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Engineering Cover Letter Sample

Process engineer cover letter

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book report forum Ideas For Book Report Projects. Best 25+ Book report projects ideas only on Pinterest | Book reports Find and save ideas about engineer cover letter Book report projects on Pinterest. | See more ideas about scope Book reports , Reading projects and process engineer letter, Reading and writing project . More Ideas Than You#039;ll Ever Use for Book Reports Teachnet.com Create life-sized models of two of of thesis writing, your favorite characters and dress them as they are dressed in the book . Process? Crouch down behind your character and describe More Ideas Than You#039;ll Ever Use for Book Reports Teachnet.com book reports , book , report , dioramas, oral reports, plot summary, scene, 3-D, health, p.e., physical education, PE, speech, reading, writing, lesson ideas . to represent a scene from the story, can be an system an essay on the of expert, individual project or one for a group. Process Engineer? Education World: Fresh Ideas for Creative Book Reports report formats? Spice up those old book reports with some new ideas . Paper On Mozart? The project made fun out of what can be a pretty hum-drum activity. Even better, the Classroom Activities: 25 Book Report Alternatives | Scholastic Use these twenty-five ideas to shake up your book-related activities. on a favorite author, there are many innovative alternatives to traditional book reports . Letter? Fifty Alternatives to the Book Report (Teaching Ideas ) NCTE tudes, and thoughts from the book . 2. Heroes and superheroes. up a report as a social worker would . and system of professions an essay labor, phrases that you think project strong images and process, Ideas for Response Projects Not Your.

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After choosing and reading a book, each student selected a book report container. Who Changed Essay? The third and final part of the project was the student presentation. Middle School Book Reports project about an AR book you have read. For this report you may choose from any of the ideas listed on the following pages. Process Cover? Choose a project that you will enjoy The Book Report Blues Garfield Senior High School Some interesting and varied projects for of professions an essay on the division labor that old book report . Engineer? Book Report Projects (The Book Report Blues) Here are some ideas for special book reports : 1. A Tasty Reading Project Mrs. Beattie#039;s Classroom 24 Mar 2013 Are you looking for creative book report ideas for your middle school or elementary classroom? Take a look at this post containing a great idea Book Report Ideas Notes, Handouts, Powerpoints Varsity Tutors Book Report Ideas Free English learning and teaching resources from Students read an paper on mozart, article from the New York Times in conjunction with this project . Book Report Project Ideas and Forms: Trading cards, book mobiles 8 May 2015 What#039;s the best book that you#039;ve read this year? Turn that question into a hands-on book report project . Students can choose their favorite book Alternative Book Reports for the 21st Century – Whooo#039;s Reading Blog 30 Mar 2015 As a result, many standard rubrics for book reports may still apply, helping give students an idea of process engineer cover letter, what their project should include and how Amazon.com: 50 Book Report Ideas (9781420639483): Jim Walters Never run out of ideas for book reports and system of professions an essay on the, literary projects ! Engaging activities have students preparing character masks, historical interviews, pop-up books, Book Report Ideas Make a Diorama DLTK-Teach DLTK#039;s Educational Activities Book Report Ideas Make a Diorama. Welcome to engineer cover the Diorama #8212; today#039;s grade school staple for all sorts of projects ! Since my.

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Engineering Cover Letter Sample

Gut-Level Legislation, or, Redistribution. Publication date Spring 2006. “New American fiction” is, to my mind, immediately and unhappily equivalent to new American short fiction. And yet I think the American short story is a dead form, unnaturally perpetuated, as Lukacs once wrote of the chivalric romance, “by purely formal means, after the transcendental conditions for its existence have already been condemned by the historico-philosophical dialectic.” Having exhausted the conditions for its existence, the short story continues to be propagated in America by a purely formal apparatus: by the big magazines, which, if they print fiction at all, sandwich one short story per engineer cover issue between features and reviews; and by workshop-based creative writing programs and start descriptive room, their attendant literary journals. Today’s short stories all seem to bear an process engineer letter, invisible check mark, the ghastly imprimatur of the fiction factory; the very sentences are animated by some kind of vegetable consciousness: “I worked for Kristin,” they seem to say, or “Jeff thought I was fucking hilarious.” Meanwhile, the ghosts of deleted paragraphs rattle their chains from the margins. In the name of science, I recently read from cover to cover the Best American Short Stories anthologies of 2004 and start, 2005. Many of these stories seemed to have been pared down to a nearly unreadable core of brisk verbs and vivid nouns. An indiscriminate premium has been placed on the particular, the tactile, the engineer “crisp,” and the “tart”—as if literary worth should be calibrated by resemblance to an apple (or, in introduction relations questions, the lingo of hyperspecificity, a McIntosh). Writers appear to be trying to identify as many concrete entities as possible, in the fewest possible words.

The result is celebrated as “lean,” “tight,” “well-honed” prose. One of the by-products of hyperspecificity is a preponderance of cover, proper names. For maximum specificity and essay questions, minimum word count, names can’t be beat. Julia, Juliet, Viola, Violet, Rusty, Lefty, Carl, Carla, Carleton, Mamie, Sharee, Sharon, Rose of engineer cover, Sharon (a Native American). In acknowledgment of the times, the 2004 and 2005 volumes each contain exactly one Middle East story, each featuring a character called Hassan. I found these names annoying, universally so. I was no less annoyed by John Briggs or John Hillman than by Sybil Mildred Clemm Legrand Pascal, who invites the reader to call her Miss Sibby.

I was no more delighted by the cat called King Spanky than by the cat called Cat. The authors had clearly weighed plausibility against precision; whichever way they inclined, there was the same aura of cheapness. Alarmed by my own negativity, I began to introduction to international relations essay questions, wonder whether I might be doing the Best Americans some injustice. For a point of comparison, I reread a few stories by Chekhov, who is still the ostensible role model for process cover letter, American “short-fiction practitioners.” (Search for “the American Chekhov” on descriptive essay, Google, and you will get hits for engineer cover, Carver, Cheever, Tobias Wolff, Peter Taylor, Andre Dubus, and Lorrie Moore, as well as several playwrights.) By comparison with the Best Americans, I found, Chekhov is quite sparing with names. In “Lady with Lapdog,” Gurov’s wife gets a few lines of descriptive essay room, dialogue, but no name. Anna’s husband, Gurov’s crony at the club, the lapdog—all remain mercifully nameless.

Granted, Chekhov was writing from letter, a different point in the historico-philosophical dialectic: a character could be called “Gurov’s wife,” “the bureaucrat,” or “the lackey,” and nobody would take it as a political statement. The Best Americans are more democratic. Every last clerk, child, and goat has a name. Nowhere is the best American barrage of names so relentless as in the first sentences, which are specific to the point of arbitrariness; one expects to discover that they are all acrostics, or don’t contain a single letter e. Bogie Design. They all begin in medias res. For Slavists, the precedent for “in medias res” is set by Pushkin’s fragment “The guests were arriving at process cover the dacha.” According to Tolstoy’s wife, this sentence inspired the opening of Anna Karenina . Would Pushkin have managed to of thesis writing, inspire anybody at all had he written: “The night before Countess Maria Ivanovna left for Baden Baden, a drunken coachman crashed the Mirskys’ troika into the Pronskys’ dacha”? He would not. Pushkin knew that it is neither necessary nor desirable for the first sentence of a literary work to answer the “five w’s and one h.” Many of the process cover Best Americans assume this perverse burden.

The result is not just in medias res, but in-your-face in who changed, medias res, a maze of names, subordinate clauses, and minor collisions: “The morning after her granddaughter’s frantic phone call, Lorraine skipped her usual coffee session at the Limestone Diner and drove out to the accident scene instead”; “Graves had been sick for three days when, on the long, straight highway between Mazar and Kunduz, a dark blue truck coming toward them shed its rear wheel in process engineer cover, a spray of orange-yellow sparks.” I had to stare at these sentences (from Trudy Lewis’s “Limestone Diner” and Tom Bissell’s “Death Defier”) for introduction relations essay questions, several minutes each. A first line like “Lorraine skipped her usual coffee session at the Limestone Diner” is supposed to create the illusion that the process engineer cover letter reader already knows Lorraine, knows about her usual coffee, and, thus, cares why Lorraine has violated her routine. It’s like a confidence man who rushes up and claps you on the shoulder, trying to essay, make you think you already know him. Today’s writers are hustling their readers, as if reading were some arduous weight-loss regime, or a form of community service; the engineer letter public goes along, joking about how they really should read more. Oprah uses identical rhetoric to advocate reading and paper on mozart, fitness; Martha Nussbaum touts literature as an exercise regime for process, compassion. Reading has become a Protestant good work: if you “buy into” Lorraine’s fate, it proves that you are a good person, capable of self-sacrifice and empathy. Another popular technique for waylaying the reader is the use of system an essay, specificity as a shortcut to nostalgia—as if all a writer has to do is mention Little League or someone called Bucky McGee, and our shared American past will do the rest of the work.

Each of the Best American anthologies, for example, has a Little League story. I believe, with the Formalists, that literature has no inherently unsuitable subject—but, if it did, this subject would surely be Little League. Cover. Both Best Americans include some variation on paper on mozart, the Western historical romance, e.g., “Hart and Boot”: “The man’s head and torso emerged from a hole in the ground, just a few feet from the cover rock where Pearl Hart sat smoking her last cigarette.” There is a terrible threat in this sentence: is the reader really expected to think: “Good old Pearl Hart”? The best of the Best Americans are still the old masters—Joyce Carol Oates, Alice Munro, John Updike—writers who comply with the purpose of the design short-story form: namely, telling a short story. This sounds trivial, but isn’t. The short-story form can only accommodate a very specific content: basically, absence. Missing persons, missed opportunities, very brief encounters, occuring in process engineer, the margins of “Life Itself”: when the content is minimalist, then it makes sense to follow the short-fiction dictates: condense, delete, omit. Novels, like short stories, are often about absences; but they are based on information overload. Paper On Mozart. A short story says, “I looked for process engineer cover letter, x, and didn’t find it,” or, “I was not looking anymore, and then I found x.” A novel says, “I looked for x, and found a, b, c, g, q, r, and w.” The novel consists of all the writing irrelevant garbage, the effort to process cover letter, redeem that garbage, to integrate it into Life Itself, to redraw the boundaries of Life Itself. The novel is a fundamentally ironic form; hence its power of self-regeneration. The short story is a fundamentally unironic form, and for this reason I think it is doomed.

When the available literary forms no longer match the available real-life content, the introduction to international relations novel can reabsorb the mismatch and use it as material. The canonical example is process engineer cover letter, Don Quixote , a work which, according to his prologue, Cervantes conceived in a prison cell in Seville. Cervantes wanted to who changed my life, write a chivalric romance, but the gap between this form and his experience was too great. Then he broke through the formal “prison”: he made the gap the letter subject of a book. Many of the Best American stories are set in prisons and my life essay, psychiatric hospitals. They are trying to break out, but I don’t think they will.

One of the most interesting contributions, Kelly Link’s “Stone Animals,” is about a family who moves into a new house that, very gradually, turns out to process engineer cover letter, be “haunted.” First a toothbrush becomes haunted, then the paper on mozart coffee machine, the downstairs bathroom. The haunted rooms can no longer be used; the house becomes equivalent to Cervantes’s cell: all the narrative possibilities have been sealed off. The family has less and cover letter, less space in which to live. Design Thesis. The last sentence is creepy and process, vaguely polemical: “In a little while, the dinner party will be over and the war will begin.” Indeed, let the bogie thesis war begin. Today’s literary situation is such that virtually all writers must, at process cover least initially, write short stories. Several of the Best American stories, “Stone Animals” among them, are really novelistic plots crammed into twenty pages. The short story is trying to expand into a catchall genre.

In fact, the novel is, at present, the only catchall genre we have; and bogie design thesis, it is engineer, shrinking. Novels have gotten so short lately, with the exception of those that have gotten very long. To International Relations Questions. Most of the long novels fit under James Wood’s designation of “hysterical realism”—which, while ostensibly opposed to Puritan minimalism, actually shares its basic assumption: writing as a form of self-indulgence and vanity. The difference is process cover, that, instead of eschewing what they consider to be wicked, the hysterical realists are forever confessing it. The recursions of David Foster Wallace and division of expert labor, Dave Eggers—“I confess that I, reprehensibly, want to be loved; this very confession is another reprehensible ploy to make you love me”—are a dreary Catholic riposte to a dreary Protestant attack. It would be equally productive for cover letter, every writer to my life, start every book with an apology for cutting down trees which could have been put to better use building houses for the homeless; followed by process engineer a second apology for the paper consumed by the first apology. Here is the crux of the problem, the single greatest obstacle to American literature today: guilt.

Guilt leads to the idea that all writing is self-indulgence. Writers, feeling guilty for not doing real work, that mysterious activity—where is introduction essay questions, it? On Wall Street, at Sloane-Kettering, in engineer, Sudan?—turn in shame to design, the notion of writing as “craft.” (If art is process engineer cover, aristocratic, decadent, egotistical, self-indulgent, then craft is introduction to international relations, useful, humble, ascetic, anorexic—a form of whittling.) “Craft” solicits from engineer, them constipated “vignettes”—as if to say: “Well, yes, it’s bad, but at least there isn’t too much of it.” As if writing well consisted of overcoming human weakness and bad habits. As if writers became writers by omitting needless words. American novelists are ashamed to find their own lives interesting; all the system rooms in the house have become haunted, the available subjects have been blocked off. What remains to be written about? (A) nostalgic and historical subjects; (B) external, researched subjects, also sometimes historical; (C) their own self-loathing; and/or (D) terrible human suffering. Cover. For years, Lorrie Moore has only written about cancer. In A Heartbreaking Work of Staggering Genius , Dave Eggers implies that anyone who does not find his story compelling is unsympathetic to cancer victims; he describes in gory detail how he plans to essay, eviscerate such people, how he plans to be eviscerated by them in turn. For writers who aren’t into cancer, there is the Holocaust, and of course the items can be recombined: cancer and the Holocaust, cancer and American nostalgia, the Holocaust and engineer, American nostalgia.

For the last combination, you can’t do better than Michael Chabon’s The Amazing Adventures of Kavalier Clay , with its memorable opening sentence: In later years, holding forth to an interviewer or to paper on mozart, an audience of aging fans at a comic book convention, Sam Clay liked to declare, apropos of his and process engineer, Joe Kavalier’s greatest creation, that back when he was a boy, sealed and paper on mozart, hog-tied inside the airtight vessel known as Brooklyn New York, he had been haunted by cover dreams of descriptive, Harry Houdini. All the engineer cover elements are there: the nicknames, the clauses, the who changed essay five w’s, the physical imprisonment, the nostalgia. Process Engineer Letter. (As if a fictional character could have a “greatest creation” by the first sentence—as if he were already entitled to be “holding forth” to who changed my life essay, “fans.”) Throughout the novel, Chabon does actually generate a fair amount of nostalgia—but then he goes and dumps the entire burden of engineer letter, character development on essay room, the Holocaust. Cover. Joe Kavalier is a master magician, an escape artist, a writer of fabulous comic books, a charismatic and who changed, fundamentally mysterious person—until, that is, Chabon explains to us that the reason Kavalier became an escape artist was to escape from Hitler. Cover. The reason he could produce a blockbuster cartoon superhero was that he had a psychological need to create a hero who could knock Hitler’s lights out on paper on mozart, a weekly basis. W. Process Cover Letter. G. Sebald’s Austerlitz has a nearly identical premise, minus the system of expert American nostalgia. It, too, features an engineer cover letter, authorial stand-in, a la Sam Clay, who finds in some other person a source of narrative. Austerlitz is, like Kavalier, a human enigma who disappears for years on paper on mozart, end, leaving trails of clues; in the end, the “solution” is nothing other than the Final Solution. Austerlitz’s and Kavalier’s parents both perished, peculiarly enough, in the same Czech ghetto, Terezin. Process Engineer Cover. Austerlitz and of professions an essay labor, Kavalier are both obsessed with moths; they both have Holocaust-induced problems with women. (Austerlitz’s one love affair, with a woman called Marie, fizzles out during a trip to Marienbad, where he is oppressed by an inexplicable terror; later we understand that it’s because he is actually Jewish, and his parents were killed in the Holocaust, and engineer cover letter, once they went on vacation to Marienbad.)

It’s not that the to international questions big pathologies can’t be written about, or can’t be written about engineer cover letter well; Oates’s “The Cousins” ( Best American 2005), for example, is about both the Holocaust and of professions division of expert, cancer, and is still a good story. It consists of the letters between two cousins, aging women: one survived the Holocaust and became a famous writer, the other grew up in America and became a retiree in Florida. They were supposed to meet as children, but never did. Process Engineer. The twist is of thesis, that both cousins are interesting and mysterious; both have suffered; and they are bound by some hereditary, unarticulated, Zolaesque link. Among the process engineer letter novelists who write about the Second World War, I confess that my favorite is Haruki Murakami.

Murakami’s The Wind-Up Bird Chronicle opens with a small, personal mystery—the disappearance of the narrator’s cat—which turns out to be related to how the narrator never really understood his wife, who also disappears. The two disappearances are subsequently linked to paper on mozart, the occupation of cover, Manchuria, the torture killing of a Japanese soldier, and various other personal and essay, global events. The narrator is moved by all the big historical themes that pass through the novel, but he suffers more immediately from the loss of his cat—as in Brueghel’s picture of the farmer ploughing his field while Icarus drowns. We never learn exactly what the Manchurian occupation has to do with the missing cat. Letter. The big historical mysteries are related to, but do not seamlessly explain, the small everyday mysteries. By contrast, I feel sure that if Sebald or Chabon had written Wind-Up Bird , the narrator would have discovered that his own father had been killed in system of expert labor, the Manchurian campaign, and process, that’s why his wife left him and essay, his cat ran away. Murakami isn’t the world’s greatest novelist; you could say that his novels are all “botched” on some basic level. The turns in the plot are often achieved unsatisfyingly, by dreams, or by a character deciding to sit in the bottom of a well; the narrators receive an inordinate amount of oral sex from engineer letter, bizarrely dressed middle-aged women.

But botchedness also gives Murakami’s novels a quixotic dynamism. Murakami’s latest work, Kafka on paper on mozart, the Shore , contains a prescient discussion on engineer, the subject of minor novels—in fact, on a minor novel called The Miner . The Miner is about a young man who has an unhappy love affair, runs away from home, ends up working in relations essay, a mine alongside “the dregs of process engineer letter, society,” and then returns to his ordinary life. “Nothing in the novel shows he learned anything from these experiences, that his life changed, that he thought deeply now about the meaning of life or started questioning society,” Murakami’s narrator explains: it is descriptive essay room, completely unclear why the engineer letter author decided to write The Miner —which makes it particularly valuable to relations, the narrator, by virtue of its very openness. Literature needs novels like The Miner , where you go into the mine and nothing happens; novels unlike Germinal , where you go into the mine and come out a socialist. Perhaps modern American literature has kept the worst parts of Zola. We lost the genetic mysticism and the graphomania—all of process cover, us, perhaps, except Joyce Carol Oates—and we kept the guilty social conscience. Dear American writers, break out of the paper on mozart jail! Sell the haunted house, convert it to tourist villas.

Puncture “the airtight vessel known as Brooklyn New York.” Write long novels, pointless novels. Do not be ashamed to grieve about personal things. Dear young writers, write with dignity, not in guilt. How you write is how you will be read. My Life and Times in American Journalism. Like Oedipus, we flout the warning, and we’ll act surprised, even outraged, when we find out what we’ve done. Every now and cover letter, then he looked up to ask what Evo was saying, since at his seventy-two years of age, Hugo Blanco is nearly deaf. The problem with autonomy and end-of-life decisions is largely a problem of information.

It is not possible to relations essay, be a German. Process Engineer Cover Letter. If it were, hardly anyone would like to be one. If anyone would stop doing his job should his income drop to $100,000 a year, he should not be doing that job. Issue 4 Gut-Level Legislation, or, Redistribution Mark Greif. Issue 4 My Life and Times in paper on mozart, American Journalism Philip Connors. All useful poetry criticism since the ’60s has come either from academics or from people committed to little magazines. Literature is only an art. Process Engineer Cover. If it improves you, it does so the way health, riches, and elegant clothes do.

There are plenty of clones, yes, but like Dolly the sheep, they age quickly and soon die. In the introduction to international relations essay questions age of BookScan, only an unpublished writer is allowed to keep his dignity. It is in an aroused consciousness that the solace and excitement of literature are to be found. As vague a categorical designation as “literary fiction” is, it bestowed on non-genre novels the gift of process engineer cover letter, a brand. In paying homage to relations essay questions, sincerity, “post-ironic” fiction more often confirms its exile from the truth. Our generation seems far too aware that reading is safe and process cover letter, fun, that literature is spectacle.

Issue 4 Why Repeat These Sad Things? Meline Toumani. Issue 4 The Mystery Guest Gregoire Bouillier. Issue 4 Afternoon of the Sex Children Mark Greif. Issue 4 Two Stories John Haskell. Issue 4 Melodramatic Installations Ilya Kliger. Issue 4 Three Stories Rebecca Schiff. Issue 4 The Joy of Edge Tools Misha Hoekstra. You, dear reader, are also supposed to be a clone among clones. And really, who’d be the wiser? Never trust a man who insists that he is sincere.

How does Vollmann intend to be helpful, to save a life, to benefit someone? Issue 2 Babel in California Elif Batuman. Issue 9 Summer in paper on mozart, Samarkand, Part II Elif Batuman. A specter is haunting the academy—the specter of close reading. Go to Uzbekistan now . . Engineer. . or you will never get departmental funding ever again?

n+1 is system of professions an essay of expert labor, a print and digital magazine of literature, culture, and politics published three times a year. We also post new online-only work several times each week and publish books expanding on engineer, the interests of the magazine.

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essay side table Once your statistical analyses are complete, you will need to summarize the data and results for presentation to your readers. Data summaries may take one of 3 forms: text, Tables and Figures. Text: contrary to process letter, what you may have heard, not all analyses or results warrant a Table or Figure. Some simple results are best stated in bogie, a single sentence, with data summarized parenthetically: Seed production was higher for plants in the full-sun treatment (52.3 +/-6.8 seeds) than for those receiving filtered light (14.7+/- 3.2 seeds, t=11.8, df=55, p0.001.) Tables: Tables present lists of numbers or text in columns, each column having a title or label. Do not use a table when you wish to process letter, show a trend or a pattern of system division of expert labor relationship between sets of values - these are better presented in a Figure.

For instance, if you needed to present population sizes and sex ratios for your study organism at process engineer cover letter a series of sites, and you planned to focus on the differences among individual sites according to (say) habitat type, you would use a table. However, if you wanted to show us that sex ratio was related to population size, you would use a Figure. Figures: Figures are visual presentations of results, including graphs, diagrams, photos, drawings, schematics, maps, etc. Graphs are the most common type of figure and will be discussed in detail; examples of other types of figures are included at the end of this section. Graphs show trends or patterns of relationship. Organizing your presentation: Once you have done your analyses and decided how best to present each one, think about how you will arrange them. Your analyses should tell a story which leads the reader through the steps needed to introduction to international, logically answer the question(s) you posed in your Introduction. The order in which you present your results can be as important in convincing your readers as what you actually say in the text. How to refer to Tables and Figures from the text: Every Figure and Table included in the paper MUST be referred to from the engineer cover, text. Use sentences that draw the reader's attention to the relationship or trend you wish to highlight, referring to the appropriate Figure or Table only parenthetically:

Germination rates were significantly higher after 24 h in running water than in controls (Fig. 4). DNA sequence homologies for the purple gene from the four congeners (Table 1) show high similarity, differing by at most 4 base pairs. Avoid sentences that give no information other than directing the reader to the Figure or Table: Table 1 shows the summary results for male and female heights at to international essay Bates College. Abbreviation of the word Figure: When referring to process letter, a Figure in the text, the my life, word Figure is abbreviated as Fig., while Table is not abbreviated. Both words are spelled out cover completely in descriptive legends. How to number Tables and Figures: Figures and Tables are numbered independently , in the sequence in which you refer to scope writing, them in the text, starting with Figure 1 and Table 1. If, in revison, you change the presentation sequence of the figures and tables, you must renumber them to reflect the new sequence. Placement of engineer cover letter Figures and introduction to international, Tables within the Paper: In manuscripts (e.g. lab papers, drafts), Tables and Figures are usually put on separate pages from text material. In consideration of your readers, place each Table or Figure as near as possible to the place where you first refer to it (e.g., the next page). It is permissable to place all the illustrative material at the end of the Results section so as to engineer letter, avoid interrupting the flow of text.

The Figures and who changed my life essay, Tables may be embedded in the text, but avoid breaking up the text into small blocks; it is better to have whole pages of text with Figures and process engineer cover letter, Tables on their own pages. The Acid Test for Tables and Figures: Any Table or Figure you present must be sufficiently clear, well-labeled, and bogie design, described by its legend to be understood by your intended audience without reading the process engineer, results section, i.e., it must be able to stand alone and be interpretable. Overly complicated Figures or Tables may be difficult to understand in or out of context, so strive for simplicity whenever possible. If you are unsure whether your tables or figures meet these criteria, give them to a fellow biology major (not in design thesis, your course) and ask them to interpret your results. Descriptive Legends or Captions: To pass the acid test above, a clear and complete legend (sometimes called a caption) is essential.

Like the title of the paper itself, each legend should convey as much information as possible about what the Table or Figure tells the reader : the first sentence functions as the title for engineer, the figure (or table) and should clearly indicate what results are shown in paper on mozart, the context of the study question, the summary statistics that have been plotted (e.g., mean and SEM), the organism studied in the experiment (if applicable), context for the results: the cover letter, treatment applied or the relationship displayed, etc. location (ONLY if a field experiment), specific explanatory information needed to interpret the essay room, results shown (in tables, this is frequently done as footnotes) and engineer, may include a key to any annotations, culture parameters or conditions if applicable (temperature, media, etc) as applicable, and, sample sizes and statistical test summaries as they apply. Do not simply restate the axis labels with a versus written in between. Figure 1. Height frequency (%) of White Pines ( Pinus strobus ) in the Thorncrag Bird Sanctuary, Lewiston, Maine, before and after the Ice Storm of '98. Before, n=137, after, n=133. Four trees fell during the relations essay, storm and letter, were excluded from the post-storm survey. In the examples later in this section, note the completeness of the legends. When you are starting out, you can use one of these examples (or an appropriate example from a published paper) as a model to follow in bogie design thesis, constructing your own legends. NOTE : Questions frequently arise about process cover how much methodology to include in the legend, and how much results reporting should be done. For lab reports, specific results should be reported in scope of thesis writing, the results text with a reference to the applicable Table or Figure.

Other than culture conditions, methods are similarly confined to the Methods section. The reality: How much methodology and results are reported in the legends is letter journal specific. Hot-off-the-press journals like Science and Nature so limit the body text that virtually all of the scope of thesis, Methods are presented in the Figure and Table legends or in engineer letter, footnotes. Scope Of Thesis Writing! Much of the results are also reported in letter, the legends. Format and placement of legends: Both Figure and Table legends should match the width of the Table or graph. Table legends go above the body of the Table and are left justified ; Tables are read from the top down. Bogie Design Thesis! Figure legends go below the graph and are left justified ; graphs and other types of Figures are usually read from the bottom up. Use a font one size smaller than the body text of the document and be consistent throughout the engineer cover, document. Use the to international essay questions, same font as the engineer, body text.

The Anatomy of a Table. Table 4 below shows the typical layout of scope writing a table in three sections demarcated by lines. Tables are most easily constructed using your word processor's table function or a spread sheet such as Excel. Gridlines or boxes, commonly invoked by word processors, are helpful for setting cell and column alignments, but should be eliminated from the printed version. Tables formatted with cell boundaries showing are unlikely to be permitted in a journal. Example 1: Courtesy of Shelley Ball.

Example 2: Courtesy of Shelley Ball. Example 3: Courtesy of Greg Anderson. In these examples notice several things: the presence of a period after Table #; the legend (sometimes called the caption ) goes above the Table; units are specified in column headings wherever appropriate; lines of demarcation are used to set legend, headers, data, and footnotes apart from one another. footnotes are used to clarify points in the table, or to convey repetitive information about entries; footnotes may also be used to denote statistical differences among groups. The Anatomy of process cover letter a Figure. The sections below show when and how to use the four most common Figure types (bar graph, frequency histogram, XY scatterplot, XY line graph.) The final section gives examples of other, less common, types of introduction essay Figures. Parts of a Graph: Below are example figures (typical line and bar graphs) with the various component parts labeled in red. Refer back to these examples if you encounter an unfamiliar term as you read the following sections. Some general considerations about Figures:

Big or little? For course-related papers, a good rule of thumb is to size your figures to fill about engineer one-half of a page. Use an introduction to international essay questions easily readable font size for axes and ticks. Readers should not have to reach for a magnifying glass to read the engineer cover letter, legend or axes. Compound figures may require a full page. Color or no color?

Most often black and white is preferred. Scope Writing! The rationale is that if you need to photocopy or fax your paper, any information conveyed by colors will be lost to the reader. Engineer! However, for a poster presentation or a talk with projected images, color can be helpful in distinguishing different data sets. Every aspect of your Figure should convey information; never use color simply because it is start descriptive pretty. Engineer Cover! Title or no title? Never use a title for Figures included in introduction relations questions, a document ; the legend conveys all the necessary information and the title just takes up extra space. However, for process engineer letter, posters or projected images , where people may have a harder time reading the small print of a legend, a larger font title is thesis very helpful. Offset axes or not ? Elect to offset the axes only when data points will be obscured by being printed over the Y axis. Error bars or not ? Always include error bars (e.g., SD or SEM) when plotting means.

In some courses you may be asked to plot other measures associated with the mean, such as confidence intervals. When plotting data analyzed using non-parametric tests, you will most likely plot the median and quartiles or the range. These might be dotplots or box and whisker plots. Tick marks - Use common sense when deciding on major (numbered) versus minor ticks. Process Letter! Major ticks should be used to reasonably break up the range of start descriptive values plotted into integer values. Process Engineer Cover! Within the major intervals, it is usually necessary to add minor interval ticks that further subdivide the scale into logical units (i.e., a interval that is a factor of the who changed my life essay, major tick interval). For example, when using major tick intervals of 10, minor tick intervals of 1,2, or 5 might be used, but not 3 or 4. When the data follow a uniform interval on the x-axis (e.g., a times series, or equal increments of concentration), use major ticks to match the data. No minor intervals would be used in this case.

Legend width - The width of the cover, figure legend should match the width of the room, graph (or other content. Style considerations - When you have multiple figures, make sure to standardize font, font sizes, etc. such that all figures look stylistically similar. When you have multiple graphs, or graphs and others illustrative materials that are interrelated, it may be most efficient to process engineer, present them as a compound figure. Compound figures combine multiple graphs into one common figure and share a common legend. Each figure must be clearly identified by capital letter (A, B, C, etc), and, when referred to from the Results text, is specifically identified by that letter, e.g., . (Fig. 1b) . The legend of the my life, compound figure must also identify each graph and the data it presents by letter. Four Common Figure Types.

Bar graphs are used when you wish to compare the value of a single variable (usually a summary value such as a mean) among several groups. For example, a bar graph is appropriate to show the engineer cover letter, mean sizes of system of professions an essay on the division of expert labor plants harvested from plots that received 4 different fertilizer treatments. (Note that although a bar graph might be used to show differences between only 2 groups, especially for pedagogical purposes, editors of many journals would prefer that you save space by presenting such information in the text.) In this example notice that: legend goes below the engineer cover letter, figure; a period follows Figure 1 and the legend itself; Figure is paper on mozart not abbreviated ; the measured variable is labelled on engineer cover letter, the Y axis. In most cases units are given here as well (see next example); the categorical variable (habitat) is labelled on scope writing, the X axis, and each category is designated; a second categorical variable (year) within habitat has been designated by different bar fill color . The bar colors must be defined in a key , located wherever there is a convenient space within the graph. error bars are included, extending +1 SD or SEM above the mean. statistical differences may be indicated by a system of letters above the bars, with an engineer cover accompanying note in scope of thesis writing, the caption indicating the test and the significance level used. the completeness of the legend, which in cover, this case requires over 3 lines just to describe the treatments used and variable measured. Scope Of Thesis Writing! axis labels, with units; treatment group (pH) levels specified on engineer cover letter, X axis; error bars and group sample sizes accompany each bar, and my life, each of these is well-defined in legend; statistical differences in this case are indicated by lines drawn over the bars, and the statistical test and significance level are identified in the legend. Frequency histograms (also called frequency distributions) are bar-type graphs that show how the measured individuals are distributed along an axis of the measured variable. Frequency (the Y axis) can be absolute (i.e. number of counts) or relative (i.e. percent or proportion of the sample.) A familiar example would be a histogram of exam scores, showing the number of engineer cover letter students who achieved each possible score. Frequency histograms are important in describing populations, e.g. size and age distributions.

Notice several things about this example: the Y axis includes a clear indication (%) that relative frequencies are used. (Some examples of an absolute frequencies: Number of stems, Number of start room birds observed) the measured variable (X axis) has been divided into categories (bins) of appropriate width to visualize the population size distribution. In this case, bins of process engineer letter 1 m broke the population into 17 columns of varying heights. Setting the bin size at 0.5 m would have yielded too many columns with low frequencies in each, making it diffcult to visualize a pattern. Conversely, setting the bin size too large (2-3 m) would have yielded too few columns, again obscuring the underlying pattern. A rule of thumb is to start with a number of bins that is who changed my life equal to process cover, the square root of the largest value in your data set(s) to be plotted. the values labeled on introduction relations, the X axis are the bin centers ; in this example, bin 10 m contains values that range from 9.50 -10.49 m. sample size is clearly indicated, either in process cover, the legend (as in this case) or in the body of the graph itself; the Y axis includes numbered and paper on mozart, minor ticks to allow easy determination of bar values. These are plots of X,Y coordinates showing each individual's or sample's score on two variables. When plotting data this way we are usually interested in knowing whether the two variables show a relationship, i.e. do they change in process cover letter, value together in a consistent way? Note in this example that: each axis is labeled (including units where appropriate) and includes numbered and minor ticks to allow easy determination of the values of plotted points; sample size is included in the legend or the body of the graph; if the thesis, data have been analyzed statistically and a relationship between the variables exists, it may be indicated by process cover plotting the scope of thesis writing, regression line on the graph, and by giving the equation of the regression and its statistical significance in the legend or body of the figure; the process engineer, range of each axis has been carefully selected to maximize the spread of the who changed my life, points and to minimize wasted blank space where no points fall. For instance, the X axis is truncated below 50 g because no plants smaller than 52 g were measured.

The ranges selected also result in labeled ticks that are easy to read (50, 100, 150#133;, rather than 48, 96, 144#133;) Which variable goes on the X axis? When one variable is clearly dependent upon another (e.g. height depends on age, but it is hard to imagine age depending on height), the convention is to plot the process cover letter, dependent variable on the Y axis and the independent variable on the X axis . Sometimes there is system division of expert labor no clear independent variable (e.g. length vs. width of leaves: does width depend on width, or vice-versa?) In these cases it makes no difference which variable is on which axis; the variables are inter -dependent, and an X,Y plot of cover letter these shows the essay, relationship BETWEEN them (rather than the effect of cover one upon the other.) In the paper on mozart, example plotted above, we can imagine that seed production might depend on plant biomass, but it is hard to letter, see how biomass could depend directly on seed production, so we choose biomass as the X axis. System Of Professions Division Labor! Alternatively, the relationship might be indirect: both seed production and plant biomass might depend on some other, unmeasured variable.

Our choice of engineer cover axes to demonstrate correlation does not necessarily imply causation . Line graphs plot a series of essay questions related values that depict a change in Y as a function of X. Two common examples are a growth curve for an individual or population over process engineer cover, time, and a dose-response curve showing effects of increasing doses of a drug or treatment. When to connect the dots? If each point in the series is obtained from the same source and is dependent on the previous values (e.g. Design! a plot of a baby's weight over the course of a year, or of muscle strength on successive contractions as a muscle fatigues), then the points should be connected by process letter a line in to international relations essay questions, a dot-to-dot fashion. If, however, the series represents independent measurements of process engineer cover letter a variable to scope writing, show a trend (e.g. mean price of computer memory over time; a standard curve of optical density vs. solute concentration), then the trend or relationship can be modeled by calculating the best-fit line or curve by regression analysis ( see A Painless Guide to process, Statistics ) Do not connect the dots when the measurements were made independently. In this example notice: a different symbol is of thesis used for each group (species), and the key to the symbols is placed in the body of the engineer, graph where space permits. Writing! Symbols are large enough to be easily recognizable in the final graph size; each point represents a mean value, and this is stated in the legend. Process Engineer Letter! Error bars are therefore plotted for each point and defined in the legend as well. because measurements were taken on independent groups for scope of thesis, each species, the points are NOT connected dot-to-dot; instead a curve is fitted to the data to process engineer cover, show the trend. Notice here that: this time the dots ARE connected dot-to-dot within each treatment, because cumulative percent germination was measured within the start essay room, same set of engineer letter seeds each day, and thus is dependent on the measurements of the prior days; a different symbol is used for thesis, each treatment, and symbols are large enough (and connecting lines fine enough) so that all can be easily read at the final graph size; in cover letter, addition to the key to symbols, two other kinds of writing helpful information are supplied in process engineer cover, the body of the figure: the values of the highest and scope of thesis, lowest final cumulative percents, and a dashed line (baseline) showing the lowest cumulative % germination achieved. This baseline is process letter defined in the legend.

Some Other Types of Figures. Figure 9. Who Changed! Aerial photo of the study site ca. 1949 and in 1998 (inset) showing the regeneration of the forest. Photos courtesy of the USDA Field Office, Auburn, Maine. Notice here that: A photograph is process letter a figure.

Any photograph from another source requires attribution in the legend. Essay Room! Photos must have sufficient resolution to reproduce well by standard photocopying.