARD, Jol H., Archologie de l’pope mdivale , Paris, Payot, 1981.
GUIDOT, Bernard, Recherches sur la chanson de geste au XIII e sicle d’aprs certaines њuvres du cycle de guillaume d’Orange , Aix-en-Provence, Marseille, Publications de l’Universit de Provence, 1986, 2 vol.
GUIETTE, Robert, Forme et senefiance , Genve, Publications Romanes et Franaises, Droz, 1978. HEGEL, Esthétique , traduction de S. Jankélévitch, 4 tomes, Flammarion, Champs, 1979.

HOEPFFNER, Ernest, Les rapports littraires entre les premires chansons de geste, dans Studi med ., t. *Thesis*! IV, 1931, pp. 233-58 ; VI, 1933, pp. 45-81.
HOEPFFNER, Ernest, La chanson de geste et les dbuts du roman courtois, dans Mlanges Jeanroy , Paris, 1928, pp. *Essay*! 427-37. *On Anabolic Steroids*! HOMERE, l' Odyssée , éd. traduite et présentée par Mario Meunier, coll. Le cercle du bibliophile , imprimé en Allemagne. HOMERE, l' Iliade , éd. *Writing Persuasive*! traduite et présentée par Mario Meunier, préface de Fernand Robert, coll.

Le livre de Poche , Paris, 1985.
IMBS, P., La technique littraire des chansons de geste , Actes du colloque de Lige, Belles Lettres, 1959. LABANDE, Edmond-René, Le crédo épique. A propos des prières dans les chansons de geste, dans Recueil de travaux offerts à M. Clovis Brunel . Mémoires et documents publiés par la Société de l'Ecole de Chartes, Paris, 1955, II, pp. *Thesis*! 62-80.
LAFONT, R., Oncles et Neveux , Et c’est la fin por quoy sommes ensemble. *Benjamin Of History Essay*! Hommages J. Dufournet , Champion, 1993, t. *On Anabolic*! II, p. *Angel Of History*! 839-854.
LANGLOIS, Ernest, Table des noms propres de toute nature compris dans les chansons de geste imprimes , Paris, 1904. *Thesis Steroids*! Rimpression, New-York, 1971.
LEJEUNE, Rita, Les thories relatives aux origines des chansons de geste, dans Revue des Cours et Confrences , t. *Expository*! XXXVIII, I, 1937, pp. 594-609 et 673-83.

LOT, Ferdinand, tudes sur les lgendes piques franaises, V, La Chanson de Roland , dans Romania , t. LIV, 1928, pp. *On Anabolic*! 357-80.
LOTE, G., Histoire du vers franais , Paris, 1949-1955.
MADELENAT, Daniel, L'pope , Paris, P.U.F., 1986, (Littratures modernes).
MALFAIT-DOHET, Monique, Le hros pique du XIVe sicle est-il l'image archaque d'un monde qui s'efface ou le reflet d'un monde nouveau ? Nouveaux mondes. *English*! , p. *On Anabolic*! 73-85, Rencesvals 1990-91.
MANDACH, Andr de, Naissance et dveloppement de la chanson de geste en Europe , III, Chanson d'Aspremont , Genve, 1975.
MARTIN, Jean-Pierre, Les motifs dans la chanson de geste , DTC , Paris III, 1984.
MENARD, Philippe, Le Rire et le sourire dans le roman courtois , Droz, Genve, 1969.

MENARD, P., Syntaxe de l'ancien franais , Bordeaux, 1973. MERCERON, J., Le message et sa fiction. *Expository Writing Persuasive*! La communication par messager dans la littérature française des XIIe et XIIIe siècles, Berkeley, University of California Press, 1998.
MEYER, Paul, Recherches sur l'pope franaise , dans BEC, t. XXVIII, pp. *Thesis On Anabolic Steroids*! 28-63, 304-42.
MOISAN, A., Rpertoire des noms propres de personne et de lieux cits dans les chansons de geste franaises et dans les oeuvres trangres drives , 5 vol., Genve, Droz, 1986.
NYROP, C., Storia dell'epopea , Firenze, 1886.
OLSCHKI, L., Paris nach den altfranzsischen natinalen Epen. *Boxer*! Topographie, Stadtgeschichte und lokale Sagen , Heidelberg, 1913.
OLSCHKI, L., Das ideale Mittelpunkt Frankreichs in Mittelalter, in Wirklichkeit und Dichtung , Heidelberg, 1913.

PARIS, Gaston, Histoire potique de Charlemagne , Paris, 1865, nouv. *On Anabolic Steroids*! d. 1905.
PARIS, Gaston, Esquisse historique de la littrature franaise au Moyen Age (depuis les origines jusqu' la fin du XVe sicle) . *Photo Essay*! Paris, Armand Colin, 1907.
PAYEN, Jean-Charles, Le lai narratif , in Typologie des sources du Moyen Age occidental , fasc. *Thesis*! 13, Brepols, Turnhout, 1975, p. 47.
POIRION, Daniel, dans le Dictionnaire des genres et notions littraires, Encyclopaedia Universalis , Paris, Albin Michel, 1997, pp. 396-397.
POPE, K. M., Four chansons de geste.

A study in essay nazi pact, old French epic versification, dans MLR , t. *Steroids*! VIII, 1913, pp. 352-67.
RAJNA, Pio, Le Origini dell' epopea francese , Firenze, 1884. RICOEUR, Paul, Temps et récit , 4 tomes, Seuil, Paris, 1983.
ROSSI, Marguerite, Les squences narratives strotypes, Mlanges Pierre Jonin, Snfiance n° 7 . *Essay Nazi Soviet Pact*! RYCHNER, Jean, La chanson de geste : essai sur l'art épique des jongleurs, Genève, Droz, 1955 .
SAUERLAND, E., Ganelon und sein Geschlecht im afr. *Thesis*! Epos , 1886.

SCHMITT, J.-C., La ‘dcouverte de l’individu’ : une fiction historiographique ? , La Fabrique, la Figure et la Feinte. *Book*! Fictions et statut des fictions en psychologie , dir. *On Anabolic*! P. *Photo Essay*! Mengal et F. Parot, Paris, Vrin, 1989, p. *Thesis*! 213-236.
SERPER, Arie, Les sarrasins en France et Paris, dans Au carrefour des routes d’Europe : la chanson de geste, Xe congrs international de la socit Rencesvals pour l’tude des popes romanes , Publications du CUER MA, Senefiance n°21, Universit de Provence, 1987, pp. 983-997.
SICILIANO, Italo, Le Origini delle canzoni di gesta , Padoue, 1940.
SMITH, H. *Photo*! A., La femme dans les chansons de geste, dans Colorado Coll.

Stud ., t. *Thesis*! IX, 1904, p. *Walter Benjamin Angel*! 6-24.
SUARD, Franois, L'pope franaise tardive (XIV e -XV e s.), Mlanges Jules Horrent , Paris , 1980, p. 449-460.
SUARD, Franois, Chanson de geste et tradition pique en France et au Moyen Age , Paris, 1994, 3me partie.
SUARD, Franois, Le personnage de Charlemagne dans les proses piques imprimes, dans Charlemagne et l'pope romane , 1978, pp. 271-280.
SUARD, Franois, La chanson de geste , collection Que sais-je ? , Paris, P.U.F., 1993.
VALLECALLE, Jean-Claude, Messages et ambassades dans l'épopée française médiévale. *Thesis On Anabolic*! L'illusion du dialogue , Paris, Champion, 2006.
VAN den BOOGARD, N., Le caractre oral de la chanson de geste tardive, Langue et littrature franaises du Moyen Age , Assen, 1978, pp. *Essay*! 25-38.
WALTER, Henriette, Le franais dans tous les sens , Paris, Laffont, 1988.

WILLEM, A. *Thesis Steroids*! L'épopée, ses lois, son histoire , Bruxelles, De Boeck, 1927.
WILLIAMS, Ralph C., The merveilleux in writing, the Epic , Paris, 1925.
WILMOTTE, Maurice, L'pope franaise, origine et laboration , Paris, 1939.
ZINK, Michel, La subjectivit littraire. *Thesis On Anabolic Steroids*! Autour du sicle de Saint Louis , Paris, 1985.
ZINK, Michel, Les voix de la conscience, Parole du pote et parole de Dieu dans la littrature mdivale , Caen, Paradigme , 1992.
ZUMTHOR, Paul, Histoire littraire de la France mdivale , Paris, 1954.
Ouvrages spcifiques chaque chanson :
BEDIER, Joseph, La conqute de la Bretagne par le roi Charlemagne, dans Lgendes piques , t. II, pp. *A Children's Book Assignment*! 99-142.
VAN WAARD, R., Amer le chtif, dans Neophil ., t. XXV, 1940, pp.

82-88.
WEEKS, R. *Thesis On Anabolic Steroids*! Amer le chtif, dans PMLA , t. *A Children's Book*! XVII, 1902, pp. *On Anabolic*! 411-434.
PARIS, Gaston, Sur un pisode d' Aimeri de Narbonne , dans Romania , t. IX, 1880, p. *Creative Writing Online*! 515.
PARIS, Gaston, Naimeriou Aymeric, dans Mlanges Couture , Toulouse, 1902.
SUCHIER, H. Die Grotten von Rochebrune, dans ZRP , t. *Thesis Steroids*! XXXI, 1907, pp. *Pact*! 607-608.
WEISKE, H., Quellengeschichliches zu Aimeri de Narbonne, dans AH , t. CVII, 1901, pp. *On Anabolic*! 129-132.
DELBOUILLE, Maurice, Problmes d'attribution et de composition.

I. De la composition d' Aiol , dans Rev. belg. *A Children's*! et Hist. *Thesis On Anabolic*! , t. XI, 1932, pp. 45-75. FAURIEL, Histoire de la poésie provençale , II, pp. *Persuasive*! 265 ; 273-75 ; 283 ; 296-99. JUBINAL, A., Oeuvres de Rutebeuf , éd. 1875, III, pp. 102-113.

PARIS, P. dans Histoire littéraire , XXII, pp. 274-
SCHNEEGANS, F. *Thesis On Anabolic*! Ed., Zur chanson de geste Aiol et Mirabel , dans Beitrge zur roman. Phil. *Essay*! , Festgabe fr Gustav Grber , Halle, 1899, pp. *Thesis On Anabolic*! 397-413.
BEDIER, Joseph, Recherches sur le cycle de Guillaume d'Orange, dans Annales du Midi , t. *Creative Critique Groups Online*! XIX, 1907, pp. *Thesis On Anabolic Steroids*! 5-39, 153-205.
FISCHER, F. *Soviet Pact*! W., Der Stil des Aliscans-Epos ; diss. *Steroids*! Rostock, 1930.
FRISCIA, Alberto, Le personnage de Rainouart au Tinel dans la chanson d' Aliscans , dans Ann.

Univ. de Grenoble , t. *Creative Critique Groups*! XXI, 1909, pp. 43-98.
KLAPTKE, A., Das Verhltnis von Aliscans zur Chanson de Guillaume , diss. Halle, 1907.
LORENZ, P., Das Handschriftenverhltnis der Chanson de geste Aliscans ; diss. Halle, 1907 et ZRP , t. XXXI, 1907, pp. 385-431.

RASCH, Paul, Verzeichnis der Namen der Altfranz. Chanson de geste Aliscans , Progr. *On Anabolic*! des klg. Domgymnasiums Magdeburg , 1909.
WEEKS, Raymond, The Messenger in expository writing persuasive essay, Aliscans , Boston, 1897 ( Stud. and *on anabolic* notes in Phil. and Lit ., vol. V).
WEEKS, Raymond, Etudes sur Aliscans , dans Romania , T. XXX, 1901, pp. *Creative Writing Critique Groups Online*! 184-197 ; t. XXXIV, 1905, pp. *Thesis*! 237-277 ; t. XXXVIII, 1909, pp; 1-43.

Le mystre de l'Archamp, dans Medioevo romanzo , XIII (1988)-2, pp. *Essays*! 161-180.
Antrieurement l'apparition des versions en langue vulgaire, la lgende d'Ami et d'Amile se trouve dans la Vita Amici et Amelii publie par E. Klbing (n° 180), pp. *On Anabolic*! 97-110 et dans l'ptre II de Raoul le Tourtier publie dans les oeuvres compltes du pote par Marburg B. *Benjamin*! Ogle et Dorothy M. Schullian ( Papers and monographs of the American Academy in thesis on anabolic steroids, Rome , VIII), Roma, 1933, pp. *Graded English*! 256-267.
BAR, Francis, Les ptres latines de Raoul le Tourtier (1065 ? - 1114 ?) . *Thesis On Anabolic Steroids*! tudes de sources. *Creative Writing Critique Groups Online*! La lgende d'Ami et d'Amile , Paris, 1937.

BEDIER, Joseph, Les lgendes piques , 2me dition, 1917, t. II, pp. *Thesis On Anabolic Steroids*! 184-186.
CERTAIN, Eugne de, Deux rapports sur une mission Rome en 1854 et 1855, dans Archives des Missions scientifiques et littraires , t. V, Paris, 1856, pp. 117-128. *Graded English Essays*! DEMBOWSKI, Peter F., « La prétendue geste de Blaye », Actas del XI Congreso Internacional de Linguistica y Filologia Romanicas , Madrid, 1968, pp. *Thesis On Anabolic Steroids*! 841 à 851.

FOEHR-JANSSENS, Yasmina, « La mort en fleurs. Violence et posie dans Ami et Amile », dans Cahiers de civilisation mdivale , X e -XII e sicles , 1996, pp. *Walter Benjamin Angel Essay*! 263-274.
HOFFMANN, Karl, Amis et Amiles et Jourdains de Blaivies. Zwei altfranzsiche Heldengedichte des Karolingischen Sagenkreises . 2e dition erlangen, Deichert, 1882.
HUET, Gdon, « Ami et Amile : les origines de la lgende », dans Le Moyen Age , 2e srie, t. *On Anabolic Steroids*! XXI, 1919, pp. 162-186.

KRAPPE, Alexander Hagerty, The legend of Amicus and Amilius, dans MLR , t. *Essay*! XVIII, 1923, pp. *Thesis On Anabolic*! 152-161.
LEGROS, Huguette, « Ami et Amile : Compagnonnage pique et/ou Amiti spirituelle » dans Bien Dire et Bien Aprandre : Revue de mdivistique , 1988, pp. *Boxer*! 113-129.
MARTIN, Jean-Pierre, Les motifs piques dans Ami et Amile dans Ami et Amile. Une chanson de geste de l'amiti . Etudes recueillies par Jean Dufournet, Paris, Champion, 1987, p. 107-120.

MNARD, Philippe, « La lgende d' Ami et Amile au XII e sicle: la chanson de geste et les traditions antrieures [et] Discussion. *Thesis Steroids*! », dans Bien Dire et Bien Aprandre : Revue de mdivistique , 1988, pp. 7-13.
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PLANCHE, Alice, Ami et Amile ou le mme et l'autre, Beitrge zum Romanischen Mittelalter , Tbingen, 1978. RASMUSSEN, Bertie H., « L'origine des chansons de geste Ami et Amile et Jourdain de Blaye », Actes du Quatrième Congrès des Romanistes Scandinaves , Copenhague, 1967, pp. 232-39.

RASMUSSEN, Bertie H., « Le Cycle de Blaye et l'histoire », dans Société Rencesvals, IVe Congrès International , Heidelberg, 1969, pp. *Thesis On Anabolic Steroids*! 82-89. *Boxer Photo*! SCHWIEGER, P., Die Sage von Amis und Amiles , Berlin, 1885.
SUARD, Franois, « Le merveilleux et le religieux dans Ami et Amile » dans De l'tranger l'trange ou la Conjointure de la merveille. *Thesis On Anabolic*! En hommage Marguerite Rossi et Paul Bancourt , Snfiance , 25, Aix-en-Provence: Universit d'Aix-Marseille I, Centre universitaire d'tudes et de recherches mdivales, 1988, pp. *Boxer Photo*! 449-462.
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WOLEDGE, B., Ami et Amile , Les versions en prose franaise, dans Romania , t. *Writing Essay*! LXV, 1939, pp. *Steroids*! 433-456.

ZINK, Michel, Lubias et Belissant dans la chanson d' Ami et Amile , dans Les voix de la conscience, Parole du pote et parole de Dieu dans la littrature mdivale , Caen, Paradigme , 1992, pp. *Creative Critique*! 101-114.
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JAHN, Karl, Philippe de Vigneulle's Yonnet de Mes und sein Verhltnis zur Redaktion N des Romans Anses de Mes , Greifswald, 1903.

LABBE, Alain, La chevalerie pique au pril de la mer : la tempte d’ Anses de Mes , Guerres, voyages et qutes au Moyen Age, Mlanges offerts J.-C. *Steroids*! Faucon , Paris, Champion, 2000, pp. 219-232.
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OBERLNDER, H., Ueber die Stellung der Bruchstcke Z 7 , Z 8 und Z 9 in der brigen Ueberlieferung der Geste des Loherains ; diss. Greifswald, 1907.
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PLEHN, Martin, Ueber die Brsseler Prosa-redaktion des Anses de Mes in soviet, ihrem Verhltnis zu den brigen Versionen , Greifswald, 1903.
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V. *Steroids*! (Paris B.N., n. *Assignment*! acq. *Thesis Steroids*! fr. 10051) , in soviet, der Ueberlieferung der Geste des Loherains ; diss. Greifswald, 1909.
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STENGEL, E., Der Schlussteil der chanson d'Anses de Mes , Greifswald, 1909.
STENGEL, E., Die Bruchstcke der noch ungedrckten chanson d'Anses de Mes aus den archiven von Saint-Hubert im belgischen Staatsdepot zu Arlon L. *Essay Soviet Pact*! 12 , nebst umschliessendem und verbidendem Text und Varianten der Pariser Hss. L.S.N ., der entsprechenden Stelle der Pariser Prosa a , den letzten Kapitelberschriften der Brsseler Prosa b und Beschreibung einer neuen Lothringer Hs. in Lille, Greifswald, 1904.
VITOR, Wilhelm, Die Handschriften der Geste des Loherains , Marburg, 1875.
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CALLU-TURIAF, Florence, Les versions franco-italiennes de la chanson d' Aye d'Avignon , Ecole franaise de Rome : Mlanges d'archologie et d'histoire , Paris, Boccard, t. *English*! LXXIII, pp. *Thesis*! 391-435. KOENIG, Frederick V., Compte rendu de Aye d'Avignon, éd. *English Essays*! S. J. *Thesis On Anabolic*! Borg, Romance Philology , XXII, 1968.

LOT, Ferdinand, Notes historiques sur Aie d'Avignon , dans Romania , t. *Writing A Children's Assignment*! XXXIII, 1904, pp. *Thesis On Anabolic*! 145-162.
MARTIN, Jean-Pierre, Les aventures conjugales d'une hrone pique : Aye d'Avignon la tour d'Aufalerne, dans Amour, mariage et transgressions au Moyen Age , Actes du colloque des 24-27 mars 1983, Universit de Picardie, publis par D. *Walter Benjamin Angel Of History*! Buschinger et A. *On Anabolic Steroids*! Crpin, Kmmerle Verlag, Goppingen, 1984, pp. 291-298.
MARTONNE, G. *Essays*! F. *Steroids*! de, Analyse du roman de Dame Aye, la Belle d'Avignon, Mmoires de la socit des Antiquaires de France , Paris, Dumoulin, 1840, t. XV (nouvelle srie t. *A Children's Assignment*! V), pp. *Steroids*! 398-434.
MARTONNE, G. *Essay*! F. *Thesis On Anabolic Steroids*! de, Analyse du roman de Dame Aye, la Belle d'Avignon, Mmoires de la socit des Antiquaires de France , Paris, Dumoulin, 1850, t. XX (nouvelle srie t. X), pp. *Boxer*! 21-22.
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WIHRLER, Anton, ber die Sprache des altfranzsichen Chanson de geste Aye d'Avignon , Dissertation de Wurtzbourg, Hambourg, Christians, 1909.
Pour clairer Btard de Bouillon : GAUTHIER, Léon, Les épopées françaises , 2ème éd. *Steroids*! rev., 4 volumes, Paris, Société générale de la Librairie catholique , Welter, 1878-1894, II, pp. *Essay Soviet*! 432 et suivantes et pp. *Thesis On Anabolic*! 447-553. *Essay Nazi Soviet Pact*! HARMS, Heinrich, Sprache und Heimat des Bastart de Buillon, Inaugural-dissertation Rostock , Rostock, Adlers Erben, 1911. *Thesis*! NYROP, Cristoforo, Storia dell'Epopea francese , trad.

Egidio Gorra, Firenze, G. Carnesecchi, 1886, pp. *Walter Angel Of History*! 222-223. *Steroids*! PARIS, Gaston, La femme de Salomon, Romania , IX, 1880, p. *Essay*! 436. *Thesis*! PARIS, Paulin, Le Bâtard de Bouillon , dans HLF , XXV, 1869, pp. 593-594. ROY, Emile, La versification et le style de Hugues Capet , de Baudoin de Sebourc et du Bastart de Bouillon (Rimes, métrique, flexion, syntaxe, vocabulaire et style), dans A la Mémoire d'Emile Roy , Publications de l'Université de Dijon, II, Dijon : Bellais et alii ; Paris : Picard, 1929, pp. *Writing*! 1-19.
COOK, Robert F., « Note sur les manuscrits de Baudoin de Sebourc et du deuxime cycle de la croisade », dans Romania , t. *Thesis Steroids*! 91, 1970, pp. 83-97.

DEUTSCHMANN, Albert, Untersuchung über die Sprache der Chanson de geste Hugues Capet und über die Identität des Verfassers mit dem des Bauduin de Sebourc , Inaugural-dissertation Leipzig, Halle : H. John, 1909. *Writing A Children's Assignment*! DUPARC, Suzanne, Baudoin de Sebourc, dans Dictionnaire des Lettres françaises : Le Moyen Age , éd. *Steroids*! Georges Grente et alii, Paris, Fayard, 1964, pp. 105-106. *Photo Essay*! EMPLAINCOURT, Edmond A, « Le CCGB de Lyon (Ms. *On Anabolic Steroids*! 744, Bibliothque Municipale) : Note sur trois allusions Baudoin de Sebourc », dans Olifant , t. 4, 1976-1977, pp.

78-83. GOLTHER, W., Baudoin de Sebourc in altniederländischer Bearbeitung, Zeitschrift für Deutsche Philologie , XXVII, 1895, pp. 14-27.
HERMAN, Gerald, « A fourteenth-Century Anti-Hero : Baudoin de Sebourc », dans RN , t. *Writing Assignment*! 15, 1973-1974, pp. *On Anabolic*! 355-360.
HERMAN, Gerald, « Rainouart au tinel and the Rustic Hero Tradition in Baudoin de Sebourc », dans RN , t. *Walter*! 16, 1974-1975, pp. 415-421.
KIBLER, William W., « The Unity of Baudoin de Sebourc », dans SP , t. *Thesis*! 67, 1970, pp. *Graded*! 461-471. *Thesis*! KLEINSCHMIDT, Wilhelm, Das Verhältnis des Bauduin de Sebourc zu dem Chevalier au Cygne, MArco Polo, Brandon, Barlaam et Josaphat, und den Fabliaux , Inaugural-dissertation Göttingen, Göttingen, Hofer, 1908.

LABANDE, E.-R., tude sur Baudouin de Sebourc , Paris, 1940. MEULEN, Janet F. van der, « Bruges, Brendan et Baudouin de Sebourc » , dans Queeste. *Boxer Essay*! (Tijdschrift over *on anabolic steroids* middeleeuwse letterkunde in writing a children's book, de Nederlanden / Revue de la littrature mdivale aux Pays ), p. *On Anabolic*! 1-17. PARIS, Paulin, « Baudoin de Sebourg », dans HLF , XXV, 1869, pp. *Benjamin Essay*! 537-593. ROY, Emile, La versification et le style de Hugues Capet , de Baudoin de Sebourc et du Bastart de Bouillon (Rimes, métrique, flexion, syntaxe, vocabulaire et style), dans A la Mémoire d'Emile Roy , Publications de l'Université de Dijon, II, Dijon : Bellais et alii ; Paris : Picard, 1929, pp. *On Anabolic*! 1-19. Pour clairer Berthe aux grands pieds et sa version franco-italienne : ADLER, Alfred, « Adenet's Berte and *essays* the ideological situation in on anabolic, the 1270's », dans Studies in Philology , XLV (1948), pp. *English*! 419-431. *Thesis*! ARFERT, P. Das Motiv von der unterschobenen Braut in book assignment, der internationalen Erzählungslitteratur mit einem Anhang : Über den Ursprung und die Entwicklung der Bertasaga . *On Anabolic Steroids*! Diss. Universität Rostock. *Creative Writing*! Schwerin: Bärensprungschen Hofbuchdruckerei, 1897.

BARBERINO, Andrea da, I Reali di Francia . 1967. Introduzione di Aurelio Roncaglia. *Thesis On Anabolic Steroids*! Note di Fabrizio Beggiato. *Essay*! Storia e documenti. *Steroids*! Brugherio-Milano : Gherardo Casini Editore, 1987. *Writing Book*! (Book 6, pp.

540-695.) BARTOLUCCI-CHIECCHI, Lidia, A proposito della leggenda di Berta del gran pis. Vita Veronese 31 (1978), p.66-67. *Thesis On Anabolic*! BARTOLUCCI-CHIECCHI, Lidia, Il Doppio nei Reali di Francia : Berta e Falisetta. *Critique Groups Online*! In L'Ombra, il doppio, il riflesso. Ed. Franco Piva et al. Spec. issue of Quaderni di lingue e letterature 22 (1997), p. *Steroids*! 23-30. BECKER, Philippe Auguste. *Graded English*! Berte aus grans piés von Adenet und der Berliner Prosaroman. Zeitschrift für romanische Philologie 16 (1892), p. 211-16. *Steroids*! BEDIER, Joseph.

Les Légendes épiques . Paris, Honoré Champion, 1913. *Walter*! III : p.14-15 and *thesis steroids* 26. BENDER, Karl-Heinz. Les Métamorphoses de la royauté de Charlemagne dans les premières épopées franco-italiennes. *A Children's Assignment*! Atti del 2o Congresso internazionale della 'Société Rencesvals' . N. ed. *On Anabolic Steroids*! Spec. issue of Cultura Neolatina 21 (1961), p. *Benjamin Of History Essay*! 164-174. *Thesis Steroids*! BESAMUSCA, Bart. 'Beerte metten breden voeten' : Diplomatische uitgave van het enig overgeleverde fragment. Tijdschrift voor Nederlandse tall en letterkunde 102 (1986), p. *Essay Nazi Pact*! 1-20. *Thesis Steroids*! BOVY, Arthur.

Adenet le roi et son oeuvre. Etude littéraire et linguistique. Annales de la Société d'Archéologie de Bruxelles 10 (1896), p. *Writing*! 452-62. BRANDIN, Louis. Berthe au grand pied. *On Anabolic*! D'après deux romans en vers du XIIIe siècle . Paris, Boivin Cie, 1924. *Graded English*! BRAULT, Gerard J. The Legend of Charlemagne's Sin in Girart d'Amiens. Romance Notes 4.1 (1962), p. 72-75. *Thesis Steroids*! CAPUSSO, Maria Grazia. Mescidanze temato-registrali e ambiguità ideologica nella Geste Francor: Berta e Milon-Rolandin.

In Cultura dell'Italia padana dell'Italia padana e la presenza francese nei secoli XIII-XV . *Writing Critique Online*! (Pavia, 11-14 settembre 1994). Ed. Luigina Morini. *Thesis*! Alessandria: Edizioni dell'Orso, 2001, p. *A Children's Assignment*! 151-168. *Steroids*! COLIN DE PLANCY (pseud. *Photo Essay*! Jacques-Auguste-Simon). La Reine Berthe au grand pied . *Thesis*! 7e éd. Société de Saint-Victor pour la propagation des bon livres [sic]. Paris: Librarie Centrale de la société, 1854.

COLLIOT, Régine, Adenet le roi. *Creative Critique*! Berte aus grans pies. Etude littéraire générale . 2 vols. *Thesis On Anabolic Steroids*! Paris: Picard, 1970. COLLIOT, Régine, Structure de la trahison dans les diverses versions de la légende de Berte aus grans pies . Essor et fortune de la Chanson de geste dans l'Europe et l'Orient latin. *Nazi Soviet*! Actes du IXe Congrès international de la Société Rencesvals (Padoue-Venise, 29 août - 4 septembre 1982). Modena: Mucchi, 1984. 2, p. *On Anabolic Steroids*! 663-78. DE CALUWE, Jacques.

Les Prières de Berte aus grans piés dans l'oeuvre d'Adenet le rois. *Essay*! Mélanges Pierre le Gentil , p. *On Anabolic Steroids*! 151-60. D'AMAT, Romand, et al. DATE : Berthe. Dictionnaire de Biographie Française. Ed. J. *Pact*! Balteau, M. Barroux, M. Prévost, et al. *Thesis*! 19 vols.

Paris : Letouzey Aré, 1933-. *Groups*! DEMOULIN, Auguste. Charlemagne, la légende de son peché et le choix de Ganelon pour l'ambassade. *On Anabolic*! Marche romane : cahiers de l'ARULG 25.1-2 (1975), p. *Boxer Photo*! 105-26. *Thesis On Anabolic*! DEMAUX, Germaine. Une Fresque inédite du XIIIe siècle en l'abbaye d'Aiguevive (Loir-et-Cher) : Saint Gilles remettant à Charlemagne la chartre apportée par un ange. La Chanson de geste et le mythe carolingien. *Essay Nazi Pact*! Mélanges René Louis . Musée archéologique régional, Saint-Pèrepsous Vézélay, 1982, p. *Thesis On Anabolic Steroids*! 279-92. DORSEY, Gladys Madeline.

HISTOIRE DE LA ROYNE BERTE ED DU ROY PEPIN (Ms. Berlin Staatsbibliothek, 130). *Writing A Children's Book*! Diss. Baltimore, Md. *On Anabolic*! : The Johns Hopkins University, 1933. *Expository Essay*! DOUTREPONT, G. Les Mises en prose des épopées et des romans chevaleresques du XIVe au XVIe siècles . Bruxelles.

1939. *Thesis Steroids*! DUBY, Georges. *Benjamin*! The Knight, the **thesis on anabolic**, Lady and *writing assignment* the Priest : The Making of **on anabolic steroids**, Modern Marriage in Medieval France . *Boxer Photo*! Trans. *On Anabolic*! Barbara Bray. *Writing Persuasive Essay*! [Fr: Le Chevalier, la femme et le prêtre : Le mariage dans la France médiévale . Hachette, 1981.] New York: Pantheon Books, 1983. DUBY, Georges, Medieval Marriage : Two Models from *on anabolic steroids* Twelfth-Century France . Trans. *Nazi Pact*! Elborg Forster. *On Anabolic*! Baltimore, MD : Johns Hopkins, 1978. *Critique Groups*! DUGGAN, Joseph J. *Thesis On Anabolic Steroids*! Legitimation and *writing a children's* the Hero's Exemplary Function in thesis on anabolic steroids, the Cantar de mio cid and *essay* the Chanson de Roland . Oral Traditional Literature . *Thesis Steroids*! Ed. John Miles Foley. Columbus, OH: Slavica Publishers, Inc., 1981, p. 217-34. *Creative Critique Groups*! D'AMAT, Romand, et al.

Berthe. Dictionnaire de Biographie Française. Paris : Letouzey Aré, 1954. *Thesis Steroids*! 6 : p. *English*! 185-87. *On Anabolic Steroids*! EINHARD. Life of Charlemagne . Trans. Lewis Thorpe. *Book*! Harmondsworth, Middlesex (UK) : Penguin, 1969. ENNEN, Edith.

Le donne nel Medioevo . Trans. *Steroids*! Gustavo Corni. *Essay Soviet*! Roma/Bari : Laterza, 1986. *Thesis On Anabolic Steroids*! FAHLIN, Carin. La Femme innocente exilée dans une forêt. *Boxer Essay*! Motif folklorique de la littérature médiévale.

Mélanges de philologie romane offerts à M. *Thesis Steroids*! Karl Michaëlsson par ses amis et ses élèves . N. *Walter Benjamin Of History Essay*! ed. Göteborg : n. p, 1952, p. 132-48. *Thesis Steroids*! FARAL, Ed., Pour l'histoire de Berte au grand pied et de Marcoul et Salomon, dans Romania , t. XL, 1911, pp. *Boxer*! 93-96. FEIST, A., Zur Kritik der Bertasage , Marburg, 1885. *On Anabolic*! ( Ausg. u. *Boxer Photo Essay*! Abhandl ., LIX). FOEHR-JANSSENS, Yasmina. Une Reine au désert : désolation et majesté dans Berte as grans piés d'Adenet le Roi. *Thesis Steroids*! In L'épopée romane au Moyen Âge et aux temps modernes, Actes du XIV Congrès International de la Société Rencesvals pour l'étude des Épopées Romanes (Naples, 24-30 juillet 1997) . *Expository Writing Essay*! Ed. S. *On Anabolic*! Luongo.

2 vols. *Essay Nazi Soviet Pact*! Naples : Fridericiana Editrice Universitaria, 2001, p. *Thesis*! 229-45. FOULET, Alfred. *Walter Benjamin*! Ms. H. of **steroids**, Berte aus grans piés . Modern Language Notes 63 (1947) : p. *Writing*! 504. *Steroids*! GAIFFIER, Baudouin de. *Writing Persuasive Essay*! La Légende de Charlemagne: Le péché de l'empereur et son pardon.

Recueil de Travaux offert à M. Clovis Brunel. N. *Thesis On Anabolic*! éd. 2 vols. *Walter Angel Of History Essay*! Mémoires et documents publiés par la Société de l'Ecole des chartes 12. *Thesis*! Paris : Société de l'école des Chartes, 1955. *Essay*! 1 : p. 490-503. GREEN, H. *On Anabolic Steroids*! J., « The Ppin-Bertha Saga and *english* Philip I of **thesis on anabolic**, France », dans Publications of the **walter benjamin angel of history essay**, modern language Association of **on anabolic steroids**, America , LVIII (1943), pp. *Expository Writing Persuasive*! 911-919. HENRY, Albert,'Berta da li gran pié' et la Berte d'Adenet. Cultura Neolatina 21 (1961) : p. 135-40. *Thesis On Anabolic Steroids*! HENRY, Albert, Note sur le Miracle de Berthe.

Mélanges de linguistique et de littérature romanes à la mémoire d'István Frank . Saarbruken : Universität des Saarlandes, 1957, p. *Creative Groups*! 250-61. *On Anabolic Steroids*! HOFLER, Manfred. Rev. of **pact**, Berta da li pè grandi. Codice Marciano XIII , éd. Carla Cremonesi. ZfrP 84 (1968), p. 179-81.

HOLMES, Urban T., Jr. Adenet le Roi's Berte aus grans pies. Edited with an Introduction, Variants and *thesis* Glossary. *Graded English Essays*! University of **thesis steroids**, North Carolina Studies in the Romance Languages and Literatures, 6. Chapel Hill: University of **persuasive essay**, North Carolina, 1946. *Thesis On Anabolic Steroids*! JAMES-RAOUL, Danile, Les discours des mres. Aperus dans les romans et lais du XII e et XIII e sicles dans Bien dire et bien aprandre , XVI, 1998, pp. 145-157 (particulirement aux pp. 152-153). JOHNSTON, O. M., The legend of **expository writing essay**, Berte aux grans pis and the Mrchen of **thesis on anabolic**, Little Snow-White, dans RLR , t. *Graded*! LI, pp. 545-47. *Thesis On Anabolic*! JORDAN, Leo.

Rev: Ueber die verschiedenen Fassungen der Bertasage. *Creative Groups Online*! Literaturblatt für germanische und romanische Philologie 33 (1912): 402-04. KELLERMANN, Wilhelm. Le Texte et la matière du roman Berte aus grans piés d'Adenet le Roi: A propos d'une nouvelle édition. *Thesis*! Marche romane 28 (1978): 287-300. Mélanges de philologie et de littératures romanes offerts à Jeanne Wathelet-Willem. *Soviet Pact*! Vol. *Thesis On Anabolic Steroids*! 28. *Graded English*! KRABBES, Theodor. *Steroids*! Die Frau im altfransoesiscen [sic] Karls-Epos.

Marburg: Elwertsche Verlagsbuch, 1884. *Graded English Essays*! KRAUSS, Henning. Epica feudale e pubblico borghese. Per la storia poetica di Carlomagno in Italia. *On Anabolic Steroids*! Trans. F. *Writing*! Brugnolo, A. *Thesis Steroids*! Fassò and M. *Nazi*! Mancini. Padova: Liviana, 1980.

LEJEUNE, Rita. *Steroids*! Le péché de Charlemagne et la Chanson de Roland . III Congreso internacional de la Société Rencesvals. *Essays*! N. *Steroids*! ed. Spec. issue of Boletín de la Real Academia de Buenas Letras de Barcelona 31 (1965-66): 339-71. *Creative Groups*! LEJEUNE, Rita, Recherches sur le Thème : Les Chansons de Geste et l'Histoire . Bibliothèque de la Faculté de philosophie et lettres de l'Université de Liège 108. *On Anabolic Steroids*! Liège: Faculté de Philosophie et Lettres, 1948. *Expository Persuasive*! pp. 24 ff. *On Anabolic*! LEMAIRE, Jacques. Adenet le roi.

Berte as grans piés . *Essay Nazi Soviet Pact*! Scriptorium 44 (1990): 3. *On Anabolic Steroids*! LEVINE, Robert, ed. A Thirteenth-Century Life of **walter of history**, Charlemagne. *Steroids*! [Primat]. *Assignment*! Garland Library of Medieval Literature. *On Anabolic*! Series B 80. *Boxer*! New York and *thesis* London: Garland Publishing, Inc., 1991. *Boxer Photo Essay*! LEVY, Raphael. *Thesis Steroids*! Les Manuscrits et le vocabulaire de Berte aus grans piés. *Boxer*! Philosophical Quarterly 29 (1950): 49-60.

MEMMER, A, Die altfranz. Bertasage und das Volksmrchen , Halle, 1935. MENARD, Phillipe. *On Anabolic*! Berte au grant pié, Bietris, Alis. Romania 102 (1981): 114-29. *Writing*! MORGAN, Leslie Zarker. Berta ai piedi grandi : Historical Figure and *thesis* Literary Symbol. *Writing Critique Groups Online*! Olifant 19 (1994-95): 37-56. MORGAN, Leslie Zarker, La regina tradita: Berta e Blançiflor nel Ms. *Thesis Steroids*! V13.

In Cultura dell'Italia padana e la presenza francese nei secoli XIII-XV . (Pavia, 11-14 settembre 1994). Ed. Luigina Morini. Alessandria: Edizioni dell'Orso, 2001. *Writing Critique*! 169-84. MURET, Ernest. Rev: Feist, Zur Kritik der Bertasage. Romania 14 (1885): 608-11. *On Anabolic*! MUSSAFIA, Adolph.

Berta de li gran pié. *Expository Writing Essay*! Romania 3 (1874): 339-364; 4 (1875): 91-107. *Thesis Steroids*! MUSSONS, Anna María. Berthe ou le labyrinthe généalogique. *Benjamin Angel Of History*! Revue des Langues Romanes 94 (1990): 39-59. NOOMEN, Willem. Pour une typologie des personnages des Miracles de Nostre Dame. *On Anabolic*! In Mélanges de linguistique et de littérature offerts à Lein Geschiere. Amsterdam, 1975.

71-89 (esp. *Expository Essay*! 71-78). NOSOW, Harold. *Thesis On Anabolic*! The Double Image of **english**, Charlemagne. Diss. New York University, 1985. PARIS, Gaston, Histoire poétique de Charlemagne . 1905. Genève: Slatkine Reprints, 1974.

PARIS, Gaston, « La lgende de Ppin le Bref », dans Mlanges Julien Havet , Paris, 1895, pp. *Thesis*! 608-632 ; repris dans Mlanges de littratures franaises du Moyen Age , Paris, 1912, pp. 183-215 ; complment dans Rom . XXIV (1895), p. 319. *Creative Critique Online*! PARIS, Gaston and *thesis steroids* Ulysse Robert, eds. Miracle de Berte. Miracles de Nostre Dame par personnages.

Société des Anciens Textes Français . Paris: Firmin Didot, 1880. *Essays*! 154-255. *Thesis*! PARIS, Gaston , « Rev : Arfert. *Nazi Soviet*! » Romania 26 (1897): 57. *Thesis On Anabolic*! PARIS, Gaston , « Rev: P. Rajna, Reali di Francia.» Romania 2 (1873): 351-66. PARIS, Gaston , « Rev: Li Romans de Berte aus grans piés, par Adenès li Rois; Aug. *Writing Book*! Scheler.» Romania 5 (1876): 115-19. PARIS, Gaston, and *thesis* Alphonse Bos, eds. La Vie de Saint Gilles par Guillaume de Berneville . Poème du XIIe siècle.

Société des anciens textes français. *Expository Writing Persuasive Essay*! Paris: Firmin Didot et Cie, 1881. PARIS, Gaston, and Ulysse Robert, eds. Miracle de Berte. *Thesis On Anabolic Steroids*! Miracles de Nostre Dame par personnages. Société des Anciens Texts Français. *A Children's Assignment*! Paris: Firmin Didot, 1880. *Steroids*! 154-255. PARIS , Paulin, ed. Li Romans de Berte aus grans piés.

Romans des douze pairs de France 1. Paris: Techener, 1832. PLANCHE, Alice. Roland fils de personne: Les structures de la parenté du héros dans le manuscrit d'Oxford. *Graded Essays*! Tyssens, Charlemagne et l'épopée romane, 1978. *On Anabolic*! 2: 595-604. *Boxer Photo*! PLANCY, J. Collin, de. *On Anabolic*! La Reine Berthe au grand pied et quelques légendes de Charlemagne. *Benjamin Angel Essay*! Société pour la propagation des bon [sic] livres. *Thesis Steroids*! Paris: Librarie centrale de la Société, 1854. *Graded English Essays*! RAJNA, Pio, ed.

Geste Francor. Milano: Bestetti e Tuminelli, n.d. *Thesis*! RAJNA, Pio. *Walter Of History*! Ricerche intorno ai Reali di Francia. *On Anabolic Steroids*! Bologna : Gaetano Romagnoli, 1872. *Photo*! REINHOLD, J[oachim]. *Thesis On Anabolic Steroids*! (Summary of Polish article). Bulletin de l'Académie des sciences de Cracovie décembre 1908: 141-44. REINHOLD, J[oachim] . Über die verschiedenen Fassungen der Bertasage. Beihefte zur Zeitschrift für romanische Philologie 35 (1911): 1-152.

REINHOLD, J[oachim]. Ze Studyow Brownawczych nad sreniwiecz nan Epika: Berte aus grans pies w Literaturach Germanskich i Romanskich (Studi comparati sulla poesia epica medievale Berta de li gran piè nelle letterature germanica e romanza.) Krakow 1909. *Walter Benjamin Of History Essay*! Rozpraw Wydzialn Filologicznego, Akademii umiejetnosci w Krakowie 46 (3rd ser. *On Anabolic*! 1) (1910): 1-194. *Walter Angel Of History*! RAYNOUARD, F. *Steroids*! J. *Boxer Essay*! M. *Thesis On Anabolic Steroids*! Rev. of Li Romans de Berte aus grans piés, précédé d'une dissertation sur les romans des douze pairs, by *nazi*, Paulin Paris. Journal des Savans [sic] juin: 340-349; juillet 1832: 385-98. *Thesis*! RIQUER, Martin de. *Writing*! Los cantares de gesta franceses: Sus problemas, su relación con España. Biblioteca romanica hispanica III. Manuales.

Madrid: Gredos, 1952. ROLLAND, Isabelle. *Thesis On Anabolic*! Le Mythe carolingien et l'art du vitrail. *Groups*! Sur le choix et l'ordre des épisodes dans le vitrail de Charlemagne a la cathédrale de Chartes. *On Anabolic Steroids*! Mélanges René Louis, 1982. *English Essays*! 255-77.

RONCAGLIA, Aurelio. *Thesis Steroids*! Rolando e il peccato di Carlomagno. Symposium in graded english essays, onorem Prof. M. de Riquier. N. ed. Barcelona: Universitat-Quaderns Crema, 1984. 315-47. *Steroids*! ROUSSEL, Claude, Berthe, Florence, Hlne : trois variations piques sur le thme de l’pouse perscute dans L’pope tardive , Centre des sciences et de la littrature, Littrales 22 , Universit Paris X, Nanterre, 1998, pp.

39-60. ROSELLINI, Aldo, ed. La Geste Francor di Venezia. *Writing A Children's*! Pubblicazioni del Centro linguistico dell'Università cattolica. Saggi e monografie, 6. *Thesis Steroids*! Brescia: La Scuola, 1986. *Essay Nazi Pact*! RUGGIERI, Ruggero, trans. *Thesis On Anabolic Steroids*! Berta da li pè grandi. L'influsso francese in Italia nel Medioevo. Ed. *Boxer*! Ruggero M. Ruggieri. Roma: E. de Sanctis, 1969.

286-97. *Thesis On Anabolic Steroids*! RUMPF, Marianne. *Boxer Essay*! Berta. Enzyklopadie des Marchens. *Thesis*! Handwörterbuch zur historischen und vergleichendedn Erzählforschung. Ed. *Writing*! Kurt Ranke et al. *Thesis On Anabolic*! 10 vols. to date.

Berlin: de Gruyter, 1977-. 2 (1979): 156-62. *Essays*! SCHELER, August, ed. Li Roumans de Berte aus grans piés par Adenés le Rois. *On Anabolic Steroids*! Brussels: Comptoir Universel/C. *Boxer*! Muquardt, 1874.

SCHLAUCH, Margaret. Chaucer's Constance and Accused Queens. *On Anabolic*! A Thesis submitted in partial fulfillment of the requirements for *english*, the degre of Doctor of **thesis**, Philosophy in the Faculty of Philosophy, Columbia University. *Boxer Photo*! New York City, NY: New York University Press, 1927. *On Anabolic Steroids*! SHOLOD, Barton. Charlemagne and *essay soviet pact* Roland.

A Mysterious Relationship ? III Congreso internacional de la Société Rencesvals. *Thesis Steroids*! N. Ed. Spec. issue of Boletín de la Real Academia de Buenas Letras de Barcelona 31 (1965-66): 313-19. *A Children's*! SINCLAIR, Finn E. Reproductive Frameworks: Maternal Significance in Berte as grans piés. Ailes, Reading Around the **thesis on anabolic steroids**, Epic 1998. *Nazi Soviet Pact*! 269-95. STEVENS, Marion White. *On Anabolic*! Text and *boxer* Variants of **on anabolic steroids**, Berte as grans pies by Adenet le roi. *Persuasive Essay*! MA essay. *On Anabolic*! Baltimore, Md.: The Johns Hopkins University, 1931. TAYLOR, Archer.

The Biographical Pattern in Traditional Narrative. *Creative Writing Critique*! Journal of the **thesis on anabolic**, Folklore Institute 1 (1964): 114-29. *Boxer Essay*! TRIGER, Robert. *On Anabolic Steroids*! La Légende de la reine Berthe et la fondation des églises de Moitron, Segrié, Saint-Christophe-du-Jambert et Fresnay. Revue historique et archéologique du Maine 13 (1883): 174-201. *Writing Critique*! TYLUS, Piotr, ed. Histoire de la Reine Berthe et du Roy Pepin. Mise en prose d'une chanson de geste. *Thesis On Anabolic Steroids*! Textes littéraires français. *Writing A Children's Assignment*! Genève: Droz, 2001.

WAIS, Kurt. *Thesis*! Märchen und Chanson de geste, Temengeschichtliches zu Robert le Diable, Berte aus grans piés, Loher und Maller. *Angel Of History*! Zeitschrift für französische Sprache und Literatur, Beiheft- Neue Folge 5 (1977): 120-38. *On Anabolic Steroids*! Festgabe J. *Essay Nazi Pact*! Wilhelm. Reprinted in thesis on anabolic, ZfSL 87 (1977): 314-34. *Essay Pact*! WOLEDGE, Brian. *Thesis Steroids*! Bibliographie des romans et nouvelles en prose française antérieurs à 1500. société de publications romanes et françaises XLII. *Expository Writing Persuasive*! Genève: Librarie Droz, 1975.

WOLFGANG, Lenora. Rev: 'Le Texte et la matière du roman Berte aus grans piés d'Adenet le Roi: A propos d'une nouvelle edition,' by W. *Steroids*! Kellerman. Olifant 9 (1981): 77-78. *Essay Soviet*! ZAMBON, Francesco. La materia di Francia nella letteratura franco-veneta. Sulle orme di Orlando.

Leggende e luoghi carolingi in Italia. *Thesis Steroids*! I paladini di Francia nelle tradizioni italiane, una proposta storico-antropologica . *Graded English*! Padova: Interbooks, 1987. 53-64.
MATZKE, John E., The Legend of Saint George ; its development into a roman d'aventure, dans PMLA , t. *On Anabolic Steroids*! XIX, 1904, pp. *Walter Benjamin Angel*! 449-478.

RAJNA, Pio, Seguite dal libro delle Storie di Fioravante e del cantare di Bovo d'Antona , dans I Reali di Francia , Vol. I, Ricerche intorno ai Reali di Francia , Bologna, 1872. DUPARC, Suzanne, La composition de la Chanson d'Antioche, dans Rom ., LXXXII, 1962, pp. 1-29, 210-247. SUMBERG, Lewis M., La chanson d'Antioche : Etude historique et littéraire , Paris, Picard, 1968.

BEDIER, Joseph, Les Lgendes piques , 1908-1913, t. II, pp. 200 et 270 ; t. *Thesis On Anabolic Steroids*! III, p. *Benjamin*! 97 ; t. IV, pp. 183, 301 et 329.
BENARY, Walter, Mitteilungen aus Handschriften der Chanson d'Aspremont dans ZRP , t. *Thesis On Anabolic Steroids*! X, 1910, pp. *Essay*! 1-27, 769 et ss.
FABII, L. de, Rapporti tra la Chanson d'Aspremont e un inedito Cantare d'Aspramonte , dans Arch. *Thesis On Anabolic*! rom ., t. XXI, 1937, pp. *Boxer Photo*! 336-346.
HAASE, Carl, Weitere Studien zur Chanson d'Aspremont ; diss.

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MANDACH, Andr de, Naissance et dveloppement de la chanson de geste en Europe , III, Chanson d'Aspremont , Genve, 1975.
MAYER, Joseph, Weitere Beitrge zur Chanson d'Aspremont ; diss. *Expository Writing Essay*! Greifswald, 1910.
MODIGLIANI, Ettore, Intorno alle origini dell'epopea d'Agolant, dans Scritti vari di filologia a Ernesto Monaci , 1901, pp. *Thesis Steroids*! 569-585.
ROEPKE, Fritz, Studien zur Chanson d'Aspremont ; diss. *A Children's Assignment*! Greifswald, 1909.
SZOGS, Siegfried, Aspremont, Entwicklungsgeschischte und Stellung innerhalb der Karlsgeste , Halle, 1931 (Romanist. *Thesis*! Arbeit., XVIII).

SZOGS, Siegfried, Die Erfurter Handschriftenbruchstcke von Aspremont, dans ZRP , t. *Essay*! LII, 1932, pp. *Thesis Steroids*! 758-765.
VAN WAARD, Roelof, tudes sur l'origine et la formation de la Chanson d'Aspremont ; diss. *Essays*! Groningue, 1937.
WILSON, Claudine J., La chanson d'Aspremont . *On Anabolic*! Le problme des laisses 473-479, dans Revue de Philologie , 1925.
YARKHO, B. *Creative Writing Critique Groups Online*! J., Ueber den Jungen Roland , Leningrad, 1926.
BOSSUAT, Robert, Charles le Chauve : tude sur le dclin de l'pope franaise, Lettres Romanes , 7, 1953, pp. *On Anabolic Steroids*! 107-32 et 187-99.
BLOHM, H., Grammatische- und metrische Studien ber die Chanson de Charles le Chauve , dissertation Greifswald, 1912.
FLUTRE, Louis-Fernand, Dieudonn de Hongrie , chanson de geste du XIVe sicle (alias Roman de Charles le Chauve ), Zeitschrift fr romanische Philologie , 68, 1952, pp. 321-400.

FLUTRE, Louis-Fernand, « La partie d'checs de Dieudonn de Hongrie », dans Mlanges offerts à Rita Lejeune , II, 1969, pp. 757-768.
PARIS, Paulin, dans Histoire Littraire , t. *Boxer Essay*! XXVI, p. 303.
PARIS, Paulin, dans Histoire Littraire , t. *Thesis*! XXXVI, 1873, p. *Expository*! 94-125.
RUBKE, O., Studien ber die Chanson de Charles le Chauve (Inhalt, Quellen, Textprobe, Namenverzeichnis) , dissertation Greifswald, 1909.
WOODS, William S., A Critical Edition of Ciperis de Vignevaux, with Introduction, Notes and *thesis* Glossary , University of North Carolina Studies in the Romances Languages and Literatures, 9, Chapel Hill, 1949.
A critical edition of the **walter angel of history essay**, Old Provençal epic Daurel et Beton, Chapel Hill (The Univ. of North Carolina Press) 1971 (Univ. of **steroids**, N.C. *Essay Nazi Pact*! Studies in thesis on anabolic, the Romance Languages and *persuasive essay* Lit.

108).
BRANDIN, Louis, Le manuscrit de Hanovre de la Destruction de Rome et de Fierabras , dans Rom. , t. XXVIII, 1899, pp. *On Anabolic*! 489-507. *Soviet Pact*! BRANDIN, Louis, La Destruction de Rome et Fierabras ; ms. Egerton 3028, du Mus. Brit., Londres , dans Rom. *Thesis On Anabolic Steroids*! , t. LXIV, 1938, pp. 18-100.
JARNIK, H., Studie ber die Komposition der Fierabrasdichtungen ( Fierabras , Destruction de Rome ), Halle a. Saale, 1903.

SMYSER, H. *Of History Essay*! M., A new manuscript of the Destruction de Rome and Fierabras, Harvard Stud., XIV, 1932, pp. 339-349.
CALLU-TURIAF, Florence, Recherches sur la geste de Nanteuil, cole Nationale des Chartes : Positions des thses , Paris, 1958.
ADLER, Alfred, Didactic Concerns in l' Entre d'Espagne , dans L'esprit crateur , t. *On Anabolic Steroids*! 2, 1962, pp. *Essay Nazi*! 107-109.

CROMEY, Nancy Bradley, L'Entre d'Espagne : Elements of Content and *on anabolic* Composition , Madison, Univ. of **graded**, Wisconsin, 1974 dans DA , t. *On Anabolic*! 35, 1974-1975, 6660-6661A.
FINOLI, Anna Maria, Note sulla personalit e la cultura dell'autore dell' Entre d'Espagne dans CN , t. 21, 1961, pp. *Expository Persuasive Essay*! 175-181.
FOLENA, Gianfranco, La cultura volgare e l'Umanesimo cavalleresco nel Veneto, dans Umanesimo europeo e Umanisemo veneziano, a cura di Vittore Branca , Firenze, 1963, pp. 141-158.
HOLTUS, Gnter, Lexikalische Untersuchungen zur Interferenz : die franko-italienische Entre d'Espagne , Tbingen, 1979 (Beihefte zur Zeitschrift fr romanische Philologie, 170).
LIMENTANI, Alberto, L'art de la comparaison dans L'entre d'Espagne , dans Socit Rencesvals.

VI e Congrs International (Aix-en-Provence, 29 Aot-4 Septembre 1973). *Thesis*! Actes , Aix-en-Provence, 1974, pp. 351-371.
LIMENTANI, Alberto, Epica e racconto : Osservazioni su alcune strutture e sull'incompiutezza dell' Entre d'Espagne , dans Atti dell' Istituto Veneto di Scienze, Lettere ed Arti ( Classe di Scienze Morali, Lettere ed Arti ), t. 133, 1974-1975, pp. 393-428.
LIMENTANI, Alberto, L'epica in critique groups, lengue de France, l' Entre d'Espagne et Niccol da Verona, pp. *Thesis Steroids*! 338-368.
LIMENTANI, Alberto, Franco-veneto e latino, dans XIV congresso internazionale di linguistica e filologia romanza ( Napoli, 15-20 aprile 1974 ). *Walter Benjamin Of History Essay*! Atti , Napoli, t. *Thesis Steroids*! II, Communicazioni , 1976, pp.

505-514.
LIMENTANI, Alberto, Astronomia, astrologia e arti magiche nell' Entre d'Espagne , dans Medioevo e Rinascimento Veneto, con altri Studi in onore di Lino Lazzarini , Padova, 1979, I, pp. *Groups*! 129-146.
MONTEVERDI, Angelo, Un fragment manuscrit de L'entre d'Espagne , dans CCM , t. 3, 1960, pp. 75-78.
LIMENTANI, Alberto, Raimon d'Avinho con provenzali e catalani nelle rime dell' Entre d'Espagne , dans Miscel.lnia Aramon i Serra. *Thesis*! Estudis de llengua i literatura catalanes oferts a R. Aramon i Serra en el seu setant aniversari , Barcelona, 1980, II, pp. *Graded Essays*! 277-289.
LIMENTANI, Alberto, Venezia e il pericolo turco nell' Entre d'Espagne , dans CN , t. *On Anabolic*! 40, 1980, pp. *Writing Assignment*! 165-181.

RONCAGLIA, Aurelio, Les quatre eschieles de Rollant, dans CN , t. 21, 1961, pp. 191-205.
ROSELLINI, Aldo, Codici Marciani di epopea carolingia ( Ricerche bibliografiche ). *Steroids*! Dispensa prima , Udine, 1979.
RENZI, Lorenzo, Per la lingua dell' Entre d'Espagne , dans CN , t. *Creative Online*! 30, 1970, pp. *On Anabolic*! 59-87.
RUGGIERI, Ruggero M., Dall' Entre d'Espagne e dai Fatti de Spagna alla materia de Spagna dell'inventario gonzaghesco, dans CN , t. 21, 1961, pp. 182-190.

RUGGIERI, Ruggero M., Il titolo e la protasi dell' Entre d'Espagne e dei Fatti di Spagna in expository persuasive, rapporto alla materia della Chanson de Roland , dans Mlanges Maurice Delbouille, II, 1964, pp. 615-633.
SANTORO, Mario, L'Astolfo ariostesco : homo fortunatus, dans Filologia e Letteratura , t. *On Anabolic Steroids*! 11, 1963, pp. *Writing Book*! 236-287.
SPECHT, Ren, Cavalleria francese alla corte di Persia : l'episodio dell' Entre d'Espagne ritrovato nel frammento reggiano, dans Atti dell' Istituto Veneto di Scienze, Lettere ed Arti ( Classe di Scienze Morali, Lettere ed Arti ), t. *Steroids*! 135, 1976-77, pp. *Book*! 486-506.
SPECHT, Ren, Il frammento reggiano dell' Entre d'Espagne : raffronto filologico col codice Marciano francese XXI ( = 257), dans Atti dell' Istituto Veneto di Scienze, Lettere ed Arti ( Classe di Scienze Morali, Lettere ed Arti ), t. 136, 1977-78, pp. *Thesis On Anabolic Steroids*! 407-424.
TORRACA, F., L'entre d'Espagne dans Studi di Storia Letteraria , Firenze, 1923, pp. 164-241.

VALLECALLE, Jean-Claude, Saintet ou hrosme chrtien ? Remarques sur deux pisodes de l' Entre d'Espagne dans , Essais sur la perfection : le Hros et le Saint , PRIS-MA, t. XVI/2, n° 32, III, Juillet-Dcembre 2000.
Pour clairer Fierabras : AILES, Marianne, J., Comprehension problems and their resolution in the Middle English verse translations of **critique**, Fierabras , dans Forum For Modern Language studies, XXXV, Oxford, 1999, pp. 396-407. AILES, Marianne, J., Faith in Fierabras dans Charlemagne in the North. *Thesis Steroids*! Proceedings of the Twelfth International Conference of the Socit Rencesvals, Edinburgh, 4-11 august 1991 , d. Philip E. *Benjamin Angel*! Bennett et al., Edinburgh-Londres, 1993, III, pp. 125-133. AILES, Marianne, J., The date of the **on anabolic**, chanson de geste Fierabras dans Olifant XIX, 1994-1995, pp. *Creative Writing Online*! 245-271.

AILES, Marianne, J., Romance and Epic elements in the different French versions of Fierabras , dans Olifant , X, 1982-1983, pp. *Thesis On Anabolic Steroids*! 41-49. *Soviet*! AILES, Marianne, J., A comparative study of the medicval French and *thesis steroids* middle English verse texts of the **writing critique online**, Fierabras legend, thèse Univ. *On Anabolic Steroids*! Reading, 1989. BOUTET, Dominique, Le Fierabras anglo-normand du manuscrit Egerton 3028 du du British Museum , style épique et remaniement dans Au carrefour des routes d’Europe : la chanson de geste, Xe congrs international de la socit Rencesvals pour l’tude des popes romanes , Publications du CUER MA, Senefiance n°21, Universit de Provence, 1987, I, pp. *Writing Book Assignment*! 283-299. BRANDIN, Louis, Le manuscrit de Hanovre de la Destruction de Rome et de Fierabras , dans Rom. , t. *On Anabolic*! XXVIII, 1899, pp. *Writing A Children's Assignment*! 489-507. *Thesis*! BRANDIN, Louis, La Destruction de Rome et Fierabras ; ms. *Essay Nazi Soviet*! Egerton 3028, du Mus.

Brit., Londres , dans Rom. , t. LXIV, 1938, pp. 18-100. DRZEWICKA, Anna, Le preux et le sage reflétés par un miroir déformant. *On Anabolic Steroids*! Roland et Olivier dans Fierabras , dans Cultura neolatina, LII, 1992, pp. 231-245.
JARNIK, H., Studie ber die Komposition der Fierabrasdichtungen ( Fierabras , Destruction de Rome ), Halle a. Saale, 1903. *Walter Angel Of History*! JAUSS, Hans Robert, Epos und Roman. *Thesis Steroids*! Eine vergleichende Betrachtung an texten des XII Jahrunderts ( Fierabras - Bel inconnu ) dans Altfranzösiche Epik.

Hrsg. *Writing A Children's Assignment*! von Henning Krauss, Darmstadt : Wissenschaftliche Buchgesellschaft, 1978, pp. 314-337. *Thesis Steroids*! KELLER, Hans-Erich, La belle Sarrasine dans Fierabras et ses dérivés dans Charlemagne in the North. Proceedings of the Twelfth International Conference of the **english essays**, Socit Rencesvals, Edinburgh, 4-11 august 1991 , d. Philip E. *Thesis On Anabolic Steroids*! Bennett et al., Edinburgh-Londres, 1993, III, pp. *Writing A Children's Book Assignment*! 299-307.

KELLER, Hans-Erich, Le sort de Fierabras en Allemagne, dans Au carrefour des routes d’Europe : la chanson de geste, Xe congrs international de la socit Rencesvals pour l’tude des popes romanes , Publications du CUER MA, Senefiance n°21, Universit de Provence, 1987, II, pp. 717-735. *Thesis On Anabolic*! KELLER, Hans-Erich, Une histoire de Charlemagne en Suisse Romande dans Travaux de linguistique et de Littérature , XVI, 1978, pp. 259-269. KNOTT, Gordon A., Notes on reality and improbability in Fierabras dans Olifant XX, 1996, pp.

145-170. *Graded English*! LAFONT, Robert, Les origines occitanes de la chanson de geste. *Thesis On Anabolic Steroids*! Le cas de F(i)erabras dans C.C.M. *Creative*! , XLI, 1998, pp. 365-373.
LE PERSON, Marc, Etude littraire et dition critique des rdactions, longues et versifies en langue d'ol, de Fierabras , Thse d'tat dactylographie, 3 vol., soutenue en 1998 Paris IV-Sorbonne, en cours de parution. *Thesis*! LE PERSON, Marc, Les titres des oeuvres dans les manuscrits de Fierabras dans A plus d'un titre. *Nazi*! Les titres des oeuvres dans la littérature française du Moyen Age au XXe siècle , Actes du Colloque (18-19 mai 2000), textes rassemblé par Claude Lachet, Université Jean-Moulin, Lyon III, C.E.D.I.C, 2000, pp. *Thesis*! 29-48. *Pact*! LE PERSON, Marc, Le rire et le sourire dans La Destruction de Rome et Fierabras dans Miscellanea medievalia, Mélanges offerts à Philippe Ménard, études réunies par Jean-Claude Faucon, Alain Labbé et Danielle Quéruel, Champion , 1998, pp. *Thesis Steroids*! 897-715.

MANDACH, André de, Les textes et festivals du Fierabras en Ibérie et en Amérique Latin. Plaidoyer en faveur de la littérature orale, épine dorsale de la littérature des chansons épiques mondiales dans Filologia Romanza e cultura medievale. Studi in writing a children's, onore di Elio Melli , a cura di Andrea Fasso et alii, Allessandria, éd. dell'Orso, 1998, pp. 471-475. *Thesis*! MANDACH, André de, The evolution of the matter of Fierabras . Present state of **boxer essay**, research dans Romance Epic. *Thesis*! Essays on a medieval literary genre, éd. by *expository persuasive*, Hans-Erich Keller, Kalamzoo, Michigan, Medieval Inst. Publ., 1987, pp. *On Anabolic Steroids*! 129-139. MANDACH, André de, Table ronde sur la geste de Fierabras dans Au carrefour des routes d’Europe : la chanson de geste, Xe congrs international de la socit Rencesvals pour l’tude des popes romanes , Publications du CUER MA, Senefiance n°21, Universit de Provence, 1987, II, pp.

1209-1245. MANDACH, André de, La geste de Fierabras ou le jeu du réel et de l'invraissemblable, dans Au carrefour des routes d’Europe : la chanson de geste, Xe congrs international de la socit Rencesvals pour l’tude des popes romanes , Publications du CUER MA, Senefiance n°21, Universit de Provence, 1987, II, pp. *Nazi*! 843-857. MARINONI, Maria Carla, Fierabras, anonimo in prosa, Parigi B.N. *Thesis On Anabolic Steroids*! ms. 2172 , Milano, 1979. *Walter Benjamin Angel Of History*! (Transcription du manuscrit en prose) MELLI, Elio, Rapports entre les versions française, provençale et italienne de Fierabras . Ressemblances et différences structurales, stylistiques et registrales, intertextualité dans Au carrefour des routes d’Europe : la chanson de geste, Xe congrs international de la socit Rencesvals pour l’tude des popes romanes , Publications du CUER MA, Senefiance n°21, Universit de Provence, 1987, II, pp.

879-896. *On Anabolic*! MIQUET, Jean, Fierabras, roman en prose de la fin du XIVe siècle , Ottawa, 1983. (Transcription du manuscrit en prose) PEARCY, Roy J., An episode in boxer essay, Gui de Warewic and Fierabras , dans Kentucky Romance Quarterly , Lexington, XXVI, 1979, pp. 125-132. SMYSER, H. M., A new manuscript of the Destruction de Rome and Fierabras, Harvard Stud., XIV, 1932, pp. *Steroids*! 339-349.
TITS, Anne, La lgende de Fierabras (Dissertation prsente l'Universit de Louvain ; Doctorat en Philosophie et Lettres ; encore manuscrite), 1938. *Expository Persuasive Essay*! WILLIAMS, Harry F., Calderon and Fierabras, dans Olifant, X, 1983-1984, pp.

132-139.
Dit de Flourence de Romme (remaniement en prose). *Thesis*! A. JUBINAL l'a publi dans son Nouveau recueil de Contes, Dits, Fabliaux et autres pices indites des XIIIe, XIVe et XVe sicles , 1839, t. *Boxer Photo Essay*! 1, pp. *Thesis Steroids*! 88-117.
B.N.F. fr. 24384 (ms. Q) : remaniement de la chanson en alexandrins. Mais l'histoire est trs diffrente.
Il existe une version espagnole en prose publie en 1864 par Amador de los Rios dans son Historica critica de la literatura espanola , t. *Walter Angel*! V, pp. *Thesis On Anabolic*! 391-468, d'aprs un manuscrit de la Bibliothque de l'Escurial (ms. h. *Creative Critique Groups Online*! j. *On Anabolic*! 12).
Le bone Florence of **walter angel of history essay**, Rome (version anglaise en couplets de douze vers d'aprs le manuscrit Ff.

II. 38, University Library, du XVe sicle), dition Joseph Ritson dans ses Ancient English Metrical Romances , t. *Thesis Steroids*! III, pp. 1-92.
ROUSSEL, Claude, Berthe, Florence, Hlne : trois variations Epiques sur le thme de l’Epouse perscute dans L’pope tardive , Centre des sciences et de la littrature, Littrales 22 , Universit Paris X, Nanterre, 1998, pp. 39-60.
WALKER, Roger M., La Chanson de Florence de Rome and the International Folktale, Fabula , 23, 1982, pp. *Nazi Soviet*! 1-18.

WENZELl, Rudolf, Die Fassungen der Sage von Florence de Rome und ihr gegenseitiges Verhltnis , Marbourg, 1890.
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BOSSUAT, Robert, Florent et Octavien , chanson de geste du XIVe sicle , Romania , 1952, p. 289-331.
BOSSUAT, Robert, Le roi Dagobert, hros de romans du Moyen Age , dans Acadmie des Inscriptions et Belles Lettres. Comptes-rendus des sances de l’anne 1964 , p. 361-367.
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93-112.
LOT, Ferdinand, La croix des royaux de France , Romania , t. *Writing*! XX, 1891, pp. 278-281.
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PARIS, Gaston, dans Romania , t. *Photo*! II, 1873, p. 351-358.
PARIS, Gaston, dans Romania , t. XI, 1882, p. 609-14.
PARIS, Paulin, Florent et Octavian , dans Histoire littraire de la France , t. XXVI, 1873, p. *Steroids*! 303-35.
SUARD, Franois, Octavien, le nouveau chevalier au lion , dans L’pope tardive , Centre des sciences et de la littrature, Littrales 22 , Universit Paris X, Nanterre, 1998, p. *Photo*! 61-74.
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424-426. CALIN, William C., The Old french Epic of Revolt : Raoul de Cambrai, Renaud de Montauban, Gormond et Isembard , Genève, Droz, 1962. FOERSTER, W., Jenaer Literaturzeitung , III, n35, 1876, pp. 557-559. FOESRTER, W., Zeitschrift für französiche Sprache und Litteratur , XXIV, p. *Creative Writing Critique*! 204.
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LOT, Ferdinand, Romania , LIII, 1927, pp. *On Anabolic Steroids*! 335-342. *English*! ORR, John, Modern Language Review , XV, 1920, pp. *On Anabolic*! 265-269. PARIS, Gaston, Romania , V, 1876, pp. 377-381. PARIS, Gaston, Romania , VIII, 1879, pp. 300-301. PARIS, Gaston, Romania , XVIII, 1889, p. *Walter Benjamin Angel Of History Essay*! 137. PARIS, Gaston, Romania , XXXI, 1902, pp. *Thesis Steroids*! 445-448.

POPE, K., The Dialect of Gormont and Isembard , dans Modern Language Review , XIII, 1918, pp. *Walter Of History*! 335-338. RAMBEAU, A., Uber die als echt nachweisbaren Assonanzen des Oxforder Textes des Chanson de Roland , Halle, 1878. SOSTMANN, C., Der Formenbau des Nomens und Verbums in dem Fragment von Gormont et Isembart, nebst einem etymologischen Wörterverzeichnisse , Kiel, 1910, pp. *Thesis On Anabolic*! 67-78. VOLCKER, B., Die Worstellung in den ältesten französichen Sprachdenkmälern , Heilbronn, 1882, Französichen Studien , III, 7. VORETZSCH, Literaturblatt für germ. *Essay*! und romanische Philologie , 1909, col. *Thesis Steroids*! 104-106. WILMOTTE, M., Les origines littéraires de Gormond et Isembard , Bruxelles, 1925, Académie royale de Belgique, Bulletin de la Classe des Lettres , 5e série, t. *Expository Persuasive*! XI, pp. 35-53. ZENKER, Rudolf, Romanische Forschungen , XXXIX, 1926, pp.

479-480. ZENKER, Rudolf, Zeitschrift für romanische Philologie , XXX, 1906, pp. 509-510. ZENKER, Rudolf, Das Epos von Isembard und Gormund. Sein Inhalt und seine historischen Grundlagen, nebst einer metrischen bersetzung des Brsseler Fragments , Halle, 1896. BOSSUAT, Robert, La chanson de Hugues Capet , Romania , t. LXXI, 1950, p. 450-481.

BOSSUAT, Robert, La lgende de Hugues Capet au XVIe sicle, Mlanges H. *Thesis On Anabolic Steroids*! Chamard , 1951, p. 29-38. DEUTSCHMANN, Albert, Untersuchung über die Sprache der Chanson de geste Hugues Capet und über die Identität des Verfassers mit dem des Bauduin de Sebourc , Inaugural-dissertation Leipzig, Halle : H. *Walter Benjamin Angel*! John, 1909.
FERRIERE, A., Hugues Capet, chanson de geste du XIVe sicle, Etude d'histoire littraire, Positions des thses cole de Chartres , 1950, p. *On Anabolic*! 49-51.
GIER, Albert, Hugues Capet le pome de l'harmonie sociale, dans Essor et fortune de la chanson de geste dans l'Europe et l'Orient latin , p. *Photo Essay*! 69-75. Actes du IXe Congrs International de la Socit Rencesvals pour l'tude des popes romanes, Padoue -Venise 29 aot-4 septembre 1982. *Thesis*! Modena : Mucchi d. 1984, XVI, 1013 p. *Writing*! en 2 tomes.

ROY, Emile, La versification et le style de Hugues Capet , de Baudoin de Sebourc et du Bastart de Bouillon (Rimes, métrique, flexion, syntaxe, vocabulaire et style), dans A la Mémoire d'Emile Roy , Publications de l'Université de Dijon, II, Dijon : Bellais et alii ; Paris : Picard, 1929, pp. 1-19.
SUARD, Franois, Hugues Capet dans la chanson de geste au XIVe sicle, Colloque International sur Hugues Capet, 987-1987. *Thesis Steroids*! II Religion et culture autour de l'an mil , Paris, 1990, p. *Graded English*! 215-226.
SUBRENAT, Jean, Richier mule de Rainouart. Le burlesque dans la chanson de Hugues Capet Actes du Colloque de Strasbourg (septembre 1993) , Annales littraires de l'Universit de Besanon n° 558, 1995.
Le roman de Hugues Capet au XIVe sicle , traduit par Franois SUARD et Jean SUBRENAT, Troesnes, 1987.

ROSSI, marguerite, Huon de Bordeaux et l’volution du genre pique au XIIIe sicle , Paris, Champion, 1975.
VORETZSCH, C., Epische Studien I. Die Composition des Huon de Bordeaux , Halle a. *Steroids*! Saale, 1900.
ADLER, A., Jehan de Lanson as related to Auberi le Bourguignon and to Les Quatre fils Aymon , Romances Notes , 1969, pp. *Angel*! 399-406.
BAROIN, J., Simon de Pouille (tude et dition) , Thse de l'Universit de Paris IV, Atelier de reproduction des thses de l'Universit de Lille III, Paris, 1978, t. *Thesis Steroids*! I, pp. 117-119.
BDIER, Joseph, Les lgendes piques, recherches sur la formation des chansons de geste , Paris, 2e d. 1914-21, t. II, p. 281-293 et t. IV, p. 217.
BOUTET, Dominique, Jehan de Lanson, Technique et esthtique de la chanson de geste au XIII e sicle , Paris, Presses de l’Ecole Normale Suprieure, 1988.
BOUTET, Dominique, La politique et l'histoire dans les chansons de geste, Annales (Economies, Socits, Civilisations) , 1976, n°6, pp.

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COURAYE du PARC, J., Recherches sur la chanson de Jehan de Lanson , Mlanges Julien Havet , Paris, 1895, pp. 325-354.
DUGGAN, J. J., The thief Basin and *essay nazi pact* the legend of Charlemagne, Actes du VIIIe Congrs International de la Socit Rencesvals, Pamplona, 1981, pp. *On Anabolic Steroids*! 107-115.
GAUTIER, Lon, Les popes franaises. *Writing A Children's Book Assignment*! Etudes sur les origines et l’histoire de la littrature nationale , Paris, Victor Palm, t. *Thesis Steroids*! III, 1880, pp. *Soviet*! 257-270.
LEJEUNE, Rita, La localisation en Provence de la chanson de geste de Jehan de Lanson , Premier Congrs des membres associs du Flibrige , Toulon, 1958, pp.

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PARIS, Paulin, analyse de l'oeuvre dans Histoire Littraire de la France (HLF), t. *Expository Writing Persuasive*! XXI, pp.

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SUBRENAT, Jean, Etude sur Gaydon, chanson de geste du XIIIe sicle , Presses de l'Universit de Provence, 1974.
ANDRESEN, Hugo, Zeitschrift für romanische Philologie , X, 1886, pp. *Thesis Steroids*! 481-482. *Walter Angel Of History Essay*! ANDRESEN, Hugo, Zeitschrift für romanische Philologie , XVI, 1892, pp. *On Anabolic Steroids*! 223-226. *Essay Pact*! ANDRESEN, Hugo, Zeitschrift für romanische Philologie , XXVIII, 1904, pp. *Thesis Steroids*! 571-578. ANDRESEN, Hugo, Zeitschrift für französiche Sprache une Literatur, XLIV, 1917, pp. 232-236.

BALDINGER, Kurt, Zeitschrift für romanische Philologie , LXXXV, 1969, p. *Graded English Essays*! 640. COOK, Robert Francis, French Review , XLIV, 1971, pp. 627-628. *Thesis On Anabolic*! DELBOUILLE, Maurice, « Apollonius de Tyr et les débuts du roman français », Mélanges offerts à Rita Lejeune , Gembloux, II, 1969, pp. *Walter Essay*! 1171-1204. DEMBOWSKI, Peter F., « La prétendue geste de Blaye », Actas del XI Congreso Internacional de Linguistica y Filologia Romanicas , Madrid, 1968, pp. 841 à 851. DEMBOWSKI, Peter F., « Autour de Jourdain de Blaye , aspects structuraux et problèmes connexes », Neophilologus , LI, 1967, pp. 238-45.

DI STEFANO, Giuseppe, Studi francesi , XIV, 1970, pp. *Thesis On Anabolic*! 124-125.
FERLAMPIN-ACHER, Christine, « A propos de Jourdain de Blayes : le genre pique et les personnages fminins », dans L'Information littraire , 44/3, mai-juin 1992, p. *Creative Writing Online*! 42-45. *On Anabolic Steroids*! GRÖBER, Gustav, Grundriss der romanischen Philologie , II, Strasbourg, 1902, p. 571.
HOFFMANN, Karl, Amis et Amiles et Jourdains de Blaivies. Zwei altfranzsiche Heldengedichte des Karolingischen Sagenkreises . 2e dtion erlangen, Deichert, 1882. KOCH, John, Ueber Jourdain de Blaivies, ein altfranzösiches Heldengedicht des kerlingischen Sagenkreises , Dissertation, Königsberg, 1875. *Expository Writing Essay*! LECOY, Félix, Romania , XCI, 1970, p. *Thesis*! 137. *Essay*! LE GENTIL, Pierre, C.C.M. , XVII, 1974, pp. *Thesis On Anabolic Steroids*! 61-62.

LEVY, Raphael, Chronologie approximative de la littérature française du Moyen Age , Tübingen, 1957, p. 57. MENARD, Philippe, Romance Philology , XXVIII, 1975, pp. 396-398.
MODERSOHN, Hermann, Die Realien in den altfranz. *Graded English*! chanson de geste Amis et Amile und Jourdain de Blaivies ; diss. *On Anabolic Steroids*! Mnster, Lingen, 1886. RASMUSSEN, Bertie H., « L'origine des chansons de geste Ami et Amile et Jourdain de Blaye », Actes du Quatrième Congrès des Romanistes Scandinaves , Copenhague, 1967, pp. 232-39. RASMUSSEN, Bertie H., « Le Cycle de Blaye et l'histoire », dans Société Rencesvals, IVe Congrès International , Heidelberg, 1969, pp. 82-89. ROSS, David J. *Boxer Photo Essay*! A., Modern Language Review , LXV, 1970, p. 623.
CASTELDO, W., Die Prosafassung der Bataille Loquifer und des Moniage Renouard ; diss.

Halle, Wittenberg, 1912. (tude sur la version en prose).
CLOETTA, Wilhelm, Grandor von Brie und Guillaume von Bapaume, dans Festgabe Ad. *On Anabolic*! Mussafia , pp. 255-275 et ZfS , t. *Essay*! XXVII, 1905, pp. *On Anabolic*! 22-29.
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AKKARI, Hatem, Mre, tu souffriras et tu erreras . La souffrance et l’errance de la mre dans La belle Hlne de Constantinople et dans Florent et Octavien , dans Bien dire et bien aprandre , XVI, 1998, pp. *Benjamin Angel*! 7-18.
BUSSMANN, Henry, Grammatische Studien ber den Roman de la belle Helaine nebst einer Textprobe aus Hs. *Thesis Steroids*! A (Arraser Stadt Bibl. *Creative Writing Critique Online*! n° 766) und Hs. *On Anabolic*! L (Lyoner Bibl., n°685) ; diss. Greifswald, 1907.
DOUHET, Dictionnaire des Lgendes , p. *Essay Nazi*! 523.
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LEON, A., Une pastorale basque , Paris, 1908.
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SUCHIER, H., d. *Critique Groups*! des Oeuvres de Beaumanoir , t. I, p. XXVII.
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WATHELET-WILLEM, Jeanne, Le roi et la reine dans La Chanson de Guillaume et dans Aliscans . Analyse de la scne de Laon, dans Mlange Jeanne Lods , I, Paris, 1978.
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MALINOWSKI, J., Dormunda, dame quercynoise, pote du XIII e sicle, dans le Bulletin de la Socit des tudes du Lot , t. VI, 1880, pp. *Thesis On Anabolic*! 5-19.
MEYER, Paul, Recherches sur les auteurs de la Chanson de la croisade Albigeoise , Bibliothque de l'cole des chartres, 6me srie, t. I, 1865, pp. 401-422.

Pour clairer La Chanson de Roland : BEDIER, Joseph, La chanson de Roland : Commentaires , Paris, Piazza, 1927. *Graded English*! BEDIER, Joseph, Les assonances en -é et en -ié dans La Chanson de Roland , Romania , 47 (1921), p. *On Anabolic*! 465-480. *Writing A Children's*! BRAULT, Gérard, The song of Roland. An Analytical Edition . 2 vols, University Park London : The Pennsylvania State University Press, 1978. *Thesis On Anabolic*! CREPIN, A., Formule, motif, thme : la clart dans La chanson de Roland , Charlemagne et l'pope romane , Belles Lettres, 1978, t. II, pp. *Creative Writing Groups Online*! 345-359. DEMOULIN, Auguste. *Thesis*! Charlemagne, la légende de son peché et le choix de Ganelon pour l'ambassade. *Creative Groups Online*! Marche romane : cahiers de l'ARULG 25.1-2 (1975), p. *Thesis*! 105-26. DUGGAN, Joseph, The Song of **writing assignment**, Roland : Formulaic Style and *thesis* Poetic Craft . Publications of the **creative groups**, Center for *thesis on anabolic steroids*, Medieval and *boxer photo essay* Renaissance Studies, Univ. of **on anabolic**, California, Los Angeles, 6. Berkeley and *boxer photo* Los Angeles, University of **thesis**, Californai Press, 1973. EDMONDS, Barbara P., Le Portrait des Sarrasins dans La Chanson de Roland , French Review , 44 (1971, p. *Benjamin Of History*! 870-880.

FAWTIER, Robert, La chanson de Roland , tude historique, Paris, 1933. *Steroids*! GUIETTE, Robert, Les deux scnes du cor dans La Chanson de Roland et dans les Conquestes de Charlemagne , dans MA, t. *Essay*! 69, 1963, pp. 845-855. KELLER, Hans-Erich, Autour de Roland , Paris, 1992. MENENDEZ-PIDAL, Ramon, La chanson de Roland et la tradition pique des Francs , 2e d., traduite par I. Cluzel, Paris, 1960. *Thesis On Anabolic Steroids*! PAUPHILET, Albert, Sur la Chanson de Roland , dans Romania , t. LIX, 1933, pp. *Expository Writing Persuasive Essay*! 161-68. RAMBEAU, A., Uber die als echt nachweisbaren Assonanzen des Oxforder Textes des Chanson de Roland , Halle, 1878.

RUGGIERI, Ruggero M., Il titolo e la protasi dell' Entre d'Espagne e dei Fatti di Spagna in rapporto alla materia della Chanson de Roland , dans Mlanges Maurice Delbouille , II, 1964, pp. *On Anabolic Steroids*! 615-633. SEGRE, Cesare, La chanson de Roland. Edizione critica (Documenti di Filologia 16), Milano, Napoli, 1971. SUBRENAT, Jean, E Oliver est proz, tudes offertes Jules Horrent , Lige, 1980, pp.

461-467. *Essay Nazi Soviet*! WALPOLE, R. *Thesis Steroids*! N., Two Comments on **a children's book**, Recent Studies of the Chanson de Roland , Romance Philology , 1952, 6, pp. 34-44.
BOWMAN, R. K., The connections of the Geste des Loherains with other French Epics and Mediaeval Genres , Thse de Columbia University, New-York, 1940.
FEIST, Alfred, Die Geste des Loherains in steroids, der Prosabearbeitung der Arsenal-Handschrift (Ausg.

Abh, XX), 1884.
Pour clairer La geste Francor :
Le manuscrit de Venise (Bibliothque Saint-MArc, fr. *Photo*! XIII) contient un ensemble de textes piques, Bovo d'Antona , Berta de li gran pi , Bovo d'Antona II , Karleto , Berta e Milon , Enfances Ogier , Rolandin , Chevalerie Ogier et Macaire , crits ou remanis pour former un rcit continu de la lutte du lignage de Mayence contre les Reali di Francia. *On Anabolic Steroids*! Le manuscrit date de la premire moiti du XIV e sicle ; bien que son modle puisse tre notablement antrieur, ce recueil reflte l'tat de l'pope franaise en Italie au dbut du XIV e sicle.
KRAUSS, Henning, Epica feudale e pubblico borghese. Per la storia poetica di Carlomagno in Italia , a cura di A. *Graded English Essays*! Fass, Padova, 1980.

La Geste Francor di Venezia ( Codice Marciano XIII della serie francese ). Fac simile in thesis on anabolic, fototipia con un Proemio di Pio Rajna, Milano, Roma, 1925.
La Geste Francor di Venezia. *Graded English Essays*! Edizione integrale del Codice XIII del Fondo francese della Marciana . Introduzione, note, glossario, indice dei nomi a cura di Aldo ROSELLINI, Brescia, La scuola, 1986 ( Pubblicazioni del Centro di Linguistica dell'Universit cattolica, Saggi e monografie , 6).
BERTOLINI, Virginio, « Castrinas, duca di Verona, nel poema di Niccol da Casola », dans Atti e Memorie dela Accademia di Agricoltura, Scienze e Lettere di Verona , serie VI, t. 27 (152), 1975-1976, pp. 81-90.
PEISKER, Rose-Marie, Materialien zur Beschreibung der Sprache der franko-venezischen Epos La Guerra d'Attila , Gttingen, 1973.
ANDRIEUX-REIX, Nelly, Une ville devenue dsir : la Prise d'Orange et la transformation du motif printanier, dans Mlanges Alice Planche , Paris, 1984, t. *Thesis On Anabolic*! I, pp. 21-32.

HEINEMANN, E. *Writing Online*! A., Sur l'art de la laisse dans Le Couronnement de Louis dans Charlemagne et l'pope romane , Actes du VIIe Congrs International de la Socit Rencesvals , Paris, Belles Lettres , 1978, p. *Thesis Steroids*! 383-391.
FRAPPIER, Jean, Les chansons de geste du Cycle de Guillaume d'Orange , 2 tomes, Paris, S.E.D.E.S, 1955-1965. GUIDOT, Bernard, Recherches sur la chanson de geste au XIII e sicle d’aprs certaines њuvres du cycle de guillaume d’Orange , Aix-en-Provence, Marseille, Publications de l’Universit de Provence, 1986, 2 vol.
SUARD, Franois, Le motif du dguisement dans quelques chansons du cycle de Guillaume d'Orange , Olifant , 7, 1980.
COOK, Robert F., et CRIST, Larry S., Le Deuxime cycle de la croisade. deux tudes sur son dveloppement. Les textes en vers.

Saladin , Genve, 1972 (Publications romanes et franaises, 120).
DUPARC-QUIOC, Suzanne, Le cycle de la croisade , Paris, Champion, 1955.
DUPARC-QUIOC, Suzanne, « Les pomes du 2e cycle de la croisade : problmes de composition et de chronologie », dans RHT , t. *Essay*! 9, 1979, pp. 141-181.
AUDOIN, Philippe, Bourges, cité première : essai d'iconologie mytho-hermétique , Paris, Julliard, 1972.
JENNY, Jean, « Note bibliographique sur Lion de Bourges », dans Cahiers d'Archologie et d'histoire du Berry , t. 33, 1973, pp. *Thesis On Anabolic*! 74-76.
KIBLER, William W., « The Fake-Pilgrim in Lion de Bourges », dans RN , t. 11, 1969-1970, pp.

407-413.
KIBLER, William W., « Les derniers avatars du personnage de Charlemagne dans l'pope franaise », dans Charlemagne et l'pope romane , 1978, pp. *A Children's*! 281-290.
KRICKMEYER, R, Weitere Studien zur Chanson de Lion de Bourges , Teil I, Greifswald, 1905.
PICHERIT, Jean-Louis, « Le merveilleux chrtien et le motif du mort reconnaissant dans la chanson de Lion de Bourges », dans Annuale mediaevale , t. 16, 1974, pp.

41-52.
PICHERIT, Jean-Louis et KIBLER William W., « Lion de Bourges », dans Olifant , t. *On Anabolic Steroids*! 2, 1974-1975, pp. *Expository Writing Persuasive Essay*! 5-13, 129-138, 183-197, 246-259.
PICHERIT, Jean-Louis, « Une partie d'checs dans la chanson de Lion de Bourges », dans RN , t. *On Anabolic*! 16, 1974-1975, pp. *Essay*! 692-694.
PICHERIT, Jean-Louis, « proverbial Material in Lion de Bourges », dans Olifant , t. 4, 1976-1977, pp. *Thesis Steroids*! 244-258.
PICHERIT, Jean-Louis, « Ralit et fiction gographique dans Lion de Bourges », dans Travel, Quest, and *boxer essay* Pilgrimage as a Literary Theme : Studies in Honor of Reino Virtanen , ed. *Steroids*! Frans C. Amelinckx and Joyce N. *Photo Essay*! Megay, Ann Arbor, 1978, pp. 61-76.

WILHELMI, H., Studien ber die Chanson de Lion de Bourges , Marbourg, 1894.
BECKMANN, Gustav A., Maugis d'Aigremont . *Thesis On Anabolic Steroids*! Zur Genesis einer literarischen Gestalt, dans ZRP , t. 89, 1973, pp. 148-166.
VERNAY, Philippe, Vers une dition critique de Maugis d'Aigremont , dans CN , t. 34, 1974, pp. *Walter Angel Essay*! 15-71.

VERELST, Philippe, L'enchanteur d'pope : prolgomnes une tude sur Maugis , dans Romanica Gandansia , t. 16, 1976, pp. *Thesis Steroids*! 119-162.
RUNEBERG, J., tudes sur la geste Rainoart , diss. Helsingfors, 1905.
EMPLAINCOURT, Edmond A, « Le Chevalier au Cygne et Godefroi de Bouillon : Note sur le Ms. 744 de Lyon (Biblio. Municipale) », dans Rom ., t. 95, 1974, pp. *Expository Essay*! 562-565.
EMPLAINCOURT, Edmond A, « Le CCGB de Lyon (Ms. *Thesis On Anabolic Steroids*! 744, Bibliothque Municipale) : Note sur trois allusions Baudoin de Sebourc », dans Olifant , t. 4, 1976-1977, pp.

78-83. *Creative Critique*! KRÜGER, August Georg, « Les manuscrits de la Chanson du Chevalier au Cygne et Godefroi de Bouillon » , dans Rom ., XXVIII, 1899, pp. *Steroids*! 421-426. LODS, Jeanne, L'utilisation des thèmes mythiques dans trois versions écrites de la légende des Enfants-Cygnes, dans Mélanges offerts à René Crozet , Poitiers, Société d'Etudes Médiévales , 1966, pp. *Soviet Pact*! 809-820.

LODS, Jeanne, L'Art de la composition dans les différentes versions du Chevalier au Cygne, dans Société Rencesvals, IVe Congrès International : Actes et mémoires , Studia Romanica, 14, Heidelberg, Winter, 1969, pp. 245-253.
GOOSSE, Andr, Ogier le Danois , chanson de geste de Jean d'Outremeuse, dans Romania , t. *Thesis On Anabolic Steroids*! 86, 1965, pp. 145-198.
MARTIN, Jean-Pierre, Orson de Beauvais et l'écriture épique à la fin du XIIe siècle. Trasitions et innovations , Paris, Champion, 2005.
AEBISCHER, Paul, Etudes sur Otinel. ( De la chanson de geste la saga norroise et aux origines de la lgende ), Berne, Francke, 1960.
LE GENTIL, Pierre, Rflexions sur la Chanson d' Otinel , dans Cultura Neolatina , 321, 1961, pp. *Creative Groups Online*! 66-70.

BECKER, P. *On Anabolic*! A., Parise la duchesse , Zeitschrift fr franzsiche Sprache und Literatur, 1942, Band 64, Heft 6.7, pp. *Benjamin Angel Of History Essay*! 436-440.
DI NINNI, Franca, « Il discorso diretto nelle opere di Niccol da Verona », dans Atti dell'Istituto Veneto di Scienze, Lettere ed Arti ( Classe di Scienze Morali, Lettere ed Arti ), t. *Thesis On Anabolic*! 133, 1974-1975, pp. *Writing A Children's Book Assignment*! 263-294.
DI NINNI, Franca, « L'episodio di Guron de Bretagne nella Prise de Pampelune », dans CN , t. *On Anabolic Steroids*! 40, 1980, pp.

183-192.
RUNEBERG, J., Etudes sur la geste Rainouart ( Thse Universit d'Helsingfors), Helsingfors, 1905.
AZZAM, Wagih, La geste interminable. Raoul de Cambrai : fins et suites , dans PRIS-MA. *A Children's Assignment*! Recherches sur la littrature d’imagination au Moyen ge , Universit de Poitiers, 15, 1999.
BAUMGARTNER Emmanule, et HARF-LANCNER Laurence, Raoul de Cambrai : l’impossible rvolte , Paris, Unichamp , Champion, 1999.

BAUMGARTNER, Emmanule, Quelques remarques sur l’espace et le temps dans Raoul de Cambrai , dans La chanson de geste et le mythe carolingien. Mlanges Ren Louis , Saint-Pre-sous-Vzelay, Muse archologique national, t. 2, 1982.
BEDIER, Joseph, Les lgendes piques. Recherches sur la formation des chansons de gestes , Paris, Champion, t. *Thesis On Anabolic Steroids*! II, 1917, p. 338-463.
BEZZOLA, Reto R., De Roland Raoul de Cambrai , Mlanges de philologie romane et de littrature mdivale offerts E. *Essay Nazi*! Hoepffner , Paris, Publ. *Steroids*! De la facult des lettres de l’univ. de Strasbourg, 1949.
BOUTET, Dominique, Raoul de Cambrai entre l’pique et le romanesque , Actes du colloque de l’Universit Paris X, 20 novembre 1999, Littrales n°25, Paris, 2000.
CALIN, William C., Raoul de Cambrai : un univers en dcomposition , dans Actes du VI e Congrs International de la Socit Rencesvals , Aix-en-Provence, Publications du CUER MA, 1974.

CALIN, William C., The Old french Epic of **writing essay**, Revolt : Raoul de Cambrai, Renaud de Montauban, Gormond et Isembard , Genève, Droz, 1962.
COMBARIEU du GRES, Micheline de, Guerri li Sors : les enjeux du personnage dans Raoul de Cambrai entre l’pique et le romanesque , dans Raoul de Cambrai, ouvrage dirig par Jean-Claude Vallecalle, Paris, Ellipses, 1999.
EISNER, Robert, Raoul de Cambrai ou la tragdie du dsordre , dans The French Review , 45, Special Issue, n° 8, 1971.
GUIDOT, Bernard, Spiritualit et violence dans Raoul de Cambrai dans Raoul de Cambrai, ouvrage dirig par Jean-Claude VALLECALLE et alii, Paris, Ellipses, 1999. JODOGNE, Omer, L'originalité de Raoul de Cambrai , dans La technique littéraire des chansons de geste , Bibliothèque de la Faculté de Philosophie et Lettres de l'Université de Liège, CL, Paris, Belles Lettres , 1959, pp. 37-58.
KAY, Sarah, La composition de Raoul de Cambrai dans la Revue belge de philologie et d’histoire , 62, 1984.
LABBE, Alain, La croix, l’pe et la flamme : autour de l’incendie d’Origny dans Raoul de Cambrai , dans Feu et lumire au Moyen Age, Travaux du groupe de recherches Lectures mdivales de l’Universit de Toulouse II, Toulouse, Editions Universitaires du Sud, 1998.

LABBE, Alain, Dfi et blasphme dans l’pisode d’Origny de Raoul de Cambrai : impit ou dsir de Dieu ? dans Raoul de Cambrai, ouvrage dirig par Jean-Claude Vallecalle, Paris, Ellipses, 1999. LABBE, Alain, Raoul et la voix des mres dans Raoul de Cambrai entre l’pique et le romanesque , Actes du colloque de l’Universit Paris X, 20 novembre 1999, Littrales n° 25 , Paris, 1999. LABBE, Alain, La vue du sang, vecteur de l’identit et de l’altrit dans Raoul de Cambrai dans la Revue des Langues Romanes, tudes romanes ddies la mmoire de Jacques BOISGONTIER , tome CIII, n° 2, 1999. LABBE, Alain, De quelques cњurs arrachs : horreur et violence dans la geste de la rvolte dans L’Horreur au Moyen Age , Travaux du groupe de recherches ‘‘Lectures mdivales’’, Universit de Toulouse II, Toulouse, ditions Universitaires du Sud, Diffusion Honor Champion, 1999. LE PERSON, Marc, La querelle de Raoul et de Bernier et ses consquences, Etude littraire des laisses 75-91 dans Raoul de Cambrai, ouvrage dirig par Jean-Claude Vallecalle et alii, Paris, Ellipses, 1999. LEGROS, Huguette, Au nom du pre…et du fils… dans Raoul de Cambrai, ouvrage dirig par Jean-Claude Vallecalle, Paris, Ellipses, 1999. LEGROS, Huguette, Raoul de Cambrai et Dom Juan : Hros lucifrien ou personnage cartel entre deux ordres moraux , dans La Chanson de geste et le mythe carolingien. Mlanges Ren Louis , Saint-Pre-sous-Vzelay, Muse archologique national, t. 2, 1982. MARTIN, Jean-Pierre, L’imaginaire de la temporalit dans Raoul de Cambrai dans Raoul de Cambrai entre l’pique et le romanesque, Actes du colloque de l’Universit Paris X, 20 novembre 1999, Littrales n° 25 , Paris, 2000.

MATARASSO, Pauline, Recherches historiques et littraires sur Raoul de Cambrai , Paris, Nizet, 1962.
NAUDET, Valrie, En tous lius vos en serai nuissans, tude de l’espace dans Raoul de Cambrai , dans Raoul de Cambrai, ouvrage dirig par Jean-Claude Vallecalle, Paris, Ellipses, 1999.
NAUDET, Valrie, Bernier en panime . *Thesis*! Quelques rflexions sur les pisodes sarrasins de Raoul de Cambrai , dans Guerres, voyages et qutes au Moyen Age, Mlanges offerts J.-C. Faucon , Paris, Champion, 2000, pp. 289-311.
PAYEN, Jean-Charles, Le motif du repentir dans la littrature franaise mdivale ( des origines 1230 ), Genve, Droz, 1968, (Publications romanes et franaises).
SUARD Franois, Le romanesque dans Raoul de Cambrai , dans Raoul de Cambrai entre l’pique et le romanesque, Actes du colloque de l’Universit Paris X, 20 novembre 1999, Littrales n° 25 , Paris, 2000.
SUBRENAT, Jean, Raoul de Cambrai et son public au sicle de Philippe II Auguste dans Raoul de Cambrai, ouvrage dirig par Jean-Claude Vallecalle, Paris, Ellipses, 1999.
VALLECALLE, Jean-Claude, Avant-propos : Raoul de Cambrai , ou la dsillusion dans Raoul de Cambrai , ouvrage dirig par Jean-Claude Vallecalle et alii, Paris, Ellipses, 1999.
Pour clairer Renaut de Montauban : CALIN, William C., The Old french Epic of **essay**, Revolt : Raoul de Cambrai, Renaud de Montauban, Gormond et Isembard , Genève, Droz, 1962.

LABBE, Alain, Images de la mre et substituts maternels dans Renaut de Montauban , dans Bien dire et bien aprandre , XVI, 1998, pp.171-189.
THOMAS Jacques, VERELST Philippe et PIRON Maurice, tudes sur Renaut de Montauban, dans Romanica Gandensia , 1981.
CRIST, Larry S., « The french Prose Saladin , the **thesis on anabolic**, Wheel of Fortune and the Cyclic Principle », dans Studies on the seven Sages of **nazi soviet pact**, Rome and *thesis steroids* other essays in walter benjamin, Medieval literature , Honolulu, 1978, pp. 212-218.
MICHA, Alexandre, Le sige de Barbastre , structure et technique dans Travaux de linguistique et de littrature , VI, 2, 1968, pp. 37-52.
NICHOLS, St., L'intervention de l'auteur dans le Sige de Barbastre , Boletin de la Real Academia de Buenas Letras de Barcelona , XXXI, 1965-66, pp. *Steroids*! 243-250.
BOOGARD, N. Van den, Le caractre oral de la chanson de geste tardive, Langue et littrature franaises du Moyen Age , Assen, 1978, pp. 25-38.
MEYER, Paul, Notice sur le roman de Tristan de Nanteuil , dans Jahrbuch fr romanische und englische Literatur , 1868, 9, pp.1-42 et 353-398.

PARIS, Gaston et BOS Alphonse, Vie de Saint-Gilles , Paris, Didot, 1881, Socit des Anciens Textes Franais , pp. *Book Assignment*! 98-110.
PARIS, Paulin, Histoire Littraire de la France , Paris, Didot, 1853, t. XXVI, pp. 229-269.
SINCLAIR, K. V., The Cyclic Relationships of Tristan de Nanteuil , Journal of the Australian Universities Language and *thesis on anabolic steroids* Literature Association , 1964, 2, pp.

27-38.
SINCLAIR, K. *Boxer Photo*! V., The Geographical Elements in Tristan de Nanteuil , Neophilologus , XLVI, 1962, 46, pp. 255-263.
BOSSUAT, Robert, Thsus de Cologne , Le Moyen Age , LXV, 1959, p. *Thesis On Anabolic*! 97-133, 291-320, 539-77.
BOSSUAT, Robert, « Le roi Dagobert, hros de romans du Moyen Age », dans Acadmie des Inscriptions et Belles-Lettres.

Comptes rendus des sances de l'anne 1964, pp. 361-367.
THEIS, Laurent, « Dagobert, Saint-Denis et la royaut franaise au Moyen Age », dans Le mtier d'historien au Moyen Age, tudes sur l'historiographie mdivale , Paris, 1977, pp. *Writing Critique Groups*! 19-30.
CASTETS, Ferdinand, Vivien de Monbranc, revue des langues romanes , 30 (1886), pp.

128-163.

### Write My Essay : 100% Original Content -
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10 Tips to Write an Essay and Actually Enjoy It. Writing an essay may not be easy. It may not come to you naturally. After all, writing is a skill, and *thesis steroids*, skills take practice, whether it#8217;s playing a sport, performing an instrument, or playing video games. But writing an writing persuasive, essay can be fun, if you have the right attitude. With that in mind, here#8217;s an on anabolic steroids, infographic with ten tips to *writing book assignment* write an essay without hating every moment of the process.

Click the image below to see a larger view: To make it through high school and college, you#8217;re going to have to write essays, but that doesn#8217;t mean you can#8217;t enjoy the time you write them. The secret is to stop trying to write a good essay. Instead, write an interesting essay, write an essay you think is fascinating.
In other words, start by writing what you think is interesting about the topic you#8217;re assigned. Then, when you’re finished, go back and edit with your teacher or professor in mind. How about you? Do you like writing essays? Do you hate writing essays?
Let me know in the comments section. Use tip #3 and ask yourself, #8220;What surprises me about *thesis on anabolic*, this topic?#8221; Then, spend fifteen minutes writing an photo, answer to that topic (here#8217;s a handy tool to help you keep track of your time). Just write whatever comes to mind.

Write for you, not for your teacher or professor. When your time is *on anabolic*, up, share your answer in the comments section as a way to get feedback encourage others to have fun writing essays, too. *Writing Critique*. This is *thesis steroids*, excellent! I#8217;ve been struggling with my essay for two days and I already know that this is *writing essay*, going to help me tremendously! Thank you so much, for writing this at the perfect time:) Awesome! Good luck!
These are great tips, not only for those writing essays, but also for bloggers too. Thank you!

Very true, Em. Thanks for reading! You#8217;re welcome Joe. Thank YOU! Although the article is geared toward school essays, I found some good tips to use in my personal essay. Thanks. *On Anabolic Steroids*. Great!

Glad you found it helpful, Jayne. This came at the perfect time!
I#8217;ve been putting off writing an essay for a week now since I dread writing them. This post helped me have a new perspective; I can#8217;t wait to try these tips out on **writing book assignment**, my work. #128578; That#8217;s so great, Dara. What#8217;s the essay about? This essay is about the power of silence.

It filters through our culture being so #8220;noisy#8221; that many of us don#8217;t have time for *thesis steroids*, quiet or solitude anymore. Those 10 tips are great and they all say writing is for fun and relaxation so stop stressing and I guarantee you will bring that inner you to the top and your reader will be dazzled and amazed at the mind-blowing and interesting essay you have developed. My hardest goal in writing an essay is I can do the *critique online* research as a matter of fact I love the *thesis on anabolic* research, but until I have determined by walter of history, target audience, I can#8217;t seem to put a word on **on anabolic steroids**, paper and I decided that my professor and *benjamin essay*, his colleagues are not my target audience. That#8217;s a great point, Parker.
It#8217;s much harder to *steroids* write when your target reader is your teacher/professor. I love essay writing! I have always done all of the tips you mentioned naturally. To me it is a way to organize what I know about a subject. Essays are usually done because they are required for some reason, but when you relax and *angel essay*, start organizing your thoughts they(essays) can be very enjoyable.

That#8217;s so cool! I#8217;m glad these principles are working for you (also, I wish I had this perspective when I was writing essays!). *Thesis On Anabolic Steroids*. I love making my 13 year-old write them. They are pretty funny. Um, can you please post one of **boxer photo essay** them! I had never thought of essay writing in the way you have described.

Many thanks. *Thesis On Anabolic Steroids*. These are really helpful! Great! Thanks for reading! This couldn#8217;t have come at **writing a children's book**, a better time! I have a rough draft of a surprise paper due Monday about Rhetoric in The Tragedy of Julius Caesar, and that is literally all we have discussed for three weeks. *On Anabolic Steroids*. Pathos, Ethos, Logos, Fallacies#8230; ugh. I#8217;ll give the *walter angel of history* out-of-order method a try and see how it goes.

Ha, I hear you Laren. Just remember all those Latic words are just code for intense and emotional situations and ideas. People like to dress them up in serious sounding words, but they#8217;re the same emotions you see in your own life and on TV. Don#8217;t take them too seriously. *Steroids*. Okay, here#8217;s my essay: Inspired by a young man#8217;s account of being thrown out of work in 1930 and surviving through the Great Depression, I started studying that history and the facts behind the Stock Market Crash in October 1929. I was intrigued by the similarity between conditions leading up to the 1929 Crash and *english*, conditions leading up to the economic recession the *thesis steroids* US went through in **benjamin essay**, the 1990s.

I guess what surprised me most is how little we seem to learn from history.
Even some of the greatest man-made tragedies get repeated. Historians tell us that in the #8220;roaring Twenties#8221; the stock market was booming. Share prices were rising and everyone and his pup wanted in on the action. The market seemed so secure that banks began making collateral-free loans to *thesis on anabolic steroids* individuals wanting to *writing critique groups* buy stocks. So many people with money to buy drove the demand and the price of stocks through the roof. Then the *thesis* building collapsed. In the 1980s the builders unions started putting pressure on US banks to make home mortgages more readily available, even to home buyers with no collateral. This was to *a children's* boost home sales and stimulate building.

Great idea in theory. Bank loans officers started handing out **on anabolic**, #8220;no-down payment#8221; mortgages.
People started buying houses on **writing persuasive essay**, spec. But when these mortgages came up for *thesis*, renewal, reality hit home. Owners tossed their keys on the bankers#8217; desks and walked away.

Collateral-free loans didn#8217;t work for long in the 1920s and they didn#8217;t work for long in the 1990s either. Were there not a few historians saying, #8220;Wait a minute here#8221;? There are other events of **english essays** those years that we would do well to remember. Sometimes I fear we lack the connection to history that would spare us further grief.
Maybe It#8217;s time we delve into our past again so we can avoid repeating bad history?

A couple of friends (who remains “friends” despite reading my most private documents without permission or even a good excuse) have described my journal entries as “like little snippets of David Foster Wallace’s essays, except not quite as good” (which to me is still a great compliment, apart from, you know, the total rape of my privacy and peace of mind). If that’s the case, I find essay-writing cathartic, rather than painful (and probably ought to write an essay on encryption, in the interest of finding a better way to *steroids* store my files). When you think as much as I do—and, that probably sounds like boasting, but it’s not; I should say, when you *ruminate* as much as I do—trying to *benjamin essay* put your inchoate, rambling, chaotic thoughts into a more-or-less coherent and cohesive form, without the impetus for perfection attendant to publication, imparts a certain freedom to just *riff* … and riff, and riff, and riff, occasionally for hours at a time, talking at length about nothing, or something, or something ex nothing. Trying to explain this sort of **steroids** Vesuvian vernacular vehemency to a normal, functional human being is an exercise in vanity; people don’t care, and aren’t interested in being convinced to care. It’s easy for *graded english*, me, with sedulous attention to *thesis steroids* detail and a few shots to loosen the nerves, to make basically anything interesting, if you can get into **writing critique groups**, it—my trouble lies in getting people into **thesis steroids**, it. I’m bad at **graded english**, marketing.

It’s not that I think it’s not important, mind; I just suck at it. As easily as I understand how people work in my absence, I’m totally incapable of comprehending their behavior before my own work. The biggest surprise, that being the point of this little exercise, comes in the ease of writing it: being a complete narcissist, I can make absolutely anything about myself, which makes anything easy to write about. It’s probably the ultimate source of Gonzo journalism; when you like talking about yourself too much not to *on anabolic steroids* include yourself in **creative writing critique groups**, the content of your writing.
When your head races a mile a minute, the trick is *thesis on anabolic*, not in coming up with things to write about something, but in figuring out what *not* to *essays* write, and trying to *on anabolic steroids* find ways to *walter benjamin* include all the little prosodical gems you uncover in the course of your excursus—there’s a million different little ways to impress people, which is, ultimately, the point, far and above convincing anyone of anything.

And that, in **thesis**, itself, reveals so much about the process: at this point, in the blither[^1]-saturated internet media, the subject of the essay becomes a secondary concern, at best; in the traditional fashion of celebrity culture, the author of the essay is the paramount concern; the validity of the opinions therein are of, at best, second concern—everything now revolving around the self, the informative nature of the *writing critique groups* essay falls short of the *thesis* opinions and *photo*, personal anecdotes conveyed thereby. It isn’t that people don’t care about facts or perspectives or reality, it’s merely that it is no longer possible to discern truth from fiction, or reality from fantasy, at least not without a Ph.D. in the subject matter: maybe an M.D. could tell the difference between a legit article in **thesis on anabolic steroids**, the Lancet or the *graded english* NEJM, but I sure can’t, and it’s true across all professions, even scientists between disciplines—a molecular biologist is no more apt to descry the falsities of any essays or articles written on the Alcubierre drive than I am, and the same holds true for *thesis on anabolic*, pretty much anyone, across any field. Personality has supplanted information; entertainment has supplanted enlightenment. *Photo Essay*. The spin doctors of the nineties and *thesis on anabolic steroids*, early 2000s got smart—verisimilitude is the key to belief, and with everyone believing everything they write (and they write it because they believe it), the *expository writing persuasive essay* truth is, at best, an abstract principle.
It’s a philosophical issue, one totally unrelated to the vagaries and vicissitudes and *steroids*, batshit insanity of modern living. *Photo Essay*. And but the point of all this remains unknown to me—somehow it related to *on anabolic* essay-writing, and the attempt to convey opinions or state of mind (cf. actual facts, which are few and far between), but the *walter benjamin angel* relation thereof to the subject of **thesis on anabolic** today’s practice—whatever the hell it is—remains elusive, or illusory, or something, and I don’t know where I stand anymore. I think that’s the end point of most supposedly illuminating pieces, anyway. [1]: Here synonymous with “information.” It’s probably hard to believe I wrote that in **walter of history essay**, fifteen minutes but I promise I did; I was (am) drunk and not really thinking about it and I type like 150 wpm and etc.
This will probably be a total embarrassment tomorrow morning. I could never figure out the difference between an essay and an opinion piece.

I’ve hesitated before submitting to publications that welcome essays but say things like “please, no opinion pieces.” I thought an essay was, basically, an opinion piece, in which you try to convince the reader that your way of interpreting or evaluating an event or series of events or life or whatever is the most objectively correct or least painful interpretation. I guess essay-writing could be hard if you’re being forced to write about things you could care less about. I think the solution, there, is to find a way to be unboreable. If you can make yourself interested in **thesis on anabolic**, anything, you will thrive no matter where you are or what ringers they put you through.
Since my pet peeve is fiction writing, I never thought about essay writing yet now that I#8217;m reading about it, it makes sense that I need to keep in mind a few basic tips. I like journal writing, and to an extent, I can say it#8217;s similar to essay writing since I make it a short writing on a particular subject, not just random thoughts.

What surprises me about *creative writing critique online*, this subject is that some people might actually hate the process, especially in a writing group. Perhaps someone does not like it, or realises that it#8217;s not their strong suit . These ten tips are simple and useful, and of course, I am going to use Wikipedia, who wouldn#8217;t? But I if I were to boil it to one tip would be tip number seven.
Whatever I write, I want it to be best in class. Super cool info graphic!

Good tips too. I actually love writing essays too (as long as I#8217;m interested in **thesis on anabolic steroids**, the topic) but I#8217;ll keep your graphic in **angel**, my downloads to help me out sense it#8217;s got some great, well organized advice. Being a writer I#8217;ve loved these tips, because they not only for those writing essays. I#8217;m a contributor to many websites and *thesis*, I#8217;m finding helpful this infographic for me. Yeah post it here! I#8217;m so glad to see you used Wikipedia as source tool. As someone that is more of a technical writer, research scientist/business person and who sells his work in the form of **soviet** technical reports and occasional publications I am a huge proponent of Wikipedia.
There is *on anabolic*, no better way for the average person to research a subject (and that is a fact, see below). I am always saddened when I run into some severely handicapped and uninformed soul who thinks that Wikipedia is not a valid source because it isn#8217;t on paper. Few people take the time to *a children's* read the comparison studies that have been done regarding the accuracy of Wikipedia and other encyclopedic sources, none of which are 100% accurate and or unbiased.

The first of such comparisons was done by Nature in 2005: #8220;For its study, Nature chose articles from both sites in a wide range of **thesis on anabolic** topics and sent them to what it called #8220;relevant#8221; field experts for peer review. The experts then compared the competing articlesone from each site on a given topicside by side, but were not told which article came from which site. Nature got back 42 usable reviews from its field of experts. *Essay Soviet*. In the end, the journal found just eight serious errors, such as general misunderstandings of vital concepts, in the articles.
Of those, four came from **thesis on anabolic**, each site. They did, however, discover a series of **essay** factual errors, omissions or misleading statements. *On Anabolic Steroids*. All told, Wikipedia had 162 such problems, while Britannica had 123.#8221; Since 2005 there have been several other comparisons and Wikipedia fairs very well in all. One article I found in Forbes also reveals a curious phenomenon, conservative personality types tend to have a general bias against **critique online** Wikipedia and *thesis on anabolic steroids*, are also uninformed as to accuracy. *Boxer*. Not unlike conservative college professors who have biases against **thesis** even high quality online courses.
Never underestimate the limitations of the conservative personality type.

Here are some the references I#8217;ve found regarding Wikipedia accuracy: Conservative bias and Wikipedia. Thanks so much for this. I teach 12th grade English and *walter benjamin of history*, will share this info-graphic with them tomorrow. They have an essay coming up and I#8217;m always looking for new ways to push the idea that essays really aren#8217;t so evil. I completely agree with you that they can be fun. I would#8217;ve loved to see you add an thesis, example of an essay you#8217;ve written or one you find to be a well-written piece as well.

Thanks again for the great post!
I#8217;m on **nazi soviet**, Facebook a lot, but Facebook can be a true learning experience. For instance, I learned something truly amazing. The universe began at midday on the 23rd of October 4004 BC. I never knew that. *Steroids*. That makes the universe, that#8217;s the universe mind you, all those millions and millions of **writing a children's book assignment** stars you see on a dark and *on anabolic*, starry night, are only a maximum of 6,000 years old.

It seems that in 1650 Archbishop James Ussher conducted his own literalistic exegesis of all those begets and begots in the book of Genesis, and determined that time and date. So close all those science books, put away all those instruments of measurement because the Holy Bible says they ain#8217;t so. *Essay Nazi Soviet Pact*. Really? Absolutely and positively it tain#8217;t possible for the center of the *steroids* galaxy to be 25,000 light years away, #8216;cuz da Bilbe say da universe be only 10,000 years old. *Photo*. The Andromeda spiral galaxy cannot possibly be 2.1 million light years away because the universe tain#8217;t old enough for the light to get here. #8216;Cuz da Bible says it#8217;s so. Einstein was WRONG. *Thesis*. The speed of light cannot possibly be a constant, #8216;cuz da Bible says da universe is only 6,000 years old and if Andromeda appears to be 2.1 million light years away dat means light had to move ever so much faster to get here long long ago. *Graded English*. Why did it slow down. I dunno, da Bible don#8217;t say.

See there, Facebook can be such a front, or is that fount of information. Wow, impressive infographic and great tips, Joe! Practice part is also awesome, I like the way you advice to think about. Truly, it#8217;s so simple write about your thoughts on this topic without trying to adapt them to your professor. *On Anabolic*. In your infographic, you mentioned some words and phrases which are highly desirable to avoid. Adding cliches is not a good choice for making your essay more wordy.
Everyone is *writing*, sick of them already, and foremost teachers and *thesis on anabolic steroids*, professors.

Reading similar and not pure writing daily could simply lead to educators#8217; contempt of all students. Besides, one of modern problems in writing is lack of originality. It#8217;s easy to google and *expository persuasive*, find some short reviews of any more or less well-known book. Some ignorant people without any slight doubt could use that material. *Steroids*. Or articles from Wikipedia. *Writing A Children's Assignment*. Or some other resources on **on anabolic**, the web, without any citations or with incomplete quotations.
It is called plagiarism. For discernable reasons, being part of such situations, it#8217;s extremely undesirable both for the students and for any creative person writer, blogger, content creator.

Because easiness of **creative writing online** taking credit of the *thesis on anabolic* other#8217;s person proceedings transforms into the complexity of getting out of this situation. Sometimes, plagiarism problems could even destroy a starting writing or academic career. Moreover, occasionally students face with unintentional plagiarism when they have non proper citation they didn#8217;t intend to commit plagiarism, but it happened. What are the best ways to prevent such situations? Do more deep research, learn how to make proper quotations, use plagiarism detection tools. These tools could be free of charge (as PlagTracker) and those you have to pay for *creative writing critique groups online*, (as Unplag plagiarism checker). If you have career connected with writing is more rational to *thesis* choose a more proficient tool. Or use both, if they had a different working algorithm. *Photo Essay*. Personally, I prefer software for a fee, because using it, I could be sure that the team of **on anabolic** professionals is working for me.
Love the *walter benjamin of history essay* tips!

I never liked writing essays. But, I have grown to *steroids* learn my own tricks to make sure I do it right the first time. Thanks for *walter of history*, the tips! Just in **steroids**, time to work on my second essay!! I write plenty of essays for school, all the time. I have actually learned to enjoy them. The best thing about an essay is that although you have a question and a style in which it likely has to be written, the approach you take to it is *a children's book assignment*, all yours. And I have fun being creative and *steroids*, inventive with the way in which I approach the subject and *book assignment*, support my opinion. *Steroids*. Not even sure if this is an essay, but neither is it fiction.

After listening to the webinar I had to get up out of **graded essays** bed zzz to check out The Write Practice… so, if this is an thesis on anabolic steroids, essay or not, here#8217;s 593 words: Morning Musings.
Christmas your way. So beautiful, sitting here in **photo**, the half dark of early morning, fire already lit, candles and *thesis steroids*, lamps making puddles of yellow light in corners and on floors and against walls. *Expository Essay*. Feels like Christmas. Christmas. When beauty hangs in the house, it having been decorated in seasonal favourites speaking of all those other years, leaning back into **thesis on anabolic steroids**, the comfortable familiarity of my children#8217;s childhoods, when the world was often tired, frequently stretched, sometimes stressed but always simpler.
And full of the joy of children emerging, little people growing into **expository essay**, their next surprising iterations. Christmas at **steroids**, home not the manic version on the city streets. This Christmas, the one you make yourself within your four walls, be they big or small, literal or metaphorical.

Be they the walls you want, or the *essays* walls you don’t. Within them: its yours to make. *On Anabolic Steroids*. Even if that means starting in your own head. *Expository*. This Christmas, the *on anabolic* one you make yourself. When the air seeps with good will and we can set aside the conflicts and irritations and *essay*, it seems easier, somehow, to have grace for everyone#8217;s shortcomings.
When you steal precious moments away from the distractions and sit in the candlelight and with the lamps throwing yellow puddles on the floor. When forgiveness comes easier and *thesis on anabolic*, peace, as Yeats so famously said, comes dropping slow.

And when, despite the financing of it all which could darn near break the bank if you weren#8217;t wise, at least somewhat planned and decidedly restrained, there is the joy of plotting and *writing groups online*, finding something just right for someone and anticipating their face when they get it. *On Anabolic*. A joy for every sorrow. Other times, it seems there is a sorrow for every joy, that every good thing is marred with a disappointment or a difficulty. What’s the difference? What my eyes see?

Both are there. How come sometimes I see only one, and other times I see the other? What if we were to live life with eyes wide open, knowing that sorrow abides in **photo essay**, every corner, pain is rife out there and often in **on anabolic steroids**, here, and difficulty or trouble is just the nature of everyday stuff. LIke men of old might say, it is a fallen world.
And then, then look for the joy, look at, look for, the childhood that’s emerging not the exhaustion of **essays** accompanying it. Look for the grace to overlook the shortcoming, not the fact of the shortcoming being there. *Thesis On Anabolic Steroids*. (Of course its there, duh!). Look for the potential in **essay nazi soviet**, the problem. *Thesis Steroids*. Looking for, creating, enjoying, the mastery of managing the budget despite the pain and strain and limitation of the budget. I have a premise and its this.

If we quit (if I quit) moaning about the problem and start being grateful for what’s good about *expository writing essay*, it, we will (I will ) actually become more able to actually tackle the darn problem in the first place. The real problem#8230; is *thesis*, that my problem with the *walter angel* problem binds me to it#8230; rendering me unable to tackle it: therein lies its power. The problem is definitely a problem in the first place. Giving it power by not accepting it enough to actually tackle it constructively#8230; not that just takes the biscuit. Givin’ that up this year!

Gonna make this Christmas my Christmas. The one with the joy for *thesis*, every sorrow and the lift for every drag the one full of **benjamin of history** wonder and people and *on anabolic steroids*, loving them and ourselves and loving life and the beauty nestling hidden within it#8230; however we are able to. Thanks, Joe. I will keep this handy to share with my students! Awesome tips, Joe. *Boxer Essay*. But I#8217;m just curious about the number 8 if you write about too many things, won#8217;t your essay be messy?

For example, if you check this discrimination essay out, you#8217;ll see there are many points and nothing concrete about either of them.
But if the author wanted to go more deeply into each and *on anabolic steroids*, every of them, he may have ended up with a research paper. Besides, when it comes to editing, lots of **nazi pact** things are crossed out **on anabolic**, because 90% have nothing to do with the topic. So, I guess this tip may be good for those who are writing big papers but if you have to write a one or two page essay, isn#8217;t it better to stick to the topic?

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Adverse effects of anabolic androgenic steroids on the pdf 28 Кб

construct resume Exact circle division by five #151; how to draw the perfect five point star. What Natural (whole) numbers divide a circle exactly? Meet the perfect all-star families. Construct the real and the virtual shapes #151; and take them to 3D. Give me a ring and I will make it sing

G eometric construction of the pentagram, pentacle, pentagon, and **thesis on anabolic steroids**, the five pointed star #151; and spice it up here and there with three kinds of *english essays* ten pointed stars.
H ow to sketch a five pointed star on a clock template, for kids [yes, pick a better shade of *on anabolic* pink]. Tilt and rotate and double them.
draw stars of pentagrams and pentagons using a compass and straightedge (two geometric methods)
construct a pentacle directly inside your own circle or with your own sides length (point-to-point dimension). What you pick #151; large or small #151; will be a rational and therefore an exact measure.
tell the **essay nazi**, diff between a pentacle and a pentagram and **thesis on anabolic**, why there are several pentacles.
determine the inside and outside angles of a pentagram.
find the golden proportions that are inherent in a penta.
star and grow them, too.
make a five-point star indirectly via pentagon tiling #151; and vice versa.
create fancy five pointed stars plus a ten pointed hyperstar from a half-square rectangle (in a new tab)
get the only harmonious ten pointed star of a decagram by always skipping 6 points.

design 5 point stars as art forms #151; inherit the energies if you stick to nature.
combine the up and **creative writing**, down pointing pentacles into a brand new hyperstar. On five circles. You'll be in the micro but this is huge.
W hat does it mean if a pentagram is encircled once or twice #151; a star is on a single circle or in-between of two concentric circles.
built from interlocking rings.
S ymmetry in *thesis on anabolic steroids*, a five pointed star #151; there are several kinds of *boxer essay* symmetry and .. ..
A perfect three pointed star can be had on a circle or semicircle #151; and it's doubled for a regular six-point star or a hexagon already. You could divide a circle by 3 exactly but a general 3-way division applicable to universe building and traveling can also be had. Hexagon and hexagram stars are behind viruses.

A perfect square is *steroids* a four pointed star.
A n eight pointed star and a twelve pointed star share the same construction. B oth stars are perfect and both take you beyond counting as well.
16 and 24 pointed stars also share the same construction. Just as the **writing critique groups online**, eight and 12 pointed stars, they are in *thesis*, the 3:2 musical ratio and because the growth of stars in this ratio is unbounded we have a separate page on that (in a new tab)
H ow many perfect stars can you make with geometry? With arithmetic? Number 36 is (abundantly) divisible by 2, 3, 4, 6, 9, 12, and **expository writing persuasive essay**, 18 #150; yet, you cannot make a perfect 36 pointed star.
Geometry vs. Arithmetic is a very old topic, very unresolved, and very relevant; and.
Numbers are not just symbols.

In a circle they make 1 ) stars on paper and 2 ) atoms in space.
A comment on a seven pointed star (heptagon). Hit a snag in a circle, but ..
P entagon Pyramid . Fusion of numbers in three dimensions is good but it is not about averaging.
T he four sided Great Pyramid construction is via the golden proportion and has its own page (in a new tab)
A five pointed star just for kids. If you can tell time you can sketch this and **on anabolic steroids**, other stars by hand. **Walter Angel Essay**! Oh, use the free template below at first.
I'm the author of the illustration above but this one is freed from copyright. (With the Chrome browser you can drag-and-drop this illustration onto your desktop as the .gif file.)

Have a look at some pics from the stone circle at Avebury in Wiltshire, UK.
Draw a star, any perfect star. Can you see how you could lay out and sketch several stars using but one construct from the clock's minutes? You probably haven't heard the word 'a construct,' but a template is *thesis* usually just for tracing and copying. Can you join the points by skipping some?

Odd and even number of points makes a big difference. **Expository Writing**! Here are the from-the-ground-up geometric constructions of eight and 16 point stars of a compass rose.
[ Now, can you imagine making ALL perfect polygons and stars in the above 60 pt construct? If each point were to glow differently for each star, would you get a cool and unique pattern I could lock on to half way across the galaxy? Oh, you make it glow by having each point a semiconductor junction, similar to an LED. **On Anabolic Steroids**! For the junction you need an writing book assignment amorphous substrate and a crystaline piece of a rock.

Because you want to power up the whole circle, your power source is a bit more than just a single lay line. Except, how would you stop the primitives on the planet from messing with the stones? Yeah, it is all sacred feminine kind of stuff. If that doesn't work, cover the whole thing with soil a call it an ancient sacred burial mound.]
Historically, geometric drawing of a pentagram star was considered a secret. One can appreciate keeping the formula and directions secret because the construction of a five-point star is *thesis* not obvious even if you worked in geometry for some time. Yet, if you could draw the perfect star only through geometry, the secrecy takes on extra dimensions. To draw a (regular) pentagon, the **writing assignment**, segment must be exactly one fifth going around the circle.

Stars are pretty and circles are everywhere, yet there is but slowly growing understanding of stars and circles. (This is not the case in *thesis on anabolic*, China, for the Taoist movement and Taoist philosophy can be said to issue from a circle.) A circle gap exists not because we've lost our compass or a desire to admire crop circles, but it is because a circle is frowned upon by the Catholic Church and because the reductionists of the 20th Century lost the link to the source of a 0D point. With it, we also lost great things that the **of history**, dimension zero brings to the table. **On Anabolic**! So there is a book coming out late 2013 resurrecting a circle as well as the stars that are the dimension zero's first application. Oh, 99% of all moving energy in the universe is in spin and **walter benjamin essay**, orbits. Not only that. If you want to build something that doesn't just fly away, you have to do it in a circle (you cannot build an atom or a planetary system as a static entity). Going through external edits, the working title of the book is ' Stars and **thesis on anabolic**, Rings .'
No whole number can divide a circle exactly arithmetically but some whole numbers can divide a circle exactly geometrically. This is the first differentiator between geometry and arithmetic. When it comes to dividing a circle's circumference (or area) with a straightedge and compass, we always strive for **essays**, the exact division. The perfection is not about thesis on anabolic steroids some quirky obsessions of ancient Greeks and today's teachers, however.

If we finish our assignment in a finite number of steps and **graded english**, achieve an exact division, we would then claim executability and creation of such structures could be implemented in nature. Computer's arithmetic gives us precise #151; but not exact #151; answers when working with incommensurable (irrational and transcendental) numbers, but the geometric way can be exact and have much utility just because of that. We will apply the division of a circle in *on anabolic steroids*, the atomic construction below. Yes, the **essay**, exact construction is about the **thesis on anabolic steroids**, (exact) conservation of energy.
If the length of a circle's straight segment (cord) is exact, then the segment's length is unambiguous and can be expressed as a finite number. A finite number is also a rational number. If the cord's length were an irrational number then such number's sub-unity portion (mantissa) is *graded* infinite and we could not agree on its exact length #151; but we could agree on the exact distance between the two end points because the **thesis on anabolic**, two end points can be constructed exactly geometrically.

Irrational numbers are executable (or expressible) geometrically but not arithmetically. This is the second differentiator between geometry and arithmetic. **Writing Persuasive Essay**! You might skip on the diff between length and **on anabolic steroids**, distance right now #151; later you may avail to the explanation and construction of the incommensurable numbers (irrationals and transcendentals).
Instructions on geometric division of a circle into five equal and exact parts #151; in five steps:
If you want to construct the penta.
with a circle radius of your choice , point A is one unit distance (one-half of the radius) away from origin O .
When you divide a circle into exact fifths along the periphery you now have the template and :
Finish the **creative groups**, pentagon by connecting every neighboring point and **on anabolic steroids**, erase the circle.

Inscribe it counterclockwise if you want to be disharmonious (ratio 9:5), clockwise if harmonious (6:5). (Cw and ccw makes a big difference #151; think enhanced modulo math. Ccw is acw for the Brits.)
Make the pentacle by connecting every other (second) point. If you do it counter-clockwise, you will be doing it in the 8:5 ratio, which is harmonious, and **soviet**, you should not have a problem with that once you understand that the underlying pattern mechanics are clockwise #151; it's on the Venus page.
Pentacle is the easiest and **steroids**, the simplest to do because it does not require erasing. Does it mean it is the most fundamental?

Complete the pentagram from writing pentacle by erasing the **steroids**, circle.
Make the five pointed star from pentagram by erasing the inside (smaller, upside down) pentagon. Also see pentagon tiling, further on.
The unit distance u is the shortest distance used in construction of a particular star. All other parameters (radius/radii, cord) are then calculated in terms of u . This is *book assignment* new . All formulas for stars should be computed from the unit distance and not from, say, a radius because there are star constructions that use several circles. In our example, the equation for **on anabolic steroids**, the length of the cord c in the above construction comes from walter angel of history two Pythagorean relations and **thesis steroids**, is quite involved:
In either case, you can now substitute any distance for u and get the measures of the rest of star's parameters. **Creative Online**! There is more to **thesis on anabolic steroids** this.

Geometrically, the square root of five, for example, can be of any length and this length issues from the unit distance used in the construction of the SQRT(5). When working the pyramid you first have to find the **angel of history essay**, unit distance before making sense of the **on anabolic**, rest of the (micro and/or macro) proportions.
Polygons and stars.
gon identifies the point connections that go straight from critique groups one point to **on anabolic** the nearest next point on **graded essays** a single circle #151; poly gon in general. When you say regular polygon you are emphasizing that all segments span the same distance and all points are on one circle.

Stars do not have to **thesis** take a straight path from one point to the next and do not all have to be on but one circle. The star's points could be connected by *critique groups online* a curve or a kink line or the connections just skip one or more points.
As you go around the center from thesis on anabolic steroids one point to the next, you might keep turning in but one direction and then the star is said to be convex. Regular polygons are always convex. Sometimes the points move inbound and out, particularly with multiple circles holding the points, and **walter angel of history essay**, you keep turning left and right when moving from point to point.

In such case the star is said to be concave. This is how things stood until our hyperstar, which has groups of three points lined up straight (and there are no turns). The hyperstar is discussed in the right column. The hyperstar is *thesis on anabolic steroids* not regular.
All points of all regular stars and polygons are on **expository persuasive essay** a circle and are equally -- that is evenly, and exactly spaced going around the circle. The best way of seeing it is *thesis* that they have the **graded english essays**, exact fraction of a circle between them. However, only some stars are constructible exactly #151; see Perfect Families.

As to the actual angles between points #151; see below, for these angles could be irrational numbers. (For now, ask yourself if a protractor can give you any irrational angle.)
Having said all that about polygons and stars, don't get hung up on technicalities. **Thesis On Anabolic Steroids**! A star is *essay nazi soviet* such a pretty word (and polygon such an ugly one), that using a star for both is just fine. **Thesis On Anabolic**! Some say 'twelve sided' when talking about a polygon and 'twelve pointed' when talking about a star. **Creative Writing Groups**! If there is a section of a circle with a start and a stop, such as when speaking of the Signs of the Zodiac, 'twelve sided' makes more sense.

If you read other things about on anabolic steroids geometric stars, don't get derailed by mainstream math classification of stars. Scientists do not take into account the cw or ccw star creation, likely because the mainstream does not know the applications difference between the two. (Harmony-disharmony enters here but there is more to it besides cw or ccw.) Also, math guys presently keep one point fixed and the other point advancing cw in a circle by a certain number of *persuasive* steps to **on anabolic steroids** make the next point of a star. **Walter Angel Essay**! But of *thesis on anabolic steroids* course, mainstream scientists are in *nazi soviet*, the Dark Ages thinking there is a fixed reference point. The Quantum Pythagoreans book gives all planets orbiting frequencies from thesis on anabolic which the stars are made and, gee, the Earth is *a children's book* orbiting while the cw or ccw point-to-point trace arises mathematically from that. Mainstream math guys' definition of a star is that you can see all parts of a star from thesis steroids its center. This is a great example of a definition of arm chair convenience because the Venus-Earth interplay makes a cool curlicue between points of a five pointed pentacle star and this does not match the scientists' definition of a star #151; so here is ours.
Why should a circle division be made of equal (evenly distanced) segments? There is nothing wrong with unequal lengths if that's your fancy and **a children's book assignment**, there could be a really good reason with a heptagon (see below). However, an electron's wavelength is proportional to the electron's energy and if several wavelengths of *thesis on anabolic steroids* one electron were to fit (were to **graded** close) around the nucleus then they have to do so in *steroids*, whole multiples of the same distance. It's about the numbers (in a circle).

There are many geometric ways of constructing pentagon or pentagram patterns and symbols. The construction presented here has the length of the side of the **boxer photo essay**, pentagon c the incommensurable (irrational) distance #151; that is, the measure of the side's distance is composed of an infinite number of digits (that do not repeat individually or as a group). Other constructions make the **thesis on anabolic**, side c a rational distance, which is better suited for the Great Pyramid's purposes. **A Children's Book**! In the pyramid, one half of the side of the base is (must be) a rational unit of measure, for such measure is executable and can become. (For transcendentals you may have to **thesis on anabolic** put a kink in that.) The connection between the five sided pentagon/pentagram and the four sided Great Pyramid is through the golden proportion , a subject that lets you understand how to **writing** draw and construct the Great Pyramid, and include the pinch on its side.
Angles in *thesis*, a five p ointed star and how they relate to the golden proportion.
Determination of pentagram's angles is easy #151; on the interior or the exterior.

First, if (any) two angles have their arms intersecting at 90 degrees then the two angles are the same.
The central (Egyptian) star below has 360/5=72 degrees between its arms. **Walter Essay**! Because the arms (rays, spikes) of *thesis steroids* this star are at right angles to other angles then such angles are also 72 degrees. You will get to 108? angle inside the pentagon with the subtraction of the 72? angle from 180? (from a straight line). You will note two special triangles on the pentagram when making design extensions to **nazi pact** the sides (below). One has the interior angles of 72, 72, and **thesis steroids**, 36 degrees while the second one's angles are 36, 36, and 108 degrees. Both of these triangles are golden because their sides are in the golden proportion. There are many other golden proportions on the pentagram but these two kinds of triangles are important in the micro (atomic) domain, particularly as related to orbital jumps.
In multiples of one tenth of a circle.

All angles internal and external to the pentagram or the **expository essay**, five pointed star are in multiples of 1/10 of a circle: from 36? on **thesis on anabolic steroids** to 72?, 108?, 144?, 180? . 324?, 360?. A circle can be divided by 10 exactly and so all angles in and around a pentagram are exact and perfect. A pentagram, aka pentalpha, is a prominent symbol of the Pythagoreans. It is said the pentagram is good for one's health, and there could be something to it considering the golden proportions that are all over the star. I think it is also likely the pentagram's prominence is due to having an abundance of the number 10 while adding a circular aspect to **angel of history** the many number 10 aspects of the Pythagorean Tetractys. The number 10 is also fundamental in designs of obelisks, including the Washington Monument.

Self-test:-) If you think an obelisk is a phallic symbol then you've just begun.
The angle of 144? seems obscure (it's on **thesis steroids** the outside of the star) but it's the only angle you'll need if you want to draw a pentagram with a computer program the likes of 'Turtle,' 'Scratch,' or 'Logo.' The program would run like this (in pseudocode):
Move 100 pixels [forward]
If these computer instructions do not mean much to you, you are doing well. First you want to **graded english essays** create the geometric foundation #151; yes, in your mind, before resorting to a computer.
The golden proportion consists of two numbers that at times relate through a ratio, in which case we speak of the golden ratio. The two golden numbers consist of one irrational number a that is ( 1 + SQRT(5) ) and one rational number b that is 2 and, because these two numbers may relate to each other through multiplication or division or addition or subtraction or. they should not be reduced into a single number. **Thesis Steroids**! Reduction into a single number severely limits the application of the golden proportion and **of history**, that is one reason scientists like to reduce it as the Phi [scientists have reductionist tendencies #150; perhaps not a disease but it could be a handicap]. Reduction into one number hides other relationships the two golden numbers might have.

The golden spiral.
Golden spiraling happens naturally in *on anabolic steroids*, 2D or 3D as you observe the golden proportions and figure out how you could grow them. Fancy math will give you a smooth spiral but if you stick to the golden proportion you will be going in discrete steps. (You'll need to **a children's assignment** understand why staying with the golden steps is superior to smooth fancy math. It has nothing to do with efficient packing of seeds/objects, and you just might see the **on anabolic steroids**, quantum effects on **graded english essays** the macro scale.) Once you start putting the golden proportions in the circular format, mathematically you'll be working the point/radial symmetry while entering a new area of endeavor.
Also known in *thesis on anabolic steroids*, general as tessellations, doing it in 5-fold rotational symmetry is *creative writing groups* favorite of Dürer, Kepler, Penrose.. **Thesis Steroids**! .. All pieces that make up sets for **expository writing essay**, the five-fold 2D tiling have their angles in multiples of 1/10 of a circle . The multiples of 1/10 of a circle construct the shapes of diamonds, pentagons, ships, kites, darts, or double-decagons. A fancy Ninja star design on left also has all of its angles in tenths of *on anabolic* a circle. **Boxer**! The hyperstar goes even further using an exact division of a circle while providing constructs for **thesis**, orbital jumps.
There is yet another (and last) golden triangle and that one does not appear on a pentagram. It has a right angle and its hypotenuse with the shortest side are also in the golden proportion.

This triangle is one-half of the Great Pyramid going across the **boxer essay**, mid face and into thesis steroids the center of the base. You can see it below on **a children's assignment** our Golden Eye design.
Pentagon Dimension Priority : Diameter Dim or Point-to-point Length Dim.
There is a dual approach to a geometric pentagon star construction. You can either specify the **on anabolic**, diameter of a circle that will place all points, or the length of a pentagon's side that specifies the **boxer essay**, distance between points. In either case you start the construction with the **thesis steroids**, shortest unit length of 1 . On this page we show two constructions with Diameter dimension priority and in *graded english*, both examples the **thesis steroids**, diameter ends up 4 units long (radius of 2).

This means you can construct a star with a circle diameter of your choice because there is the exact 1:4 relationship (scale) between the unit length you started with and the diameter of the pentagon's circle. In the case of a point-to-point Length dimension priority, or side Length priority, you start the golden proportion construction with the unit length of 1 . When finished, the pentagon will scale to the side length of 2 . Pentagon construction with side Length priority has the exact side of *essay nazi pact* your choice and is on the golden proportion page.
A circle has many positive connotations. What would be the idea of dividing it? Once you know what numbers can divide a circle, you can then build a circle. Not [yet] from real things such as wood or metal but from steroids waves. It turns out that the waves must have a particular wavelength count (a particular multiple of particular energies) before these waves are able to close in a circle -- and thus be symmetrical about a point. You need to know what numbers can divide a circle before you can construct the circle from waves. You might think this is something witches do, and you would be right, but an electron is a wave that wraps around the nucleus, too.
There is (always) a bit more to **walter angel** this. When a circle's periphery is cut and **steroids**, has a small gap, funny things happen as forces arise.

One could call this a circle corruption and in *english essays*, a way it is. Yet the forces that arise are not corrupting, for they attempt to close the circle and .. (think free energy).
The making of a circle is also about taking a step from steroids 1D to 2D. There, you will find the friendly transcendental number Pi. To round it off, you may want to learn more about the **walter benjamin angel of history**, squaring of a circle, for it is about the straight and curving geometries. **On Anabolic Steroids**! We did not forget the ancient Egyptians and use the **walter essay**, example of the five pointed star as one of the steps in working the circle and the square. The golden proportion and Pi get very close to each other.

The five pointed star is made from the golden proportion and **on anabolic steroids**, then the squaring of a circle and **groups**, the five pointed star are closely related.
Not everybody likes geometry. In case you don't, you can blame your teacher or _______, but in the not-so-final analysis it is about you. Geometry is *thesis on anabolic steroids* about movement and placement in space, from an atom in your body to your ship as a whole. Lots of geometry is in a plane and you have a good argument if you say your head is not flat. **Creative Groups**! So let me cut to the chase. The intelligence is in 3D and your head is just fine for that provided you are able to intercept it. Lots of free energy is in 2D and it can be harnessed there once you figure out how to relate 3D to **on anabolic** 2D. Oh, to relate 1D to 2D you'll get into the squaring of a circle, which is *writing* something you want to **thesis steroids** do if you'd like to make atoms. (Light is in 1D and energy of an atomic electron cannot be in *pact*, 1D #151; it would leave the atom.) The linear movement is in *thesis on anabolic steroids*, 1D while the atom and gravitation need 0D for spin. **Graded Essays**! Your challenge, desire, need, or necessity is to understand and work the Pythagorean tetra(ctys) of 0D through 3D because that is how the universe is *thesis* built and you want to **graded english essays** continue to be a nifty and smart participant in it.

Symmetry in *thesis on anabolic steroids*, a five pointed star.
Symmetry has appeal. It makes things look nice but it could be difficult to move beyond that. There are similarities with reflections in a mirror #151; or refractions through a focus of a lens. You might love crystals but it is tough to explain what symmetry brings to the table. Aristotle could not apply numbers beyond counting and it was then easier for him to stick to generalities ('nature abhors a vacuum,' 'prime mover') and even poke fun at Pythagoreans.
There are two kinds of symmetries : even and odd. The even symmetry duplicates things about the (usually vertical) axis while the odd symmetry duplicates things by half-circle rotation about a point at the origin, which is the center of the circle used to make the star.

Symmetries issue from geometry (and geometry issues from numbers). The even (or axial) symmetry is unique to energy and includes intelligence. Esoterically it is the head of the **writing book**, Sphinx while the **thesis on anabolic steroids**, empty space between the Sphinx' front paws is the (virtual) line of the axis of the **english essays**, even symmetry. The odd (or point) symmetry is unique to charge and **thesis steroids**, matter. **Boxer Essay**! The even symmetry is inclusive while the odd symmetry is exclusive. Self-test:-) If you think erecting a physical object between the Sphinx front paws is corruptive, you are doing well.
A five pointed star, point up or down, has even symmetry but no odd symmetry. You could also have heard of 'rotational' symmetry.

When a five pointed star rotates one fifth of *on anabolic steroids* a circle, it overlaps exactly with the original star. You want to differentiate the rotational symmetry from the even and odd symmetries. Rotational symmetry is applicable in the rotationally-moving context and indeed there are plenty of situations for that. I like to **writing a children's assignment** call the even and odd symmetries the placement symmetries while the **on anabolic**, rotational symmetry is one of the movement symmetries. Placement is for building things (this includes the **writing a children's assignment**, atom) while the movement is not only for physical movement but also for transformations.
Mainstream physicists use the term 'symmetry breaking' when dealing with the ocurrence of different symmetries. **Thesis On Anabolic Steroids**! They (the scientists) assume everything should be in 3D and anything else is a form of deviation (breaking) from that. **Walter Benjamin Of History Essay**! This is very stupid. The fundamental thing to look for is computability. If the system is computable, it will happen. The system will then exist in several and in any and all symmetries, as long as it is computable.

But of course, the computability conditions are spelled out and explained in the Quantum Pythagoreans book.
This talk about thesis symmetries becomes introductory once you begin to appreciate that the (law of the) conservation of energy is *groups online* based on the conservation of symmetries. The conservation of geometric symmetries is then a more fundamental law. There is a bit on this in the Quantum Pythagoreans book but then it is extended even more in the upcoming Stars and **on anabolic**, Rings book. What? Who needs cables?
Five pointed star in a circle.

There are three sources #150; and therefore more than one meaning #150; of the **expository essay**, five pointed star. One meaning has its origin in the exact (geometric) division of a circle and **on anabolic steroids**, is discussed on this page. **Writing Critique Online**! It is *on anabolic steroids* a fairly complex though rewarding topic that leads to the symbolism of a star issuing from a single circle. Another root comes from two orbits (hence two concentric circles/rings) of Venus and Earth, and **boxer**, is discussed and traced there . (Venus, while most prominent through the five pointed star, is also associated with the number eight and the meaning of the diagonal.) The third source of the five pointed star calls on non-concentric yet interlocking rings . **On Anabolic**! The separation of the **persuasive essay**, circles is in the golden proportion and this new five pointed and unique hyperstar construction has its own bookmark on the golden proportion page.
This brings us to the diff between the sign/drawing of a pentagram and a pentacle . A pentagram is a five pointed star drawn with five straight and **on anabolic**, unbroken lines, aka the Pythagorean pentalpha. A penta cle has a cir cle (s) around the star. Yet, these are but technical differences. There are three separate origins associated with a pentagram and you may want to show a pentacle to point out the root. **Writing Essay**! In other words, a pentagram always issues from orbits/orbitals/circles/rings/rotation and there are three separate ways to **thesis on anabolic** do so, as follows:

1 ) A single circle around the star makes it the classical or atomic pentacle that comes from atomic construction, and **writing a children's book assignment**, a single circle shows the **thesis on anabolic**, standing wave around the **a children's**, nucleus -- the orbitals. Pagan-wise the classical pentacle stands for earth and if you think of it as 'materia' (from Latin), it's a close match to 'atomic.'
2 ) Two concentric circles around the star make it the cosmic or planetary pentacle and the two circles are the orbits of Venus and Earth (can be computed via modulo math from the clockwise 8:5 orbit ratio and in *thesis on anabolic*, the illustration on left the orbits are to scale). Points are between and close to the midpoint of the two orbits and the pentagram rotates (why that is so is on the Venus page). For Pagans, the double circle around the star is about 'drawing down the Goddess,' and the circle diameters are calculated along with point sequencing on the Venus page. If you speak of or draw a planetary pentagram , then you are substituting the **soviet pact**, two concentric circles with Venus and **on anabolic**, Earth symbols because you know there are several pentagram sources.
3 ) Separated but interlocked circles (rings) with centers at the hips of the pentagram show two separate atoms joined in a molecule, which I call the **angel essay**, hyperstar pentacle . **Thesis Steroids**! This is *creative writing critique groups online* new and I don't presently know of *on anabolic* anybody applying the **writing essay**, hyperstar pentacle.

Although I think the **steroids**, hyperstar explains the atomic separation in a molecule, there are many, many meanings and applications. My feel is associating the hyperstar with friendship, marriage and **creative writing**, angels. **Thesis On Anabolic**! I like using it in *expository*, Tai Chi and here is an example. A classical pentacle can be rotated/turned about the circle's center if someone wants to do an upside down 5 point star. With the hyperstar, however, I flip the pentacle about the **on anabolic steroids**, hips and then a completely new 10 point hyperstar happens -- a star with nothing but the golden triangles. See below. **A Children's Book Assignment**! [Flipping something about an axis is a feminine operation.]
The abundance of the golden proportions associated with all penta.
constructions deserves an analysis of its own.

Whether it leads to harmonizing your environment and having good luck, building a pyramid, or even growing it into nature based religions the likes of Wicca or Shinto, the golden proportions are indeed linked to space borne intelligent energies.
Once the **on anabolic steroids**, circular geometries are engaged you'll end up with the **boxer photo**, pentagram. It is then okay to draw just the pentagram but you want to draw the various pentacles if you want to show where the **on anabolic**, pentagram is *essay soviet* coming from. **Thesis On Anabolic Steroids**! For example, ancient Egyptians call the pentagon 'The Womb' and if you retain the circles on the hyperstar you just might see it. **Creative Writing Groups**! Okay guys, another story has Isis looking for Osiris' parts. She found all except the phallus, which was eaten by a fish. **On Anabolic Steroids**! Strange story. Well, if you retain the circles you just might see a fish doing its thing. **English**! [So, is the hyperstar a lost ancient Egyptian star or is it THE Star, the most secret one? I haven't seen it in their art but their stories sure seem to point at such possibilities. Self-test:) If you take the fish story personally and say ouch, for example, you are missing the alchemical dimension.]
Pythagorean pentagram/pentacle symbolism is a bit different and possibly more sophisticated if you think in *thesis on anabolic steroids*, the square-a-circle context.

The pentagram is encircled once and then a second ring is added as a piece of jewelry. The second ring is then at **benjamin of history essay**, the right angle to the first. (The illustration is from Secret Teaching by *on anabolic* Manly Hall.)
Regarding the Satanic or (d)evil or demon side of the **nazi soviet**, upside down (inverted) pentagram or pentacle, consider it a feeble attempt at corruption by *thesis on anabolic steroids* the self-proclaimed sign-of-the-beast creator and almost-priest Levi. You want to know where corruption comes from and then you are in position to overcome it. In this case the upside down pentagram could issue from natural rotation of the Earth-Venus cosmic/planetary pentacle in the solar plane -- with the sun in the center -- and then the satanic notion loses its meaning once you appreciate that the cosmic pentacle's rotation does not stop and there is *english essays* no 'up' and 'down' of the solar plane to begin with, just as you cannot tell if the **thesis steroids**, whole coin on the right having odd (point, sun) symmetry is *writing a children's assignment* up or down. (Under odd symmetry every point has a second point on the other side of the center of rotation.) If you want to unambiguously show the star's point-up or point-down placement on a coin, you have to place the star next to a non-symmetrical reference such as an animal (or introduce the even/mirror symmetry, which is the **steroids**, case in nature). The coin's design is odd-symmetrical, but if the lower half is erased then odd symmetry is gone. It is then easy to see that the **walter of history**, star placement becomes point-up because 'Republic' now provides up-down reference. So you can appreciate that up side down is *steroids* not a given under odd symmetry alone because when your reference is but a point (such as the Sun in the center), you could see the **boxer essay**, star one way looking from the **on anabolic**, center and the opposite way looking into the center.
Moreover, cw and ccw rotation can be differentiated -- think mirror symmetry and angular momentum in *walter benjamin angel essay*, 3D, which also means that 'above' aka heads and 'below' aka tails can be diffed absolutely under rotation.

Geometric stars' origin is from orbits (macro) or orbitals (micro). Micro includes both the atomic and/or molecular (valence) orbitals. This means that the stars issue from thesis on anabolic steroids odd [masculine] symmetry. **Walter Benjamin Of History**! Yet, to get unambiguous and **steroids**, stable solutions, both the odd and even [feminine] symmetries are needed. **Boxer Essay**! Ancient Egyptians include a horizontal bar with their oval cartouche just for that reason, and **steroids**, the bar -- which is the axis of the **writing a children's book assignment**, even symmetry [it is *steroids* not the horizon] -- is very explicitly tied to the oval. Now, I am extending it past the Pharaohs' cartouche, and there are more practical and new examples in the 5 and 10 point hyperstars below and, of course, the **creative writing groups**, Golden Eye.
When it comes to the androgynous nature of the **thesis steroids**, beast (Levi's beast has feminine and masculine attributes as well as a point-down pentacle on **soviet pact** its forehead), consider that masculine-feminine cannot be merged because they each issue from different and unique symmetries. Masculine-feminine is about the duality that cannot be unified by *thesis* merging but needs to **photo essay** be, and can be, balanced or married. **Thesis Steroids**! (Achieving such balance is *boxer* not trivial but there is more than one solution.) In essence, the evil side arises from thesis conflicts that ignore nature's duality, and **graded english**, one of the gateways to **thesis** its understanding is to ask, 'Why and **english**, how is the human brain separated and joined at **thesis on anabolic**, the corpus callosum?' Focusing on construction of the visible universe, the gateway to balancing is through Quantum Mechanics. Oh, if you don't like the status quo get into vortex and free energy.
Overlaying two opposing hyperstar pentacles , the **graded english essays**, up-and-down points from the two pentacles make a ten-pointed hyperstar, which is not a decagon nor a hexagon, either regular or not -- yep, not concave and not convex -- and definitely not for the Wiki trivia chasers.

This hyperstar (on right) has a north-south axis with very unusual properties. The axis can become absolute under spin and then the star symbolically acquires a touch of Tartaros (or Tartarus) -- but, as a Pythagorean you know what the axial post/pole is *steroids* about. I like seeing the hyperstar as 'the seed of the thunderbolt,' but that's shade romantic. Did you notice all triangles on the hyperstar are golden?
In the case of the classical pentacle, the **groups**, upside down notion also has no meaning because the **thesis steroids**, five-fold atomic orbital is *expository writing essay* symmetrical about the **on anabolic steroids**, atomic core and is free to rotate without appreciable symbolism. (However, there do exist harmonious and disharmonious stars and in the book Quantum Pythagoreans you will learn which is which and why.)

A human body has a close resemblance to **photo** a five pointed star. Indeed, Tai Chi makes a mere resemblance into a remarkable art, including the Martial art. The upside down star is *thesis on anabolic* not conventional (not normal) once you link a human body to **walter essay** the five pointed star. There is *steroids* then a human mental aspect to an inverted star and the Venus page has a bookmark on that. However, if you place energy importance first (and you should) then the upside down aspect is about energy while the upside down body is a mental and **expository persuasive essay**, positive construct in the service and manipulation of energy.
How do you make your own pentacle or pentagram? Buy or make is okay but to have your own you have to have it in your mind. And add a cw pentagon, too. [Feeling better?] Here is *thesis steroids* also a secret for the 21st century: You must know how to **writing a children's assignment** make the star geometrically and then -- by making the same body movements -- you will also attract beneficial (golden proportion) energies in the circular geometry that will stay with you. **Steroids**! Oh, if you start doing Tai Chi, you'll see the geometric components very soon.
If you wish to superimpose/overlay/map a human body onto a five pointed star , the five points of the inside pentagon are the major reference points. The top two points are at the shoulder-neck transitions, just as you'd guess.

The lower two side points are the hips while the **graded english essays**, lowest point is the crotch. If you do Tai Chi/Yoga exercises just a little, you will feel the importance of these points. As much as I find occult interesting, the occult human body-onto-star overlay seems forced and this leads me to suspect the **steroids**, occultists do not exercise much. As you get more into mind-body-circle-star- energy interlocks, you'll jump or sail right into alchemy . You cannot power into writing alchemy but you can turn alchemy (Tai Chi or ancient Egyptian versions) into personal power, both logical and physical. **Thesis On Anabolic Steroids**! There is the Buddhist view, too. Ever seen an expository writing persuasive angel?

The book you will thoroughly enjoy.
Harmony is talked about ever since antiquity but it is this book that actually allows you to predict whether any two tones will be harmonious. Yes, the **thesis steroids**, clockwise or counterclocwise rotation can be determined and that is the one (of the two) harmony components that was hidden until now.
It is about the perfection of geometric stars and **critique groups**, the waves that go with it.
The radius measure of *thesis* 2 (diameter of 4) in our pentagonal construction on the left is the outcome of using the shortest applied distance as the unit 1 . **Walter Angel Essay**! This is not because you couldn't divide by two (you can -- and work with ? as the distance OA , for example), but if you construct other structures such as the the Great Pyramid with the shortest distance as the unit 1 , you will always be in sync with your numbers from one structure to the next. If you want to **steroids** look at it metaphysically, each number has its own personality and you want to keep track. If you want to have more fun, think of the **soviet**, unit distance OA as an irrational number.

Even Euclid did not think of the number 1 as just a counting number.
On the political side, particularly in the association with Communist power , you want to be cognizant that the **thesis on anabolic steroids**, five pointed star issues from walter benjamin of history essay orbits and the star is always a 2D entity made from 1D constructs. Making the star into on anabolic a 3D star (the likes of the Kremlin) points to the lack of understanding on the root of the star's creation. The purpose and utility of the **writing online**, five pointed star could also be said to be misunderstood by the Communists, not unlike the swastika adoption by the Nazis. **On Anabolic**! [If the Nazi technology was as advanced in *soviet pact*, the flying saucer technology as is rumored then the **steroids**, swastika would not be far off.] For the time being I'm not doing full 2D (area) or 3D red stars until the bloody aspects dissipate -- oh, about a hundred years, considering China. These stars are fancies anyway.
Actually, Darwin started the whole mess with his 'strongest survive' evolution simplification, and it was the opportunism of *writing a children's book assignment* Communists and Fascists who took in the reduction and used it literally. (There were alternatives available at **on anabolic steroids**, Darwin's time but Mendel was pushed aside for the critical 15 years and at Mendel's rediscovery the industrial revolution was in *expository essay*, full swing. **Thesis On Anabolic**! Book review: The Monk in The Garden .)

What to **book** look for. People bent on power will promote and **thesis on anabolic steroids**, support the following:
1. Nature is on **graded english essays** our side.
Best represented by *on anabolic* Dawkins' The Selfish Gene , the idea is that being loaded with money is natural (you guessed it, it's Gates' favorite). A virus is selfish, a gene is not. In the UK the Oxford U nicely masks its ignorance with arrogance. **Expository**! In the US the **thesis steroids**, Harvard U is big on this kind of spin [they put out the best crap]. **Walter Angel Of History**! You will recall the dinosaurs and the dino eats dino times [I don't think they died out without a fight].

2. Running out of energy.
Usually about (peak) oil, this mentality replaced Running out of food from the last century. This allows wars to go on, as it conjures up there is not enough for both of us. **On Anabolic Steroids**! This is *writing a children's* but one example of reductionism. **On Anabolic Steroids**! [If you don't see God, there are plenty of bosses to work under #150; here and on the other side.] The beauty of free energy is that it is really about smarts and without a large up front investment. **Expository Writing**! Once you do a bit of reading, you will be LOL at **steroids**, the experts, but you'll also have to do the free energy yourself. **Creative Critique**! If you complain that the govt does not release free energy, you are not getting it.
3. Socialized medicine.
The mind job here is to convince you that you need the institutions of state and selected private hospitals and **thesis on anabolic steroids**, clinics for you to stay healthy but there is an graded english obligation to pay extra premiums.

It ends up that the **thesis on anabolic steroids**, healthier you are the more you pay and this becomes a tax on your health. Because you are smart and stay healthy by paying attention to your body's needs, you are pressured to pay for the ones who are not, and the power chasers are a sick lot. You may have to move to another state and/or become politically active (for example, AMA should not have a monopoly). You really begin to understand this when you start looking forward to stopping the **a children's book**, payments of your premiums. You may find out it is the best thing for actually being healthy. There are three components : understand fear, pick up specialized exercise, and keep up with alternate immunity discoveries (such as Dr. Jan Raa's) as well as the revival of Raymond Rife technology. Once you understand the fear component, talk openly about the health alternatives should you meet an AMA doctor, for the tables might have turned.
4. Culture or religion-embedded values of guilt, fear, and intolerance.

Once embedded they can be invoked without explanation (prejudice will not be seen for what it is). This is *thesis steroids* usually about Bible and Koran waiving and could be difficult to deal with outside the US. In some cases the fear and/or weakness and/or ignorance justifies betrayal [needs to be watched, even self-watched]. Betrayal is *soviet pact* also a component of power, and power has its own category (power is reversed in the virtual domain and there it is *on anabolic* not based on **expository persuasive essay** specific might but on infinity). In the **thesis on anabolic steroids**, Pythagorean and Buddhist traditions the friendship works well. I also like Ronald Reagan's attitude because he 'liked all and **essays**, feared none.' You might get hurt but you will have the last word.
So you think you know your numbers and might think it's okay to reduce them to your liking. But if you construct the Great Pyramid with the golden numbers and use the shortest distance as the unit 1 , you will arrive at the pyramid's base as having the **thesis steroids**, side length of 4 . **Writing Critique Groups Online**! The base of the Great Pyramid is then 4 times of some unit of measure. So now the **thesis steroids**, pyramid's base periphery (4+4+4+4) and base area (4x4) carry the same square number 16 . You see, if you reduce the **writing**, numbers and **thesis on anabolic steroids**, think of the pyramid's base as having the unit length of, say, two, the base periphery would have eight units of *benjamin* length but the base area would be but four (square) units. If you do not reduce the numbers you can think of the number 16 in the context of *thesis steroids* acceleration (unit of measure per time squared) and **essays**, derive the unit of *thesis steroids* length that is most appropriate for this planet [yeah, it's a foot].

Rational numbers are commensurable numbers -- that is, they all have finite or repeating sub-unity part of a number (mantissa) and all can be expressed as a ratio of two integers. Rational numbers can also be called the exact, finite, or absolute numbers because we can write them down and agree on their value. At times, rational numbers are called real numbers because all real things have a finite measure.
Rational numbers happen when we ratio two integers. All mainstream mathematicians define the rational number as the ratio of *critique* any two integers. So, a mainstream math guy would say, Of course the rational number is a ratio of *thesis steroids* two integers -- it is defined that way. Yet, you really do not want to be mainstream and acquire but an encyclopedia knowledge of the world. You do not want to think of somebody's definition as complete or adequate knowledge.

You know that a rational number is a finite number (has a finite or repeating mantissa) and once it is finite it can be expressed as a fraction of two integers. As a smart person, moreover, you know that if another operation produces a naturally finite number then such operation also creates a rational number. **Benjamin Of History Essay**! The circumference of a circle is a transcendental number. Many of *steroids* circle's round segments (arches) are transcendental numbers and their straight cord could be an irrational number -- and both of these numbers have an infinite mantissa (infinite precision). The question now is: If you divide (ratio) some particular circular segment by its corresponding cord, will you get a finite (rational) number as a result?
Some Pythagoreans view the **photo**, number two as a problem number because it divides the unity. Pythagoreans discourage division of the unit 1 until you understand the **thesis steroids**, context of each degree of *expository writing* freedom -- but in any case the number 2 is not the culprit. (The number 2 is in the denominator of the golden ratio and there it should stay as the number 2.) As you get familiar with this site the sub-unity will become applicable to atomic orbitals and hence the number 1 is the Great Divide between the macro-cosmic and micro-atomic. **Thesis On Anabolic**! [My guess is that macro concepts are taught before the micro in *graded english*, the Pythagorean School.]
Tetractys of Pythagoras deals with the organization of matter, among other things.

What makes you a Pythagorean? Short of *thesis* visiting the Pythagorean page, you are interested in the actual construction of the visible universe. As a Pythagorean you want to know why some stars are constructible exactly and muse at the people who draw stars without regard to their actualization. Drawing stars just for fun is okay but to a Pythagorean that's in an entertainment category. **Book Assignment**! The.
compilations about stars are trivia, which quickly become distracting as well. Working the five pointed star is a wonderful start, for this star is geometrically, that is exactly, constructible. Constructing the **on anabolic**, real universe is, moreover, the greatest show there is.

Construction and **essays**, deconstruction of atoms are similar endeavors -- and you have no need for a hammer to construct or deconstruct something. The forces therein can add up in controlled fashion, too. There are dozens of philosophers and gurus talking about the omniscient nonlocal instant infinity of the **thesis steroids**, conscious universe, but to **expository writing** a Pythagorean this is but one half of the show : You still have to **on anabolic steroids** put all that knowledge to **photo** work. Yes, we have pictures. The upside down star has no negative meaning in the micro domain. There are in fact several stars nested inside the larger stars because there are many orbit jump opportunities with each pair of orbitals.

Yes again, ALL triangles are golden.
Oftentimes we think of *thesis on anabolic steroids* star patterns only *a children's book assignment*, when tiling in 2D or building the Platonic solids (in 3D). **Thesis On Anabolic**! But the patterns we encounter in the micro are usually made with overlapping stars and that makes nifty art shapes as well. The overlap comes from the **english**, inclusiveness of waves.
On July 17, 1991 at Barbury Castle there appeared a crop circle named the **thesis**, Tetrahedron (a triangular pyramid). For its 20th anniversary we have a summary-update.
Here is a poster for a Graphics show I had in *benjamin essay*, Prague (where I teach now) in February 2013.
Large-print format is becoming affordable. **Thesis On Anabolic Steroids**! With a careful equipment selection, one can avail to a high quality original poster that is not only less than the **writing a children's book**, price of a reproduction, but is good for your health as well.
Just about ready (second picture).
Consider the **thesis steroids**, existence of the even and odd symmetries as the point of departure between the Pythagorean and Aristotelian physics.

Pythagoreans continue basing new concepts on numbers and then the even aka twofold symmetry issues from and relates to **of history essay** the number two (and the feminine). **On Anabolic Steroids**! Aristotle refers to the Pythagoreans and **boxer photo**, flatly claims in Metaphysics that 'two' and **thesis steroids**, 'twofold' are not the same and that 'twofold does not subsist in the two.' (Of course) the two and twofold are not the **boxer**, same but the number two spawns the even symmetry as two-points-make-axis construct and then the number two is *on anabolic steroids* not just a counting number.
If Aristotle rejects the Pythagorean 'number two is *expository writing persuasive essay* behind even symmetry,' does he propose something better or different? It does not seem so, and this could be a nice example of ancient Greek debunking. **On Anabolic Steroids**! Aristotle does not like it, and that's okay, but without offering his own reasons for the existence of *walter essay* symmetries he will not be able to **thesis steroids** advance it. Sure enough, we don't hear from Aristotle on symmetries.
Some star constructions speak of *benjamin angel of history essay* fixed length sticks, which at first glance can construct any size polygons. Here is where the executability of *thesis steroids* angles comes up. In space, the **photo essay**, irrational angle is constructible only approximately and only some angles will be actualized #150; think snowflake formation.

Also, we can calculate the points of a polygon along a circle but using sticks that have finite (rational) and equal lengths for the cords will not always fit in *steroids*, such points. In fact, a not-so-difficult case can be made that geometry takes precedence (has priority) over arithmetic. [If you are a scientist, you may think of *writing a children's assignment* Emmy Noether who ignored the nature's beauty of snowflakes and made simplifying assumptions about space that proved the **thesis on anabolic**, 'ignorance is *essay nazi pact* bliss' postulate #150; for in her world everything is reduced and snowflakes and crystals don't exist.]
You can calculate the area of any polygon by taking the area of the triangle and multiplying by the number of sides. When working the area of *thesis steroids* a circle or a polygon, the center point is (becomes) excluded . (If you are metaphysically inclined, think Isis looking for all parts.) In your Pythagorean mind, you need to link the area to its physics application. For example, a physical property that is proportional to **graded english** radius squared is then also proportional to the area, which gives merit to **thesis on anabolic** area calculations. This is bigger than it seems. You are not just sweating your teacher's assignments -- you are actually working the **expository persuasive essay**, physics entities if you know what they are.
This one comes from Yosifusa Hirano of 19th Century Japan. It is elegant and **thesis on anabolic**, also constructs the pentagon or pentacle on radius 2.
All pentagram angles are a rithmetically divisible by nine.

So, what's the big deal if the **a children's**, number 360 (degrees in a circle) is no big deal? If you line up all angles from the pentagram : 36, 72, 108, 144, etc. and sum their individual digits you will always get 9. That may seem like magic, but once you appreciate that the number 360 is arbitrary, you don't need to ooh and **thesis on anabolic**, ahh about critique online it. If the **steroids**, number of degrees in *persuasive*, a circle were 320 or 260 or 364 the summing magic would not happen for 9. The circumference of *on anabolic* a circle is 2Pi and putting in a number to stand for **graded**, degrees is purely a practical consideration. **Steroids**! In the **persuasive**, case of *steroids* 360, this number is 4x9x10 and now, because the angles of a pentagram are in tenths of *persuasive* a circle, the number that is left is a multiple of 9 (and 4) and **on anabolic**, so it will be always divisible by 9 (or 4). All numbers divisible by 9 have their digits sum up to 9 (modulo 9 #151; thank you, Gauss ). **A Children's**! So, always work with fractions of a circle (or fractions of *on anabolic steroids* 2Pi) even if the numerical sub-unity pushes your right brain into infinities. There is *photo essay* plenty of real magic left in *thesis on anabolic steroids*, this subject, particularly if you get into the squaring of a circle.

We have a collection of cool and hot designs inspired by the five-point star. View select designs -- or visit our store at **expository writing essay**, Zazzle ( . com/Mike_Geo) and see how well you could look in a tee, hoodie, long sleeve shirt, or a polo. **Thesis On Anabolic Steroids**! If you have new ideas you want to explore designs from the constructs of nature. **Expository Writing Persuasive**! All our designs come from nature and center on **thesis on anabolic steroids** the golden proportion.
Design on right is called the Adventure of *essay soviet pact* The Red Sun.

A pentagon and the Great Pyramid are related, but it hadn't been easy to show both of them relating through the golden proportion. I construct them together using the new Golden Eye method in the Quantum Pythagoreans book and now the construction is available in color for **thesis on anabolic**, your shirt or Tshirt as well -- in the Golden Eye design.
The golden proportion is between the pyramid side and the half-base. The Great Pyramid is shown in a vertical cut through the mid-face. Much detail is on **groups** the golden numbers page.
The five pointed stars attract energies on account of the golden proportions. **Thesis Steroids**! Because under rotation the **writing essay**, five fold symmetry can be either harmonious or disharmonious, you want to know which is which (ccw is harmonious on **thesis on anabolic** a pentagram, cw is harmonious on a pentagon) because you really cannot hide under a rock and hope for the best. Some people rely on intuition and some want to understand things a bit first.

Either way, I wish this site and the book will do it for you.
Two pentagons make a decagon, a regular ten pointed star.
A regular pentagon made with the Hirano method can be used to easily make a regular decagon #151; an exact ten-point star. **Writing Critique Groups Online**! A pentagon that is *on anabolic steroids* made by the exact division of *writing persuasive* a single circle can be duplicated 180 degrees out-of-phase (upside down) and decagon results from two pentagons. One pentagon is thus rotated about the center of the circle or, if you prefer, rotated/flipped about the horizontal axis.
However, a regular ten pointed star that is a regular decagon is not a hyperstar. **Thesis Steroids**! (Hyperstar is discussed in the right column.) While both stars are created from two regular five pointed stars, a decagon is always convex.

A hyperstar has some straight segments spanning three points. A decagon has its points on a single circle. A hyperstar has 8 of its 10 points on two identical circles separated by the golden ratio parameters.
[I think the mathematical discoveries of construction ratios is what Plato refers to as 'Logistics,' which is thought to be a lost Pythagorean knowledge. In the case of a pentagon Diameter priority the ratio is with square numbers (1:4) because we go from 1D (unit length) to 2D (circle). **Essay**! The same ratio of 1:4 holds for the pyramidal construction because one unit of *on anabolic steroids* length ends up as four area units of a pyramid base. **Boxer Essay**! For a pentagon point-to-point Length priority, however, the ratio is 1:2 because one length becomes another length (1D to 1D) but the construction now must include rotation . In general, there is a rotational aspect in *on anabolic*, the Pythagorean Theorem even though the arithmetic of the Theorem does not capture it (it uses squares). Logically, any line (any 1D distance) inherently contains a direction and **walter benjamin angel of history essay**, when staying in 1D a change in *thesis steroids*, direction amounts to rotation. Squares (area, 2D) do not contain a static direction but they have something else.]
Every time you double something #150; think octave.

Every time you halve something #150; think node (or fit) for standing waves. Every time you rotate by *a children's book* 45 degrees #150; think transformation. Every time you rotate by a right angle #150; think.. The funny thing is this works for Tai Chi when your body, your arms, and **thesis on anabolic steroids**, your legs are doing the movements. **Critique**! Geometry and movement is about your health too.
Harmonious ten pointed star.
The star below, if drawn counterclockwise, is classified as a (10+ 7 )/10 star using my method that is (x+y)/x in general y is between 1 and x #151; that is, xy=1 . **Thesis**! The decagram star looks nice #151; it is unicursal, is regular during construction (advances by the same angle), has parallel sides and is harmonious.

This star skips every six points and is the only harmonious ten pointed star in the macro. **Walter Angel Of History Essay**! (Decagon and all other ten-point stars are not harmonious, cw or ccw.) The Pythagorean style rationing (really proportioning) method (x+y)/x as well as the corresponding musical harmony or disharmony is explained in the book, and you'll know why the proportioning approach presented here is *on anabolic steroids* much more useful than what the mainstream puts out. You noted x and y are integers but if x and y are the golden numbers then (x+y) : x is the golden proportion #151; and enter both the micro and the macro. **Critique Groups**! (Rationing is not commutative because A/B is not B/A. **Thesis Steroids**! Proportioning, however, is commutative because A : B is the same as B : A, and playing two musical notes has the same effect whether you analyze at it as A : B or B : A. Sometimes I think mainstream math is pathetic, for ignoring waves is the norm.)
There exists symmetry about one point called the point symmetry (or odd or radial or rotational symmetry) [masculine]. There also exists symmetry about two points called the even symmetry (or axial or twofold or mirror line symmetry) [feminine] #151; the two points making an axis by which the original image rotates. These two kinds of symmetries are all-pervasive in atomic construction where they are called the odd and even wavefunctions. Yes, everything is *essay nazi soviet* coming up numbers. Now, how would you marry these two symmetries?

You might have noticed that in the five-fold division of a circle the three points made by a compass' pin are at the corners of a right angle triangle having sides 1 and 2 . (A pin of a compass centers the radial symmetry [masculine].) It is no coincidence that the Great Pyramid's Grand Gallery has the vertical height (rise) of *on anabolic steroids* 1 and **writing a children's**, the horizontal length of *steroids* 2 while the **creative critique groups**, Trough is the hypotenuse spanning the distance of SQRT (5) . (This also establishes the unit length 1 of this pyramid.)
Is it a coincidence that to **thesis on anabolic** define Pi we need distances 1 and 2 ?
Is it a coincidence that to construct the golden numbers we start with a right angle triangle with sides 1 and 2 ?
There is more to **a children's assignment** 5.
It is very easy to get excited about the number 5 and **thesis**, begin to associate each of the five points with other things. **Graded Essays**! This is a Pythagorean site and we love the number five but Pythagoreans also know that using numbers for counting is introductory to the power of numbers while correspondences are about the elemental #151; that is *thesis on anabolic* differentiating, power of numbers. The five discrete elements in *graded english*, Wicca and Tao are fine, yet the visual-geometric imagery based on the Penta.
is about the infinity (irrationality) of the golden proportions stemming from the square root of five . **On Anabolic Steroids**! With the golden numbers you construct many shapes that extend the Penta.
beyond counting. The images are also more than pretty pictures, for the waves in space readily interact with such shapes in *critique groups*, a computing relationship and things happen. **Thesis On Anabolic**! You do not need to **expository writing persuasive** get esoteric to appreciate that energies have preferences for **steroids**, geometric shapes and the golden proportions have a unique predisposition to the operation of the reciprocal . (Yes, energies make things grow but also think about the nature's way of actually capturing the waves' energies.) So it is *expository writing essay* nice to recognize the golden shapes around you even though neither the **on anabolic steroids**, star or the number five jump out at **english**, you.

The meaning could be shifted by another application but now it is not hidden. **Steroids**! [There are also large corrupting influences in *book assignment*, place just to keep you astray.] What if the **thesis on anabolic steroids**, Queen's Chamber in the Great Pyramid has its spatial distances in the golden proportion? What if the spiral on the Eye of Horus were made through the golden rectangle or a golden triangle? How can you visualize the golden ratio in financial terms?
Throughout the Hyperflight site I like to make fun of mainstream science. These folks lower our understanding and appreciation of nature and their favorite first step is that 'this or that cannot be done or found out.' The best modern example is Einstein and I don't know of any of his concepts that are correct: This includes the special and general relativity theories (stemming from essay his inability to determine absolute motion/rest); photonic work function (a photon puts no pressure on a mirror); Brownian motion (molecules vibrate in place); and energy-matter mechanics (not reversible, i.e., nova or supernova). Errors of omission and commission are also applied to corrupt the reality around us.

The basic difficulty is that science popularizers use the right math but apply it to wrong concepts. It may take a while to get to the bottom of this and what really helps is that equations cannot make wrong concepts right, and therefore are suspect.
On this page I said that 'up' and 'down' cannot be distinguished in the solar system under odd symmetry alone. Everything works and continues to grow, evolve, and can also be created whole in a particular context. It is *steroids* then the context that needs to be understood in addition to **book assignment** any some such conclusion. The 'up' and 'down' manner of speaking is relevant when the context has a line : things above the line are 'up' (above) and **thesis on anabolic steroids**, below the line are 'down' (below).

However, orbits and orbitals and spin in general have a point as its construct of rotational/spinning existence and **graded**, it is then appropriate to say that when dealing with point symmetry there is *steroids* no fixed 'up' or 'down' because there intrinsically is no (fixed) line. The point is *of history* that if you understand the context you will understand whether someone's pronouncements are true, not true, or corruptive. For example, ignoring 0D (a point) as the fourth dimension of freedom -- which provides a movement construct just as 1D, 2D, and 3D do -- is corruptive because it does not recognize the **on anabolic steroids**, spin/orbit that accounts for 99% of the moving energy found in *creative*, the universe. There are several ways of *thesis on anabolic* getting to the truth, too. Geometry is one. Tarot works nicely and in this case it's The Wheel of *essay* Fortune card.

Tarot has four suits, which stand for .. (your brainwork). **On Anabolic**! You will then be in position to either speak out walter benjamin angel of history and/or just do what you know is better : Free energy, Martial arts, spiritual medicine, telepathy/RV, superluminal travel, atom/matter creation -- all, not coincidentally, based on ether scientists deny. Speaking out means that you have enough info based on merit and **on anabolic**, then your statements become less political. For example, I'd get a Tarot card deck without the Hebrew letters, for these lack symmetries and **graded english**, could be disruptive. (If you know the Hebrew letters were added to Tarot later on, you'll also know it is about corruption.) As you learn how things really work the misconceptions will release and you become healthier.
After reading a book on **thesis steroids** the history of the Chinese philosophy that weaves through the **critique groups**, Confucian, Taoist, and **thesis steroids**, Buddhist pursuits over 2300 years there, it seems the Chinese never got to the understanding, and then the differentiation, of the symmetries.

Yet I would not relax too much after this. There are the philosophical and **writing**, religious versions of Taoism and **steroids**, if you stay with the academia's version of philosophy you'll learn next to **writing essay** nothing. Once you get to the religious side you will read a lot about circles and spirits and demons, about keeping centered (weighed) in a point and having light crystallized -- but all this is pure alchemy and it takes some dedication for the ideas to **steroids** work their way through (just as you would do with the ancient Egyptians). While the Chinese did not push the three philosophies/religions into soviet pact the objective realm we call science, the **on anabolic**, Chinese pursuit in the improvement of the **english**, individual's mind-body yielded Tai Chi with most significant implications -- and leaving a formidable gap for the West. Wang Fuzhi (b. **Thesis On Anabolic**! 1619) gets very close, giving Chi (Qi, Ether) the female-male aspects of Yin-Yang (ancient Egyptian Tefnut-Shu) and then nicely extends this to coexisting energy-matter duality along with a dynamic balance of the two. Wang Fuzhi is describing a free electron all right but then its detection and use happens in a body (yes, yours) rather than in an external and objective instrument. (Damn the self-serving Emperor/one-party systems and invest in yourself, literally?) Wang Fuzhi, or anyone after him, does not advance Li (order/construct/distance/1D) to geometry or symmetries, and this also means the Pythagorean tradition did not make it to **graded english essays** China (until recently perhaps). We can then also say that the Taoist five pointed star of the elements is indigenous to China (could've been discovered in more than one place) and testifies to the universal power and utility of the five fold division of a circle. The Chinese elements correspond roughly to those of Wicca except that 'spirit' is taken as 'wood.' This seems strange but think of *thesis on anabolic steroids* wood as the **boxer photo**, circles of tree rings, too. This also gives you an idea how hidden Chinese alchemy is. (Note the prominent spiritual link to the trees in *thesis steroids*, the Druid tradition and a very explicit tree related experience of Joan of Arc.) The Taoist movement starts with Lao-tzu's Te-Tao Ching of 500 BCE (or so) and Te translates as Virtue. I am happy to have named the largest chapter in the Quantum Pythagoreans book the Virtual Domain (and before reading Te-Tao).

The virtual domain is about infinities and there is much to explore there -- yes, this is an understatement. (One can also destabilize in John Nash fashion. If you don't figure out you are among infinities while using real/rational methods, you may stay there forever.) If I were to talk in Lao-tzu's puzzling way, the virtual domain Te holds nothing because it has everything (and now you'd have to figure out the virtual domain Te has everything in the form of knowledge). At times Te translates as Power (and knowledge is *graded essays* a close relative of power). Lao-tzu described Tao in the most general way. It was only later that the Tao symbol arose from on anabolic that and along with the religious side of Taoism. But of course, the **graded**, Tao symbol is but the **thesis on anabolic steroids**, Chinese version of what the infinite Tao is or could be used for, including the label of 'Tao.'
The virtual domain deals with knowledge that is linked by *expository writing* associations.

The Western alchemy's condensed virtual language could speak of the philosopher/sorcerer entering the stone only to discover there is no stone. Bewildered, the philosopher breaks out of the stone and **thesis on anabolic**, finds the stone the same as before. He cannot break into the stone and yet he does not have to break up the the stone to reenter it. The philosopher's stone can be had -- but not physically. Yikes!
Here is s'more on stability via organization.

So you think you know your numbers metaphysically and feel comfy about the masculine-feminine stuff. You might be dividing by *writing essay* 2 and think it feminine. Not so. Real cutting is masculine : it makes two halves of an apple, severs an interconnection of a relationship, or spatially reduces a spread out electron (QM). **Thesis**! However, when you observe a biological cell division, don't rush to call it masculine, for it is *persuasive essay* feminine. You'll have to get into symmetries to understand this.

Meanwhile, don't make the **thesis on anabolic**, silly mistake of equating masculine with a man and feminine with a woman -- unless you want to give up on one half of your brain. Oh, and think about The One.
Analytically attacking all three major pyramids at Giza as one layout can earn you a label or two, but on this site Jiri starts with a square and then looks for the golden proportion #150; and gets very, very close to the actual measurements. Ready to bury the Pharaohs someplace else?
Some basic geometry. From a square angle to a square.
There does not appear much we can do with a square. A square is pretty, has a lot of symmetries, but that's about photo essay it. **Thesis On Anabolic Steroids**! But as we go on, things are going to get interesting once we start to make cubes.

Also, as a plain square, two circles can be fitted and defined by a square: an outer circle and an inner circle. **Essay**! The illustration on left is taken from on anabolic steroids our ether page and it actually results in geometrically determining the speed of light.
A square and a circle have been engaged from before Pythagoras (Thales) and there are several pages on this site (here and there and **essay pact**, here too) on circle squaring.
Pythagoreans love square numbers. **Thesis Steroids**! In the **soviet**, present day vernacular, moving energy is proportional to velocity square d. **Thesis On Anabolic**! Any square can be made into any number of rectangles and any rectangle can be made into an exactly same-area square via the geometric mean. Geometric mean works with all distances, including irrational distances (but you need rotation). And so any and all velocities resulting from, say, gravitational acceleration or collisions or explosions, have corresponding and exact energy values.

Any square (any amount of energy) can be divided into as many squares as you want #151; and so the energy of one moving object is conserved exactly even if the object is broken up into many other objects.
Here is a simple yet powerful construction that.
1) Divides any distance exactly in half;
2) Erects the perfect right and square angle (making the Cartesian Coordinates); and.
3) Makes a true square using any circle centered at O (at the **boxer essay**, intercept of horizontal and vertical axes that are the coordinates). A square is also a four pointed star.
Only straightedge and **thesis steroids**, compass are needed. (Straightedge is an unmarked ruler.)
Both arcs (arches) have the same radius.
Distance AB can be either rational or irrational, for there are no limitations on spatial distance between two (zero-dimensional) points A and B. Drawing a line between two points is about direction (1D) and yields a perfect line, too. If you want to know the minimum separation between points before a line could become the real line, take a look at Absolute Minimum Length (it's about the infinitesimal).
If distance AB is *expository persuasive* irrational, should it be dashed?

If so, why?
You will note that all geometric constructions start with the creation of the Cartesian Coordinates. Once you have them, you can make any square using a compass (a circle) and **thesis**, then make any star from the perfect star family. A square, then, is inherent in all star constructions.
A square is feminine and a circle is masculine. Some people get into spirituality and claim a circle is feminine because it is rounded. That is how you can tell a beginner. **Photo**! Symmetries are the key here because they have very high priority -- on par with energy conservation.

Ancient Egyptians, Native Americans, and Chinese have no problem here. Pythagoreans and Plato are technically fine because of symmetrical 3D solids. **Steroids**! Aristotle would not get into symmetries at all (and his historical contribution ends [should've stayed and die in Baghdad]). The Western applications of symmetries are generally weak, although, the Western alchemy is okay and at **creative critique**, times superior (3 vs. 4).
Three pointed star.
Construct the perfect triangle on a circle and another triangle on a semicircle #150; in *thesis on anabolic*, three steps.
Triangle as a logical and mathematical construct.
Because three-pointed and six-pointed stars are geometrically perfect they can be used, circled, as a symbol for 3 or 6 wavelengths wrapping around the nucleus. However, a hexagon and hexagram reduce into a triangle under modulo math for harmonious ratios and do not manifest in orbits (macro) #151; that is, showing a six-pointed star with two circles does not reflect nature.
A hexagon is also prominent in free energy work.

Hexagon is full of *creative critique groups online* different symmetries and, for better or for worse, enables rapid transformations or projections. **Thesis Steroids**! A six sided star of hexagon could be of *expository writing essay* some interest regarding energy accumulation in the micro and we included it in *steroids*, the numerology section on the Pythagorean page.
Without a circle, a triangle symbolizes 3-state systemic (complete and never-ending) systems, each state being in one corner. Such three pointed arrangement has no metric as it is a logical, say clockwise, process. (Some systemic processes call for quaternaries #151; think ancient Egyptians.) For Pythagoreans a triangle provides bounds for the ten dots of Tetractys (a triangular numeral 10), which also becomes one facet of a tetrahedron (projection from the apex [or from your eye]). The right angle triangle does have metric of the Pythagorean Theorem, which relates 1D to 2D via (ir)rational numbers (but does not solve for transcendentals).
There is *boxer photo essay* a very special place for the golden triangles. Two kinds of triangles apply here, depending on whether the shorter or longer distance is *thesis on anabolic* used for the triangle's base.

Golden triangles facilitate a perfect relationship between particular two circle's circumferences and a straight distance. Yes, this is the fundamental reason for the existence of particular atomic orbitals, which is *photo* driven by the exchange in the electron's 2D and photon's 1D energy . This is not strictly about the squaring of a circle but it is *thesis on anabolic* close (it's about the difference in 2D energies).
Differentiate by *critique groups online* 3.
Finally, there is an aspect to the number 3 as the fundamental qualitative differentiator of nature. We are mostly familiar with the dualities such as the real-virtual (Yang-Yin) or odd-even or ordered-creative but there is *on anabolic steroids* also a lesser known differentiator by three. Yes, we say animal, mineral, vegetable and think it special, but here we are very fundamental. Pre-atomic, I'd say.

So much so the crop circles are worth studying just for **expository writing persuasive essay**, that. [I would not go inside a crop circle for more than a few seconds when the circle is less than a day old #151; it is about the 3D energies.] Alchemy's sulphur, salt, and mercury gets into steroids that as well but without geometry it's an arduous road. **Expository Writing Persuasive**! The Quantum Pythagoreans book explains what is at each corner of the Tetractys and that's what it's about.
When you see a triangle with some symbol in the center (a dot, an eye, dragon), take such symbol into 3D of the **on anabolic**, apex of *creative writing critique groups* a tetrahedron to see if it means something to you.
Instructions: Draw horizontal and vertical lines. The intersect is the origin O.

Draw a semicircle of radius r around O . This makes point V.
Draw a circle around V of *steroids* radius r.
Now that we divided a circle into exact thirds, you can make a three pointed (Mercedes) star or a three sided star of a perfect triangle. In the illustration the larger triangle divides the circle with three exact cords of length c for a perfect three pointed star.
The smaller (red) triangle divides the circle with six exact cords of length r resulting in a perfect hexagon or hexagram.
You can verify (using the Pythagorean Theorem) that the **assignment**, relation between the cord c and cord (radius) r is:
What physical entity is proportional to r 2 ? If you know what that is, consider that the square of the cord c is three times that.

A puzzle of a bad souffle: Given a square, construct a new square that is exactly one third of the original square.
You can be fairly certain that the person will try to partition the **thesis**, square in some way but the **nazi soviet pact**, solution is to erect a triangle on the square's side and then obtain the radius for **on anabolic steroids**, the circle that covers the **a children's assignment**, triangle. Radius r is the side of the new square. [In our case the bad souffle does not cave in but runs over the rim.]
It is not possible to reverse engineer a souffle without stepping back and understanding the **steroids**, relationships between the **boxer essay**, ingredients and **on anabolic steroids**, their proportions #150; as well as the irreversible nature of the baking process.
Can you apply the construction of the geometric mean in the solution of *boxer essay* this puzzle? Could you use the geometric mean to generalize this puzzle for all possible ratios of square areas? If so, you would then be able to **thesis on anabolic** divide a square into any number of *graded essays* squares, including squares with irrational sides.

The geometric mean equates the perimeter (or area) of any rectangle to the side (or area) of a particular square.
Could squares with irrational sides be included in the general division of a square into thesis steroids any and all other squares? If so, does it mean that geometry does one up on arithmetic once again because arithmetic cannot give you the exact irrational number for the square's side?
Finally, if energy of a moving body is proportional to **graded essays** its velocity square(d) , can you divide such energy square into as many smaller square energy components as you wish? (Via a collision, gravitational attraction, or some other action-at-distance?)
A six sided star, a hexagon, is prominent in virus structures. Hexagons are partioned into thesis on anabolic a six-triangle grid, which serves -- through a geometric relation -- to identify almost all viruses.

This is a complex topic. For example, a virus' hexagon is rendered benign with a pentagon [my own thing]. The overall structure in 90+% of viruses is icosahedron . Although labeled 'an esthetically most pleasing shape' by some -- with 5-fold, 3-fold, and 2-fold symmetries -- all mainstream scientists ignore the morphing nature of the virus first brought forth by Rife (bio) [virus approaches under a friendly flag and morphs]. Because the current work on **expository writing persuasive essay** viruses discloses but the **thesis**, stained (i.e. **Essays**! dead) viruses, the **thesis steroids**, mainstream is still way behind Rife. If you understand the **a children's assignment**, corrupting mechanisms in the present day medicine, you will know why you do not have to join a walk for or against this or that disease. You don't have to follow, or agree with, generally published explanations but spend your money and time your way -- and a better way at that.

There are several recent breakthroughs in virus' geometric construction. The geometric steps in virus' formation are : diagonal projection of a cube resulting in a hexagon; slicing-and-projecting a cube grid resulting in a hexagram (aka the Star of David); and rotating-and-zooming (as shown above, [which is the final projection onto the material plane]). I see some of these elements in *thesis on anabolic*, the crop circles and, short of taking sides, I'd like the virus construction viewpoint represented in crop circle analysis. We are dealing with a very advanced technology but it is very advanced only because the **writing**, mainstream science coming from the universities is primitive and corrupt.
In practical terms the twelve pointed construction is about the design of a clock's face. **Thesis**! In astrology the twelve Signs of the Zodiac is about the **a children's book assignment**, twelve sided division of the Solar ecliptic. There is an thesis on anabolic steroids even more interesting side : There are twelve computable states along the periphery at the third level of the Great (Golden) Pyramid.

In the infinite superposition of the virtual variables (aka wavefunctions), there are geometrically enabled states inside the **graded english**, pyramid that allow a computable state to form. Yes, infinities can be worked and the Quantum Pythagoreans book gets into that and at all levels of the pyramid.
Our construction for the twelve fold division of a circle also divides a circle into eight exact segments, or angles, because the 45 degree diag onals are available for free from our twelve point construction if you make full circles (and don't stop at the intersects with the central circle). **Steroids**! This is also true the other way: When constructing the eight point division that is a regular octagon, the twelve fold division happens as well if the central circle is drawn in *writing*, full (and you don't just mark the intersects with the cardinals). So here you have the **thesis on anabolic steroids**, combined 8 12 point star construction. After a short Internet search I did not find an 8 12 point star common construction . I found one logical assembly having the Chinese Zodiac on the outside circle and **walter angel**, eight binary Paqua states on the inside circle. (This tells me divination is intended but, because of our inherent construction feature, I'd turn it around the other way : 12 sides on the inside circle and 8 points on the outside circle. This is counter-intuitive but there could be [is] a form of Tai Chi in this.)
The common construction of the eight and 12 pointed stars starts with the combined two and three pointed stars.

As you double the count the ratio stays the same : 3 to 2. (As you double the points you go up by an octave.) This is a musical ratio and a harmonious one at that. What planets subscribe to this ratio? It is not Venus-Earth but it is on the Venus page.
The eight pointed star is full of symbolism associated with Venus and the transformations via the diagonals. The ccw octagon is harmonious and made by *thesis on anabolic steroids* Earth-Mars interplay, too. So enjoy the eight-point star construction here via the cardinal and semi-cardinal directions but the Venus page has a lot more on the eight fold division of a circle, including the Hunab Ku symbol.
These watch face designs are inspired by the Mesoamerican Hunab Ku symbol.
Instructions for drawing a 12-pointed/12-sided star:
1. Draw a horizontal line and erect the vertical line.

The intersect is the origin O.
2. Draw a full circle of radius R around O . This will be the clock face.
3. **Boxer Essay**! At each of the horizontal and **thesis**, vertical intercepts draw additional circles of the **a children's**, same radius R.
4. The intercepts of the central circle with the cardinals and with the other circles yield the twelve points exactly distanced around the central circle.
Can you see how you could make a 24 point star using the diagonals? Almost every month we offer quick topics of general interest. In May 2011 a single construction shows how to make both the 24-point and 16-point stars in just one construction.
Perfect star families.

It is easy to draw stars using geometry's tools, a straightedge and compass. By now we want to make stars geometrically, not just for perfection, but also because only the perfect stars manifest in nature. A circle can be divided exactly into thesis steroids 2 , 3 , 5, 15 , and 17 equal segments, technically called constructible polygons. (Some exclude the 2-segment division because it yields but a virtual line of *graded english essays* a circle's diameter #151; but I include it.) You may call this the 'fundamental' or 'primary' or direct sequence of perfect stars. Since any and **steroids**, all segments can be also exactly (evenly) divided by 2, you can find all stars that have their points exactly spatially distanced by geometric means. You can also say that the doubling expansion forms a perfect star family.
For example, you can make an eight point star or a 64 point star from a two point star through simple halving of distances. From a three point star (above) you can make the exact hexagon and from there the twelve point star of the **a children's**, Zodiac or do a layout of a twenty four point star for Feng Shui.
Starting with a 2 point star #151; the **thesis steroids**, only direct even star #151; you can construct 4, 8, 16, etc. stars you could also label the 'evenly even' sequence of stars. This is the original Pythagoreans' terminology, which presently would be called the 'binary' sequence of stars.

From the 3 point star you can continue to halve each side to make the 6, 12, 24, etc. point stars. From the five-point star you can make the 10, 20, or 40 point stars. Every perfect star with the even number of points will have symmetry about an axis and about a point. If you think there is no such thing as a two point star, it is on the Venus page and it is formed by the combined Neptune-Pluto 3:2 orbit. The stars that are left out from essay direct and doubling constructions cannot be constructed exactly. For example, you cannot make a nine point star directly #151; or indirectly from a three point star. The seven, eleven, and thirteen pointed stars are also not constructible. Numbers that divide a circle exactly could have a name of their own. A good fit is 'circumpositional,' for these numbers compose in a circle exactly and will be [are] prominent in atomic constructions.

Carl Gauss recently added the 17 sided polygon as the perfect star. The 15 sided polygon is in *on anabolic steroids*, Euclid 's Elements , Book 4, Proposition 16, and is made by a combo of *creative* a three and a five pointed star (a 5-point star is evenly rotated three times around the circle).
One interesting property of the perfect star families is that they do not intersect directly. A sequence growing from each of the direct perfect star number does not match (overlap) with another sequence. That is,
from 2 we get 4, 8, 16, 32, 64, 128, 256, 512, 1024 , 2048, 4096, 8192, 16384, 32768, etc.
from 3 we get 6, 12 , 24 , 48, 96, 192, 384, 768, 1536, 3072, 6144, 12288, 24576..
from 5 we get 10 , 20, 40, 80 , 160, 320 , 640, 1280, 2560, 5120, 10240, 20480..
from 15 we get 30, 60 , 120, 240, 480, 960, 1920 , 3840, 7680, 15360, 30720..
from 17 we get 34, 68, 136, 272, 544, 1088, 2176, 4352, 8704, 17408, 34816..

Each member of the perfect all-star family has but one origin. **Thesis Steroids**! Once a number becomes even it stays even. 3, 5, 15, and 17 make the only exact odd stars.
A circle is a zero pointed star having an infinite number of points. **Soviet**! On a circle there are no inbound-outbound changes and, therefore, no points. **On Anabolic**! Topologically, however, a circle is composed of infinitely many geometric points. **Expository Essay**! This is a technical play on words. However, a single geometric point, a 0D point, has an infinity built within it [yeah, takes work].
360 does not divide a circle exactly.

260 does not divide a circle exactly (Mayan Tzoltek calendar). The end of the **on anabolic steroids**, Tzoltek calendar is not (cannot be) synchronized with a rotational parameter such as the precession. It is *creative writing critique groups* conceivable the Mayans had difficulties reconciling the **thesis steroids**, rotational parameters (based on transcendental numbers) with some linear time-measuring parameters. The numbers' unexact nature would lead to disaster conclusions. Well, yes, it could have been their own square-a-circle problem.

320 does divide a circle exactly and the 1/320 (reciprocal) is called ro by the ancient Egyptians.
While a circle can be divided exactly by hours (24) or minutes (60), a circle cannot be divided by hours and minutes (24x60=1440).
60 does divide a circle exactly and **benjamin angel**, the sexagesimal (60-base) system is first used by the Sumerians (2000+ BCE). Although all mainstream math books claim we use 60 minutes and 60 seconds as a result of Sumerian and Babylonian cultures, none of these math references mention that while 60 does divide a circle exactly, a circle cannot be divided exactly by minutes and seconds (by 3600). But of course, mainstream math is cluless on what the exact geometric circle division brings to the table.
While a circle is divisible by 10 exactly, a circle is not divisible exactly by a hundred or a thousand or any higher decimal multiple. The decimal fraction format aka the decimal fraction notation is not suitable for **thesis**, the circular geometry beyond the first decimal point.
Is it strange the Mayans #151; while having the positional notation of base 20 #151; had no sub-unity base-20 fractions? Perhaps not. Just as in the decimal and sexagesimal systems, the base 20 (vigesimal) system is useless past the first vigesimal point in circular geometry.

One star inside another star.
Among the applications are spatial designs that combine perfect stars. In watch design, for **boxer photo**, example, the circle being divided by twelve looks fine and is harmonious. In addition, it is harmonious to overlay the 12 point layout with triangular, square, or pentagonal designs. **Thesis**! You would not want to put a seven point star with a triangle together in the same (concentric) circle, for example, unless you want to invoke disharmony. Six gets tricky because it is disharmonious with larger numbers but is harmonious with five, making a pentagon (not a pentacle). There is *boxer photo* also a disharmonious ccw pentagon and that one does not include six.
When using but a single star you choose one from the **thesis**, perfect star families. When combining stars, however, you also must deal with harmony. **Persuasive Essay**! A doubled star is always harmonious with its parent star -- they differ by an octave, but not all star combinations are harmonious.

We are talking about harmony in point symmetry, which is applicable to both the micro and the macro. See the book.
If a musical tone x is harmonious with tone y and y is harmonious with z , is z harmonious with x ? Not always. The book explains harmony's geometric foundation and then the star drawings bring harmony into the visual range. **Thesis**! Quantum Pythagoreans provides the formula for harmonious musical notes and you will also know why some stars just do not feel right.
Harmony is not just extended to the macro. Harmony is fundamental to both the micro and macro constructions and, therefore, to **expository essay** stability in general.
Thanks to Paganism, a five-pointed pentacle star is presently classified as harmonious (opening) or disharmonious (banishing). In the book you'll learn how ANY and all stars can be classified as harmonious or disharmonious.
In the beginning was the number #150; and the power of numbers begins ..
The perfect star families of numbers introduce some changes to our perception of universe building and how everyday reality happens to come about.

Mathematicians can make all kinds of star constructions, in 2D and 3D #150; but only the perfect star families can begin to **steroids** bridge the straight line energies, such as photonic energy, with circular orbits and orbital energies. Because the vast majority of the **essay**, real energy in the universe is in the form of spinning or orbital energy #150; that is, energy having angular momentum, the **thesis on anabolic**, perfect star families of *writing* numbers take the front seat. **Thesis On Anabolic Steroids**! Scientists can draw all kinds of *graded essays* curves but these are usually fancies. Mathematicians in particular insist their work has no bounds, yet in their hearts they know their discoveries should have some practical application.
Starting with 24 hours per day and having 80 minutes in an hour, every minute of every day (24x80= 1920 ) would divide a circle exactly. Such is not the case today. After that, a binary number 1024 would stand for seconds and continue to divide the day's circle exactly. One of the new seconds would then be the exact 1,966,080th part of a day. The new second would be somewhat faster than one twentieth of the **steroids**, present second (0.05). While adequate for almost all sports without further division, additional circle-exact divisions are always available #150; something that is not possible to do today. **Writing Critique**! (Once you lose the exact circle division it cannot be recovered.) The sweep of the **thesis**, seconds hand would be 1/3 faster than the present sweep to make one full revolution in *persuasive essay*, 1/80th of an thesis hour.

At all numerical markings in the illustration on right #150; the hours, minutes, and seconds #150; would not be fractions. For example, the sweep of the seconds hand spanning one half of the quadrant adds up to 128 seconds . One half quadrant, then, is 128 seconds or 10 minutes or 3 hours. The new minute count of 80 per hour divides a circle exactly and using 80 points around the circle can make the perfect 4, 5, 8, 10, 16, 20, 40, and 80 pointed stars. From the 24 hour clock face one would make the perfect 3, 4, 6, 8, 12, and 24 pointed stars. A pentagram star is harmonious (opening in Wicca speak) if drawn counter-clockwise and disharmonious (banishing) if drawn clockwise. Once you understand the harmony/disharmony, you will be able to extend it to other stars besides pentagram. Some counter-clockwise 8 and 10 pointed stars are harmonious but these stars are disharmonious if drawn clockwise. This does not mean the clock's hands rotation should reverse. See the Venus page.

Now, could you come up with another sequence that always makes an exact circle division, both locally (by itself) and overall (with respect to **photo** the starting circle)? Yes. Start with 20 hours per day and **steroids**, divide each hour by 192 minutes. Both 20 and **writing online**, 192 divide a circle exactly but, in addition, 20 times 192 is *on anabolic steroids* 3840, which also divides a circle exactly. Is there more to this than making new and different watches? You bet.
Tiling of pentagons and stars.

Tiling does not involve direct construction but only translation and/or rotation in two dimensions. Translations are linear (straight) motions. **Boxer Photo Essay**! The line provides symmetry about on anabolic steroids a (such) line [feminine] while rotations are always symmetrical about a point [masculine]. This does not seem like a big deal but the property that allows (in this case pentagon's) translation or rotation to get to **essay soviet** an identical solution is exceptionally important in *thesis*, universe building (and in the group theory, too) .
Tiling of five pentagons to make a cool five pointed star was (first?) published by Kepler in *essay pact*, Harmonic es Mundi (1619)
When the ancients instructed us to use the straightedge and **thesis on anabolic steroids**, compass, they were not really talking about constraints because they were talking about geometry.

Rotation about a point is about the use of the compass. Straight movement (translation) is about a symmetry about walter benjamin angel of history essay a line and perhaps you could see now that the line of symmetry is *on anabolic* a virtual line #150; that is, the **walter benjamin angel**, line of symmetry is an empty slit. **Thesis On Anabolic Steroids**! (Would you go as far as to have Justice brandishing her sword with a slit down the **boxer**, middle of the blade?) The virtual line has powerful geometric properties but you do not want to ask a woman about that. Not that you couldn't, it's just that the **thesis on anabolic steroids**, explanation is nonverbal.
The pentagon template for **nazi**, the illustration on the left was obtained with MS PowerPoint by selecting AutoShapes .. Basic Shapes. Pick the pentagon object. On the newer versions it is *thesis on anabolic* Insert .. Shapes .. Basic Shapes.
If you tile five pentagons you get the five-point star in the center. Now, if you take five five-point stars and arrange them around with their points touching, do you get a pentagon in *creative critique groups online*, the center? You always want to test for reversibility , even at the expense of appearing dyslexic. **Thesis On Anabolic**! Relations are reversible only *writing a children's book*, under certain conditions and you want to know what they are.

If you assume relations are always reversible as they are in algebra, you will 1 ) understand but a limited subset of reality [if you are lucky] and/or 2 ) misinterpret relations that are not reversible.
For example, if there is a quantum mechanical explanation of gas pressure, there could be a way of making the phenomena reversible. Now, how would you reverse the rotation of a light mill? (Give it a thought and get the answer .)
We readily apply force to get things moving. So, how would you reverse 'something' and **thesis on anabolic**, have the force arise?
A circle of *writing a children's assignment* stars, a pattern of stars:
Testing for reversibility is *thesis on anabolic* crucial in the understanding of *creative writing online* relationships. **Thesis Steroids**! Dyslexia is a condition that is constantly reversing relationships in all modalities: verbal, tonal, geometric, written -- to see if the **nazi pact**, reversal possibly acquires another meaning, or if the reversal carries no meaning.

The Quantum Pythagoreans book treats the **steroids**, difficult topic of relationships by novel exploration of dependent-independent properties of a relationship. You will then understand and normalize the difference between, for **writing critique online**, example, 'planning your work' and **thesis on anabolic steroids**, 'working your plan.'
The tiling construction #151; that is, movement about a point and/or translation along a line, of some objects may result in the appearance of another object. This is at times referred to as negative space. While it is *boxer* true that the original object is real and in some respects positive, the 'negative space' label is but an introductory way of *steroids* looking at it (and a left-brain way at that). A good way is to see this as the act of creation of the virtual object .
When working the Great Pyramid, you may want to think of the **english essays**, chambers and passageways as virtual objects or empty-space objects. It really helps.

Self test:-) Straighten up two adjacent fingers. Do you see a difference if you think of these fingers as two closely spaced pencils #150; or as an empty slit or space that is between the pencils? Photons and **thesis steroids**, electrons do, for they make very different patterns for a single bar, two bars, a single slit, or a dual slit.
For brainwork: 1 ) How is it possible, and 2 ) What is the utility of the **boxer photo essay**, result that one pattern ends up in the left side of the brain while the other in the right side?
Ancient Greek-speaking scholars debated geometry and arithmetic, and **steroids**, understood the **graded essays**, complexities even without a PC.
A circle is an angle (of 360 degrees) that is divisible by three exactly using geometric means. This result is significantly more interesting than the mainstream mathematicians' proof that an angle is not, in general, divisible by three.

If you think of a circle with the orbit (cosmic) and/or orbital (atomic) applications in mind, you will see there is lots of fun in *on anabolic steroids*, figuring out what works[, rather than beefing up your resume with things that don't]. So, the ancient riddle about dividing the **writing book**, angle into thesis steroids thirds has more than one answer and no answer is the wrong answer. It is, however, a parting, or the **writing book**, Tau riddle that to some makes all the difference. But again, no angle can be divided by three exactly arithmetically. No angle can be arithmetically divided exactly by *on anabolic steroids* any rational number even if such angle was first obtained geometrically and exactly.
A circle cannot be divided by *creative groups online* 7 or 9 equally and **steroids**, exactly.

This fact may lead to **assignment** some new discoveries but if your skills are mostly in arithmetic you'll likely think of it as a curiosity. That is the basis of reductionism, for a reductionist first makes a claim that arithmetic is just as good as geometry (brain grouping), and then happily ignores the advantages of geometry. Similarly, equating irrational and rational numbers is erroneous but the mainstream math guys think them equal and miss a lot (see incommensurables).
Yet, the best example of the **on anabolic steroids**, power of geometry is in the construction of the so-called geometric mean. Here, the **writing a children's book**, semicircle and the Pythagorean Theorem produce a square root of any rational or irrational number. Moreover, the geometric mean can multiply two irrational numbers together and **steroids**, produce an exact result, the infinite mantissa and all. No computer can do that.

The bottom line: Geometry always leads, arithmetic always follows.
For example, I came up with a nice infinite series that relates the power (exponent) of the golden ratio to two terms of the numbers from the Fibonacci series F n . What this relation shows is *essay* that any power n of the golden ratio a/b can be expressed as a multiple of a single golden ratio a/b .
Initially I called this the **thesis on anabolic steroids**, IG series for **of history**, I nstant G old series. I liked the label 'instant' because Kepler got to the golden ratio a/b using the infinite progression of the **thesis on anabolic**, Fibonacci series F -- but here and now the Fibonacci is not taken to **benjamin angel of history essay** the infinite limit to get a/b . I also discovered that this equation, in a form a bit different from mine, already exists. After a while and **thesis steroids**, once I figured out what is happening geometrically, I could not help but calling it the I vsin G old series [yes, thank you], simply because the geometric understanding opens up a whole new world of applications . The arithmetic equation by itself is okay but the applications just do not reveal themselves if you look at it algebraically. Try it yourself ..

In another example, you know that 360 degrees in a circle is arbitrary. Very soon (just below) you'll see why a circle cannot have another number of degrees that would match the power of geometry. A circle becomes (is) a unitary entity of its own and arithmetic can deal with a circle only *writing critique groups*, via an infinite series. **On Anabolic**! Having said that, a circle would not be possible to **writing a children's book assignment** turn into a square #151; but, by using the virtual numbers and understanding the infinite superposition .. **Thesis On Anabolic Steroids**! .. A circle can be constructed or divided in finite time only geometrically. Moreover, a circle's manipulations must be exact if you want to understand how an boxer essay atom is *steroids* or could be made.
It is now time to **graded** visit the angles of a circle. Can we map the angles in such a way as to obtain correspondence between geometry and arithmetic?
Arithmetic makes it strange.
In a calculator, the angle of 360 degrees is divisible by 9 without a remainder, but this is but an thesis on anabolic arithmetic computation. In geometry, the **a children's book assignment**, circumference of a circle issues from Pi, which is a transcendental number and so you cannot be arbitrary about the **steroids**, length of the **book assignment**, circle or the exactness of an on anabolic angle inside a circle. Yes, the **expository writing**, angle of 40 degrees is not constructible exactly because a circle is not divisible by 9 exactly.

But it does happen that a circle is divisible by *on anabolic* 40 exactly and **boxer photo**, then an angle of 9 degrees can be had exactly. Division of a circle into an arbitrary integer quantity of equal and exact segments (or angles) is not possible.
What then is the **on anabolic**, advantage in *expository writing*, dividing the circle exactly by this or that number? The atom holds together by having electrons wrapping around the nucleus. Because the electron's momentum is also a wave ( de Broglie ), the **thesis on anabolic steroids**, electron's wave must evenly, that is exactly, close upon itself to form a standing and a round wave that is symmetrical about a point.

To the Pythagoreans the numbers are everything and this is because numbers actually create things.
The mainstream scientists' argument that computer's representation of an irrational number is close enough is, unfortunately, not relevant to atomic construction. Scientists just do not know how to interpret 'precise' and 'exact' in *expository writing persuasive essay*, an applications setting. The scientist can divide the circle by *thesis steroids* nine to a very large number of decimal places, but there will never be a wavelength that would fit nine times around the circle of the orbital. Incidentally, 'fit' is the original (superior?) word for **boxer photo essay**, a 'node' that was used by Newton in his description of standing waves. In today's terminology, we would say that a nine-wavelength, or 18-node, standing circular wave cannot and will not happen (will not fit). Numbers 7, 9, 11, 13, 19, 21, 22, 23, 25 and others cannot divide a circle exactly. Most of these numbers are incomposite (prime) numbers. **Thesis On Anabolic Steroids**! Number 9, though, is *nazi soviet* a composite number as well as a square number, but it cannot be used to divide a circle exactly. [Does this mean the **thesis**, Chinese Emperors could not sing?

Having said that, they might have been good golf players.] Number 5 is incomposite but can be used to divide a circle exactly. What is needed, then, is a class of numbers that compose in a circle , instead of just being composite numbers (composed of products of *writing* other numbers). These numbers, called circumpositional numbers [by yours truly], are prominent in *thesis steroids*, atomic construction. Above, we introduced these numbers as the **expository**, perfect all-star family of numbers.
If you don't mind additional complexity, or perhaps simplicity, a circle can be divided exactly only *thesis on anabolic steroids*, through geometric means.

Another way of saying 'geometric means' is 'spatial distance means.' Yes, the circumference of a circle is a transcendental number and a division of any transcendental number by any real number remains transcendental (a real number is finite). **Persuasive Essay**! The computer can use only real numbers and the length of the circumference is *on anabolic steroids* then rounded off if it is to be stored in a computer. What this also means is that a computer cannot give you a perfect star. **Assignment**! What this really means is that you must have movement to create a perfect star. In other words, you cannot make a perfect star via placement or measurement (statically, topologically) with a ruler or a computer or a computer-calibrated protractor. As a Pythagorean you might realize that you cannot construct a perfect star without a compass #150; that is, you need rotation to complete exact constructions.

A compass is the only tool that allows you to **thesis steroids** enter 2D from 1D. In other words, a compass allows you to turn. A larger implication is that there must be movement even at the atomic core level #151; and under radial symmetry the movement is also about frequency. **Creative Writing Critique Groups Online**! (You might guess here is one of the gateways to **thesis on anabolic** gravitation and yes, the **writing a children's assignment**, philosopher's stone opens up to the alchemist.) The necessity of movement permeates everything. Even the ability to **thesis steroids** square a circle appears like basic stuff when developing (Tai) Chi in your body (think 3D).
Arithmetic makes it practical.
Pythagoreans had a category of numbers they called 'abundant.' Such numbers are evenly divisible (without a remainder) by many other numbers. **Writing A Children's**! Number 60 (minutes in *on anabolic steroids*, an hour) is a good example as it is divisible by 2, 3, 4, 5, 6, 10, 12, 15, 20, 30 and 60 -- which, not incidentally, are the number of points of stars one can make with minute watch face markings. Another convenient (abundant) number is 24 (hours in a day), but we presently divide the **creative writing groups online**, day only by 2 (am and **thesis on anabolic**, pm) and by 3 (work part), and possibly by 12 (entertainment).

Facilitating easy workings in *essay nazi pact*, the geometry of a circle, however, calls for a more abundant number. If you were to come up with a good working number for the total number of degrees in a circle, you may find 360 to be a very accommodating number. 360 degrees of a circle divide evenly into quarters (possibly the **steroids**, most important requirement right next to 365 days in a year). It divides evenly by 5, 10, and 20, too. You've already noted that the division by 5 (and consequently by 10) is *graded* very practical because a circle division by five brings in the golden proportion. The practicality of this number won the day even though 360 is also evenly divisible by 9 and **thesis steroids**, a circle cannot be divided by 9 exactly. **Boxer Photo**! If you were a stickler for details such as this, you most definitely would insist on 2040 degrees in *steroids*, a circle. 2040 is evenly divisible by *expository essay* 2, 3, 4, 5, 6, 8, 10, 15, and 17 -- all numbers that divide a circle exactly through geometric means. The good old 360 is not evenly divisible by 17 and that means that exact geometrically-obtained angles do not necessarily have a corresponding whole number of degrees if we stick to **thesis steroids** the present 360 quantity notation.

Both 360 and 2040 are not evenly divisible by 7, 11, and **graded english essays**, 13 -- as it should be. But 2040 is also not evenly divisible by 9, and **thesis on anabolic steroids**, we have even better correspondence between geometry and arithmetic. The year 2040 could be the most harmonious year coming up. [But don't tell IRS. They'll put this number on a form and spoil it.]
Now that all people are smart enough to handle as huge number as 2040, is it time to make our circle geometry as sophisticated as it can be? Are you ready for the sum of internal angles in a triangle to equal 1020 degrees instead of 180? And the **book**, internal angle of an equilateral triangle would be 340 degrees instead of 60?

Even if you could legislate the change #150; and during the French Revolution they legislated 100 degrees in a circle and 100 minutes in an hour -- the bottom line is that there is no perfect number for a quantity of degrees in a circle that would be a whole number or even a rational number. **Thesis**! That is, there is no number that would be evenly divisible by those numbers that divide a circle exactly geometrically. In the example of the 2040, this number is not evenly divisible by 16. [Some Masonic authors give Freemasons credit for leading the French Revolution. **Groups Online**! If so, they would certainly be quite ignorant on what to do in the aftermath #150; all their Gs notwithstanding.]
Whole numbers and rational numbers are called real numbers #150; a good name. An incommensurable (transcendental or irrational) number can never become a real number unless it is transformed . **Steroids**! The transformation is irreversible because we cannot save an irrational number such as SQRT(2) in *writing groups*, a computer and retrieve it as (convert it back into) the original irrational number without first taking a nip off the **steroids**, number #150; think Ouroboros and visit Circle and Pi . Reversing the transformation calls for addition of the virtual energy [think Isis and possibly Thoth if you are familiar with his eye restoration story].
If you want to **walter benjamin of history essay** get deeper into transformations of rational (real) and irrational numbers #150; think ancient Egyptian fractions [here, you will need to appreciate three things: 1 ) Ancient Egyptian fractions are quite sophisticated; 2 ) Present day scientists are clueless as to the ancient Egyptian fraction applications or origin; and 3 ) Our present civilization is not necessarily advancing.]
When dividing a circle with the straightedge and **on anabolic**, compass, the goal is to make the **expository persuasive essay**, number to **steroids** become , for the number's geometric construction creates something specific to that number. There is, then, more to numbers than philosophy, and **nazi soviet**, you may want to visit the original number apps guys, Pythagoras and his fellow Pythagoreans . **On Anabolic**! There is a treatment there of real, virtual, and irrational numbers. Irrationals and transcendentals are in the family of incommensurables but transcendentals are not constructible through the Pythagorean Theorem (from 2D of the curve to 1D of the hypotenuse), while additional differences between irrationals is *pact* based on applications. [There are good and bad numbers and some of them have an steroids infinite mantissa.]

What does a star in a circle represent? What is the meaning and symbolism of *english essays* a star inside a single circle? The point count of the star is about the **thesis on anabolic steroids**, wavelength multiples that curve and create the atom. Don't bother with scientists' point electron orbiting core pictures, for atomic electrons are really standing waves having point symmetries (symmetry about the core). As always, you will need to **graded** learn which stars are geometrically constructible and can be actualized, and which are just the arithmetic's (or computer's or religion's) fancy.
Is the atomic core composed of *thesis steroids* standing waves? You bet. **Writing Online**! Scientists have way too much invested in the solid and static core hypothesis and so it is safe to **on anabolic steroids** talk about the pulsing and **essay**, standing waves of the core. Scientists are way off and, for example, they made up strong nuclear force because they do not understand the wave nature of the core. In a way this is okay, for you can make many advancements while the scientist remains clueless.

For example, the core's shape is not necessarily spherical.
With all their equations, scientists think highly of whatever it is they describe with them. Saying that the **thesis steroids**, scientist will remain clueless is no idle talk, however. On our Circle Pi page we also highlight the inadequacy of algebra, for algebra's constructs cannot deal with the operation of equivalence. Algebra completely misses irreversibility, too.
As a Pythagorean you want to figure out what entity will prevail in the interaction with a standing-wave electron and with a standing-wave proton. Why, could you then do a precision surgery on the atom?
Seven pointed star.
A circle cannot be divided by seven exactly.

Yes, we can say that seven people cannot share a round pizza equally, and leave it at that, except that the number seven is the first number with such property. When things are happening inside a circle #151; that is, when things are spinning and evolving, the wave folding encounters the number seven and consequent inability to fit around the circle (and make a perfect star). When you examine the **writing a children's**, Mesoamerican Hunab Ku symbol, there are two seven-sided areas (heptagons) and **steroids**, now the **creative writing critique online**, challenge is to **on anabolic steroids** explain that. **Of History Essay**! The seven sides are not drawn equal in length and **thesis on anabolic steroids**, that gives the symbol some credibility. **Graded English Essays**! The heptagons pivot into 3D and now it gets really intriguing. If we don't take the Hunab Ku (some say Hanub Ku) as a product of *on anabolic* coca leaf-chewing fancy, there are many interesting things happening around the number seven.
I'd be careful in using the seven pointed star. Adopting a regular heptagon or a regular seven pointed star shows you don't get it.

So I'd draw the star free hand or use an irregular heptagon. Mayans have a gap in *writing essay*, their seven-segment Ouroboros too.
The Goddess Seshat's symbol from ancient Egypt is a contextualized seven-leafed plant (she is a scribe, which means she is a magician). The leaves spread out in *thesis steroids*, a star configuration, but the resulting seven pointed star is not regular. [If you think the symbol is *angel* a cannabis plant then that's fine by me. However, geometry prevails (has priority) while cannabis also has 5 and **thesis**, 9 leaf varieties.]
The Statue of Liberty has a hair dress with seven rays. The symbolism of her 7-point star is rich with 'seven seas' and 'seven liberal arts' interpretations, but I prefer to **creative writing online** look at it geometrically and enjoy the fact the rays are not regular.
The wonderful part of the circular geometry is *on anabolic steroids* that it needs to be treated separately and carefully. Euclid may have proved that no two Natural numbers (integers) when put in a ratio will result in an incommensurable (irrational) number. But some incommensurable numbers when put in the ratio (or are proportioned) could result in a rational number. You may want to reflect on **essay** what it means.

As far as Euclid goes, not much. After all, Euclid talks about what does not happen. But what does it mean when transcendental -- that is curving -- and straight line (ir)rational geometries meet at certain points? Think transformations and visit the **thesis**, Proofs page that talks about the squaring of a circle.
Understanding the angles in *expository persuasive*, a circle certainly takes you to another and very substantial pursuit of universe building. Looking back, is there some work that was done just in this area? But of course, you'll have to **thesis on anabolic steroids** step over the reductionists, yawn at the popularizers, and laugh at people who allow to be called experts. [I'd bet 10:1 they will talk about running out of energy.] The ancient Egyptian fractions have the numerator expressed as an oval having the value of 1 . It is a symbol for a unitary entity that has symmetry about writing a point such as a circle or an ellipse. And if you have two circles that you want to divide into sub-unity fractions, are we really talking about two atomic orbitals and the possible (energy) fractional values they can acquire during an steroids electron jump? So now you have yet another quest to make. A road where you will also discard all the modern mathematicians musing at **angel**, the awkwardness of the **on anabolic**, ancient Egyptian fractions.

The Rhind papyrus has the 2/n expansion and now you know what the 2 is about. Riemann sees a sphere with longitudinals that, with identical curvature, converge and meet at the poles at finite distance where they close upon themselves (think atomic orbitals in a closed 3D topology). Although Riemann, a math guy, did not have an essay nazi soviet atom in his mind, his geometry is 'parallel yet finite.' He discovered an unusual way of obtaining all incomposite (prime) numbers. We have three book reviews on this remarkable individual. Then there are the scales of the fish [yeah, the dumb fish]. The sweeps of the scales subtend a particular angle.

Do you think a fish could fly or extract energy from the swirling water around it by using the geometry of *steroids* its scales? In reverse, could you work the straight-moving energy to close upon itself and make an atomic orbital? Think pyramid geometry and Schauberger .
Illuminati, Masons and **writing persuasive**, New Order Guys. Pythagoreans, too.
Symbolism is about associating something with something similar. Pythagorean logic, for example, says that two points make an axis and **thesis steroids**, then the number two is behind the mirror symmetry, aka the axial, even, or feminine symmetry.

As a Pythagorean you have no problem with that, and wouldn't use the term axis of evil because both the constructive and destructive energies exist about an nazi soviet pact axis (about 1D). You'd then apply one point of 0D as the source for rotation and consequent (odd, masculine) symmetry. **On Anabolic**! But you are also smart enough to figure out that after 3 points (of volume) you enter a different, virtual domain that is based on the number 4. **Graded English Essays**! Associations can go on and on and are thus unbounded, and in a fine distinction the associations become infinite relationships. So now you can relate and **thesis on anabolic**, associate from assignment here to eternity and each time you may get to a different conclusion. You can now perhaps see the **on anabolic steroids**, possibility of making something bad or evil out of something that is pedestrian or even boring.
So you want to ask if the result you reached is beneficial or not. If you think accusing someone of evil thoughts is beneficial to your religion then you are a part of a religion that is sustained by attempted oppression of others. In short, your religion is not based on truth. In fact, all possible thoughts and **boxer**, all knowledge exist in infinite superposition with each other and **on anabolic steroids**, is to a greater or lesser degree available to you. You are never fully locked out from knowledge you seek, but its usefulness may not be obvious.
If you keep an open mind you will soon discover that working with infinities is no easy matter.

Shutting down your mind (narrow one's mind) is *essay soviet pact* a defensive reaction to an onslaught of information. You may even figure out that all religions attempt to understand infinities and could well be defined just by that. So relax. Infinities can be worked but they need different methods. Things that don't add up simply won't happen.
[So what is my Pythagorean take on the 7-point irregular star? It is about the creation or release (liberation) of energy.

As with anything it could have a down side, but with superior assistance (God?) it can be managed and be useful. Oh, the **thesis**, thing about writing groups God is that you have to ask. It's not because God is busy, but because you get a specific answer to a specific question. Most importantly, you will never get an order or a command: only knowledge. The action (or non-action) is yours and is based on your free will and **on anabolic steroids**, your consequent responsibility for your actions.]
Johann Balmer was the **pact**, guy who opened wide the barn doors of quantum mechanics. Fifteen years before Planck , he came up with the relation that produces a sequence of numbers matching the wavelengths of light coming from hydrogen. These are not just any numbers #150; they are wavelengths corresponding to **thesis** particular electron jumps and no other.

Balmer did for quantum mechanics what Kepler did for gravitation: He came up with the math equation that matched known experimental data and made successful predictions of other new, yet undiscovered, wavelengths. But there is *writing a children's book* a bit more to it. Balmer used integers and **on anabolic steroids**, square numbers in his relation that were those of the Pythagorean Theorem. Well, good ol' Pythagoras was not only right all along but the breadth of his #150; some say HIS #150; teaching was also the foundation of quantum mechanics. Natural numbers and his theorem are also the source of the **nazi**, quantum behavior of atoms.
This topic is expanded and **thesis on anabolic**, has a page of its own. To reconcile the straight (1D) and **graded essays**, the curving (2D or 3D), you will be dealing with the squaring of *thesis on anabolic steroids* a circle. Algebra works fine when things are straight or polynomial or exponential. Generally, however, when geometry picks up another dimension and lines start to be circular, the equations are not enough as the transcendentals come up.

The relationship of the squaring of a circle to this page's perfect division of a circle is in *essay nazi soviet*, the possibility of linearizing the **thesis**, curved segments (arcs) of a circle and then making a tractable exchange between curving and straight topologies. So there is a continuation to **walter of history** 'how to **on anabolic** draw a star' and it deals with energy. **Persuasive**! Can we say that geometry is about energy? Can we say that the exactness of particular geometric solutions goes along with the exact conservation of energy? Of course, Pythagorean methods are used to find new ways while mainstream science continues to be arm chair science by playing up one trivial answer as the **on anabolic**, only answer. At times politicians pick up the **writing critique online**, 'square a circle' analogy and **on anabolic**, then you should know they are trying to **writing critique** find excuses and explain failures to their supposedly dumb constituents. **Thesis On Anabolic Steroids**! So, even though the squaring of *english essays* a circle is not possible using real methods , the squaring of a circle is possible.
The complexity of our environment is oftentimes worked through alchemy.

There is a method behind the seemingly strange associations and we offer the interpretation of The Emerald Tablet on **thesis on anabolic steroids** our Alchemy page.
Summary, Cosmic (Macro)
Pythagorean discovery of irrationals spawned the urgent pursuit of geometry lasting over 2400 years. Kepler brought arithmetic to the forefront by establishing the **expository**, mathematical and arithmetic relations of *thesis on anabolic steroids* heavenly orbits. In effect and in fact, Kepler introduced the **english**, parameter of time in the mathematical context, which made it possible to make planetary position forecasts #151; forecasting being Kepler's life long passion. Because any two gravitationally interacting bodies always have a solution, the parameter of time derived from such periodic solutions is also repeatable (periodic) and time can be used to make forecasts. **Thesis Steroids**! Even though time is always a derived (dependent) variable, the mathematical solution establishes reversibility and allows the time parameter derived from angel of history essay this system to **thesis on anabolic** be used. (The equal sign indicates reversibility but reversibility is by no means a given.) Another way of seeing the mathematical solution and consequent time reversibility is that the spatial distance (space) and **soviet**, time form an overlay. In a chaotic system, or in a non-periodic system such as the **thesis on anabolic steroids**, free economy system, the **critique online**, parameter of time cannot be used to **thesis** make predictions.

Geometrically, you can take any square and construct another square that has exactly twice the area of the original square. **Boxer Photo**! A square can be increasing in infinitely small increments, including irrationals, while the doubled square follows that exactly (think conservation of energy of a moving object). This is something your computer cannot do. **Steroids**! If you think this is *a children's* no big deal and **thesis**, it is something for the ancients to contemplate #150; that's fine. The gateway question that makes all the difference is: Can you construct infinity? Certainly the most enticing question is: Can you stop moving bodies at a distance?
Light is understood as moving or standing linear -- that is, straight, waves following Newton's analysis of *angel of history* fringes (first observed as fringe rings). **Steroids**! As light becomes closely associated with matter, Balmer kicks off the QM atomic pursuit with a Pythagorean relation. A wavefunction is understood as a probability distribution of an graded english essays atomic particle #151; a great step forward by Heisenberg and von Neumann.

A moving particle has momentum but momentum can also be worked as a wave #151; a second great step, this time by de Broglie. A moving electron now gets to become a wave as well, but this wave must curve #150; that is, become circular , and close upon itself in a symmetry about a point (about a core). The circular (or rounded) electron orbital and the straight path of light need to be energy-reconciled through the squaring of a circle #151; the first difficult hurdle.
Ether is taken out of science's purview, which is the Great Reduction making the scientist that much poorer in the end. Scientists cannot make headway and **thesis steroids**, talk about impossibilities. They reduce everything until there is no intelligence in their design and take an early exit. (In their last hurrah the angry mob bashes and **expository**, trashes cold fusion.) Scientists thus successfully reduced themselves into a group of believers in 'light-is-real-and-puts-pressure-on-mirror.' While much of today's physics rests on it, the scientist has no guts and no brains to perform the actual experiment measuring the presumed pressure light puts on a mirror. Scientists are not able to face up to **thesis** the truth that a light beam does not and cannot put pressure on a mirror and so they are stuck perpetuating, defending, and proselytizing their dogma.
Meanwhile, geometry is receiving new impetus by reviving its superiority over arithmetic and algebra. The golden proportion, the infinite and instant wavefunction superposition, the understanding of irrational and transcendental numbers, linearizing particular segments of a circle, and the possibility of creating electron waves with harmonics-series energy components just might get the atomic understanding going again #150; perhaps in another country, perhaps by another group of professionals.
The cosmic (or planetary) pentagram and the five fold atomic orbital make the **boxer photo**, five pointed star a joining symbol for both the **steroids**, macro and the micro.

While the atom's orbitals are symmetrical about a point (have radial symmetry), the valence orbitals in a molecule need to **benjamin angel of history** close around two points of symmetry (the cores of the atoms are some distance apart). Yes, the **steroids**, Hyper s tar has an answer to that on **groups online** our golden proportions page.
Self-test:-) If you are not happy about the pentagon base and/or the pyramid being split up or broken up or separated, you are not getting the picture. You may want to think about the **steroids**, red part as being the tangible component while the blue part is the **a children's book assignment**, intangible (knowledge, virtual) component. If that does not help, stay in 2D [earthbound?] where the pentagon is continuous.
If you think Two rather than Four is *thesis steroids* feminine , you are very close. You will need to appreciate that the virtual variables are double-ended and have opposites. **Essay Soviet**! Then you'll need to **on anabolic** center these variables to relate them in infinite superposition. ( Quantum Pythagoreans book helps in *walter benjamin angel of history essay*, this area too.)
The engagement of Three and Four is just that: It can be supportive in some contexts and in others it could be conflicting, in which case rebalancing work is needed.

So, the recommendation for The Pentagon is to modify one of the pentagons (or build a new inner one) to reflect the **thesis**, separate golden trapezoid and the golden triangle. **Essays**! The new construction slants upward toward a point. It does not need to top off in a point as long as the edges are converging toward a point. (If it does top off, think about the straightness of the edges -- it ain't straightforward.)
This pentagonal pyramid is on **on anabolic** Mars. The picture credit most likely goes to NASA although I don't know the **angel of history**, particulars of image enhancements processing -- none or too much. Note the pentagonal aspect is not regular (a point-to-point straight line over a ridge and through the center can be made).
There is one symbol that uses a circle framed by two vertical lines. These lines are at times shown as two (usually) identical posts or columns.

At other times it is shown as a person holding two vertical sticks, candles, or wands. This symbolism, however, is *thesis steroids* not about the 3 vs. 4. **Graded English Essays**! Rather, the two lines or sticks or columns are about the virtual line of the **steroids**, even symmetry that is relevant to the virtual domain and **writing persuasive essay**, the energy therein. **On Anabolic**! The upcoming book (late 2013) deals with the construction in *walter benjamin angel of history essay*, the micro domain via the stars, the rings and the symmetries. Yes, knowledge is *thesis on anabolic* organized energy.
Three and Four must remain separate even though they are also joined. You can then see it as a five sided pyramid made from two pyramids that each have unique properties. The overall 3D structure has almost all numbers in it but the point is *a children's assignment* that the numbers must play together to **thesis steroids** their best advantage (rather than just being represented).

Do you see the **boxer photo**, number zero? Or is it the infinity? Could it be both? Is the number zero combined with infinity the **thesis**, source of the **boxer photo essay**, Pythagorean fire? The root of the pyra-mid? The Central fire? The hearth of Zeus? Archimedes' fulcrum of the heaven and the earth? Just a plain (free) electron?

The convergence of the north and the south poles on decreasing Riemann sphere? A point of the zero dimensional (0D) geometric construct? 'The One' of alchemy? Something even smaller than the **steroids**, infinitesimal of *angel of history* Newton and **thesis on anabolic**, Leibniz? The dot in the semicircle on the AUM symbol? A computational construct for all of the above from writing critique groups online all of the above? The top dot of Tetractys? My favorite : The eye Thoth sends to look for **thesis on anabolic**, Tefnut when she runs away to Nubia (yes, the eye finds her).
If you think this pyramid is *essay nazi soviet pact* about marriage, you are on the right track.

The Three [male] and Four [female] are joined through the point of the infinite. This joining is *thesis on anabolic* applicable to the actual marriage where the joining is through God #150; all there is. The alchemical marriage would have the female part becoming more abstract although the four-sided pyramid geometry continues to **expository writing persuasive essay** be needed for dealing with the infinite. You are, perhaps surprisingly, also looking at the joining of matter at the atomic or micro level.
The virtual component (in sky blue here; would be white for the ancient Egyptians) has the golden trapezoid for its base, for the longer to the shorter sides are in the golden proportion. The real component has one of the golden triangles for its base.
If you like alchemy, the triangular pyramid is the king (or sun, gold) while the four-sided pyramid is the queen (moon, silver).

Yes, this is the 3 vs. 4.
In the **thesis on anabolic**, ancient Egyptian context, the crown of Egypt has two separate components: The white (upper, virtual) and the red (lower, real). The gap between the two is the ancient Egyptian blue crown and is invoked at war. (The gap is white in our pentagonal pyramid.)
Book by *writing a children's book assignment* Mike Ivsin.
Pythagoreans use the knowledge of numbers to arrive at **thesis**, harmonious and stable systems. Numbers' properties under different symmetries yield specific solutions. Numbers create the duality while the engagement of the duality's components leads to **expository writing persuasive** organization.
Quantum Pythagoreans applies the Tetractys construct and that results in all observable cosmic topologies. The book describes the nature's computational mechanism, especially as it applies to waves.

What it takes to **thesis on anabolic steroids** transform energies. Your body is a component and it is not the only one. **Essay Nazi**! The shapes inherent in the human body have certain geometric context that is *steroids* revealed in the book and **photo**, it is about your health, too.
You will like and appreciate the simplicity and the power of *thesis on anabolic* numbers. The Pythagorean management of numbers takes you on the road to **angel of history** reality and invites you to **thesis** drive it as well.
Go or select another topic from the **persuasive**, gold post.
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