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Essays on alienation

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AP Biology: The Properties of Water Essay. Water has many unique properties that make life possible on Earth. One property is cohesion. The cohesion property is properly defined as the essays binding of water molecules by hydrogen bonds. Water has this property as a result of the chemical bonding between water. Cohesion of the strong hydrogen bonds allows the water molecules to stick together, almost as a unit of resume one. A force exerted on essays, one of the molecules will be exerted on all of the non-dissertation doctoral adjacent molecules as a result of cohesion. Cohesion, often with the cooperation of adhesion, the clinging of one substance to essays another, adds to the function and ability of water to overcome strong natural forces, such as gravity.

When water is in its liquid state of matter, the hydrogen bonds are very frail and weak, about one-twentieth as strong as covalent bonds. The bonds are made, broken, and remade very quickly. Each hydrogen bond lasts only stranger, a few trillionths of essays on alienation a second, but the constant synthesis of new bonds with a succession of college partners acquires equilibrium. Therefore, a significant percentage of all the water molecules are bonded to their neighbors, making water a more orderly structured liquid than most other known liquids. A property related to cohesion is surface tension, a measure of how difficult it is to on alienation stretch or break the surface of eric a liquid. Water is known to have a greater surface tension than most other liquids.

An ordered arrangement of hydrogen-bonded water molecules is essays present at the boundary between water and air. Analytic Essay Definitions? As a result water behaves as though it is coated with an invisible film along the surface. An example how the cohesion of essays on alienation water affects the functioning of living organisms is present in plants. Evaporation from the leaves in plants pulls water up from the roots. Cohesion due to hydrogen bonding helps hold the column of water molecules together within the xylem vessels located in the stem or trunk of a plant. Adhesion helps the process by resisting the pull of gravity against the upward motion of the molecules. Another property of water is its solubility. College Service Manager? Water is known as the universal solvent of life.

Many substances can be combined with water to essays form a solution, a homogeneous mixture between two substances. Water, in non-dissertation doctoral degree, solutions, is known as the solvent. The substance or substances being dissolved is known as the solute. An aqueous solution is when a homogenous mixture where water is the solvent is present. As found by the medieval alchemists, water is the most soluble liquid.

Although water is technically not universal, it is very versatile solvent. Water#8217;s solubility is essays a result of its polarity. Water is a polar molecule, meaning that the opposite ends of the molecule of opposite charges. In a water molecule, the polar covalent bonds allow the oxygen region of the molecule to have a partial negative charge and the hydrogen regions to have a partial positive charge. When ionic crystals are placed in water, they are ionized. The partially negative ion from the crystal bond to the hydrogen ions in best college manager, water.

The partially positive ion from the crystal bond to the oxygen ions in water. The sphere of water molecules around each dissolved ion is called a hydration shell. Water eventually dissolves all the essays ions. As a result, there is daycare owner a solution containing two solutes from the salt homogeneously mixed with water, the versatile solvent. Aside from ionic compounds, water can also be a solvent for many polar molecules. An effect of the versatile solubility can be demonstrated in essays, the functioning of many liquid substances of living organisms, such as blood, the sap of plants, and the liquid contained in cells. Water#8217;s solubility allows for these liquids to have a universal concentration throughout the entire liquid, making the distribution of the essay definitions ions or molecules in the solution equal.

Another property of water is its high specific heat. On Alienation? The ability of on the mysterious stranger water to stabilize temperatures in natural ecosystems is a result of its high specific heat. Specific heat is defined as the amount of on alienation heat that must be absorbed or lost for one gram of a substance to change its temperature by one degree Celsius. Water#8217;s specific heat is defined as one calorie per gram per degree Celsius. This information comes from the definition of a calorie, the amount of heat that causes one gram of water to change its temperature by one degree Celsius. Because of water#8217;s high specific heat, water#8217;s temperature will change less when it absorbs or loses a certain amount of heat. Water resists changing its temperature, and when it happens to change it, it absorbs or loses a large quantity of daycare owner heat for each change in temperature.

Water#8217;s specific heat is a direct result of hydrogen bonding. Large amounts of heat must be absorbed in order to break the hydrogen bonds, and large amounts of heat are released when hydrogen bonds form. One calorie doesn#8217;t cause a large change in the temperature primarily because most of the heat energy is used to essays disrupt the hydrogen bonds before the water molecules can start moving faster. When the temperature drops slightly, many hydrogen bonds form, releasing a large amount of heat energy. Water#8217;s high specific heat is directly related to life on Earth through climate. Daycare Owner? Bodies of water in coastal areas can store large amounts of heat during the day and release heat at night when cooling. The specific heat also stabilizes ocean temperatures, creating a more favorable environment for marine life. Therefore, as a result of water#8217;s high specific heat, the water on Earth keeps temperature changes on land and in water within life-permitting limits.

Animals are also mostly made of water, allowing them to resist changes in essays on alienation, their own temperatures. Water is so abundant and present in everyday life that it#8217;s easy to neglect the fact that it is an exceptional substance with many extraordinary qualities. Following the mysterious theme of essays emergent properties, water#8217;s unique behavior can be traced to the structure and interactions of its molecules. University/College: University of definitions Chicago. Type of essays on alienation paper: Thesis/Dissertation Chapter.

Date: 15 July 2016. Let us write you a custom essay sample on mark essays, AP Biology: The Properties of Water. for only $16.38 $13.9/page. Haven't found the Essay You Want? Get your custom essay sample. For Only $13.90/page.

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Karl marx essays on alienation - …

LEARN HOW TO WRITE A SONG: a step-by-step guide. This easy-to-use guide will show you how to write a song, from finding a great title to writing your melody. Hands-on songwriting exercises will jump start your creativity, while ‘how-to’ video tutorials are a fun way to find out more. What comes first, melody or lyrics? How does an on alienation idea become a whole song? How do you know if your song is any good? Well, I’ll answer the first two questions in mark twain, this article.

The third question – How do you know if your song is good? – is answered like this: If a song genuinely expresses your feelings, then it’s a good song. Essays On Alienation! It doesn’t matter what anyone else thinks. If a song expresses your feelings AND touches other people, moves them emotionally, or gets them on daycare, the dance floor – that’s a good song with the potential to essays, become a HIT. So, how do you write a song that moves other people and best college essay makes them want to listen?

Well, that’s where song craft comes in. ? What is song craft and why do I need it. Good songwriters use song craft to on alienation, give their songs emotional impact and resume daycare create a memorable experience for listeners. The tools and techniques of our craft are not arbitrary; they weren’t invented just to essays on alienation, drive us crazy or make us write copy-cat songs without depth or originality. They exist because, over hundreds of years, songwriters have found that they help listeners to understand, experience, and remember the essay definitions message at the heart of a song. The simple, time-tested ideas on this page will help you create a song that expresses your feelings and moves listeners, keeping them involved and interested in on alienation, what you have to say. Like any skill, though, song craft takes a little practice, so be sure to try the “Go Ahead and Do It!” exercises that follow each step. ? How does a song get started? (Good question!) Getting started can be one of the hardest tasks in songwriting. And it’s also one of the definitions most important because if you start well, you’ll have a lot less trouble later on. You’ll know where you’re going and you’ll have plenty of things to on alienation, say.

There’s always the temptation to jump right in and begin with the first thing that occurs to you. You know you want to write a song – lyrics with a melody and some chords – but you may only have a vague idea or a feeling about what you want to express. When that happens you could end up with a song that listeners can’t understand or relate to. So which comes first – lyrics, melody, or chords? My answer is: None of the above. There are a lot of ways to start a song and you could start with one of those, but I’m going to suggest that you start with THE TITLE. The title is going to be the line that everyone remembers. More important, it’s going to define the message of the song. It will be your guide, keeping your song on track and keeping listeners interested.

Think of your title as the essay definitions peak of on alienation a pyramid. The rest of the song is eric knorr resume, made up of the building blocks that support it. Start your song with a title that appeals to you. Make sure it’s a phrase that rings true in your ears. Something that makes you say, “I’ve got to on alienation, know more about that!” Because if YOU want to know, others will want to know. TIP: Short phrases make good titles because they grab attention and they’re easy to remember. Non-dissertation! The ideal length for a title is one to five words. Where to find good titles. Keep your eyes and ears open for good titles that have energy for on alienation you. Action words, images, or short phrases make good titles. Non-dissertation Doctoral! Attention-grabbing newspaper headlines are full of on alienation good titles.

Here are a few examples of titles I picked up by reading through a popular magazine: “A Dream On The Edge,” “Hiding in college application essay service, the Shadows,” “What You Can’t Change,” “Slipping Away.” When you watch television always keep a little corner of your mind alert for dialogue lines that capture your attention. Listen to your friends and family to see if you can pick out interesting phrases. Essays! Or turn inside and listen to yourself by daycare, doing some stream-of-consciousness writing. Write or type as fast as you can, trying not to think or make judgments, then go back and look for good phrases. Start keeping a list of on alienation these potential titles. GO AHEAD DO IT – Start your title list right now. Pick up a book or magazine, or scan for interesting short phrases. Analytic Essay! Write down at least three phrases. Mix and match words between phrases, substitute your own words, play around with ideas. Try to come up with at least one phrase that makes you want to write a song.

Keep looking for more phrases until you have something you like. Draw a big circle around that phrase. Then keep reading. ? Turn a title into a lyric. Here’s how. Now, let’s begin to turn your title into a great lyric by simply asking a few questions – the questions suggested by your title. On Alienation! If you use these questions as a guide when writing your lyric, you’ll be able to… Finish every song you start Keep listeners with you Make your song say what you want. Ask the questions hidden in your title. Every title suggests questions that need to be answered. Some of the analytic essay questions will be ones that you want to explore, others will be questions that listeners have.

You’ll need to answer both. Let me give you a few examples… Take a classic song title like “Heartbreak Hotel.” Some of the essays questions this title suggests are: What is non-dissertation doctoral, a ‘heartbreak hotel’? What happens there? Where is it? Sure enough, these questions are all answered in this great Rock standard. What is a ‘heartbreak hotel’? A place to go when your baby leaves you. On Alienation! What happens there? Brokenhearted lovers cry.

Where is it? Down at the end of Lonely Street. A title like Taylor Swift’s “I Knew You Were Trouble” suggests questions like “Who was trouble?” “What kind of trouble?” and eric resume ‘How did things turn out?” If these questions aren’t answered in the song, listeners will go away disappointed. Here’s the essays lyric. Take a look to resume, see how these questions were answered. In a big Country hit like “You’re Gonna Miss This” recorded by Trace Adkins, listeners will be asking “What is essays on alienation, it we’re going to miss?” and “Why will we miss it?” Check out the lyric. Doctoral! You might be surprised by the answer! That’s the sign of a great song.

It draws the listener in with questions, then answers them in a fresh way. Of course, you’ll also have questions you want to write about. Exploring our own feelings and on alienation experiences is a big part of what drives us to write songs. So, here are a few questions you might want to analytic essay definitions, answer. What does your title mean? How do you feel about that? Why do you think that happened? What do you hope or fear will happen next?

If you’d like to hear a lyric example, listen to “Be With You,” a song I wrote with singer-songwriter Ed Patrick. The lyric answers questions suggested by the title, questions like: Why is the singer saying this? What’s happening? Who is essays on alienation, involved? What is the singer feeling? Why is it important to resume, him? A simple title like this one can suggest a lot of different emotions and essays situations. Resume Owner! Ed and I wrote about the feelings we wanted to express, but another songwriter could go in essays on alienation, an entirely different direction with the best application essay service manager same title. You can choose the essays questions you want to answer and mark on politics the way you want to answer them. GO AHEAD DO IT – Go back and look at the title you circled in the previous exercise. What questions does it suggest to you?

What would you like to say about it? Make a list of questions you’d like to answer. Then add any questions you think listeners might have. Answer your questions in short phrases, eight to ten words will convert easily into essays on alienation lyric lines. Write more than you think you’ll need; you won’t use all of it. Remember, it’s just raw material. Explore the possibilities.

Don’t worry about rhyming, just say what you want to say. That’s the best place to start. ? Add images related words to bring your song to life. Just like a potter has clay and a painter has tubes of paint, the songwriter has images, action words, and fresh ideas. Non-dissertation Degree! These are your raw materials.

You’re going to create that raw material yourself by using the on alienation words, phrases, and images suggested by essay definitions, your song title. Make a list of essays on alienation words and eric resume images the essays title suggests. Let’s say your song title is “You Make Me Smile.” To create raw material based on this title, think of words and images associated with smiling. Mark Essays! We can start with obvious ones like “happy,” “sunny,” “bright,” and “fun.” These are words you can use in your lyric, but they’re a little bit abstract. Essays! Let’s see if we can come up with words that will actually create an upbeat feeling for listeners and really make them feel like smiling. Take the words “happy” and “fun,” for instance.

What are a few things that are fun, things that make people smile? Parties, dancing, weekends, and vacations. The sound of laughter and music. College Application Essay! Favorite foods and a day at the park with friends. A trip to essays, the beach, a night on analytic, the town. Bright lights and crowds and carnival rides. These are just rough ideas. Try not to judge whether they’re good or not at this stage.

Just write down everything that comes to you. You won’t use all of it, but you never know what might end up in your song. Now, let’s try the word “sunny.” Obviously that word makes me think of sunshine, which makes me think of essays summer and doctoral being outdoors, which makes me think of grass, trees, and flowers. Essays On Alienation! Flowers make me think of colors – gold, red, purple – and bees buzzing around. So now we have a whole bunch of words that evoke mental images – bees, flowers, sunshine, parties, dancing, colors! They all have to do with smiling and feeling good. And they all came from best service manager, starting with one or two words, and then letting them suggest more.

To hear how these words are used in a hit song, here’s part of the chorus lyric of essays on alienation “Smile” by Uncle Kracker. Notice how many words are similar to the ones we came up with. You make me dance like fool. Forget how to breathe. Just the thought of best college essay you can drive me wild. Oh, you make me smile. Now the listener is on alienation, able to picture how the singer is knorr, feeling instead of just having to take his word for it. This is one of the most important tools a songwriter has.

Check out essays on alienation, “Smile” by Uncle Kracker on Spotify, read the analytic definitions lyrics online, or watch the video to hear even more fun images and essays ideas based on smiling. BONUS TIP: After you have a list of non-dissertation related words, make a list of contrasting words and essays on alienation images, ones that suggest the opposite. Essays On The Mysterious Stranger! For example, I wrote a song called “California Girl.” Obviously the on alienation related words will include summer, sun, warm, waves, water, sand, feeling free – a kind of or paradise. Contrasting words will be winter, moon, cold, fire (contrasting with water), and feeling caught or trapped (the opposite of feeling free). If you’d like to hear how I turned these lists of related and contrasting words into a lyric, watch the video of my song “California Girl” or listen and non-dissertation doctoral read the lyrics here.

GO AHEAD DO IT – Make a list of words, images, and on alienation phrases related to your title. Write down single words or short phrases. Don’t think about rhyming or making sense of things at on politics this point. On Alienation! And try not to daycare, be critical of your ideas – just write down what comes to essays on alienation, you. Then, make a list of contrasting words, images, and mark twain essays phrases. Write as many words as you can think of in on alienation, each column.

Let one idea suggest another and follow the trail wherever it takes you. Mark Twain Essays! This is a great exercise for stretching your creativity. ? Why is song structure such a big deal? Now is a good time to get familiar with one very important aspect of songwriting: Song Structure. An easy-to-follow structure acts like a path leading your listener through your song from beginning to end. The most common contemporary hit song structure looks something like this: VERSE / CHORUS / VERSE / CHORUS / BRIDGE / CHORUS . Listeners like this song form because it provides enough repetition to feel familiar and enough variety to keep them interested. It also gives you, the songwriter, the chance to add emotional dynamics to your song. Essays! Many of non-dissertation degree today’s hit songs feature a conversational, low-key verse followed by a big, powerhouse chorus with plenty of emotional punch. Once you get familiar with this basic song structure, there are plenty of add-ons and variations to play with. Some songs have a pre-chorus or extra post-chorus hook.

But try using this one to essays on alienation, get started. Eric Knorr Resume! It’s been the essays on alienation foundation of many huge hits and many more to come. Here are some useful definitions for understanding song structure: – Verse: The verses in a song all have the same melody but different lyrics. The verse lyrics give us information about the situation, emotions, or people in the song. – Chorus: We may hear the chorus of a song three, four or more times. The lyric and melody remain the same each time it recurs.The chorus lyric sums up the definitions heart of the on alienation song. The title of the song almost always appears in the chorus section and may be repeated two or more times. – Bridge: The bridge has a different melody, lyrics, and essay chord progression from the verse or chorus. It provides a break from the repetition of verse and chorus. The lyric often provides an insight or revealing moment.

GO AHEAD DO IT. Use the song form VERSE / CHORUS / VERSE / CHORUS / BRIDGE / CHORUS . Go back to the list of essays questions you made earlier and choose a question to answer in each section. The chorus will be repeated several times so pick the most important question to answer there. Often, that question is “What does this feel like?” Be sure to daycare, use your title in your chorus! Fill in the lines around your title using some of the images from your list. Make sure your listeners understand your song by having the on alienation singer come right out and non-dissertation say what he or she really feels at least once in the chorus. When you have a rough idea of your chorus lyric, move on to a verse. Verse lyrics tend to be more conversational, so keep it simple and on alienation just answer the eric knorr resume question you picked in essays, an open, honest way. ? Look for the melody that lives in your lyrics.

Every time you open your mouth to speak, you start singing! Don’t believe me? Just try speaking without using any changes in analytic essay, pitch, without speaking faster or slower, louder or softer. You can’t do it! You end up sounding like a robot. Although we usually think of singing as something quite different from essays, talking, we actually use a lot of melody when we talk. When we talk we use pitch, volume, phrasing, and rhythm – all the elements of a song melody. The only difference is in a song these elements are exaggerated and there’s more repetition. Daycare Owner! So if you have a few lyric lines, all you need to do is speak them to get a raw melody started.

It’s the melody part of speech that communicates emotion. In fact, just by on alienation, changing the eric resume melody you can give the essays same words an entirely different emotional meaning. Try this: say the phrase “Oh, no?” as if you are asking a simple question. Now, say the same phrase — “Oh no!” — as if you are anxious and frightened. Notice the resume difference in essays, the melody? In the question, the melody goes up at the end. In the frightened version, the analytic essay pitch starts higher and then the melody moves downward. Exaggerate the emotion in the second phrase and you’ll really hear it. Now try saying “Oh no” with a sarcastic, disbelieving, ‘you’ve got to be kidding’ tone.

It’s an entirely different melody from the other two. You can use this melodic element of speech to give your songs added emotional impact. On Alienation! If you’ve got a lyric that asks a question, try a rising motion on essays, the end of the melody , just as if you were really asking a question. Or, if your lyric questions are the kind that don’t really want an answer, try a descending melody on the end of the phrase. You’ll make the meaning clear and essays on alienation sound natural and believable to mark, your listeners. GO AHEAD DO IT – To achieve the essays on alienation conversational tone of many of today’s verses, try speaking your verse lyric in a casual, conversational style, then exaggerate it a little to begin creating your verse melody. Keep the pauses that occur naturally and exaggerate the non-dissertation doctoral little ups and downs in your speaking voice. You’ll want to make changes later but, for now, this will give you a good place to start. Remember, this is your raw material, not the finished melody. Choruses often have more energy and urgency, conveying more of the song’s emotional heart.

As we saw with the “Oh, no!” phrase, the more emotion there is, the higher the voice tends to be. That’s why very emotional Pop and Rock choruses work well in essays, a higher note range. On The Mysterious Stranger! Speak the chorus lyric with as much emotion as you can put into it. Now, exaggerate the pitches, keeping the rhythm of the words and any pauses that occur naturally. This will get you started on your chorus. Once you’ve found the melody your lyric naturally suggests, then sit down with your guitar or keyboard and start roughing out the chords. Essays! I like to record my vocal ideas before I even start to add chords, that way I can recall the original “spoken word” melody in case I want to go back to it.

Of course, there are other ways to best college, write a song melody but this one will give you a great place to start. Writing both lyrics and melody. If you play guitar or keyboard and essays on alienation you’re going to essays on the stranger, be writing your own melody and chords. Skip down to the next section for some ideas on essays, how to find and use chord progressions that work well for today’s songs. Work on the melody and chords using the verse and chorus lyric you have, gradually smoothing and changing until you have something you like. Then write the rest of the lyric to the final melody.

If you’re going to on the, be looking for a collaborator to put music to your lyrics, then you should go ahead and finish the lyric now. Filling in essays on alienation, the rest of the lyric while sustaining the emotional tone of what you’ve done is a tough job but if you’ve gotten this far, you can do the mysterious rest. IMPORTANT TIP ON RHYMING: Don’t twist words out of order or write a line just to make something rhyme! A ‘vowel rhyme’ — rhymes like love/enough or mine/time/sigh with the same vowel sound but different final consonants — will work just fine for popular songs. Essays! (Songs for doctoral degree musical theater are different – they usually do require perfect rhymes.) Check out a web site like Rhymedesk.com or B-rhymes.com to find lists of interesting, closely rhyming words to use. Know when to take a break. Work on your lyric for short periods of on alienation time. If you’re not getting anything usable, walk away… literally. Take a walk and let things settle for resume owner awhile. Keep the lyrics you’ve written on a desk or table where you can easily add a word or thought when it strikes you. Keep the essays on alienation hit song melody in your head.

The most important thing (and the twain most difficult) is to keep the emotional integrity of the song intact. Essays On Alienation! Don’t settle for mark twain anything less. On Alienation! There are times when you’ll lose your way. College Application Essay! Stop working! Go away and come back when you’re fresh. You’ll be able to essays on alienation, see what needs to be fixed. Keep working on the lyric until you are genuinely moved and excited by it.

Many songwriters begin their songs by strumming a chord or playing two or three chords to inspire a mood, a melody idea, or a lyric theme. Non-dissertation Doctoral Degree! Today’s hit songs often use simple, repetitive chord progressions, relying on the melody to keep things interesting, melodies with a lot of forward momentum and unexpected twists. To hear this style, check out hit songs by artists like Ed Sheeran, OneRepublic, or Kelly Clarkson. You don’t have to reinvent the wheel. There are loads of on alienation useful chord progressions that depend on just three to four basic chords. While song melodies and lyrics are copyrighted, in general, these familiar chord progressions are not. C-Am-F-G belongs to everyone! You can use this type of generic chord progression in your own songs.

I’m going to suggest that, for now, you do just that. These progressions aren’t hard to pick up. Listen to a recent hit song and doctoral degree learn to play along on either guitar or keyboards. There are many YouTube videos that will show you how to play recent hits. There are also “fake books” with chords and websites with the chord progressions for hundreds of hit songs. Just do a quick web search using the song title and the word “chords.” If you decide to use one of these chord progressions to practice writing a song of your own, just be sure you don’t use any of the melody or lyric from the hit song.

These are protected by the copyright law. If you already have an idea for your melody, you can hunt for the chords that fit. On Alienation! If you don’t play piano or guitar, take a few lessons. There are ‘instant’ piano and mark essays on politics guitar courses you can buy online that will teach you to read and play chords. On Alienation! Check out resume daycare owner, my Resources page for essays on alienation a good one. Or you can take a few lessons from a local music teacher. Many music stores offer lessons. Your local community center or college may have classes. Non-dissertation Doctoral! Or ask friends and neighbors to on alienation, refer a teacher.

If you decide to take lessons, be sure to tell the teacher you want to learn to read and non-dissertation doctoral degree play CHORDS. You don’t need to learn note reading. In general, songwriters don’t have to essays, be great musicians. Best Application Manager! We know chords, we know song craft, we know how to on alienation, follow our emotions – none of essays on the stranger this has anything to do with how many dazzling riffs and licks you can play. Essays On Alienation! Just strum or chord along with your voice and eric resume keep the emotional feel front and on alienation center. Here’s a resource for those of non-dissertation doctoral degree you who don’t play an instrument – and essays even those who do! Karaoke tracks offer an resume instant backing track that can inspire ideas and get you singing your lyrics to a contemporary beat. Go ahead and write a song for friends and family or just for songwriting practice.

The track itself is copyrighted but generally the essays chords are not. If you want to pitch your song commercially, you’ll need to record a new instrumental track. Knorr Resume! You can keep the chords or adapt if needed. Many of today’s top TV dramas and films use songs to essays, add mood, energy, and atmosphere to scenes. A lyric with a single, strong emotional focus is ideal for essays stranger this use. If you’re interested in this market, begin to study how songs are used in commercials, TV shows, and essays on alienation films. Notice how they enhance and deepen the effect of the scene. As an exercise, choose a scene and try writing a song that would work with it. Record your vocal and a simple guitar or piano part, then play it softly under the essay scene to essays, see if it increases the emotional impact. For more information, read my book “Shortcuts to Songwriting for Film TV” available at Amazon.com. So let’s say you have this fabulous lyric.

It’s got emotion and good song craft but you don’t play guitar or keyboards. Maybe writing melodies just isn’t your strength. Or you’re a musician who doesn’t write lyrics. Time to look for a co-writer! Before you show your lyric or melody to a co-writer, before you enter it in knorr resume, a contest, or otherwise spread it around, it’s a good idea to copyright it with the U.S.

Library of Congress. You’ll find online registration forms, printable forms, FAQ, and essays instructions at essays on the mysterious the Copyright Office web site. There’s a fee for each form you file, but you can register groups of lyrics or songs on a single form to save money. Back to the hunt for collaborators… Idea #1: Check out the Collaboration Corner at TAXI.com. On Alienation! You don’t have to be a TAXI member to join in the forum discussions and meet collaborators. Mark Twain! Not only are these folks serious about on alienation, writing songs, most of them are actively pitching to TAXI’s opportunities – a BIG plus! Idea #2: Universities and eric resume community colleges in your area will have a music department. Talk to one of the teachers or post a sign on essays on alienation, a bulletin board letting people know you’re looking for non-dissertation doctoral degree co-writers and what style you write in. Also, check to essays, see if there is a campus club or group interested in music or songwriting. Idea #3: Check out clubs in best application essay manager, your area that feature local artists.

When you find an artist or band playing the kind of music you’re interested in, ask if they’re willing to co-write. When they tell you they write all their own songs, tell them you’d like to collaborate on songs to pitch to publishers for on alienation other artists. College Essay Service Manager! They’ll be interested. Idea #4: Check out essays on alienation, local music stores. They usually have a guitar or piano teacher or they can put you in touch with one. The teacher might be interested in manager, writing with you or may know a student who is looking for a collaborator. Once you’ve written a strong song with a memorable melody, emotionally evocative lyric, and good structure that keeps the listener’s attention, you’ll want to make a demo to show it off. Advances in recording technology have revolutionized home recording. It’s now relatively easy and essays on alienation affordable to put together a home demo studio. Although a course in home recording is beyond the scope of this article, here are a couple of ways to get started… HOME MIDI STUDIOS: There are many inexpensive software programs that include both MIDI sequencers (for use with MIDI keyboards) and audio recording capability (to record vocals and knorr resume guitar).

Acid Music Studio is an inexpensive sequencer and it comes with a huge library of loops that make assembling a track a breeze. For Mac users there’s Garageband for essays on alienation MAC . It’s included in the iLife software package. You’ll need a MIDI keyboard for use with both of these programs. Apple has one for under $100. Yamaha makes a good inexpensive keyboard. SONGWRITING SOFTWARE: There’s a unique software program called Band-In-A-Box that I like a lot!

BIAB is like having a song collaborator who never tells you your ideas are lousy. Resume Owner! It will create a chord progression or you can type one in essays, or play one on mark, a MIDI keyboard. It will create a drum, bass, piano, guitar, and string arrangement based on your chords. BIAB will even create a melody and a title! It’s inexpensive, fun, creative, and a great place to start a song from scratch! To find out more, visit my Resources page. There are versions for both PC (BIAB for Windows) and Mac (BIAB for Mac) . DEMO SERVICES: There are many good recording studios and demo services that can produce all or part of your demo. They can record the instrumental tracks so you can do your vocal at home, or they can give provide just the guitar or drums. You’ll have a chance to give input or talk with the producer ahead of time. Essays On Alienation! I suggest giving the service an idea of what you want by playing existing songs with a similar style, sound, or feel. Here’s a list of services and online musicians I’ve used.

Of course, all I have given you here is a doorway into songwriting. There are other ways to approach songwriting but they’re just other doors. Once you go through the eric door, that’s when you really begin to learn. Everything you need to on alienation, know is right there on the radio, in your CD collection or on your iPod. Study songs by your favorite artists to learn what they’re doing.

Here’s a list of hit songs that I’ve posted with a look at analytic definitions what makes them tick. You’ll find tips on how to use these ideas in songs of your own. You don’t need to reinvent the wheel every time you write a song. On Alienation! Stand on the shoulders of giants; use what others have discovered and college application manager build on it. Make it your own!

Don’t worry that you’ll end up sounding like someone else – you’ll always sound just like you . No one else has your creative ideas, your voice, your thoughts, or your talents!

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Essay on Alienation - GCSE Sociology …

An Introduction to on alienation, the Ancient Festival of Nowruz. Some people say that it’s the 5,774 th time that Iranians across the essays on the, world are celebrating the ancient Persian New Year festival, Nowruz. However, some history experts believe that Nowruz has been enshrined and essays on alienation, observed for more than 15,000 years, well before the official establishment of the Persian Empire. Like Christmas, Nowruz is an elaborate festival that brings millions of people together, but there are certain elements in Nowruz that make it a distinctive tradition, and one of these important elements is on politics its historicity. Cyrus the Great, the essays, first king of the Persian Empire, came to throne in 550 BC, but for almost 2000 years before him, when In-Su-Kush-Siranna was the ruler of the Kingdom of essays mysterious stranger Aratta, Nowruz had been celebrated in Greater Iran, which consisted of several provinces that currently constitute modern countries like Afghanistan, Tajikistan, Turkmenistan, Azerbaijan, Armenia, Pakistan, Iraq, and parts of India and Turkey. Nowruz is considered the most important national holiday in Iran as it marks the beginning of a new solar year and the arrival of spring. According to the Persian calendar, Nowruz begins on the vernal equinox, which starts on March 20 or 21. The beauty and wonderfulness of Nowruz is that it starts on a unique moment each time and people excitedly and breathlessly wait for the announcement of what is known as the moment of the essays, transition of the year. This moment is astronomically calculated according to the Jalali solar calendarand officially inaugurates the New Year. Analytic Essay! Unquestionably, Nowruz is one of the prominent hallmarks of the Persian culture and on alienation, Iranian civilization. It represents the analytic essay definitions, glory and magnificence of ancient Iran and manifests a sense of national pride and dignity for Iranians around the world.

In his long epic poem, Shahnameh, the 10 th century Iranian poet and on alienation, philosopher Ferdowsi talks in detail about the origins and roots of Nowruz. He says that when the legendary, prehistoric Iranian king Jamshid Jam conquered the world and ascended the throne, he declared that day as Nowruz and the beginning of Iranian New Year. On that day, Iranians from across the country would come to visit Persepolis (the ancient capital of the Persian Empire) to hold festivals, receive rewards and gifts from the king, enjoy eating festive meals of dried nuts, fruits, and sweetmeat, sing happy songs, and perform plays. Nowruz is important in eric, that it comes as winter ends, and that is essays on alienation why Iranians believe Nowruz is essays on the mysterious stranger a feast of on alienation rebirth and essays on politics, rejuvenation that injects fresh and warm blood into essays on alienation the veins of the frosty and frozen nature. Iran, which is famous for its climatic diversity and unique nature, is very beautiful in the spring, and especially during the 13 days of Nowruz festivals. Fragrant flowers and attractive plants grow in large quantities in northern, central, and southern parts of Iran, and the weather is predominantly mild and moderate in analytic essay definitions, the majority of the cities all around the country. Nowruz is celebrated from the Farvardin 1 to 13 (Farvardin is the first month of the solar calendar whose name is taken from the Zoroastrian word “Faravashis” meaning “the spirits of the dead.” Iranians believe that the spirits of their deceased beloved ones will return to the material world in the last 10 days of the year.) One of the common traditions of essays on alienation Nowruz that the Iranians are strongly committed to is paying visit to the elderly and meeting the other members of the owner, family. In such meetings, Iranian families entertain each other with delicious Iranian cuisines, spring fruits, dried nuts, candies, confections, deserts, rice-cakes, pastries, and cookies. Setting the “Haft-Seen” table is also one of the customs of Nowruz that is essays seen as a quintessential part of the best application service manager, New Year celebrations. Haft means “seven” in Persian, and “seen” stands for the sign of the 15 th letter of Persian alphabet which sounds “s”. The Haft-Seen table is named so because there are seven items on this table whose name start with the Persian letter “seen”.

Each of essays these seven items signifies a certain meaning. These items include “Senjed”, or silver berry, the sweet, dry fruit of the lotus tree, which denotes love and degree, affection; “Sumaq”, or sumac, the crushed spices of berries, which symbolizes sunrise and the warmth of life; “Seeb”, or red apple, which stands for health and beauty; “Seer”, or garlic, which indicates good health and wellbeing; “Samanu”, a sweet paste made of wheat and essays on alienation, sugar that represents fertility and the sweetness of life; “Sabzeh”, or sprouted wheat grass, which is a sign of renewal of life; and “Sonbol”, or the purple hyacinth flower, which represents prosperity and goodwill in the New Year. However, the majority of Iranian families put more than 7 items on their “Haft-Seen” table settings. The additional things are “Sekkeh”, coins that herald wealth and definitions, affluence; “Serkeh”, vinegar that symbolizes age, patience, and the toleration of hardships; and “Sangak”, a plain whole wheat sour dough flatbread that characterizes blessing and good luck. Iranians also put colored eggs and a bowl of goldfish on their traditional Haft-Seen table and consider these two elements as signs of fertility, welfare, and happiness.

One of the essays, other elements placed on the beautiful Haft-Seen table is a mirror, a symbol of purity, reflection, and honesty. Iranians never forget to put a beautifully adorned and decorated mirror on their traditional table setting. They also put a copy of the non-dissertation doctoral, Holy Quran on on alienation their Haft-Seen table, which they believe will guard their life in the coming year. In an elaborate and well-researched article about Nowruz published on the Iran Review website, the cultural researcher Firouzeh Mirrazavi writes, “The festival, according to some documents, was observed until the fifth of eric resume Farvardin, and then the special celebrations followed until the end of the month. Essays! Possibly, in the first five days, the festivities were of a public and national nature, while during the rest of the month it assumed a private and royal character.” Since Nowruz was historically celebrated in Iran’s ceremonial capital Persepolis [Takht-e-Jamshid] in the southern city of Shiraz, every year thousands of Iranians travel to Shiraz to take part in the national celebrations of Nowruz. Even the foreign tourists who travel to Iran to take part in the celebrations prefer to visit Shiraz or Isfahan during the 13 days of knorr Nowruz. Essays! But why is Nowruz extended for 13 days? According to college service, the ancient belief of the Iranians, 13 is an inauspicious number. On the 13 th day of Farvardin, Iranian families gather in parks, gardens, farms, and essays, other green places to eat cuisines containing certain local herbs and have friendly conversations. They also throw sprouted wheat grasses into rivers believing that by leaving the “Sabzeh” in the waterways, they throw away the mark essays on politics, misfortune associated with the number 13 and the 13 th day of the year, and this way, they guarantee their New Year and prevent hardships and calamities from coming into their life. Essays! They think that the Sabzeh that is pitched into the rivers will take the analytic definitions, bad luck with itself to an unknown destination.

In Nowruz, the adults in the family pay the essays, younger members certain amounts of cash as a gift for the New Year. This reward is called “Eidi” and is not usually spent during the whole year but saved and kept as a token of blessing and wellbeing. With all of its beauties and splendor, Nowruz is now considered a global festival as it was officially recognized and mark twain essays, registered on the UNESCO List of the Intangible Cultural Heritage of essays Humanity in February 2010. The same year, the UN General Assembly recognized March 21 as the International Day of Nowruz, describing it as a spring festival of Persian origin which has been celebrated for thousands of years. Nowruz is a relic of past days, a remnant from the dawn of human civilization. It removes religious, cultural, lingual, and national boundaries and connects the hearts of millions of people who want to take part in a unique ceremony marking not only the beginning of New Year, but the end of the distressed winter and arrival of the delightful spring. It’s not simply a source of honor for resume owner, Iranians who observe and celebrate it, but an opportunity for the congregation and solidarity of all the peace-loving and peace-making nations around the world. Kourosh Ziabari is an award-winning Iranian journalist and reporter. He has won three prizes in Iran's National Press Festival. In August 2015, he was named the recipient of the on alienation, Senior Journalists Seminar Fellowship by the Hawaii-based East-West Center. In June 2015, he was selected by Deutsche Welle and European Youth Press to be part of a team of 16 young reporters and doctoral, journos from different countries covering the Global Media Forum 2015 in Bonn, Germany.

Kourosh is also the recipient of the Gabriel Garcia Marquez Fellowship in Cultural Journalism 2015 by the FNPI Foundation in Colombia. Kourosh is a staff writer and reporter at Iran Review. He is the Iran correspondent of Fair Observer, an international media corporation based in California. He writes for The Huffington Post, Your Middle East, Middle East Eye and International Policy Digest. On Alienation! Follow him on essays on the mysterious stranger Twitter at @KZiabari.

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Essay on Theory of Alienation: Marx …

F. Scott Fitzgerald’s Essays From the Edge. The Jazz Age novelist’s chronicle of on alienation, his mental collapse, much derided by his critics, anticipated the rise of resume daycare owner, autobiographical writing in America. The first readers to comment on on alienation, F. Analytic Definitions? Scott Fitzgerald’s “Crack-Up” essays made no pretense to literary criticism. On Alienation? They just wanted to dish—and diss. The dismay of old or former or soon-to-be-former friends came at Fitzgerald fast and furious, along with smack-downs from those critics who bothered to remark on the essays as they appeared in three successive issues of Esquire, in February, March, and April 1936. John Dos Passos was particularly exercised. “Christ, man,” he wrote to Fitzgerald in October 1936. “How do you find time in the middle of the general conflagration to worry about essays on the mysterious stranger all that stuff?” The “general conflagration,” presumably, was the Great Depression, but also National Socialism and fascism in Germany and Italy, and the Spanish Civil War, which had ignited in July. “We’re living in essays, one of the damnedest tragic moments in history,” Dos Passos steams on. Application Service? “If you want to go to essays on alienation pieces I think it’s absolutely OK but I think you ought to analytic definitions write a first-rate novel about it (and you probably will) instead of spilling it in essays on alienation, little pieces for Arnold Gingrich,” the editor of analytic definitions, Esquire, who had commissioned the essays . By the standards of our own uber-autobiographical age, with its appetite for revelation, its faith in the “redemptive” payoff of telling all, Fitzgerald’s essays seem decorously vague, cloaked in metaphor rather than disclosure. On Alienation? Though he describes his psychological and spiritual breakdown, his utter collapse, often in a wry, self-deprecating style, he doesn’t spill many autobiographical beans. We don’t learn of doctoral degree, his despair over his wife’s mental illness. He doesn’t divulge his bouts with drinking, his imprudent affair with a married woman, his money worries, his literary woes.

Mother, father, those stock figures of essays on alienation, personal narrative—never mentioned. The master storyteller isn’t even very narrative, employing drifts of figurative language rather than episodes and scenes, feinting and lunging (mostly feinting) his way through his portrait of a breakdown that left him “cracked like an old plate.” That Fitzgerald had published these personal essays in a glossy magazine seemed to vex his friends (Dos Passos, Ernest Hemingway, Marjorie Kinnan Rawlings, Sara Murphy, the unsigned New Yorker “Talk of the Town” writer—the list goes on) as much as the resume daycare owner sentiments themselves. Maxwell Perkins and Harold Ober, Fitzgerald’s loyal editor and literary agent, were still backing away from the essays as late as 1941, a year after the on alienation writer’s death, when Edmund Wilson was shopping around a posthumous collection of his old friend’s incidental nonfiction that included the “Crack-Up” pieces. Wilson admitted to Perkins that he, too, had “hated” the essays when he first read them in Esquire . Best College? But “if you read The Crack-Up through,” he argued, “you realize that it is not a discreditable confession but an account of a kind of crisis that many men of Scott’s generation have gone through, and essays on alienation that in the end he sees a way to live by application to his work.”

Perkins was unpersuaded. He declined Wilson’s proposal to Scribners, the publisher until then of all Fitzgerald’s books. Owner? In a sense, it was the third time Perkins had rejected the book. On Alienation? He had earlier turned down Fitzgerald’s idea for a collection of autobiographical pieces. Fitzgerald came back to him in degree, March 1936. “I thought you might reconsider the subject,” he writes, pointing out that “the interest in this Esquire series has been so big” that such autobiographical pieces might well fetch a large readership. The suggestion was reasonable, even canny; despite the scoldings and derision from the literary sector, Fitzgerald had received an astonishing number of essays on alienation, letters from readers captivated by his willingness to reveal his wounds—which were also their wounds, the best college application essay manager same boom-to-bust deflation of the individual spirit that the Depression had brought to the national economy and psyche. Though his literary friends tended to essays on alienation butter their censure of the essays with reverence for the great gift of his talent (which he was wasting—their point), the analytic essay definitions “Crack-Up” pieces were welcomed by essays ordinary readers. Perkins was having none of it. In a wonderfully prissy remark he says that in “The Crack-Up,” Fitzgerald committed an knorr, “indecent invasion of his own privacy.” He concurred with Ober that this sort of on alienation, confessional writing (as it would later be called) was dangerous for Fitzgerald’s status as a serious writer.

Perkins countered Fitzgerald’s retooled “Crack-Up” book proposal with the suggestion of “a reminiscent book—not autobiographical but reminiscent. Mark Twain On Politics? … I would be very much for it.” What Perkins meant by a book that would be “reminiscent” but “not autobiographical” is not clear. The distinction is itself dated perhaps, a division that marks the border between art and essays on alienation life that Perkins and Dos Passos were determined—even desperate—to defend. Undeterred, Wilson approached New Directions, a house founded by James Laughlin the same year Esquire had run the resume daycare owner essays, and already the default publisher of avant-garde work. So it was that New Directions became the essays publisher of The Crack-Up in 1945, five years after Fitzgerald’s death at age 44. The book is still available under that imprint. At the owner time of his death, Fitzgerald was considered (and considered himself) a has-been, the unfortunate poster boy for essays the ruinous Roaring Twenties. But over time, the publication of The Crack-Up has come to be regarded as the essays on politics trigger to Fitzgerald’s resurgence as an essential and enduring figure of 20th-century American literature. The critical response to the book’s appearance in 1945 was a far cry from the reception the Esquire publication of the essays had elicited. Reviewers were respectful, even enthusiastic, or at least seriously interested. Lionel Trilling, for one, praised Fitzgerald’s “heroic self-awareness” in his review in The Nation . Along with the essays themselves, the volume contained notebook sketches, letters, and tribute essays, including a piece by Glenway Wescott, “The Moral of Scott Fitzgerald,” which had first appeared in The New Republic shortly after Fitzgerald’s death. “There is very little in world literature like this piece,” Wescott says of the essays, which he takes as a single work, calling it “the autobiographical essay” Fitzgerald wrote as a kind of “swan-song.” In a strenuous effort to essays find kindred works, he compares the essays, “in a way,” to Sir Walter Raleigh’s verse epistle before his beheading.

Though Wescott thinks Fitzgerald’s treatment of his misery is mysterious, “cheap here and there … still it is fine prose and naturally his timeliest piece today: self-autopsy and on alienation funeral sermon.” The writing astonishes: “one quick and analytic essay definitions thorough paragraph after another, with so little shame. … [T]he first half is written without a fault: brief easy fiery phrases.” Fitzgerald’s subject, Wescott says with acuity, is “his lassitude of imagination; his nauseated spirit; that self-hypnotic state of not having any will-power; and nothing left of the intellect but inward observation and dislike.” Hemingway lost no time trashing Fitzgerald to Perkins, their mutual editor (a connection that Fitzgerald, already a literary star, had arranged for the unknown and struggling Hemingway when they met in Paris in essays, the 1920s). In a letter dated February 7, 1936—right after the degree first “Crack-Up” piece was published—Hemingway complains to Perkins that Fitzgerald “seems to almost take a pride in his shamelessness of defeat. The Esquire pieces seem to me to essays on alienation be so miserable. There is resume owner, another one coming.

I always knew he couldn’t think—he never could—but he had a marvelous talent and the thing is to use it—not whine in public.” Hemingway wasn’t done. He went on to savage Fitzgerald in “The Snows of Kilimanjaro,” a short story that also appeared in Esquire, in essays, August 1936. He injects “poor Scott Fitzgerald” into the fiction, noting that Fitzgerald had been “wrecked” by essays on the his “romantic awe” of the rich. This short story also refers to an exchange in which Fitzgerald is supposed to have said, “The very rich are different from you and me,” thereby allowing Hemingway to write the essays arch reply, “Yes, they have more money.” Except this exchange, much quoted ever since, never occurred. Even decent Max Perkins couldn’t manage to correct the inaccuracy, though he put the eric knorr facts on on alienation, record: he was present at a lunch in New York in 1936 when Hemingway said, “I am getting to know the rich.” To which the literary critic Mary Colum, the non-dissertation doctoral degree third person at the table, said, “The only difference between the rich and on alienation other people is that the rich have more money.” Fitzgerald wasn’t at the lunch—or in the city at the time.

No doubt Hemingway was glad to essays mysterious offload the exchange onto Fitzgerald and adopt for himself the on alienation memorable zinger. Fitzgerald wrote to resume daycare owner Beatrice Dance (who had been his lover that summer) to report that he had protested his old pal’s literary slam in “a somewhat indignant letter,” though Hemingway remained unrepentant. “Since I had chosen to expose my private life so ‘shamelessly,’ in on alienation, Esquire, ” Fitzgerald notes, “he felt that it was sort of an open season for me.” Fitzgerald then wrote Hemingway “a hell of analytic definitions, a letter,” which, on second thought, he decided not to send. On Alienation? “Too often,” he says to Beatrice Dance, “literary men allow themselves to college essay get into internecine quarrels and finish about as victoriously as most of the nations at the end of the essays World War.” Hemingway, he says in a final remark, “is quite as nervously broken down as I am but it manifests itself in different ways. His inclination is toward megalomania and mine toward melancholy.” About as good a mutual character assessment as either of essays on the mysterious, them ever got. In the eyes of essays on alienation, his friends, Fitzgerald may have broken decorum. But his essays kindled a narrative revolution that continues to simmer in American writing—in the rise of memoir and the appeal of personal essays in daily newspapers, to name only two obvious shape-shifters in analytic definitions, publishing. And it is publishing, not only writing, that is at stake here. As John O’Hara wrote to Fitzgerald in a considerably more sanguine letter after reading the essays in Esquire, “I suppose you get comparatively little mail these days that does not dwell … on your Esquire pieces, and essays I guess few of the writers resist, as I am resisting, the analytic temptation to go into their own troubles for purposes of contrast.”

What Fitzgerald was describing was not “just personal” (as Gatsby says of things that don’t have real value). His misery was native to his time and place. Essays? It was cultural. And he knew it: “My self-immolation was something sodden-dark. It was very distinctly not modern—yet I saw it in others, saw it in a dozen men of honor and industry since the application essay war.” Glenway Wescott may have found “little in world literature” like the “Crack-Up” essays, and early readers of the Esquire pieces also seemed to recognize their jarring novelty. On Alienation? But no cultural change happens in a vacuum.

Something in college application service, the air links change to change, later making evident a pattern, a fundamental shift. One such kindred event: around the time Fitzgerald’s first “Crack-Up” essay was on on alienation, national newsstands, the first formal Alcoholics Anonymous group was being organized in Akron, Ohio, making public the fellowship that Bill Wilson and Bob Smith had begun privately at Smith’s house. The coincidence is worth noting, but not because there is any causal relation between Fitzgerald’s hyper-aware essays and the founding of that most American of essays mysterious stranger, religions, a secular faith without priests or hierarchy or even an agreed-upon notion of essays on alienation, “God,” a populist, anti-intellectual spiritual methodology. Daycare Owner? Even stylistically, they couldn’t be more opposed. The “Crack-Up” essays are the cry of Fitzgerald’s rarefied soul, lavish in metaphoric evasions—including evasions about his drinking. By contrast, the essays scriptural text of AA, The Big Book, is a model of mysterious, socialist-realist prose, relentlessly earnest, a kind of on alienation, unliterature whose first chapter, “Bill’s Story,” inaugurates the autobiographical enterprise that remains the eric knorr resume touchstone of AA. On Alienation? Yet these two cultural (or spiritual) occasions, which began their public lives at the same time, in mark twain on politics, the depths of the essays on alienation Great Depression, are linked in the way that history alone can make obvious, displaying a shared landscape, creating or simply recognizing coherence. From here—the here of our own autobiographical age—it is possible to analytic see a link between Fitzgerald’s valiant attempts in his essays and the fledgling personal documentation (self-narrative without guiding psychotherapist) that is the root of AA and the secret of its enduring success. But if what Fitzgerald was doing in the essays could be linked to something as unliterary as AA drunkalogs, then The Crack-Up was a blot on his “real work.” To throw away personal pain in essays— little pieces in a glossy—was to nick away at on alienation, literature itself. “You ought to write a first-rate novel about it (and you probably will) …” The propriety Dos Passos is trying to safeguard here is the authority of the novel, the great architecture built of long generations, the literary habitation already threatened by the shocking immediacy of the movies. Who needed yet more splintering of the great, beloved form?

Especially by those scrappy little pieces. The publication of the “Crack-Up” essays looks now like a sharp pivot, marking a fundamental change in mark twain essays on politics, American consciousness and on alienation therefore in narrative voice, an evident moment when the center of authorial gravity shifted from the knorr resume “omniscience” afforded by essays on alienation fiction’s third person to the presumption (accurate or not) of greater authenticity provided by college service the first-person voice with all its limitations. Whitman had set American poetry on this road a few generations earlier: the voice of “Song of Myself” belongs to a lyric essayist, contending with himself and his time, using the personal self as the essays on alienation representative of the national type, fusing the individual to best college essay manager history. And the essays presence of resume daycare owner, faux memoirists as narrators in essays on alienation, American fiction—including Nick Carraway in The Great Gatsby, Hemingway’s own Nick Adams, and before that the narrators of best essay service manager, Huckleberry Finn and Moby-Dick —also betrays a preference for the first-person voice. The “Crack-Up” essays are a similar poetic project. Fitzgerald’s strangled cry in essays on alienation, them makes clear that a lyric impulse links the personal essay with poetry, even though essays are a prose form and seem to pose a chronic scourge (or companion) to their apparent kin—narrative fiction. In fact, the essay inhabits an intermediate territory between story and poem.

That may be its fundamental appeal. Tell a story and then think about it—all in the same work. Whitman didn’t employ (or deploy) the first person to recount his life story or reveal his secrets: we need Whitman’s biographers to essays on the stranger suss out his sex life, for on alienation example. Like Fitzgerald, Whitman’s “I” is the song of his consciousness, not of his episodic experience. Essay Definitions? Fitzgerald’s essays nudge American prose toward the kind of essays on alienation, personal authority that Whitman sought for American poetry. In fact Fitzgerald’s first essay opens not with the doctoral degree first-person voice, but the second: Of course all life is a process of breaking down, but the blows that do the dramatic side of the work—the big sudden blows that come, or seem to essays come, from resume daycare owner outside—the ones you remember and blame things on and, in moments of essays on alienation, weakness, tell your friends about, don’t show their effect all at once. Analytic Essay Definitions? There is another sort of blow that comes from within—that you don’t feel until it’s too late to essays on alienation do anything about it, until you realize with finality that in analytic definitions, some regard you will never be as good a man again. Fitzgerald feels squeamish about personal disclosure just as Hemingway and Dos Passos do.

He too finds public confession morally repellent—as his nervous remark suggests about those “blows” you talk about “in moments of essays, weakness.” He hardly establishes his subject—the mysterious but decisive breakage of his sense of self—before he backs off to essay “make a general observation” in the second paragraph. “The test of a first-rate intelligence,” he famously says, “is the ability to hold two opposed ideas in the mind at the same time, and still retain the essays ability to function.” This “observation” is owner, really a restatement of a concept formulated by Keats, Fitzgerald’s lifelong literary hero. In a letter to on alienation his brothers in 1817, Keats tries to describe the essential quality of “a Man of Achievement especially in literature. … That is when a man is capable of being in resume, uncertainties, Mysteries, doubts without any irritable reaching after fact reason.” He calls this quality Negative Capability. Essays? Psychologists (and AA) call it detachment. The terms Negative Capability and detachment aren’t descriptions so much as proof of the inability to corral this essential but elusive quality—just as all spiritual qualities are impossible to define. For Fitzgerald, the idea has more of an American can-do quality than Keats’s Romantic readiness: “One should … be able to see that things are hopeless and yet be determined to make them otherwise.” This muscular notion “fitted on to my early adult life, when I saw the improbable, the implausible, often the ‘impossible,’ come true.” Fitzgerald refers here to his phenomenal overnight stardom with the publication of This Side of Paradise at age 24, when he became not only a best-selling author, but a model for the man of his age—a condition he later called “the bitch goddess” of success. The “Crack-Up” pieces are an owner, attempt to review the devastating conundrum of spiritual collapse that came in the wake of on alienation, such high flying. He ends the first essay with the harrowing question posed in the Gospel of Matthew: “Ye are the salt of the earth. But if the salt hath lost its savour, wherewith shall it be salted?” By the second essay he is smarting under the non-dissertation degree criticism he has received from on alienation his literary friends. “There are always those to whom all self-revelation is contemptible,” he writes in doctoral, the opening paragraph, “unless it ends with a noble thanks to the gods for the Unconquerable Soul.” The sardonic capital letters signal his refusal to go quietly or to write (at least for the moment) “a first-rate novel” about his breakdown. “I wanted,” he writes early in the second essay, “to put a lament into my record.”

As he did at the end of the essays first essay, he adopts in resume owner, the second the language of spirituality to describe the quality of essays on alienation, his desolation and despair, doing a turn on St. John of the resume daycare Cross: “In a real dark night of the soul it is on alienation, always three o’clock in the morning, day after day.” In the first two essays, Fitzgerald leans heavily on the “cracked plate” metaphor. In the third, as he moves beyond description of his condition toward a solution, he retains the same figure of resume daycare, speech, but turns it inside out. In considering those who “survived” the “self-immolation” he has been describing, he realizes they “had made some sort of clean break.” He doesn’t seem to notice that he has reversed field with his metaphor. On Alienation? Or perhaps the college realization that the solution to his “crack-up” is to make a “clean break” is essays on alienation, so enchanting to him that he forges ahead with it. “A clean break,” he says, “is something you cannot come back from.” He will continue to be a writer because “that is my only way of life.” He won’t break with that. But he will no longer be “a person.” Things get muddy here—and self-dramatizing. He will no longer be “kind, just or generous.” None of this sounds genuine. It is the recognizable infuriated (and impotent) frustration of someone who has felt his life overused by others—not just the killing demands of essay, Zelda’s illness and the vagaries of publishing, but all those letters of recommendation, blurbs, and reviews, the middle management of being a successful writer.

Still, the clean-the-slate determination in the essays does feel authentic: “I have now at essays on alienation, last become a writer only.” He had not, of course—Zelda was still there to be kept in private hospitals, Scottie to be sent to good schools, and later he would fall in knorr, love again, with Sheilah Graham. And he was writing a “first-rate novel” when he died, the unfinished Last Tycoon . But in the “Crack-Up” essays he stopped in his personal and professional tracks, and on alienation described the eric knorr dark night of his soul, against essays on alienation all advice and prudence. He wrote his lament. As it happens, I live in Fitzgerald’s grandmother’s house in St. Paul, Minnesota, a fact I learned some years after I moved into the brownstone rowhouse on Laurel Avenue, before this leafy old neighborhood was gentrified. In the application essay service manager early years I could look out my second-floor window to see two cars come to a screeching halt at essays, the intersection, a bag of white powder passed from on the one to essays the other, before each careened off again. It was one of those charming, down-on-its-luck urban places that artists and doctoral degree other odd ducks move to and tart up before the lawyers and doctors, the museum curators and essays on alienation psychotherapists arrive. I allow myself to think Fitzgerald may have stayed here as a boy, at least briefly, after his father lost his Procter Gamble job in Buffalo and Scott was sent back to St.

Paul before the rest of the family returned. There’s no scholarly proof for this, but a certain logic makes it possible, even likely. And a certain desire. Before I knew the house was connected with Fitzgerald, I called the place Heartbreak Hotel because it seemed that its vacant apartments were routinely rented by people divorcing or divorced, sad sacks trudging up the dark staircases of the on the stranger Victorian brownstone with heads down. A very crack-up kind of place. But truth be told, in St. Paul there’s no distinction to living in “a Fitzgerald house.” Scott and on alienation Zelda, and his parents before him, hopscotched around this old neighborhood, switching apartments with dismaying frequency, as if they were all on the lam. Enough “Fitzgerald houses” remain to make up a slim guidebook, which you can find in definitions, most local bookstores. For all this moving around, neither Scott and essays on alienation Zelda nor the senior Fitzgeralds ever owned a house here or anywhere else. They were eternal tenants, flitting from location to location, always clinging to non-dissertation the general vicinity of St. Paul’s Summit Avenue, “our show street,” as Fitzgerald calls “Crest Avenue” in one of the sketches that Edmund Wilson included in The Crack-Up . In a sense, in St.

Paul Fitzgerald is everywhere. He was born in another apartment three blocks farther up on Laurel. On our walks, my dog often chooses to make her pause in front of the rowhouse on Summit where Fitzgerald came home to stay with his parents that decisive summer of essays on alienation, 1920. He holed up on the third floor to rewrite This Side of college application essay service manager, Paradise after a first version had been rejected by Maxwell Perkins. He mailed the revision to Scribners at the end of the summer, fingers crossed. Essays? A few weeks later, just before his 24th birthday, he dashed out of the house, stopping cars on Summit, waving the acceptance letter from Perkins. In the essays that so appalled his friends, paradoxically Fitzgerald notes of his bleak despair that it felt “strange to essays on the stranger have no self—to be like a little boy left alone in essays on alienation, a big house, who knew that now he could do anything he wanted to do, but found that there was nothing that he wanted to do …” He was exhausted.

That’s what comes through—not “self-immolation” but sheer exhaustion. Non-dissertation Doctoral Degree? He drank, he caroused his way through his success, but how he had worked—“my limitless capacity for toil,” he says with astonishment as he looks back at his years of on alienation, literary labor from the essays vantage of essays on alienation, his collapse. Here on the corner of Laurel and Nina, cars will sometimes stop on mysterious stranger, a weekend afternoon, usually in the fall, it seems. Four or five teenagers will tumble out, at least one with a notebook. Often there’s a woman at the wheel, someone’s mother no doubt, paused in the no-parking zone in front of the building while the kids run around, pointing to the turret, one of them reading from a guidebook. They have already been to “the birth house” up the street, and to the rowhouse on Summit where the essays good news from Scribners came in 1920. Now they’re finishing up the class assignment, looking at the grandmother’s dour brownstone with a Dickensian debtor’s prison aspect, but which, they know from their teacher’s handout, is Scott’s (we all call him Scott, as if he were a neighbor we haven’t seen around for a while). They raise their cell phones and take pictures of each other, of the house.

Sometimes one of essays on politics, them reads something aloud—usually from essays Gatsby, once in a while from that sublime St. Paul short story “Winter Dreams.” Nobody, in my memory, has ever been carrying The Crack-Up . But it’s not a book for the buoyant. It’s for the burnt out. “This is what I think now,” Fitzgerald writes at the end of the mark essays on politics third essay: “that the natural state of the essays sentient adult is a qualified unhappiness.” Yet his loyalty remains fastened to happiness, to youth—even if only the best essay service manager memory of its shimmer. Essays? He was, after all, an elegist at heart. “My own happiness in the past,” he writes in the essay’s final valediction, “often approached such an ecstasy that I could not share it even with the person dearest to me but had to walk it away in quiet streets and lanes with only fragments of it to distil into essays, little lines in books.”

How early it starts—the ecstasy of unreasoning happiness that must be walked away in quiet streets. And how quiet these St. Paul streets in this old crumbling neighborhood are still, especially nights when the high school students are back home writing up their field trip notes. How valiant the effort to distill the fragments, against all caution, into little lines that perfect strangers will read and recognize as their own. Patricia Hampl is Regents Professor of English at the University of Minnesota and the author of several books, including I Could Tell You Stories , a finalist for on alienation the National Book Critics Circle Award.

This essay is heavily indebted to the research and analysis of Scott Donaldson in his essay “The Crisis of essay, Fitzgerald’s ‘Crack-Up.’ ” By William J. Connell. Waking up early Monday morning and remembering that it’s a national holiday should bring a smile to anyone’s face. But celebrating Columbus Day—and its connotations of discovery, imperialism, and slavery —makes things a little more complicated. In a SCHOLAR web exclusive, William J. Connell grapples with this prickly holiday by explaining the first Columbus Day parade, held in 1892 to unite Americans after two recent tragedies. Best-of lists from bad romances to Shakespearean verse. We ask our favorite writers about their favorite titles.

The complete collection of our blogs, including Zinsser on Friday and our weekly Writing Lessons. Works you won’t find in essays on alienation, print edition, from the likes of Harold Holzer, Wendy Smith, and eric knorr Neil Shea. By Michelle Kuo. An excerpt from Michelle Kuo’s memoir on the life-changing power of essays on alienation, literature.