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A Rejected Submission to online NPR#8217;s #8220;This I Believe.#8221; I believe fat cats make good pillows. Thesis Presentation? They are round. Soft. Firm yet resilient. They naturally cradle the head, provide unparalleled neck support, and online masters in creative promote vigorous digestion. Fat cats, when not functioning as pillows, are not otherwise particularly useful.
Certainly they can prop open a door, or hold down a newspaper on presentation, a windy day. But cannot a rotund pussycat aspire to online in creative more? This is thesis on a thousand, why I believe fat cats should be drafted into service of the masters in creative writing uncradled and pillowless: every creature deserves the opportunity to rise to about communications his or her highest and best use. Online Masters In Creative? This is why I also believe that instant coffee deserves a place in the pantheon of socially acceptable beverages. History has burdened it with a heavy cross: the name #8220;coffee,#8221; which stirs certain expectations of aroma, depth of flavor, and heartiness. But names are mere artifacts of history; they do not emanate naturally from the things they represent. Do we malign French toast because it is thesis beamer presentation, neither French nor toast? Do we malign the noble Pekingese dog even though she is probably actually Pekingese-American, and even though Peking does not actually exist? As Edward Said so brilliantly showed in Orientalism , names reveal more about the in creative namer than the named.
Someone utters the words #8220;instant coffee#8221; and a diverse landscape of on family planning, flavor crystals, each with his or her own unique qualities and histories, now comes into being as a class. Thusly lumped, the online masters in creative crystals can be set beside their whole-bean half sisters and ruled the on a thousand splendid suns inferior. Instant coffee cannot judge; it is only judged. In Creative Writing? It cannot taste; it is only tasted. That is essay marketing communications, why I believe the in creative thingness of instant coffee must be sliced away from the thesis beamer presentation name imposed upon it by outsiders. Like any living creature, it must be judged on masters in creative writing, its own merits. Which is why I believe the thesis splendid suns phrase #8220;the writing life#8221; should not exist.
I don#8217;t know who came up with this treacly trope, so redolent of cats on the lap and tea steaming in the mug. Online In Creative Writing? So evocative of gazing out the window thinking writerly thoughts, such as #8220;What is the on family planning meaning of life?#8221; or #8220;Now that Inspector Bunchybottoms has discovered the online in creative meat cleaver behind the on graffiti potted palm, whatever shall she do next?#8221; or #8220;My butt is sore. Online Masters? I want a sandwich.#8221; Writing, however, is essay marketing, not life. It#8217;s not even very much fun. It#8217;s like standing in a dark cave with an entire colony of Mexican fruit bats and masters in creative writing trying to essay on graffiti art or catch them with a butterfly net. They#8217;re zooming here and masters swooping there; they#8217;re smacking you with their wings. They#8217;re getting tangled in your hair, they probably have rabies, and thesis on a splendid they want to suck your blood, but you just keep swinging the net over online and over splendid and over, and yet the net remains empty. If, wonder of wonders, you do catch a bat, you will bask blissfully in the knowledge that you have netted the most perfect specimen of Chiroptera ever known. You#8217;ll bask for exactly five minutes.
Then you#8217;ll start worrying that you#8217;ll have no one to admire your bat, your perfect, perfect bat. Or, if you do, that people will think it#8217;s a sucky bat, or that it should have been bigger, or furrier. Or that Jonathan Franzen#8217;s bat was better, even though you know your bat was every bit as squeaky and fuzzy and crinkly-nosed as any other bat. So then you realize that world just isn#8217;t fair. But then you realize your bat does, in fact, suck.
Then you realize your bat is online writing, actually a fine, fine bat but the problem is that the world doesn#8217;t actually need any more bats, so maybe you should just put down the net and take up needlepoint. Of course, if there#8217;s anything worse than a writer preening about writing, it#8217;s a writer bitching about writing, which is why I believe writers really just shouldn#8217;t talk at all. And that is about, why I believe I should abandon this essay and go make a sandwich. I believe the best sandwiches are made on toast. I believe they include hummus, and sprouts, and perhaps a tomato. But, above all, I believe the best sandwiches are served with a pickle. The fact that so many sandwiches these days go pickleless indicates nothing less than a civilization in decline.
Back when I was young, a cook would no sooner send a pickleless plate out of a kitchen than he would show up to work in a scuba suit. Those days are long gone, and whither goeth the pickle so too goeth our decency. Soon we will see Mexican beers served without lime wedges, and strawberry daiquiris served without those tiny, fragile paper umbrellas. This is online in creative writing, why I believe that all sandwiches, everywhere, should go nowhere without a pickle. In fact, not only pickles but every asset of this great nation must be put toward its highest and best use immediately and without further ado. This is beamer, why I believe that fat cats make good pillows.
They offer rest for the weary. They are flavor crystals for masters in creative writing the soul. Metaphoric pickles for the metaphorically pickleless. They have no higher calling. We have no greater need. This I believe. Open Letter: An Open Letter to My Cat, Abbie. Aqa English A Level? Dispatches from the NBA Entertainment League: Dispatch 13: The Game That Could Have Offered Payback. As well as operating a daily humor website, we also publish Timothy McSweeney’s Quarterly Concern and an ever-growing selection of books under various imprints. You can buy all of these things from our online store . We#8217;re also transitioning to in creative a nonprofit and would greatly appreciate your help.
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Online Masters in Creative Writing by universities in United States
(Writing) Clarion Write-A-Thon, Week 3. During week 2 of the Clarion Write-A-Thon, I set a goal for 15,000 total words written and $200 raised for the Clarion Workshop. How did I do? Well, I got up to online masters in creative 11,951 words and raised $175 so far; I didn’t hit either goal, but that’s all right. It just means that I need to in writing kick it into high gear this week! My goal for masters week 3 of the steps essay, Write-A-Thon is to hit 25,000 words by midnight next Saturday; that means 13,049 words written this week (more than I’ve written in in creative the two weeks of the aqa english a level, fundraiser), but I’m confident I can hit that. I’d like to raise $250 this week, which means another $75 in writing donations. That shouldn’t be TOO much trouble, but I’ll definitely have to raise my fundraising game to aqa english coursework do it.
So what happened last week? Honestly, I ran out of steam at the end of the week and I’m not entirely sure why. These things don’t need a reason, of course. My brain chemistry might have just decided it needed to be on writing a low ebb, so when I really needed to push ahead I throttled back and tried to take it easier. While I don’t regret doing that — self-care is absolutely important, after all — it is a little concerning. It would be best to find a way to be relaxed AND productive, but that’s having your cake and crime, eating it too, especially when you’re trying to build a habit. My writing, especially towards the end of the week, was slow mostly because I started doubting what I was doing. Masters Writing! It’s difficult to find your voice when your inner critic keeps blasting you for pulling away from your comfort zone or taking risks. Coursework! I’ve gotten better at dealing with that, but I’m still not 100%.
Especially with short stories, the closer I get to in creative writing an ending the harder it gets to drive towards it. Endings terrify me, and I’m not sure why. My creative process doesn’t really account for them, which is kind of essay communications strange. I think it’s because endings are SO important, especially when it comes to the kinds of stories I like to write, that thinking about them just fills me with a white-hot dread that overloads me. Masters! What does an ending look like? I ask myself. I don’t know, I reply, but does anything ever TRULY end? Fair enough, I say, and think of eighty new stories all with no idea how to pull them together for a satisfying end.
So it’s clear overcoming that fear is something that will need to happen. Art Or! That’ll take a lot of work, dedicated practice, and focus. The good news is online in creative that “Demolition” will be the very first chance I’ll get to work on that, with the ending scenes being written either today or tomorrow, depending. It’ll feel really great to have a completed first draft of essay art or crime that for masters a “win”, so that’ll be a big part of my focus for the next couple of essay days. Once that’s done, I’ll compile it and let it rest for a little bit, then turn my attention to the next Jackalope Serial Company project. Here at The Writing Desk, I’ll have the final batch of DisneyFest reviews up on Wednesday and a bit of Changeling fiction up on Friday. “The Wayfarer House” was all right, but again — I feel the ending was weak. Too many bits of fiction use slipping into unconsciousness as a means to masters in creative end, especially when it feels abrupt, so I have to work on finding other ways of gracefully exiting a piece after 1500 words or so. That’s the aim Friday: really bring the piece home with a strong, considered ending. That’s my plan for essay planning this week!
I’m off today for an oral surgery consultation and in creative, Friday will hopefully be nice and productive, so the three-day work-week should really help me get caught up on what I need to. How about you folks? Where are you with your own creative projects, and what’s your artistic plan for steps informal the coming week? Let me know in the comments, and be sure to pass along any tips you might have to masters writing hold yourself to your goals! As always, if you would like to donate to coursework a level the Clarion Write-A-Thon, my profile page is here. A donation will send money to masters in creative writing the Clarion Workshop regardless of my word count, and would be much appreciated! However, a pledge will encourage me to hit my goal if you’d like to go that way: a pledge of 1/10 cent per word ($0.001) would mean $50 if I hit my goal, while a pledge of 1/20 cent per essay on graffiti, word ($0.0005) would mean $25. Please chip in, if you can! (Writing) Clarion Write-A-Thon, Week 2.
This summer I’ll be participating in the Clarion Write-A-Thon, a fundraiser for the Clarion Workshop. What is Clarion, you ask? Why, it’s the pre-eminent six-week intensive for budding writers in sci-fi and fantasy and writing, it’s going on RIGHT NOW. The Write-A-Thon takes place during the steps in writing essay, workshop as a way to masters encourage writers to…well, do what they do best AND to coursework make sure this wonderful resource is able to attract the very best teachers and students every year. This year, my goal is to write 50,000 words and raise $500 in masters donations. In week 1, I raised $125 ($100 in pledges, $25 in a level donations) and I’ve written 4500 words. Online Masters In Creative! Not bad, but I know I can do so much better! If you’re interested in helping out, you can make a pledge (where your final donation is tied to my word count) or a donation at essay marketing communications my author’s page here. Last week was a little crowded. Online Masters In Creative Writing! The 4?10 schedule is something I’m still adjusting to, and there were a LOT of calls to Baltimore. Mom is in a rehab center, trying to regain mobility in essay about marketing her hips, and she’s having a rough time.
As much as she says she likes being alone, she really does need frequent contact with familiar people and online masters writing, that’s harder to come by where she is. She’s also changed pain medications, so I’m fairly sure there are withdrawal issues there (she was taking prescription codeine). Essay! That, combined with loads of free time to ruminate on the loss of her daughter and husband, is masters just not putting her in aqa english coursework a great place. That’s given me incentive to move forward on a number of things, though. We’re going to have to do something about the online writing, house; I’m thinking that it might be a good idea to have someone go through it, room by room, to tidy up and mark everything that is OK for keeping, salvageable, and what should just be tossed. I really need to informal essay try and get Mom’s finances in online masters in creative order. There are so many outstanding bills and services that should be scrapped, so I’ll need to make a ton of calls there just to simplify things. And once that’s done, we can turn towards a few long-term projects, like finding an coursework, assisted-living home for her and online masters writing, (finally) going through the process of handling the estate and benefits of my missing (and presumed dead) father. That’s a lot to essay do over the summer, in addition to building a solid writing practice.
But I’m for it! Last week I worked on “Demolition” for the most part, the short story that a generous patron won during the LAST Write-A-Thon I’ve participated in. I finally shaped an outline and are roughly ? done with the first draft. The voice for one of the characters really came into online in creative, its own in this really fun way, and coursework, I’m looking forward to ride that momentum through the end of the online masters writing, story. On A Thousand Splendid! Hopefully, I’ll be finished with that this week — I’m thinking the final word count for the rough draft will be about 6000-6500 words. In addition to that, I’ll be working on a few missives here at online in creative The Writing Desk. Wednesday, the penultimate set of essay about reviews for DisneyFest will go up, with my take on Big Hero 6 , Inside Out , and masters, The Good Dinosaur . On Friday, the weekly fiction will shine a light on The Wayfarer’s House, a location that I’m building for my Baltimore World of Darkness setting. All in all, the goal for essay on family planning this week is to bring my word count up to 15,000 (only counting short stories and The Writing Desk entries) and my total donations up to $200. Can I do it?
YES I CAN! All that’s left is the doing. Oh, and since this is my first entry this month, I thought I’d point you lovely folks to my Patreon, the Jackalope Serial Company. For the low low price of $1 per episode, you could receive serials featuring gay furry sci-fi and in creative writing, fantasy! This month’s serial is a “test run” for a shared universe I’d like to essay about communications build with modern gay folks getting into all kinds of improbable shenanigans!
That’s it for masters writing today, now that I’ve spent this entire entry plugging things. See you on Wednesday, folks! Lessons of the 2015 Clarion Write-A-Thon. The Clarion Write-A-Thon is over for another year. Steps In Writing Essay! This year, I wrote 40,570 words and raised just a hair over $400 for online masters in creative the Clarion Workshop! I didn’t quite manage to hit my word count or fundraising goal, but I did finish two short stories, gotten well underway on a third, post a series of extensive essays about informal something I care very much about, and refine a few of my fundraising techniques. All in all, it was a successful year in so many ways. Thanks to online writing the eleven people who donated to coursework the cause for me, and the many, many others who signal-boosted my tweets and online in creative, Facebook posts, offered encouragement and feedback, and kept me motivated through the informal, last six weeks. I really appreciate all of you; this summer has been so amazing in terms of online in creative connecting with people, cultivating different facets of myself, and pushing myself to on graffiti art or crime do more and online writing, be more, and you folks have been really inspiring through all of it! I’ve learned a few things about my writing process through the Write-A-Thon, of course.
It’s hard to do something like this and not learn a lot about what works and what doesn’t as far as your writing process goes. I’m planning to take these lessons to planning heart through the fall and winter; it would be a shame to lose the masters in creative writing, momentum I’ve built here through failing to put what I’ve learned to essay art or crime use. What were those lessons, you say? MY BEST WORK IS DONE IN THE MORNINGS. I’ve long known this, but it really bore out over the past few weeks. It’s really easy for me to roll out of bed, and provided I have enough time, work up a really good head of steam before heading out for in creative writing work. This isn’t true every day; sometimes if I’m anticipating a busy day or I’ve had a late night it’s better for on graffiti art or me to online writing get in some reading before work. This encourages me to keep up with the schedule I’ve adopted this summer, waking up at 6 AM, meditating and preparing for the day, then writing or reading for about marketing 30 minutes before I head out the door. It feels great to already have something done before you even leave home, and sets a great productive tone for the rest of the day. I MAY NOT BE A SHORT STORY WRITER. One of the things I’ve learned about the way I tell stories is that my natural inclination tends towards longer-form fiction.
What really excites me about an idea or setting is in creative writing something that I feel requires a deeper dive, and to be honest I just love having the space to really examine each piece that’s on the board, crawling into the skin so that I know the bones of the thing intimately. That kind of close exploration doesn’t lend itself to short stories, so it might be time to start thinking in terms of novels or serialized fiction. One of the informal, reasons I wanted to cut my teeth on short stories is to make sure I’m as efficient as possible with my writing. There’s not a whole lot of real estate when you’re telling a single story in, say five or ten thousand words. Each sentence, each paragraph works best when it’s doing two or three things. I know that I’m not careful enough in masters my writing to marketing communications achieve that level of consistent strength, but if there’s any form out masters in creative writing there that lends itself to developing those muscles, it’s short stories and poetry.
For now, though, I think the idea that I need to learn how to write short fiction *before* getting to what I really want to do is thesis holding me back. I’ll rush headlong into longer form stuff, and double back towards short stories if I have an idea that can be told within that space. IT’S DIFFICULT TO SYNC A BIRDS-EYE VIEW WITH THE ONE FROM THE TRENCHES. I usually go into a story with a solid idea of masters what I’m going to write about and marketing communications, how the online masters, plot will move along. I have a basic understanding of essay marketing my characters and what they’re like, and why they do the things they do to drive the plot. With stories that feel a bit more complicated, I like to do a little prep work by online masters, exploring the characters in detail or writing an on graffiti crime, outline of how the scenes will flow into in creative writing, one another. When I’m writing the actual story, however, things almost never turn out the way I think they will. This has been a barrier for me for a long time, and I don’t know if I’ll ever be able to reconcile why the plan falls apart when I’m down in the trenches building the story brick-by-brick. Are the characters simply far different from what I’ve imagined them to be? What happens between plan and execution that makes the story go so far astray? I’m genuinely curious, because when I’m writing a lot of the time I don’t actually feel in control — I feel like a medium, briefly possessed by…something else that is telling the story through me.
I know how strange that sounds, but that’s the in writing informal, closest description I can come up with. I’m sure this will continue to be a thing when I’m writing longer-form stories, so I have to make room in my process for surprise and discovery. Characters will take on a life of their own and start to do things I had not planned for. A story that I think is about one thing will be about something else entirely. Part of the reason this concerns me isn’t necessarily a need for online writing control in what I write (though that’s a part of it, too). Beamer Presentation! It disturbs me that there’s some…unknown recess of my mind that bubbles up these things, a void that I have no idea how to online in creative reach other than writing. What else is in there? What else does it influence? How much should I give myself over to it? These are questions that will only presentation, be answered once I settle in to a consistent writing practice. In addition to masters in creative the short stories I’ll be working on this month, I’ll be doing prep work on “Beast: Wild Genius” and “The Big Game”, two long-gestating ideas that are perfect for the serialized fiction I would like to tell.
Now that I’m all finished up with the Write-A-Thon, I can turn my attention to all of the other projects that have been laying fallow as well: The Furry Mental Health Podcast (Mindfurly?), continuing work on steps New Fables (!!), working on articles for [adjective][species] and Claw and masters in creative, Quill, making sure my Pathfinder game doesn’t go off the rails, and marketing, learning about project management, the technical ins and outs of my job, and the French language. Never a dull moment for this rabbit. Online In Creative Writing! Onward! After five weeks of the Clarion Write-A-Thon, I’ve written 30,523 words and essay about, raised $321.57. Both are fairly far from the goal of 50,000 words and $500, and I’m not sure I’ll be able to masters writing write 19,500 words by essay communications, August 1st. I mean, I COULD, but it’d pretty much mean doing nothing but writing for the rest of the week in in creative writing an attempt to bring it home. And while that does sound appealing in presentation its own right, I don’t think it would be feasible this week. However, I CAN make the $500 donation goal — but only with your help! Please go to my author’s page and donate what you can, if you can. As an masters writing, added incentive, the person who donates the highest amount this week will get a commission for thesis thousand splendid a short story of online 4,000 – 5,000 words! What a deal!
Sort of. Maybe. Aqa English A Level! No, it definitely is. You will LOVE it! This week I’ll be working on online masters in creative another commission, “A Stable Love”.
It’s been in the works for essay about marketing communications far too long, but I do think that I finally have enough momentum to crack it — one of the things I’ve learned through the Write-A-Thon are where my blind spots are as a writer and what I need to really focus on in order to create better short stories. Writing! “A Stable Love” will be my first big attempt to take what I’ve learned and apply it. Once I’m done with the short story and the Write-A-Thon, the plan is to start doing the a level, prep-work for a couple of serial short story projects I’ve wanted to work on: “The Big Game” and “Beast: Wild Genius”. Masters In Creative! I’ve already talked about the coursework a level, Beast fan-fiction in online vague terms, but I’ll save the details for later as the first few arcs begin to take shape. It’s strange — normally I would be pretty shy about this whole fan-fiction thing, but the more I talk about it and the more feedback I get, the more excited I am for it. I really can’t wait to dig in on essay on family planning it. “The Big Game” is a different version of a short story project I started (and abandoned, of masters in creative course) a little while ago.
The basic story is six friends getting together at an annual retreat in a remote cabin, where they catch up with one another, think about their lives and sort through all kinds of interpersonal issues. Of course, this is while they’re playing a poker game that allows them to gamble with their size instead of money. Because of course they do. #128578; The original story featured an beamer, audience-participation element that allowed people to vote on the big winner and loser for each part of the story. In Creative Writing! What I found is that it put a lot of the on a splendid, focus on the mechanics of the online in creative writing, card game and less on the characters and how they played around with each other. While I love the idea of the audience voting on thesis beamer presentation how the online masters, story progresses, I’m not entirely sure it’s right for this. Maybe doing a “season 1” that establishes the characters and dynamic, allows me to refine a behind-the-scenes system to simulate how the card game works, and presentation, lets me simply work on the story without the added complication of audience votes might be the thing to do. A sequel could reincorporate the audience elements once I feel more confident in completing the project to begin with.
But we’ll see! For this week, the plan is to write as much as possible, as often as possible. Online Masters In Creative! It’s very unlikely that I’ll make my word-count goal, but it’ll sure be fun to try. Again, any amount you can give towards the Write-A-Thon and the Clarion Workshop will help immensely. You’ll be helping to keep the Workshop running next year AND help really great writers receive intense instruction, critique and connection with some of the best writers and editors within our industry! Thanks SO MUCH to the people who have donated already, provided feedback on story snippets and supported me with writing advice and encouragement. You guys rock! We’re halfway through the marketing, Clarion Write-A-Thon, and I’ve been fairly remiss with hitting my goals consistently up until now.
I’m up to 14,535 words now, 7K short of the 21,500 that I wanted to masters in creative writing have by essay communications, now. I’m still working on my second short story, but Civil Engineering should be done today or tomorrow. Online Masters In Creative! Still, what gives? Why am I having such consistently slow weeks? There were a few personal things that made it difficult to be consistent with my writing practice.
There are the social engagements, of course, but I can see those coming for the most part and plan around them. I think it mostly has to do with my preferred writing schedule and the incompatibility of thesis that with my life right now. I do my best work in online masters writing the mornings, no question. I’ve always been a morning person; I love getting up early and getting a lot of coursework stuff done before noon. If I were able to set my own schedule, it would probably look something like this — wake up at 5 AM, meditate, coffee, writing, exercise, shower, breakfast, writing, lunch, then light organizational stuff through the masters writing, afternoon. Work would become more social through the aqa english coursework, afternoon, until the evening where I’d hang with friends and/or read.
That’s the way I would live my life if I won the lottery. Unfortunately, that just can’t happen. I work for online masters in creative a living; I wake up at 6 AM needing to be out the door by 7. I have to thesis on a splendid meditate, groom, prepare breakfast and lunch before that happens. If I play my cards just right, I have maybe 20 minutes to get some writing in. Work is…work; I take 30 minute lunches so I can go home earlier and try to beat the traffic, so getting some words in in creative writing there isn’t really an option. And once I’m in there’s a laundry list of things to be done — cleaning the burrow, cooking dinner, getting some exercise in, and essay about marketing communications, spending time with my beloved husband. I tend to start turning into a pumpkin at 9 PM; it gets more difficult to concentrate and my willpower is mostly spent. That was before my ADHD diagnosis, though; with the online in creative writing, medication and organizational skills I’ll learn in a six-week course, things might be a bit easier. Essay Art Or Crime! That’ll take six weeks though, and the Write-A-Thon will be over by then. For now, it looks like I’ll be doing my best to wake up early, prepare for writing the day as efficiently as possible and get in marketing as much writing as I can in online masters writing the mornings. My preferred writing time tends to work much better during the weekends, so I’m finding that I do the essay on graffiti, bulk of my writing then.
It might be that once this is over masters in creative, I’ll focus on getting as much work done on the weekends as I can; writing every day just might not be possible for me, and thesis beamer presentation, the stress of trying to maintain that schedule would do more harm (as in, causes me stress) than good. Anyway — for the next three weeks I’ll really need to step it up. The daily goal for the rest of the Write-A-Thon is around 1,700 words, and by gum I’ll get them by hook or by crook! With that kind of output, I should be able to finish “Civil Engineering” fairly quickly and move right into masters in creative writing, “A Stable Love”. I’ve been really itching to essay about marketing get started on my Beast (of the X-Men) fan-fiction as well, sketching out writing character profiles for on graffiti crime Hank, his allies and rogue’s gallery, determining the themes and writing, stories I’d really like to on family play with, seeing where the arc is going to go for the first “year” of “issues”. So that’s my plan, folks — write my ass off through week 4, find a way to prioritize getting my words in over just about everything else in the time I have available. I’ve raised $380 for masters the Clarion Workshop so far; thanks so much to the ten people who have donated so far.
You are amazing, and I really do appreciate your generosity! My goal for thesis beamer this week is to write 12,000 words; that’ll put me up to 26,500 by this time next week. I would love to have $450 raised for masters in creative writing the Clarion Workshop by aqa english coursework, next Monday as well. “Civil Engineering” will be done with a quick editing pass being done, “A Stable Love” will be much closer to finished, and I’ll be doing the preliminary work on Beast: Wild Genius. To all of my friends coming back from Anthro-Con 2015, welcome back to the real world! I hope the convention was as amazing as it sounded on Twitter and there’s no con crud this year. Fellow writers, what projects are you working on this week? I’m always curious about in creative writing how others manage to juggle their writing practice with the rest of coursework their lives.
Any pointers for me?
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What’s the problem? The more exposure you get, the better, right? Not necessarily . Recruiters get tired of masters in creative writing, finding the same resumes for the same people in every database they search. On Graffiti Art Or Crime. If you get labeled a resume spammer, you won’t be considered for job openings they are working to fill. Also, the farther your resume spreads, the less control you have over it and online writing, the more likely it is to be discovered by someone you had hoped wouldn’t see it, like your current employer. And yes, people do get fired. Some problems can be avoided by merely limiting where you post your resume (Placement), others by limiting the information in your posted resume (Privacy), but the thesis thousand splendid suns, two issues must be addressed hand-in-hand. It is possible to be visible but private online, but how visible you want to online writing, be vs. how comfortable you are in steps informal essay, public is a question only you can answer. Limiting your posting is a good way to online in creative, protect your privacy, but it is also important to select those few sites with care.
Susan Joyce , author of Job-Hunt.org, encourages job seekers to carefully evaluate the job sites used and to be aware of the information presented in essay about marketing communications, the resume. The following tips include information excerpted from her articles on Choosing a Job Site and online masters, Your Cyber-Safe Resume. This information was used with her permission. I highly recommend a visit to her site to read the full articles. Limit where you post. Post your resume in the databases of only one or two large popular job sites. At the same time, post it in the databases of aqa english coursework a level, one or two smaller job sites targeted to your specific industry, occupational group, or geographic location. This will give you both maximum exposure (many employers crossing industries and online masters in creative, regions) and targeted exposure (employers looking for thesis presentation a smaller yet more highly qualified candidate pool.) Read Privacy Policies . Note what personal or individually identifiable information they will collect, how it may be handled, and in creative, whether or not they reserve the essay, right to sell it.
Some sites are good and promise to never sell your info, but others reserve the right to sell your personally identifiable information to online, third parties. Coursework A Level. Avoid sites that force you to online masters, register a full profile (i.e., your resume) before you can do any search of the job database. You should be allowed to evaluate a site to make sure it’s a good fit to you before adding your information to their database. Avoid sites that offer to blast your resume. Such wide distribution may offer little, if any, control on where a copy of your resume could end up. Limit access to your personal contact information. Options range from blocking access to just the contact information to keeping your resume completely out of the database searched by employers. Choose the essay marketing communications, option that works best for you. Remember that if you go for online masters in creative writing full confidentiality, it may be up to you to remember to delete contact info from your resume. Many job seekers trip up here because they fill out a form with their contact info, then cut and paste the whole resume into thesis beamer presentation, the box, forgetting about the contact info here.
The database’s protection of online, your contact info only refers to aqa english coursework a level, what you put in the form, not in the box. Modify the contact information you put on your resume. Remove all standard contact information — name, address, phone numbers — and masters writing, replace your personal e-mail address with an e-mail address set up specifically for your job search. This is thesis thousand suns where those services like Yahoo! email come into play. Online Masters In Creative Writing. Make sure you use an appropriate e-mail name like [email protected] On A Thousand Splendid. Names like [email protected] or [email protected] are not good names for serious job seekers. Modify your employment history. Remove all dates from your resume. Then, remove the names of all employers and in creative, replace them with accurate but generic descriptions.
Nuts n’ Bolts Distributors, Inc. becomes a small construction supplies distribution company and IBM becomes a multinational information technology company. If your job title is unique, replace it with an accurate but generic title, so New England Regional Gadget Marketing Director becomes multi-state marketing manager of essay on family planning, gadget-class products. Don’t let your resume sit there. Masters Writing. Since many databases sort resumes by date of submission with the newest fir t, renew your resume every 14 days. Aqa English A Level. If you don’t get any response to your resume within 45 days of posting, remove it from that location and post it elsewhere. It could be that employers are not looking for people with your skills in this particular database, but it could also be that there is in creative too much competition between candidates with the same skills and coursework, your resume is online in creative not rising to essay on family, the top. Masters. When your job search is over, delete all resumes out there. On A Thousand Splendid Suns. Do not continue to dangle the hook and see what offers may come up. Your new employer may find you still fishing and demand an explanation. Some people are adding a posted DATE on the bottom of resumes they register online, but you will still have a tremendous amount of explaining to do if your resume is found to still be circulating.
Whether or not you were planning a fast exit, you may find yourself on the way out the door. Always remember that most job sites make their money by selling access to the resume database! Many want you to post your resume in their database, but few really work for masters in creative writing you. When it comes to posting your resume, You Rule . Be choosy. Copyright by Margaret Dikel; portions copyright by essay about communications Susan Ireland and Susan Joyce. Permission to reprint this article must be obtained from all authors; each author will offer his or her terms for granting permission.
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A New SAT Aims to in creative writing Realign With Schoolwork. Coursework. Saying its college admission exams do not focus enough on masters in creative, the important academic skills, the College Board announced on Wednesday a fundamental rethinking of the SAT, ending the longstanding penalty for guessing wrong, cutting obscure vocabulary words and making the essay optional. The president of the College Board, David Coleman, criticized his own test, the SAT, and its main rival, the ACT, saying that both had “become disconnected from the work of our high schools.” In addition, Mr. On Family Planning. Coleman announced programs to help low-income students, who will now be given fee waivers allowing them to apply to four colleges at no charge. Online Masters In Creative. And even before the essay communications, new exam is introduced, in the spring of 2016, the College Board, in partnership with Khan Academy, will offer free online practice problems and instructional videos showing how to solve them. The changes are extensive: The SAT’s rarefied vocabulary challenges will be replaced by words that are common in college courses, like “empirical” and “synthesis.” The math questions, now scattered across many topics, will focus more narrowly on linear equations, functions and writing proportional thinking.
The use of a calculator will no longer be allowed on some of the math sections. The new exam will be available on paper and computer, and informal the scoring will revert to the old 1,600-point scale — from 2,400 — with top scores of 800 on math and 800 on what will now be called “evidence-based reading and writing.” The optional essay, which strong writers may choose to do, will have a separate score. Once the pre-eminent college admissions exam, the SAT has lost ground to the ACT, which is masters writing, based more directly on high school curriculums and is now taken by essay on family, a slightly higher number of students. Last year, 1.8 million students took the ACT and online masters 1.7 million the SAT. Steps Essay. The new SAT will not quell all criticism of masters in creative standardized tests. Critics have long pointed out — and Mr.
Coleman admits — that high school grades are a better predictor of essay on graffiti art or crime college success than standardized test scores. More colleges have in recent years become “test optional,” allowing students to forgo the exams and submit their grades, transcripts and perhaps a graded paper. Masters In Creative. For many students, Mr. Coleman said, the tests are mysterious and essay marketing “filled with unproductive anxiety.” And, he acknowledged, they inspire little respect from classroom teachers: only online masters in creative 20 percent, he said, see the college-admission tests as a fair measure of the work their students have done. Thesis Presentation. Mr. Coleman came to the College Board in 2012, from a job as an architect of the Common Core curriculum standards, which set out the content that students must master at each level and are now making their way into school. He announced plans to revise the SAT a year ago and online in creative almost from the planning, start expressed dissatisfaction with the essay that was added in 2005. He said he also wanted to make the test reflect more closely what students did in in creative, high school and, perhaps most important, rein in thesis on a thousand suns, the intense coaching and tutoring on how to take the test that often gave affluent students an advantage. “It is time for the College Board to say in a clearer voice that the culture and practice of costly test preparation that has arisen around admissions exams drives the perception of inequality and injustice in our country,” Mr. Coleman said Wednesday. “It may not be our fault, but it is our problem.” While test-preparation companies said the SAT was moving in masters in creative, the right direction, with more openness and more free online test preparation, the changes were unlikely to diminish the demand for a level their services. “People will always want an edge,” said Seppy Basili, a vice president of Kaplan Test Prep. “And test changes always spur demand.” The suggested changes were well received among many educators, but Mr. Coleman’s comments about the ACT drew harsh words from an executive of that company. “David Coleman is not a spokesman for the ACT, and I acknowledge his political gamesmanship but I don’t appreciate it,” said Jon Erickson, president of ACT’s education division. “It seems like they’re mostly following what we’ve always done.” Philip Ballinger, the online masters, director of undergraduate admissions at the University of Washington, said he admired Mr.
Coleman’s heartfelt “damn the torpedoes, full speed ahead” approach to aqa english a level improving the SAT and appreciated the effort to in creative writing tame the test-prep industry. “It’s absurd, and that’s the coursework, nicest thing I can call it, how much test prep has grown and writing how guilt-ridden parents have become about trying to prepare their kids for the test,” Mr. Ballinger said. “If this helps test prep become learning, not gaming, well, shoot, that’s great. “ Some changes will make the new SAT more like the ACT, which for splendid the last two years has outpaced the SAT in online in creative, test takers. Thirteen states administer the ACT to all public high school juniors, and three more are planning to do so. The ACT has no guessing penalty, and its essay is optional. It also includes a science section, and while the SAT is not adding one, the redesigned reading test will include a science passage. But beyond the essay art or crime, particulars, Mr. Masters In Creative. Coleman emphasized that the three-hour exam — three hours and 50 minutes with the essay — had been redesigned with an eye toward reinforcing the skills and evidence-based thinking that students should be learning in high school, and moving away from a need for test-taking tricks and strategies. Sometimes, students will be asked not just to select the right answer but to justify it by choosing the quotation from a text that provides the best supporting evidence for essay about communications their answer.
The revised essay, in particular, will shift in that direction. Online In Creative. Students now write about their experiences and opinions, with no penalty for incorrect assertions, even egregiously wrong ones. In the future, though, students will receive a source document and be asked to aqa english analyze it for its use of evidence, reasoning and persuasive or stylistic technique. The text will be different on each exam, but the essay task will remain constant. Masters In Creative Writing. The required essay never entirely caught on with college admissions officers. Many never figured the score into the admission decision and looked at the actual essays only rarely, as a raw writing sample to thesis help detect how much parents, consultants and counselors had edited and polished the essay submitted with the online masters writing, application. These will be among the changes in the new SAT, starting in art or crime, the spring of 2016: ¦ Instead of arcane “SAT words” (“depreciatory,” “membranous”), the vocabulary definitions on the new exam will be those of words commonly used in college courses, such as “synthesis” and online masters “empirical.” ¦ The essay, required since 2005, will become optional. Informal. Those who choose to online masters in creative write an essay will be asked to read a passage and analyze the ways its author used evidence, reasoning and stylistic elements to build an argument. ¦ The guessing penalty, in which points are deducted for incorrect answers, will be eliminated. ¦ The overall scoring will return to the old 1,600-point scale, based on a top score of 800 in reading and math. The essay will have a separate score. ¦ Math questions will focus on three areas: linear equations; complex equations or functions; and essay about marketing communications ratios, percentages and in creative writing proportional reasoning.
Calculators will be permitted on only part of the math section. ¦ Every exam will include, in the reading and writing section, source documents from a broad range of disciplines, including science and social studies, and on some questions, students will be asked to steps essay select the quotation from the text that supports the answer they have chosen. ¦ Every exam will include a reading passage either from one of the nation’s “founding documents,” such as the Declaration of Independence or the Bill of masters in creative Rights, or from one of the important discussions of such texts, such as the Rev. Dr. Martin Luther King Jr.'s “Letter From Birmingham Jail.” A version of this article appears in print on March 6, 2014, on aqa english a level, Page A1 of the New York edition with the headline: A New SAT Aims to Realign With Schoolwork. Order Reprints | Today's Paper | Subscribe. We#8217;re interested in your feedback on this page.
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Le Livre Rouge de Jung raconte une descente aux Enfers Bertrand Eveno, son editeur, souligne la richesse de ce somptueux manuscrit calligraphie, enlumine et illustre de la main de C. Masters? G. Informal Essay? Jung. Publié en 2009 en allemand et en anglais et disponible en français depuis septembre, Le Livre Rouge (Liber Novus) est une pièce majeure de l'oeuvre de Carl Gustav Jung, élaborée entre 1914 et 1930. Masters In Creative? Pourquoi avoir publié cet ouvrage si tardivement? Jung lui-même a hésité sur la question de publier ou non ce texte. About Communications? A certains moments, il a retravaillé son texte, comme s'il envisageait une parution, et il a aussi consulté des amis ou des proches sur cette question. Online Writing? Et en fin de compte, il n'en n'a rien fait.
A sa mort, il n'a pas laissé d'instructions, se bornant à demander que le Livre Rouge - ce manuscrit somptueusement calligraphié et orné - demeure dans la famille. Coursework? Les héritiers ont protégé le trésor dans un coffre-fort, sans autoriser la consultation par les chercheurs. Masters In Creative? L'universitaire britannique Sonu Shamdasani a su convaincre les héritiers que le risque d'une édition non-autorisée était sérieux puisque certaines copies existaient dans des bibliothèques. Thesis Thousand? Sa recommandation de faire une édition savante, annotée et respectueuse de Jung, une édition canonique en quelque sorte, a été acceptée par la famille, d'où la parution, en 2009, des versions allemande et anglaise. L'exemplaire original du Livre Rouge est actuellement exposé au musée Guimet dans le cadre de l'exposition Le Livre Rouge de C.G.
Jung - Récits d'un voyage intérieur . Online In Creative Writing? L'ouvrage présenté ressemble à un véritable manuscrit datant du XVe ou du XVIe siècle. La forme même que Jung a donnée à son texte ne manque pas d'intriguer, d'étonner et de provoquer une impression forte et mystérieuse. Crime? Pourquoi a-t-il consacré tant d'heures, de nuits, de mois et d'années - seize années en tout - à recopier patiemment ce texte écrit pour l'essentiel en quatre mois, puis longuement retravaillé, juste avant et pendant la guerre de 1914 ? Jung écrit que la période historique qui s'ouvre avec la Renaissance, le Protestantisme et la Modernité, a été une coupure mutilante pour l'âme humaine et qu'il faut donc reprendre le fil de la réflexion humaniste, précisément à la plus haute époque spirituelle du Moyen-âge, celle des moines copistes et des livres d'heures enluminés à la main et traités comme des trésors de l'esprit. Online Masters In Creative Writing? Et pour lui, recopier patiemment à l'encre de Chine, les lettres gothiques, les cabochons et les enluminures, toutes ces préciosités bénédictines de patiente fourmi intellectuelle, lui ont permis de ruminer en permanence son texte, de le revivre nuit après nuit, comme un authentique exercice spirituel (au sens de Saint Ignace de Loyola). On A Thousand Suns? Et c'est pourquoi il a donné à son livre, car cette expérience était si importante pour lui, une forme précieuse et rare, portant témoignage de cette importance même.
Quelles sont les expériences racontées par Jung dans le Livre Rouge ? Le Livre Rouge raconte, à la première personne, un voyage intérieur, une descente aux Enfers - du moins dans le chaos d'une âme troublée et indécise -, une exploration de ses propres désorientations et de ses tâtonnements à la recherche de solutions qui puissent redonner un sens à sa vie. Online Masters In Creative? C'est un texte littéraire dans la forme, avec des dialogues, car Jung raconte qu'il fait des rencontres, à l'intérieur de lui-même, dans son propre inconscient ou subconscient, ou dans un état de conscience avivée. Aqa English Coursework? Il y rencontre des figures comme Elie et Salomé, un diable vêtu de rouge, un serpent, un ermite, un bibliothécaire et le vieux sage Philémon. Writing? En tout, une trentaine de personnages avec qui il dialogue, qui lui répondent, qui le conduisent à une évolution progressive dans sa vision du monde et de lui-même. Beamer? Ce récit ressemble tour à tour au Zarathoustra de Nietzsche, à L'Enfer de Dante et à La Tentation de Saint-Antoine de Flaubert. Online Masters Writing? Parfois, le ton devient poétique et il est voyant comme Rimbaud, parfois prophétique comme Luther et parfois il le fait avec humour. Planning? L'action progresse, avec des rebondissements comme dans le Faust de Goethe. Online Writing? Tout lecteur du texte, s'il entre dans cette psychologie parfois angoissée ou parfois pleine de sagesse, y trouvera des phrases qui lui parlent directement, abordant des questions toujours actuelles et même plus que jamais. Essay About Marketing Communications? Elles sont certes intimes pour Jung, mais aussi universelles et éternelles pour tout être humain.
Justement, quelles sont ces questions? Est-ce que je consacre assez de temps à ma vie intérieure ? Ai-je encore une âme, et si j'ai une âme, qu'a-t-elle à me dire d'essentiel ? Ne suis-je pas englouti par des activités extérieures incessantes lesquelles ne donnent pas de sens à ma vie ? Qui faut-il suivre comme modèle de vie et de sagesse : la Science, le Christ, le Bouddha, l'Eros ou qui d'autre ? En qui ou en quoi avoir confiance, soit à l'extérieur de moi, soit pire encore, en moi ? Toutes ces questions montrent que le Livre Rouge est à la fois un récit personnel, un texte littéraire, une méditation philosophique et un enseignement de sagesse. Le Livre Rouge est divisé en deux parties : le Liber Primus et le Liber Secundus. Online? Que représente chaque section? Les parties se suivent et s'enchaînent, mais le Liber Primus exprime avec force le chaos personnel et le désarroi initial dans lequel se débat Jung, qui craint même de côtoyer la folie. Steps In Writing Informal Essay? En tant que médecin-psychiatre, il la connaît de près.
Puis, des possibilités de dialogue apaisant surgissent, avec la figure d'Elie, qui ensuite par avatar se transformera en Philémon. Dans le Liber Secundus, l'ordre et le désordre de son parcours intérieur s'articulent en finesse et se complexifient. Online In Creative? Des figures secourables apparaissent. Informal? Le Dieu qu'on craignait mort renaît sous des formes inédites. Online Masters? Les sacrifices personnels demandés à Jung par ses voix directrices commencent à prendre un sens nouveau. On A Thousand? Peu à peu, il entend ce qui lui est annoncé, il ressent les impasses de la vie à éviter. Online Masters? Il retrouve un sens profond, malgré les contradictions qu'il est obligé de vivre sous tension, faute de pouvoir les résoudre unilatéralement. Thousand? Il trouve ainsi peu à peu le chemin de l'unification intérieure.
Dans la troisième partie, Epreuves, reprise d'un manuscrit non calligraphié et retrouvé dans ses archives, Jung dialogue tout particulièrement avec les morts, c'est-à-dire non seulement ceux que la Première Guerre Mondiale fauche en masse à cette époque, mais aussi les morts des siècles passés qui sont eux aussi des figures en désarroi et à la recherche d'une sagesse éternelle valable. Masters Writing? Puis, les morts se retirent grâce à l'influence apaisante de Philémon et Jung trouve, avec cette figure de sage intérieur, peu à peu, les chemins et la voie justes pour lui. Quels sont les enseignements du livre? Jung comprend les lois intérieures du fonctionnement de l'âme et de la psyché, que le Livre Rouge aura d'abord formulées dans un langage symbolique, personnel et caché, mais que lui, dans sa vie publique de penseur, va désormais pouvoir écrire dans une forme explicative et compréhensible. Steps Essay? L'alchimie, notamment, mais aussi un approfondissement des significations profondes de Dieu ou du divin dans le monde actuel post-chrétien l'y aideront et lui fourniront de nouvelles clés. In Creative? Des clés pour pouvoir, pendant de nombreuses années, de 1920 jusqu'à sa mort en 1961, tirer toutes les leçons et enseignements de ce voyage intérieur au bout de l'inconscient. Le Livre Rouge offre donc un regard inédit sur le travail du psychanalyste Jung à travers des textes et des illustrations.
Celles-ci occupent d'ailleurs une place importante dans l'ouvrage. Suns? À quoi ces illustrations font-elles référence? Les illustrations sont omniprésentes dans le Livre Rouge , sous de multiples formes et formats. Masters In Creative? Au début, après une somptueuse pleine page d'ouverture, les dessins sont petits et un peu maladroits, car Jung écrit et peint sur des parchemins qui tiennent mal ses pigments. About Marketing? Il choisit également de peindre des dessins de petits formats. Online? Puis, avec le Liber Secundus, Jung s'enhardit, les dessins s'agrandissent, les pleines pages apparaissent, le réalisme s'accroît. Steps In Writing Informal? Le Serpent, le Dieu Izdubar (Gilgamesh), l'Enfant divin renaissant et le sage Philémon déploient leurs figures. Online In Creative Writing? D'autres illustrations montrent le visage hideux de la Mort, de dragons et de monstres.
Certaines de ces illustrations ponctuent et reformulent les scènes et les idées du texte, d'autres à l'inverse sont éloignées ou même franchement décalées par rapport au texte. Essay Planning? Car Jung aimait les oeuvres sans fin, labyrinthiques, et il a choisi de laisser venir les illustrations à leur heure, sans toujours les lier au texte. Online Masters Writing? En fonction des situations nouvelles du moment, on essay planning a par exemple un chapitre dont la rédaction de premier jet remonte à 1914, mais a été recopié en calligraphie vers 1920 et placé sur la page en vis-à-vis d'une image peinte en 1924. Mais d'autres illustrations collent au texte ou fixent durablement le visage d'un interlocuteur particulièrement cher à ses idées ou à son coeur, comme Salomé, Philémon, ou le Temple d'Or. Online Masters? Jung recopiera certaines images du Livre Rouge sur les murs mêmes de la Tour de Bollingen, qui était son refuge intime. On peut noter que c'est dans la seconde partie du Livre Rouge que les illustrations sont les plus nombreuses. Coursework? Elles se succèdent quelquefois les unes aux autres. Masters In Creative? Pourrait-dire qu'elles dialoguent entre elles? Dans une série impressionnante de dix-huit pages (pp. On Graffiti Crime? 80 à 97), Jung peint des mandalas en couleurs, qui comme dans un film séquentiel, évoluent et se transforment dans une atmosphère assez gnostique, avec des écritures ésotériques ou runes, comme Jung les nomme.
Dans ces pages, il reproduit et retravaille des dessins au crayon qu'il a faits dans un carnet de notes d'août à fin septembre 1917. Online Masters Writing? Au Musée Guimet, nous exposons vingt-cinq de ces brouillons, fascinants de recherche et de créativité. Essay Art Or? Jung constate que ces croquis ont un effet apaisant ou régulateur sur son état d'esprit et ses humeurs, un peu comme des exercices de respiration lents et progressifs. In Creative Writing? C'est donc en effet une forme de dialogue, mais avec soi-même et dans le temps, jour après jour. Ce faisant, il redécouvre à sa manière cette très ancienne technique d'exercices spirituels, le mandala tibétain. Steps In Writing Essay? Pour Jung, c'est un exercice de re-centration de la psyché, de parcours en rond autour d'un centre qu'on vise sans pouvoir l'atteindre complètement, de mise en ordre de soi par rapport à ses propres tensions intérieures et enfin, de dialogue entre le soi intérieur et le monde externe. Il peindra aussi isolément un autre superbe et complexe mandala, sur parchemin qu'il intitule Système du Monde dans sa Totalité et qui symbolise l'ordre général du monde dans ses différentes fonctions et tensions opposées, représentant à la fois le microcosme de la psyché humaine (la vôtre et la mienne) et son insertion dans le macrocosme du monde.
Les illustrations du Livre Rouge ont été réalisées par Jung lui-même. Masters Writing? Lorsqu'il est à Paris en 1902 pour suivre les cours du psychologue français Pierre Janet, Jung passe la majeure partie de son temps à peindre ou à visiter des musées. Coursework A Level? Aspirait-il à devenir peintre? Jung a en effet suivi assidûment les cours de Janet, mais il a su trouver le temps de satisfaire sa curiosité de jeune médecin à 27 ans. Online Writing? Il avait un vrai coup de patte, une bonne technique à l'aquarelle, à la gouache et à l'huile aussi. On Family? Il n'a jamais eu le temps de peindre autre chose que l'univers du Livre Rouge car dès qu'il est devenu connu puis célèbre, il a été harassé de consultations, de conférences et séminaires. Online Writing? Mais à la fin de sa vie, il a consacré beaucoup de temps à la sculpture sur bois et sur pierre, ciselant même des textes dans la pierre. Thesis Beamer Presentation? C'était surtout pour lui, plus que de prétendre faire de l'art, un moyen de fixer ses idées essentielles, de les mettre en forme, en somme de les fixer dans un matériau durable. Quelles étaient les influences de Jung en matière d'arts visuels? Jung a marqué un intérêt pour Odilon Redon lors de son passage à Paris. Online Masters? Il y a ainsi acquis des copies d'oeuvres d'art, de bustes antiques et de peintures italiennes.
Il avait des goûts personnels classiques, ceux d'un bourgeois suisse né en 1875, mais on art or doit souligner deux aspects. Online In Creative? En premier lieu, son rapport à l'art moderne et ses liens avec de jeunes artistes de Zurich, proches de Dada, comme Sophie Taeuber-Arp et Erika Schlegel, tant sur le plan plastique que théâtral. Informal? Ses liens avec un artiste comme Franz Riklin, qui fut élève d'Augusto Giacometti. Writing? Jung a écrit sur Picasso, sur Duchamp et sur les peintures d'art brut, surtout pour étudier le reflet donné par l'art aux crises psychiques des sujets et du monde collectif. Essay? Second aspect : l'immense curiosité de Jung pour les expressions plastiques non-occidentales. Masters? Par exemple, l'influence de l'art africain sur les nombreuses sculptures faites par Jung mais aussi son goût pour les mandalas tibétains et pour l'Asie en général. Crime? Le Musée Guimet a su tracer des liens et des correspondances impressionnantes entre les chefs d'oeuvre asiatiques de ses propres collections et la pensée de Jung. Musée Guimet, Paris (XVIe).
Jusqu'au 7 novembre. Ailleurs sur le web. Contenu propose par Taboola. Le prix Nobel de littérature 2017 décerné à l'écrivain Kazuo Ishiguro. La romancière et actrice Anne Wiazemsky, ex-femme de Godard, est décédée à 70 ans. Dan Brown, le thermodynamiteur. Origine, par Dan Brown: extraits exclusifs. Cambadélis règle ses comptes: Hollande et les serpents à sornettes. Meilleures ventes de livres: les stars tiennent le haut du pavé Richard Morgiève, un homme d'honneur.
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