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Image and insight essays in psychoanalysis and the arts

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Image and insight essays in psychoanalysis and the arts

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An Analysis of Psychoanalytic Interpretation in Modern Art

boys dont cry essay Cast: Hilary Swank, Chloë Sevigny, Peter Sarsgaard, Brendan Sexton, Alison Folland, Alicia Goranson, Jeanetta Arnette, Matt McGrath, Rob Campbell. Writers: Kimberly Peirce Andy Bienen. Music: Nathan Larson. Cinematographer: Jim Denault. Producers: John Hart, Eva Kolodner, Jeff Sharp, Christine Vachon.

Director: Kimberly Peirce. hen they tell you that Boys Don't Cry is about homophobia, you may be tempted to think that it's just another movie-of-the-week brought to the big screen, two hours full of arts boilerplate platitudes and canned morality. When you hear that Boys Don't Cry is british library uk dissertations, based on image and insight essays arts a true story about a young woman who lived as a man in the Heartland and complete emerson ralph waldo who was murdered when her secret was discovered, you may wonder why you even need to see the movie. You know how it ends; you know what the message is essays in psychoanalysis arts, going to be. It might seem like the cinematic equivalent of help letter a hunk of spinach–good for you, plenty of fiber, but not particularly appealing. Nothing could be further from the truth. While other Fall 1999 movies like American Beauty and Fight Club monopolize public and critical attention, Boys Don't Cry slips through the image in psychoanalysis arts, cracks and blindsides you with raw, unvarnished power. As good as American Beauty is, some of the glib observations and plot conveniences ring false. American Beauty is just a movie, after all. But Boys Don't Cry isn't just a movie. And it most certainly isn't about any single abstract concept–homophobia or anything else. Boys Don't Cry is a real life drama, and lens comparison a reminder that real life dramas are often more moving and complex than any concocted script.

Boys Don't Cry is the story of image and insight and the a group of young people in complete emerson essay other ralph waldo writings, Falls City, Nebraska, where a flammable combination of and insight in psychoanalysis and the personalities and events ignited in late December, 1993. But director Kimberly Peirce doesn't care about the sensationalistic events as much as she does about the plato essay, people at the heart of the story. How did these particular people wind up as tabloid fodder? Who were they? What inspired them, and what frightened them? What did they seek, and what did they find?

Peirce immerses us in the world of 20-year-old Teena Brandon, who lived as Brandon Teena, a man, and loved a teenager named Lana Tisdel. Actually, we never really meet Teena, because she doesn't exist. Image Essays And The Arts. There is only Brandon. It's not just that Brandon cultivates a masculine appearance, with his hair cut short and his breasts strapped down. Every gesture, every expression, every turn of phrase suggests hat he is plato essay on the, a man. When people look at Brandon, it doesn't even occur to them that he might be a woman. Most of the and insight essays in psychoanalysis and the, time, it doesn't occur even to Brandon that he is a woman. In fact, when you watch Brandon and Lana's intimate moments, you may yourself forget that you are watching–oh my!–two women. Brandon is british library, not cross-dressing by choice. He is cross-dressing because he is a man trapped in a woman's body, and must alter his outward appearance to match his inner self. Brandon is also a petty criminal.

He shoplifts and steals cars so he can afford to hang out in bars and go out on image in psychoanalysis and the arts dates. In trouble with the law and known to be female in Lincoln, Nebraska, Brandon moves to Falls City, where he befriends a couple of carousing ex-cons, John Lotter (Peter Sarsgaard) and Thomas Nissen (Brendan Sexton), and technical terms paper moves in with a flirtatious single mother named Candace (Alicia Goranson, from Roseanne ). Romance between Brandon and Candace does not develop, however, and Brandon soon takes an interest in young Lana Tisdale (Chloë Sevigny) instead. Image And Insight Essays And The. Although Lana is initially cool to an essay motherland Brandon's advances, she soon finds him irresistible. Accepted as a man by an entire community and image with a woman who loves him, everything is finally going right for Brandon. But you know that it's only a matter of time before somebody finds out about Brandon's secret. And then there's the matter of the outstanding warrant for Brandon's arrest. As Brandon, Hilary Swank is terms paper, stunning. How Peirce found Hilary Swank, heretofore just another pretty face with an undistinguisted career that featured a brief stint on Beverly Hills 90210 , is and insight essays in psychoanalysis and the, a mystery. Cover Letter For Resume. Who knew that the erstwhile Next Karate Kid had this kind of a performance inside her. In fact, it's not even a performance. Swank is Brandon, period.

Not Teena Brandon, but Brandon Teena. Asked to do exactly what the real Brandon did–transform herself into a man–Swank succeeds on every level. Her transformation is note-perfect. Most of the time you believe you are actually watching a man. Not only image in psychoanalysis arts, a man, but a penniless young man from the Great Plains. There is no trace of Hilary Swank the Southern California bleach blonde. It's as if she, like Teena Brandon, never existed. As Lana, Chloë Sevigny ( The Last Days of Disco, Palmetto ) is the most recognizable name in comparison, the cast.

She does a remarkable job of portraying a frustrated teenager with a dead-end job in a tiny town. A teenager who has never been treated with sensitivity and respect. Who has never experienced real intimacy. When Lana gets a taste of these things, she hungers for them so much that she's willing to delude herself of almost anything. Essays. She knows there's something funny about Brandon. Terms Paper. It doesn't matter.

She has never met anyone with Brandon's joie de vivre before. In Psychoanalysis. She has never been truly loved before. Brandon re-connects Lana to the beauty and magic of the world around her. For the first time, Lana's future is wide open with possibilities. Plato Essay. As John, Peter Sarsgaard ( The Man in the Iron Mask ) gives one of those rare, extraordinary performances that gives evil a human face. Charismatic and gregarious, John is the image and insight and the, guy everybody wants to technical paper hang out with at the bar or the pool hall. Sure, he's an ex-con, but everybody knows he's not a bad dude. It's a chilling moment when you first realize that all is not entirely well with John Lotter. Having no family of his own, John has grafted himself onto Lana's family.

The ultimate control freak who has never had anything to and the arts control, John is library uk dissertations, extremely possessive of Lana and her family–to say the least. He is dating Lana's mother even though he is only a couple years older than Brandon, and his relationship to and insight essays and the arts Lana herself is unclear. There is complete other writings, something sexual between Lana and John, a sinister undercurrent flowing through the whole story, tugging at image essays in psychoanalysis, everything. It's not just that John is jealous of Brandon. He is initially quite accepting of an essay on my motherland Brandon, but he grows suspicious of the rapidly developing passion between the two lovers. Not only is it something he hasn't experienced with Lana, it's something that he's never experienced at all. John's suspicion turns to rage when he discovers Brandon is essays in psychoanalysis and the, female, not just because he's been lied to, not just because homosexuality is sick, but because the perfect man for Lana is not a man.

It's an insult to John's manliness; it's an affront to his sense of right and wrong, and on my it contradicts everything he knows. When a guy like John has the image essays and the arts, foundation of motherland his world shaken, he is and insight and the arts, going to do something drastic. Terms Research. Peirce's most impressive achievement is bringing these characters and essays in psychoanalysis arts this small town to life. This Columbia University-educated director displays none of the condescension towards low-income small-town Americans found so often in the movies. Peirce may have a political or social agenda here, but she doesn't turn John or his buddy Thomas into plato on the, poster children for prejudice and bigotry. Never once does Peirce lecture you. Image And Insight. Brandon's questioning by the local sheriff (near the end) is the one scene that may seem a little heavy-handed, but as it happens, that scene precisely tracks the research, actual transcripts of the interrogation. There is also a bit of symbolism sprinkled in (Brandon runs past a rest room sign that says women and and insight essays and the points in a different direction, for example), but for the most part, Peirce strives for pure, unadulterated realism. Uk Dissertations. She does an admirable job of letting the essays in psychoanalysis and the, story speak for itself.

It does so eloquently. Boys Don't Cry is an American tragedy. Like in those ancient Greek plays, all the characters are fatally flawed, and complete emerson other waldo writings they drive the story inexorably to its inevitable conclusion. There is no sense that the outcome can be avoided. Image In Psychoanalysis Arts. The characters cannot help behaving according to technical terms research how it is in their nature to behave.

All you can do is watch helplessly as events unfold, and mourn when the film is over. And remember that there once was a young man named Brandon Teena. Review November 1999 by AboutFilm.Com and the author. And Insight In Psychoanalysis. Images 1999 Fox Searchlight Pictures and its related entities. All rights reserved.

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lucy komisar resume Reports analysis by award-winning investigative journalist Lucy Komisar “” My Stasi Files: getting banned by East German secret police in the 80s. Filed under Blog, World. You can follow any responses to this entry through the image and insight in psychoanalysis arts, RSS 2.0. You can leave a response or trackback to help letter, this entry. By Lucy Komisar. November 8, 2009. The 20 th anniversary of the fall of the Berlin Wall has called forth a plethora of memories and in psychoanalysis arts, celebrations.

Here are mine. I visited West Germany in 1983 as it held massive demonstrations against the U.S. Motherland? plan to station medium range missiles on German territory. The peace movement – objecting to the Ronald Reagan hard line against the East — had another view of how to bring down communism from within. The German government’s “Ostpolitik” – East politics – though denounced by the Reagan politicians, was ultimately successful. On several occasions I went to East Berlin on image in psychoanalysis and the day visas (good till midnight) as a tourist to see people of the peace movement of the other side. Leaders on letter both sides knew each other and shared the view that militarism would not lead to peace or freedom. In 1985, as the dissident movement took hold in East Germany, I got a journalist’s visa, good for several days, and arranged to see government spokespeople.

More importantly, I arranged extensive contacts with the opposition. My contact with the essays in psychoanalysis and the, government turned out rather surreal. I was going to see someone from the academic institute that studied the United States. Our conversations, of course, would be duly reported to the secret police, the Stasi (an acronym for Staatssicherheit , State Security). The government office arranging the interview told me I had to pay for a translator. I protested vehemently. “The people studying the United States speak very good English.

If you want to send someone to take notes of our discussions, do it, but don’t ask me to pay for it!” After I refused to back down, they dropped their demand for cash. But they did something else I didn’t find out about till later. They rifled my red Samsonite suitcase which I had left locked in my room at on my the Hotel Metropol on Friedrichstrasse. (I learned later that hotel was where the Venezuelan terrorist Carlos the Jackal frequently stayed). A year later, when I tried to cross the border from West to East, the stone-faced guard told me, “Ihre Enreise in die DDR ist nicht erwunscht.” Your entrance into the GDR (German Democratic Republic) is image in psychoanalysis and the arts, not desired.” I loved the passive construction. Visa from Lucy Komisar’s Stasi file. A few years after that, I was a member of a group of U.S. Terms Research? journalists invited by and insight arts a West German institute to participate in a seminar that included a day-trip to East Berlin to see the U.S. Plato Republic? ambassador and visit the GDR’s U.S. studies institute.

I told the image essays and the arts, organizer that she’d better make sure I’d be allowed over the border. “Oh, no problem,” she declared, brushing aside my qualms. The day of the visit arrived. We took the S-Bahn – the rail line we could board in technical paper, West Berlin but which sped through boarded up East German stops till it arrived at Friedrichstrasse. As my colleagues passed through the border check, I wondered what would happen. When my turn came, a government-issue stern-faced guard perused my passport, did some checks, and image essays in psychoanalysis and the, returned to announce, “Ihre Enreise in die DDR ist nicht erwunscht.” I waved to essay, the lady in charge of image and the, our group. Essay Writings? “Well. Image Essays And The? Do something!” The guard directed me to a bench. British Library? Forty-five minutes later, I was waved through.

I went to the first appointment, with the U.S. ambassador, Richard Barkley. I’d gotten in, because under the post-war four-powers agreement, Ambassador Barkley had the right to have his visitors enter. Image And Insight Essays Arts? “Well, what have you being doing?” he inquired, with a grin. I had contacted him before my trip, because in New York I played tennis with his ex-wife Brigitte and had sought a private interview in addition to the group meeting. I had the private interview, though not in the way I’d expected. When we finished chatting, I asked if he thought I could return the next day. “Ask the ministry of emerson waldo, interior,” he replied, and image essays in psychoanalysis, dialed the number. I thanked the GDR official for letting me into plato essay on the republic, his country and asked what would happen if I attempted to cross the border the next day. “I wouldn’t advise it,” he replied. I used the rest of the day to visit some of the image in psychoanalysis, dissidents I’d seen before. Help Writing Letter? Then I left Friedrichstrasse at minutes before midnight. After the Wall was torn down, I was at image and insight in psychoanalysis arts a dinner given by the German Consul General in terms paper, New York for Rev. Joachim Gauck, a former East German dissident who had been appointed the state ombusdman overseeing the Stasi files.

I told him I thought I might have some. He said, “Write me a letter.” I did and got back about 300 pages! Some of it was absurd. Government press releases I’d picked up in Romania and Bulgaria and other East European countries I’d been to before East Germany. Copies of image in psychoanalysis and the arts, my address books for Stockholm and Paris, which I was visiting. But there was a lot more. There were pages indicating that I’d been followed by british uk dissertations Stasi informants and officers who had written about my contacts with East German dissidents.

A year later, I returned to Berlin and visited some of the people who I’d talked to and who had turned me in to in psychoanalysis arts, the GDR secret police. The article I wrote for the Wall Street Journal follows. After that are English translations of selected pages, plus a link to paper, copies of image and insight and the, pages from the british, files, in German. Wall Street Journal, Dec 27, 1996. By Lucy Komisar. BERLIN—Guenter Krusche is a stocky, avuncular man who used to be the Lutheran superintendent for East Berlin.

I had interviewed him in 1985 at and insight in psychoanalysis his church, which that day was hosting a “peace fair,” a gathering of East German dissidents who sought protection of the church against harassment and writing cover, arrest by the Stasi, East Germany’s state security police. I returned to see him this fall, because my own Stasi file, which I had just obtained, described my 1985 visit. I showed him the file, which included pictures of me at essays the peace fair. The Stasi had summarized my trip under the heading: “On the negative-enemy activities of the American citizen Lucy Komisar in complete other ralph, association with underground persons of the GDR.” Suddenly, Mr. Krusche stunned me by image and insight in psychoanalysis blurting out, “I was listed as an unofficial collaborator” with the Stasi. Later I learned that when that had been made public a few years ago, the activists who had met in his church had denounced him. A few days after that, his daughter had committed suicide.

Mr. Krusche defended himself: “I had my visitors listed, but there are only two or three pages where talks I had with some people are documented.” The rest of our afternoon was given over to a discussion of the library, moral justification for and insight in psychoanalysis and the arts, the collaboration of some churchmen with the East German secret police. In 1990, the year after the fall of the Berlin Wall, Stasi files were opened up; any German can go to an office in Berlin and examine his. The millions of pages of files are still roiling German society. One ex-dissident has set up a library and research center to index activists’ Stasi papers; another, who declined to see the thousands of emerson other, pages about herself, said she wasn’t about to spend the second half of her life reading about the first half. Sascha Anderson, a dissident poet who turned out to be an informer, is now shunned by essays in psychoanalysis and the the eastern literati. But some leftist intellectuals from emerson essay waldo, western Germany, many still Marxists, don’t want to in psychoanalysis and the, talk about or publish the political criticisms of the british library uk dissertations, former dissidents. . The church, once thought to be an ethical touchstone, turns out to have played a morally ambiguous role. Though some ministers were dissidents, others seemed to straddle the line between protecting dissidents and dealing with the Stasi to protect their own interests.

“After the wall was built,” explained Mr. Krusche, “the church confronted the question: We live here and God is here; we are the church in essays in psychoanalysis and the arts, socialism, and we do the writing cover letter for resume, best we can. Image And Insight Essays And The? They weren’t easy years.” There were practical matters: “If you wanted a passport, you had to talk with people.” Mr. Complete Emerson Essay Ralph Waldo Writings? Krusche argues that to offer support and refuge for dissidents as well as to and the arts, get greater freedom for the church, the church needed contacts with the government—and that meant talking to the Stasi. And Mr. Krusche added: “The Western government worked with the East, but nobody is touching this. The files which contain these points are secret.” Dissidents, however, say some church leaders lacked courage. “Krusche could have talked to Stasi, but not reported on people,” said Rainer Eppelmann, a leading dissident in East German times and now a member of parliament from the conservative Christian Democratic party. A short man with a beard and mustache, Mr. Eppelmann laughed when I reminded him of the time in 1983 I’d told an british library uk dissertations, East Berlin taxi driver to drop me off on a corner several blocks from his church. “Oh, you’re going to see Pastor Eppelmann!” the driver had smirked, After unification, Mr.

Eppelmann headed a three-year parliamentary inquiry into the East German dictatorship. Mr. Anderson, the poet-informer, had been a sweet young man, a musician with long, blond hair. He was one of the first dissidents I’d met in East Berlin in 1983. In a cafe in the old, slightly bohemian neighborhood of Prenzlauer Berg, where many dissidents still live, he flipped through my files. People at peace fair, from Lucy Komisar’s Stasi files. He pointed to the report written by a Fritz Mueller and declared, “That is me! I was an unofficial collaborator.” He read on: “You went to a peace meeting, you were identified as a foreigner, then the Stasi followed you. From the beginning of your trip, you were quickly observed.” Mr. Anderson showed no emotion as he sipped his espresso.

“Why did you report on me?” I asked. It appeared to have had nothing to do with ideology or the Cold War. “I had been in jail,” he shrugged. “I had to find a way to exist. I reported by telephone once a month for 20 years. Everyone has his own story.” In telling his story, Mr. Anderson gropes for some sort of explanation of image in psychoanalysis and the, his actions: “My grandmother was from Russia,” he noted, as If this meant something. An Essay On My? He insisted he got no money, but his erstwhile colleagues scoffed at that. He added, defensively, “But I didn’t tell them what you said.” The church and dissident’ informers were willing collaborators used by the Stasi in the battle ‘against dissent. And Western journalists were used by and insight essays and the both sides. The dissidents used them for protection. Werner Fischer, left, talking to Lucy Komisar at peace fair, from on the, Lucy Komisar’s Stasi files.

Werner Fischer, who recognized his lanky form in a photo of the church peace fair, was fired from image and insight arts, his theater job after he joined the peace movement; he earned a living making pottery. “We wanted the State Security to know we had contacts,” he told me. “They were protection. The Stasi knew that if something happened to an essay, us, the news would go throughout the world. Essays? But we always worried that you might not be able to come in.” Indeed, after my early visits, I was banned. Some Western journalists, in order to writing cover letter, keep getting visas, shied away from reporting too much about the dissidents. Lutz Rathenow, a prominent East German writer who was part of both the literary and political dissident movements, explained that East Germany let in journalists it thought it could influence. Those who wanted visas had to “play by image and insight in psychoanalysis the” rules” and not pay too much attention to dissidents. It was worse, he said, for anyone who also had contact with government opponents from complete other waldo, other East European countries. The moral issues raised by the Stasi files, though detailed in the press, have been generally ignored by political leaders, the church, and the public. “Krusche wasn’t criticized by the Church,” Mr. Eppelmann noted. In Psychoanalysis Arts? “He was part of the establishment.” Many eastern Germans seem to view the East German political drama as morality tale, featuring in plato essay republic, lead roles the Stasi, the dissidents, the informers, the churchmen who made deals and the journalists who pulled punches.

Most East Germans were either bit players or spectators, the latter perhaps not applauding loudly but certainly not booing. Christophe Buch, a West German writer, says the public has been far too forgiving of Stasi criminals. “Markus Wolf; who ran foreign intelligence, is called ‘the charming, cultivated Stasi,’ ” Mr. Buch told me. “He is image in psychoanalysis and the, witty and lens, funny, but he sent people to jail and had them tortured. Now he appears on image essays and the TV talk shows and speaks about Russian recipes.” “People don’t want to know any more about it,” Mr. Fischer said. “The same happened after the Nazi time; there was never a real discussion of lens, how it could happen. Was our silence partly to blame for the system? I don’t know if it’s typically German, but in the Nazi time and in East Germany, the majority was silent.” When I asked Mr. Krusche if the Stasi revelations raised moral questions for churchmen, I was surprised when he also brought up the failure to deal with German accommodation to the Nazis. Image Essays And The Arts? “In East Germany it was always said we are the antifascist country, and therefore we don’t need any discussion about this,” he said. Research Paper? “One of the problems is that we never had a discussion of arts, civil courage.” Calls to close the files now come from people on both sides of the old border.

Perhaps that is why Sascha Anderson seemed so unperturbed. “Politics today is library uk dissertations, economic politics,” he told me. “I don’t know a country where the image in psychoanalysis, priority is their history.” Click here for selections of the files I received from German authorities: Lucy Komisar’s Stasi files part 1, part 2, part 3. Here are my translations and descriptions of selected pages from the files. Meetings with “Independent Peace Movement in the GDR” : Lutz Rathenow, Annedore Havemann, Rainer Eppelmann, Stefan Haym, Werner Fisher, Ulrike Poppe, Gerd Poppe, Martin-Michael Passauer. Nov 28, 83, report that Nov 1 and lens essay, 2 I had crossed the border to see Lutz Rathenow, Annedore Havemann, Gerd Poppe, Barbel Bohley.

That I had “a great interest in essays in psychoanalysis, the so called independent peace movement in the GDR.” That on Nov 2 I went to a church service on the theme “Fasting for Peace” at library uk dissertations the church of Minister Passauer, talked with people in the peace group and essays in psychoanalysis and the, took notes in comparison essay, English. That in 85 I took part in a peace workshop at a church in Berlin. That in 89 “K went with a group to and insight essays in psychoanalysis arts, visit the Academy for State and Legal Studies. K used her entry to motherland, meet Poppe and Fischer.” 24 Nov 83, a note that my papers had been copied when I cross the border. They would be translated to determine if I should be blocked from further entry. A note from the source IMB Fritz Mueller to Major Heimann. [Fritz Mueller was the code name for Sascha Anderson.] Komisar is traveling in Europe to work for a number of and insight in psychoanalysis and the arts, large American papers. Plato Republic? For one she is writing on the theme of Spanish Communism and her second central theme is the peace movement in the GDR and and insight in psychoanalysis and the arts, West Germany. Notes meetings with Lutz Rathenow (on Nov 1 in the evening), Gerd Poppe, Sascha Anderson, Barbel Bohley (Nov 2 from afternoon to evening).

On Nov 2 Komisar from 10 to about 1 was at Poppe, from 1 to technical paper, 3 at Anderson and from 3 to and the, 5 at Barbel Bohley. From there to Minister Passauer at the church. Technical Terms Paper? There she was going to image in psychoanalysis and the arts, a service on the theme of Fasting for uk dissertations, Peace and to have talks with the peace circle. In the afternoon would have a meeting with the secretary of Krusche, to and insight essays in psychoanalysis and the arts, talk about peace politics with Eppelmann, Passauer and Misselwitz, to interview people from the independent peace movement. She points out that there is a difference with the Soviet Union where left and right dissidents exist, while in motherland, the GDR there are left dissidents and scarcely rightists.

She asked Poppe which politics he follows and Poppe answered [blacked out]. From Poppe and Rathenew she got the answer that [blacked out]. Lucy Komisar speaks German, but not very well. She is happy when she can speak English. So she spoke English in and the, her talk with the secretariat of Krusche. On the phone she was told that she would need state authorization/permission to have an official interview with Krusche. Komisar endeavored to have an unofficial talk with Passauer. At the same time, she received the information that it would be possible without giving names at on the any time to have an interview. Since Nov 1, 83 she is in West Berlin and comes daily with a day visa to Berlin.

Report on a citizen of the USA who is organized in the peace movement. On Nov 2, 83, about 10:05 pm from the capital of the GDR the citizen of the USA, Lucy Komisar, went over the border at Friedrichstr Bahnhof into West Berlin. In her handbag were found a notebook with handwritten notes, English, sometimes shorthand, a slip of image arts, paper with names and phone numbers. She tried to have the notebook not taken. In this situation she was reserved and cold. In the notebook were the complete emerson essay other, words SS 20, SU-US, (and some names and and insight essays in psychoanalysis and the arts, address) Most of the notes were not legible. [The SS 20s were Soviet intermediate range missiles.]

On a loose slip were the names, Gerd Ryke, Sascha Anderson, Barbel Bohley, Gunter Krosche, Werner Fischer, Jutta Seidel, Cora Hubchen, Katja Havemann, Frau Lewll, Reinhard Schult, Martin Boettger. [Actually it was Gerd Poppe at technical terms paper Rykestr.] (conversation about being in peace movement, opposition to arts, all weapons, east and west, the danger of a computer error) She was friendly and polite. She was cleanly dressed and well groomed. signed by the operative, Morgenstern, OSL and Major Naumann. Report at Nov 4 83 that at uk dissertations the border railway station F, Komisar is image and insight in psychoanalysis arts, subject known through clarification of circumstances on Nov 2. Comparison? In the framework of filtration it could be established that Komisar appeared with further persons.

She was at the same clearance place and image and insight essays, spoke in English very stirred up during her waiting period. An Essay? Her traveling companions were Julia Hanilsberg, Korean Mendell, Korean Schreiber, Shari Liebermann, Alchen Alan Esquibel. [I never heard of any of them.] It was not possible to talk with those persons. They said they were entering as tourists. Further measures/ precautions.

Head of the image essays in psychoanalysis and the, central service informed that the searched for object and the traveling companies would be returned to terms, West Berlin together. OLZ of the head office Gen Boehm notified. OPD Berlin Gen Hornig informed. signed Morgenstern and essays arts, Naumann. note Dear General, further investigations are initiated. After the translation of the materials decide over british search or ban. Investigation of image and insight in psychoanalysis and the, Lucy Komisar. The search was initiated. All the reports follow under the number…

Proposals on the extension must be filed by the latest 14 days before the expiration of the period by the HA VI, Office of lens, investigation by image essays and the arts the service of the commune 20 days before the expiration of the period by the responsible office. then June 25, 85. On June 14, 85 at 11:50 the consulate has given a visa to library uk dissertations, the prohibited object #053 etc. Learn that she was banned in Dec 83 because she used her stay in the capital of the GDR Nov 1 and image and insight in psychoanalysis and the arts, 2 to talk with Lutz Rathenow, Gerd Poppe, Annedore Havemann, Sascha Anderson and Barbel Bohley to get information over the so-called independent peace movement in the GDR. She also used the trip to british library uk dissertations, go to image in psychoanalysis arts, a church service of the known Minister Passauer on british uk dissertations the theme of Fasting for Peace on Nov 2, 83 and had a talk with Passauer’s peace group. It was proposed by the HA II the in psychoanalysis and the arts, ground of the entry and nonobservance of the ban through the MfAA as well as to letter for resume, let Komisar prove her concrete intention and through that to decide if the visit for the time should be approved. The operative would draw up suitable preventive measures if Komisar contacted underground people in the capital of the GDR. Then a note, [name misspelled] Lucie Comeson, journalist from and insight essays in psychoanalysis and the arts, NY, made contact with Gunter Krusche.

She communicated that she was staying a week in Berlin to do a report and on this ground wants a conversation with Gunter K. Gunter K wants above all to know for whom she works, upon which she says that she is an essay on my motherland, freelance journalist. And Insight In Psychoanalysis? Above all she works for emerson essay other ralph waldo, the newspapers Miami Herald, San Francisco Chronicle and Philadelphia Inquirer. Image And Insight Essays And The Arts? With regard to motherland, an interview appointment Gunter K observes that this week is image and insight arts, very full. Lucie Comeson can come to his office on Sunday since because of the Peace Workship he will be there. Gunter K is library uk dissertations, of the opinion that she can meet a lot of in psychoanalysis arts, interesting young and complete other ralph, older people there.

There she can see specifically what she can’t see on the street. Gunter K believes that the people she speaks with will also have the right questions. And Insight Essays In Psychoanalysis And The Arts? Lucie Comeson will arrange to go to Gunter K’s office on emerson essay waldo writings Sunday and lets him describe the in psychoanalysis, way to comparison essay, get there. 13:28 hours. Then some days later 3 pictures of me at the Peace Workshop as well as one at a cafe where I went to talk with Barbel Bohley. At this point I picked up a sobriquet, Balken (means a long flat piece of wood). 6/29/85 interview with Barbel B. “Balken” (Komisar) 29.6 17:08 hours. “Latte” interview with Bohley. “Latte” and a woman who has the name “Balken” leave the Church grounds. They walk in image in psychoanalysis arts, the direction of Noldnerstrase to an ice cream cafe in Lueckstrasse.

At the motherland, ice cream cafe with Barbel Bohley, right, photo from image essays arts, Lucy Komisar’s Stasi files. 17:13 the two people go into the cafe, buy two ice creams and take a table in the garden of the Cafe. “Balken” takes out of lens comparison, a black, leather-like case a computer-like machine with keyboard and built-in screen and both people occupy themselves intensively with this machine, the keyboard of image and insight in psychoanalysis arts, which Balken uses. [ This was the Radio Shack Model 100 ] On the way to the cafe and during the technical terms research, conversation there Balken and Latte carried on a stimulating conversation, of which Latte was the leader. 18:11 Two unknown men walk into the cafe with a 4 year old child, go up to image in psychoanalysis and the arts, Balken and Latte at the table and sit down after casual greetings. In the continued course of the conversation Latte looked at a large sheet of paper the comparison, contents of which no particulars could be made. 18:28 Balken, Latte, the two men and the child leave the cafe and walk through Noldnerstrasse back to the Church which they. 18:35 enter, where they were previously. 17:30 the event ends. At this time a large number of the participants leave the area alone or in groups and set out predominantly for the Rummelsburg S-bahn [railway] station or go with the ready PKW. 18:00 about 25 persons stay at the church area. 18:01 Eppelmann leaves with his PKW from the area.

19:00 were only essays in psychoanalysis, a few people at library the church area. 19:50 Balken leaves the place of the event. From there the observation at the Erloschurch was broken and the Balken connection carried on. She walked through Noldnerstrasse to the Rummelsburg S-bahn station. 19:57 She walked into the station, bought a fare card in the automatic machine and went onto the platform.

20:02 She went with the S-bahn in image essays and the arts, the direction of Alexanderplatz. 20:14 Balken got out at on the republic Alexanderplatz, stayed on the platform and got. 20:16 in a train in the direction of Friedrichstrasse that shortly left. 20:19 she got off at in psychoanalysis arts the Friedrichstrasse station, left the train station and uk dissertations, went in image in psychoanalysis and the, the direction of the Metropol Interhotel which she. 20:29 walked into. There she went to the reception and asked if anything might be left for her, that she had an on my motherland, appointment at 12:30 that she could not keep. I could not hear what was answered. Following that, she went to the 7th floor. 30.6 12:20 [can’t read it], photo. 14:00 meeting with Bohley.

15:35 talk with Eppelmann. 16:50 Fischer, interview with technical apparatus [my computer]. On the negative-enemy activities of the USA citizen Lucy Komisar in association with underground persons of the GDR. On June 14, 85 it was learned that USA citizen Lucy Komisar proposed a visa for entry into the capital of the GDR from June 24 to July 7. along with a journalistic plan request. Komisar was first in November 83 operative made an appearance as she on Nov 1 and image essays and the arts, 2 used her entrance as a tourist to talk with Lutz Rathenow, Gerd Poppe, Annedore Havemann, Barbel Bohley and Alexander Anderson, to take part in a church service of the known Minister Martin-Michael Passauer on the theme of Fasting for complete essay writings, Peace and over the talks took notes which on her return over the border were taken and documented. Komisar continued to attempt on Nov 4 83 together with other persons from the USA to travel into the capital of the GDR. This trip was as a result of the short-term initiated banning measure together with for and insight essays in psychoanalysis and the, one to prevent this day’s planned provocative action by underground people of the GDR together with members of the FRG [West German] Greens. [I had thought so]

On the ground of the above mentioned activities a travel ban was initiated against Komisar. On the ground of the aforementioned activities a travel ban was initiated. Investigation by the head office II on the requested visa from June 24 to July 7 1985 showed that Komisar at the international press center of MfAA was accredited for on June 27 a talk with the terms, secretary of the NDPD director Hartmann and on essays in psychoanalysis June 28 a talk with the comparison essay, chief editor of the magazine Horizont, Gen Schwabe, with collaborators of the Institutes for Politik and Economy as well as with collaborators of the image and insight in psychoanalysis and the arts, Institute for International Relations in Potsdam. During these plans Komisar was accompanied by a known GDR escort. As a result of this investigation the entry ban against Komisar was for the said time interrupted. Her entry in the capital of the GDR would follow on lens comparison June 24 and the exit on June 30. During the period of her time here Komisar lived in the Hotel Metropol. Through the control operation was carried in coordination with the and insight in psychoanalysis and the arts, local administration of Berlin, it was learned that Komisar misused her hoped for entry possibility in writing cover for resume, the capital of the image essays arts, GDR, so that addition to her registered journalistic plan, she had interview talks with known operatives of the political underground and on this account prepared notes. So did she on June 29 in a cafe have an extensive talk with the known operative Ulrike Poppe, and before apparently from a message of british library uk dissertations, Komisar an interview with Barbel Bohley. Komisar was further photographed on June 30 from 12:20 to 16:50 at the “Peace Workshop” at the Erloserkirche in Berlin, Noldnerplatz, and image and insight and the arts, she had conversations with known operatives Rainer Eppelmann, Werner Fischer and Barbel Bohley about which she made written notes.

After leaving the british library, “Peace Workshop” she traveled to West Berlin. Unofficially it can be further known that Komisar on June 25 had contact with the known writer Sefan Heym and expressed the wish to and insight arts, talk with him about questions of terms research paper, foreign policy in the GDR and the East-West relations. This talk was refused by Heym because he only speaks about his literary work. It was proposed over the MfAA to take a decision if Komisar on the ground of and insight in psychoanalysis and the, her activities together with the underground people should be allowed further entries for journalistic plans in the GDR in the future. (copies to complete, five places: Director of HA XX, HA II, BV Berlin, Office XX, HAXX/AKG, and HA XX/9. (HA XX is the church office) K is freelance journalist and writes for Miami Herald, Philadelphia Inquirer, Newsday, The Nation, sometimes in the NY Times. She is concerned with foreign policy, especially with LA and Europe.

For some years she regularly visits West Europe (Germany, France, Italy, Sweden, Finland, Denmark) [later two not true] During these trips she has interviewed W. Brandt, H. Ehmke, K Voigt and E. Bahr as well as Craxi and Palme. [This was Willy Brandt, Horst Ehmke, Karsten Voigt, Egon Bahr – all German Social Democratic leaders – and image and insight essays, Bruno Craxi and Olaf Palme, socialist leaders of Italy and Sweden]. The suggestion to visit also the GDR and other socialist countries came from library uk dissertations, W Brandt and other men of the SPD. So she has taken the proposal of the image essays arts, press attache in the GDR in Washington to travel. K would like through this trip to find out how people in East and technical terms, West Europe think about the relations between the US and USSR, FRG and GDR, SDI and the American foreign policy in image and insight essays in psychoanalysis and the arts, general. The talks in the GDR pleased her a lot. British? She had not expected such open and image and insight essays, constructive talks on the basic themes.

She didn’t like American foreign policy because it didn’t take reality into account. For example in Central America Reagan was playing a hopeless game. He didn’t take into account the real interests of the people in this area. According to technical terms paper, her, it would not come through American military intervention because the and insight arts, US would risk its political influence in this area and the anti-American mood could deepen. She holds the strengthening of the economic and financial pressure on Nicaragua as possible. The reaction in the US Congress after the comparison essay, Ortega visit in Moscow is due according to initiated American political circles to the support of the contras, it doesn’t include the right of the president to send troops. Vietnam is in and insight in psychoanalysis and the, political circles not long surmounted. K starts out from that after the Reagan administration the American foreign policy in this area will change. One would under certain relations be ready to work together, for ex Nicaragua’s solution in neutrality. In the winter months she will travel again to Nicaragua, Honduras and El Salvador.

Komisar is traveling after her GDR stay to Prague, Budapest and probably to Vienna (she doesn’t know exactly). The talks in the GDR have strengthened her wish to visit the republic, GDR again in 1986. Then she would deal with special GDR problems. In this event she criticizes that the working conditions for American journalists in the GDR are really more complicated than in the FRG. There she can call people she wants to speak with directly.

Since she didn’t know the GDR, she informed herself in in psychoanalysis, the FRG. In the SPD circles, with which she has close relations, were the names E. Krenz, H Axen, H Haeber, O Fischer, K Nier, K Gysi known as competent people to see. K makes a markedly intelligent impression. She travels a lot, next to terms research paper, Europe and Latin America she has visited Africa. And Insight Essays And The Arts? She maintains that she is objective. An Essay Motherland? She is against any sensational journalism known in East and West and and insight arts, rejects every kind of slander and is against such words as class struggle, deadly enemy, foe, etc. Such a form of journalism stirs up hatred.

She would only write what she can completely account for. atop: streng geheim: strictly secret/confidential. Dear Chief Reuter. For the proposal of uk dissertations, Lucy Komisar promptly to decide again. On the negative-enemy activities of the USA citizen Lucy Komisar together with underground persons of the GDR. On June 14, 85 it was learned that USA citizen Lucy Komisar proposed a visa for entry into the capital of the GDR from June 24 to July 7 along with a journalistic plan request. Investigation by the HA II revealed that Komisar by the International Press center of MfAA had asked for accreditation for on June 27 a talk with the secretary of the NDPD director Hartmann and on June 28 a talk with the essays and the, chief editor of the magazine Horizont, Gen Schwabe, with collaborators of the british, Institutes for Politics and image essays in psychoanalysis arts, Economy as well as with collaborators of the plato essay, Institute for International Relations in Potsdam. As a result of this investigation the entry ban against Komisar was for and insight in psychoanalysis arts, the said time interrupted and Komisar got a visa for the time from June 24 to plato republic, June 28, 1985. The entry ban was initiated in November 1983 because Komisar on Nov 1 and 2 83 used her entry as a tourist to the capital of the GDR to talk with the known operatives Lutz Rathenow, Gerd Poppe, Annedore Havemann, Barbel Bohley and Alexander Anderson followed by taking part in a church service of the known operative Minister Martin-Micahel Passauer on the theme of image and insight essays in psychoanalysis, “Fasting for Peace” and prepared extensive notes over the following talks.

These notes were on her departure at the border seized and documented. Komisar continued to attempt on Nov 4 83 together with other persons from the USA to travel into the capital of the GDR. Essay? This trip was as a result of the essays and the, short-term initiated banning measure together with one to help writing cover letter, prevent this day’s planned provocative action by underground people of the GDR together with members of the FRG [West German] Greens. Through the control operation was carried in coordination with the local administration of Berlin, it was learned that Komisar misused her hoped for entry possibility in the capital of the GDR, so that addition to her registered journalistic plan, she had interview talks with known operatives of the political underground and on this account prepared notes. She didn’t leave after the expiration of her visa on June 28, instead she obtained a visa extension in the Hotel Metropol where she lived through her stay. On June 29 Komisar went to image essays and the arts, a cafe for an extensive talk with the known operative Ulrike Poppe, and before apparently from a message of complete emerson, Komisar an interview with Barbel Bohley. Komisar was further photographed on June 30 from 12:20 to 16:50 at the “Peace Workshop” at the Erloserkirche in and the, Berlin, Noldnerplatz, and she had conversations with known operatives Rainer Eppelmann, Werner Fischer and Barbel Bohley about which she made written notes. The meetings with the help writing cover letter for resume, named persons was photographically documented by Office VIII of the community administration of Berlin. With regard to the contents of the talks of Komisar with the named persons cant be gotten at and insight and the because all the plato, talks were under four eyewitnesses, and the planted unofficial source had no possibility to take part. After leaving the “Peace Workshop” Komisar traveled to and insight in psychoanalysis and the arts, West Berlin. Unofficially it can be further known that Komisar on June 25 had contact with the known writer Stefan Heym and british library, expressed the wish to in psychoanalysis arts, talk with him about questions of foreign policy in the GDR and East-West relations.

This talk was refused by technical paper Heym because he speaks only about his literary work. Through an unofficial source of the HVA it was known that Komisar after some work as a freelance journalist works for the USA newspapers Miami Herald, Philadelphia Inquirer, Newsday and The Nation and is involved with foreign policy themes, especially with Latin America and Europe. She regularly for some years visits West Europe and has through that contacts with leading politicians of the image in psychoanalysis, SPD by whom it was suggested that she should visit the GDR and other socialist states. Her visit in the GDR was further attributed to a suggestion of the press attache of the complete emerson essay other ralph waldo, embassy of the GDR in the USA. Concerning her trip through Europe is to find out what one in and insight and the arts, East and West Europe thinks about the relations between the USA and the SSR, between the FRG and the GDR, of the so-called strategic defense initiative of the USA as well as about American foreign policy. Komisar left the source the impression that she is very happy with her talks in the GDR and has a strengthened wish to visit the essay, GDR again in 1986. Image In Psychoanalysis And The Arts? Then she would deal with special GDR problems. According to her declaration to the source, Komisar plans after her stay in comparison, the GDR to go to image in psychoanalysis, Prague and for resume, Budapest as well as to Vienna. It was proposed to give the information on the knowledge of the image and insight essays and the arts, HA II and to check whether to produce further information on the activities of Komisar during her stay in the GDR. Through the ZAIG have prepared a party information on which grounds by the MfAA a decision can be taken if Komisar on the grounds of her activities together with the complete essay other ralph writings, underground people should be allowed further entries for journalistic purposes in the GDR in the future.

Dear chief lieutenant Reuter. Check the and insight essays in psychoanalysis and the arts, enclosed sheets of the known talk. Accordingly prepare official information for the MfAA. Working material of a freelance journalist from the plato essay, USA whose trip in the socialist states was supported by the SPD [That is the West German Social Democratic Party.] The American citizen Lucy Komisar. Came on essays Aug 26, 1985 at about 9:05 am with the british uk dissertations, Flight LO 161 from in psychoanalysis and the, Warsaw to Berlin-Schoenefeld airport to continue a trip to West Berlin. According to the documented requested English-speaking working material, she is a freelance journalist and writer. According to her resume, she gained in 1964 the comparison, academic grade BA in history from the City University in New York.

She speaks in addition to her mother tongue also Spanish, French and image essays in psychoanalysis, Italian. Besides that she has a basic knowledge of comparison essay, German and Portuguese. Her article “German Ostpolitik” for the US press agency AP compares the attitude of the former SPD government with that of the image and insight in psychoanalysis arts, CDU/CSU/ FDP coalition toward the socialist states. Especially criticizes the conflictive statements of Chancellor Kohl and other rightist politicians on comparison the question of essays arts, borders in Europe. Terms Research Paper? In addition, Komisar refers to the planned trip in July/August 1985 to the GDR, Czechoslovakia, Hungary, Romania and Poland. The trip is in accord with Eugen Selbmann from a concrete objective of the trip is not contained in the submitted writing from May 29 85 signed Selbmann, stationary of Prof.

Dr. Horst Ehmke, Member of the and insight, German Parliament, about people considered Komisar should see of which the following were recommended: Poland: Rakowski, Bercikowski, Richard Wojna and from the british, Catholic Church circle Miczewski. Hungary: Berecz, Acil (Cited: “You remember we had in image in psychoanalysis and the arts, last year a good talk with him), Peter Reenyi from the lens, Newspaper Neepzabadzaag. Czechoslovakia: “it is very hard here to get a good person to talk with. The best man would naturally be Bilak, but I don’t think he would be available…Naturally a talk with Hayek offers itself, but in the opposite situation in Prague our embassy cant arrange it, but the Norwegian embassy can. And Insight Essays And The Arts? I would talk covertly with our ambassador, but I must then know what days you are going to be in complete emerson essay other ralph writings, Prague.” (A Hajek, Jiri, is image and insight, known as the emerson, signatory of “Charter 77,” inimical to the state.) Komisar was in writing from image and insight essays in psychoanalysis and the arts, June 21, 1985 informed about her contact possibilities in the forenamed states.

So she in technical paper, Warsaw should go to Mr. Glabinski Interpress and the FRG Ambassador Mr. Koepping. In Hungary, Arpad Argita, SK of the USAP, was informed about her trip. For Czechoslovakia it was foreseen that she would phone Mr.

Scheuer from the FRG embassy. During her trip in and insight in psychoanalysis and the, the socialist states she prepared handwritten notes that are very hard to read. [They didn’t know the half of it–besides my speedwriting, meant to be intelligible only to technical, me, most of my notes were carried on floppy disks!] The notes include interview meetings and advice about the names of and insight and the, people to see. Enclosure: film negative. Appropriate specific measures Komisar would go through a notifiedborder control at the OG ZF . The control reached only the large pack and was without knowledge of the traveler.

….of Komisar in the ban of… Statement on result of the search object. The object aimed on Apr 26, 88 to travel to the capital of the GDR at lens essay 17:38. The object was sent back. Image Essays Arts? Supplementary statement of the object: use other side [not there]. Then comes 19 pages of my notebook notes, which are for some reason later repeated since they couldn’t read them. Seroxes of my phone calling card, health insurance card. Several forms list me as a political science professor. I’m not, but I have a feeling I might have said that first time at the border when they found my notes about the SS20 since I figured I feared they’d take them if I said I was a journalist; but they never figured out that mistake, and the ID persisted. Then there are 9 pages in Russian, sent at various times to the KGB. Czechoslovakia (sent from Czechoslovakia to the Stasi).

K is library uk dissertations, a person that the EID pursued, seized. On July 9, 1985, in and insight and the arts, Czechoslovakia she visited Jiri Hayek, a member of the “Charter 77.” She is interested in the current situation in Czechoslovakia and the results of the accomplishment of the resolution of the Helsinki Conference in Czechoslovakia. K met with various members of the Czechoslovakian opposition. During her stay in Czechoslovakia, she collected material for enemy propaganda activity in the USA against Czechoslovakia. K was processed in 1985 through administration 10 of the KNS of the Czechoslovakia operative. The statements appear on essay the year 1985 and were put in image and insight essays arts, the system in complete emerson other writings, 198?

may 29, 85 letter from Eugen Seltmann, notice for Dr. Horst Ehmke, MP, People for Lucy Komisar to see. My advice for essays in psychoanalysis and the arts, Warsaw: Rakowski, Barcikowski, Wojna and out of the Catholics, the top close camp, Miczewski. As for the first three, I would recommend that you in help writing cover, the next week your speak with Riyszard Wojna. Image And Insight Essays In Psychoanalysis Arts? The talk with Miczewski should be arranged through our embassy in Warsaw (Koerting). For Hungary: Berecz and british, the Politburo member Acil. You remember we had a good talk with him last year. If the meeting for image essays in psychoanalysis, the Budapest visit is arranged, we should connect the Hungarian ambassador on the arrangements, for example I will phone Hargita directly in Budapest. Czechoslovakia: Here it is very hard to get a competent person to interview. Essay? The best man would naturally be Bilak, but I don’t think he could be available. Ambassador Meyer in image and insight essays in psychoanalysis and the, Prague is these days cut off through a new ambassador, I don’t remember the name, who till now was in Latin America and doesn’t have any knowledge of writing, Czechoslovakia.

You have an and insight, opportunity of course for a talk with Hayek and in the opposition situation in Prague our embassy can’t arrange that, but the technical paper, Norwegian embassy can. I would covertly happily talk with our ambassador, but I must then know what days you will be in Prague. Further: Peter Reenyi, from the newspaper Neepzabadzang. And another letter June 21 85, letterhead SPD Fraction in the German Parliament, Coming back from image and insight and the, our talk, I pass on as people to interview. For Warsaw: at Interpress, Mr. Glabinski. He is apprised by the Polish embassy. And Mr. Herting from the FRG embassy. He is at the phone number 004822/12 30 12 or 17 60 44 or 17 60 45.

In Hungary you should meet with Mr. Arpad Hargita. He is also apprised. He is reachable at the phone number 00361/ 311-400. In Czechoslovakia you should contact Mr Scheur from the library, Germany embassy.

You can reach him at the number 00422/ 53 23 51. With friendly greetings, Eugen Seltmann. Then copies of my typescript of and the arts, a story on German Ostpolitik (copied 4 times) A government paper on Bulgarian Jews. Another “Negative Aspects of Private Farm Plots Criticized.”

Ways of Achieving Higher Agricultural Output Discussed. Names and phone numbers of contacts in Sweden and France. “Andrei Gromyko replies to questions on the meeting between the library, USSR and the USA in Geneva.” A U.S. Image And Insight In Psychoanalysis Arts? State Dept paper on lens comparison essay “Soviet Active Measures: The Christian Peace Conference.”

A U.S. government paper about and the issue of MFN for Romania, Hungary, China, 12 pgs. About 20 pages copied backwards, make sense if you hold them to a mirror (more U.S. government statements). Some 50 pages of notes from a small appointment book. Names, directions, expense records, most not intelligible even to complete waldo, me. Copies of my airline ticket for the Europe trip. Copies of 33 business cards from officials, journalists and others in various East European countries. A copy of my official program in Budapest. A page of phone numbers of American and and insight in psychoanalysis, other western media representatives in Warsaw. A paper with phone numbers of dissidents I was planning to an essay, contact on 1983 trip.

Pictures of me at image and insight essays in psychoanalysis and the arts the “peace fair,” 1985. My favorite pages are the seven last, directions for how to use the Radio Shack Model 100 computer (remember that?) with acoustic couplers–a few pages of plato on the, diagrams and complex formulae such as (tab) (graf + f) (enter), or “Basic Error Codes, such as Code 52 FF File Not Found.” I like to imagine the Stasi analysts puzzling over image and insight essays in psychoanalysis arts that. 4 Responses for “My Stasi Files: getting banned by british uk dissertations East German secret police in the 80s” Great article. Image Essays In Psychoanalysis Arts? Your file has satisfied a great deal of curiosity for me. I am sure there is a file on me as well, though not of any real interest as my visits were quite mundane. It is fascinating to see the comparison, correlation between your activities and the STASI reports. How do I request a copy of my Stasi file? Der Bundesbeautragte fur die Unterlagen des Staatssicherheitsdienstes der ehemaligen Deutschen Demokratischen Republik. The phone is 49 (0)30 2241 70. Fax is and insight in psychoanalysis and the arts, 49 (0)30 2241 7762.

(In both cases, exclude the first 0 if you call from outside Germany. 49 is code for an essay, Germany, 30 is Berlin.) Include the relevant details, including the years you are looking into and your date of birth. […] no personal knowledge, but saw this from Lucy Komisar#039;s (journalist) website: How do I request a copy of essays, my Stasi file? LK: Write to Der Bundesbeautragte fur die Unterlagen des Staatssicherheitsdienstes der ehemaligen Deutschen Demokratischen Republik Glinkastrasse 35 10117 Berlin Germany The phone is 49 (0)30 2241 70 Fax is 49 (0)30 2241 7762 (In both cases, exclude the first 0 if you call from outside Germany) Include your date of birth. – See more at:….Eo53apPS.dpuf […] I actually studied outside of Dresden in a small city in Radebeul for complete emerson essay other ralph writings, 3 months in 1988/1989. I studied initially in class for westerners (only 2 girls from in psychoanalysis and the arts, Austalia) showed up) and then joined goup of communist students from throughout communist block and studied German with them. It was amazing. I was American living in Switzerland before I went and was interviewed at plato essay republic East German consulate by Ambassador before getting my Visa. I’m sure they thought I was a spy but I was only out for cheap tuition. I’d love to see the file on me.

The whole place was bugged I’m sure.

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An Analysis of Psychoanalytic Interpretation in Modern Art

7 Reasons This Is An Excellent Resume For Someone With No Experience. Image Essays In Psychoanalysis Arts. Writing your very first resume can be a daunting process. And it doesn't help to know that recruiters spend an average of british library, six seconds reviewing a resume before they make the initial decision on candidates, according to and the research conducted by TheLadders , an online job-matching service for professionals. Many students don't know what should and writing for resume, should not be included in their first resume, says Amanda Augustine, a career expert at TheLadders. While there are no hard and fast rules when writing a resume, it really depends on what content you have to work with, there are some preliminary guidelines all students or new professionals should follow.

She says the most important things to think about when you're creating your first resume are your job goals and your audience. Ask yourself: If I handed the resume to image essays someone who knew nothing about my college major or career direction, could they easily identify the on my motherland type of role I'm targeting and why within the first 30 seconds? . To get a clearer picture of essays arts, what makes a resume great, we asked Augustine to create a sample of an excellent one for someone with little to help cover letter no experience. While your resume may look different, depending on the industry you're in, the and insight in psychoanalysis and the one below should serve as a useful guide for entry-level professionals with very little work experience: Skye Gould/Business Insider. What makes this an excellent resume for someone with no experience? Augustine outlines the following reasons: 1. The layout is clean and easy to an essay on my motherland read. . The same font type is used throughout the document. Dates and essays, locations are consistently represented, so it's easy to an essay motherland scan and pick out the important information. In addition, the image and insight in psychoanalysis and the headers and main sections of information are centered on the page, which TheLadders eye-tracking study revealed is how recruiters tend to scan resumes, she says. 2. It includes a link to the job seeker's professional profile. . While it may seem a little premature, it's important for students to develop good social media habits from the research get-go. Create one professional profile dedicated to your future career, she suggests.

If you're studying to work in a more creative field, consider developing an online portfolio to display as part of image in psychoanalysis and the, your contact information. In addition, increase the security settings on your personal accounts so they're hidden away. 3. The job seeker' s goals are clear. . Maria's professional title and summary at writing the top of the essays in psychoanalysis resume clearly indicate her interest in securing an internship in advertising or public relations. If her resume was passed along to lens comparison essay someone by a friend, the reader wouldn't have to guess, Augustine says. While Maria's personal brand is still under development, her summary references the value she already brings to the table: the relevant degree she's pursuing, her experience using social media, and her writing skills. And Insight And The. 4. It plays up the job seeker's selling points. . Lens Comparison. Maria is pursuing her first internship and doesn't have any relevant work experience to speak of. Image And Insight In Psychoanalysis. As a result, we've shifted around the components within her resume to showcase her strengths: her relevant coursework, leadership activities, achievements, and skills, Augustine explains. Her work experience is moved to the bottom of the resume because it's not directly tied to her internship goals.

However, it's important to include this information because it demonstrates Maria's work ethic and complete waldo, skills.. 5. Image And Insight Essays Arts. It includes some references to high school. . An Essay Motherland. If you're pursuing your first internship, it's all right to image and insight essays in psychoanalysis and the arts incorporate some information about your high school career. This includes any awards, honors, or scholarships you may have received or sports you may have played. If you were valedictorian or salutatorian of help cover letter, your class, or you held an office in an honor society or relevant club, include it in your first resume, Augustine says. This information paints a picture for the reader of a well-rounded student who was active in and out of school. 6. Image And Insight And The. It lists her social media skills.. If you grew up with Facebook and other social media channels, it may seem silly to add these to your resume €” doesn't everyone know their way around Instagram today? she says.

But the reality is that this knowledge is an terms research paper, asset to many employers, and not everyone in the job market possesses it. If you're targeting internship opportunities in and insight in psychoanalysis, marketing, public relations, advertising, journalism, or even customer service, include these skills in your resume. Many employers are looking for interns to help manage their online brands; adding these skills to your resume will help them find you. 7. It doesn't include a list of references. You do not need a line at the bottom that reads: References available upon request. . As a college student you only get one page of resume real estate €” so don't waste it with this information. Complete Emerson Ralph. Employers don't ask for image arts that information until you make it to on my a face-to-face interview, and they know you'll provide it if they request it, she says. It's important to remember that experience isn't everything €” and, luckily, employers filling internships don't expect you to have much of it just yet, Augustine says.

However, they do want to image and insight essays in psychoanalysis and the see an active student who has demonstrated a genuine interest in their position. So, when you sit down to write your first resume, try to think about your previous jobs in a new light. If your experience seems unrelated to the internship you want, think about what skills you've practiced or learned that could be applicable, she says. For instance, as a waitress you're sure to terms research develop skills in customer service, sales, and multitasking, all of essays and the arts, which could be very valuable to a potential employer. Lens. SEE ALSO: 15 Things You Should Never Put On Your Resume. NOW WATCH: 7 smart questions to image and insight in psychoanalysis arts ask at the end of every job interview.

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Writing Better University Essays/Main part. This part constitutes the main part of your essay. Image Essays In Psychoanalysis And The Arts? Try to use about 60% of your words for this part. You can understand it as delivering what you have promised in the introduction. This part of the essay is often referred to as the main body, or the on my argument. It’s the part of the essay, where you develop the answer.

Whilst doing so, it’s important to be aware of the question at all time. This is the only way to keep to the topic set. Ideally, every paragraph is image and insight essays in psychoanalysis, geared towards answering the question. It does not suffice, if you are aware of how a particular paragraph is focused on your task: you need to show the relevance to your reader. There are little phrases, such as “this example illustrates that”, helping you with this task. Consider the complete essay writings following example: “The resistance in Harlem insisting to keep an open market in 125th street helped to point out that there are people with different needs in in psychoanalysis the city (Zukin, 1995).” After outlining resistance in terms research Harlem, these few sentences make it plain what the example showed us: that different people in image and insight in psychoanalysis and the arts cities have different needs. Writing an plato essay essay can take a considerable time, but it’s important that you keep to your original plan as much as you can. In Psychoanalysis? Of course, new ideas will come up as you write. In this case, you should jot them down, so as not to lose them. Next, think about it: How will this help me answering the question?

Is this relevant to the essay? Do I not have another example of help this already? What you do is to make sure that what goes into image in psychoanalysis arts the essay has one purpose only: answering the question. Complete Essay Writings? Sometimes it’s difficult to resist the temptation, but don’t explore thoughts by in psychoanalysis and the, the way. This should not discourage you from emerson essay other writings, having original ideas, or even exploring them, but it should encourage you to image and insight in psychoanalysis and the use your essay for one purpose only. Keeping to the plan means keeping to the structure. Technical? This is important, because you can lose your reader by jumping around from one topic to the other, even if all you say as such is relevant and useful. By having a clear structure, and keeping to it, your reader will always know where the journey goes next.

This makes your essay a pleasant read. To write a good essay, first of all, you need good hooks which help to draw your readers’ attention. A hook is a small element in the introduction of an essay which motivates people to image and the arts read your work. It is an interesting and catchy sentence which has a deep meaning and helps a writer introduce the main idea. Essay hook Identifies a purpose of writing. When writing the main part of the essay, it’s important to keep the argument and illustrations in balance. Too few examples make the essay dry and difficult. Too many, on emerson essay other, the other hand, make the and insight in psychoanalysis arts argument disappear. The trick is to include illustrations to bring the an essay text alive, but link them tightly with the and the argument.

Rather than stating that “this is an example of white-collar crime,” you may say “tax avoidance is british, a good example of white-collar crime, because…” By so doing, you demonstrate the and the arts importance of the terms research example, you highlight how and why it is in psychoanalysis and the arts, important, and most importantly, maybe, you avoid that the cover letter for resume examples take over. If the illustrations take over, your reader will be unclear about why you included the examples. Sections are an important tool to structure the answer of an essay. And Insight In Psychoanalysis And The Arts? The longer the answer, the more important sections probably are. Some courses and complete emerson essay ralph tutors may ask you to include subheadings (as used in this book); some institutions even have explicit recommendations on their use. Subheadings can be a good way to structure an answer into sections. However, the lack of subheadings—or the fact that your tutor discourages you from using them—is no excuse for not having sections. Sections group paragraphs that elaborate a similar point.

Often, within a section, you’ll have a number of paragraphs discussing the same issue from a number of different perspectives. And Insight And The Arts? A section can be treated, in some ways, as if it was a mini essay in itself. This is the case, because in complete emerson essay other writings each section, a particular point is image and insight, explored. For example, there might be a section on the arguments for abortion, and then a section on the arguments against. What is paper, important when writing a section, is image and insight and the arts, that both you and the reader are aware of the technical terms purpose of the sectionthese reasons it’s important to link the and insight essays in psychoanalysis and the sections into a coherent one. Library Uk Dissertations? By linking the in psychoanalysis arts sections, and linking the paragraphs within each section, your essay will be more focused on answering the question.

For example, after a paragraph outlining problems of studying and measuring the transmission of british library uk dissertations social disadvantage, in one of my essays I discussed how sibling data may be the solution. I opened the paragraph as follows: “The use of sibling data promises a cure to at least some of the problems outlined above.” In one sentence, the new topic (sibling data) is introduced, but it is also indicated why this may be important (because these data help tackling the and insight in psychoanalysis problems already outlined). Library Uk Dissertations? The reader should not be puzzled as to what the and insight in psychoanalysis link is between problems of measuring the transmission of social disadvantage on the one hand, and sibling data on the other. Phrases that link different sections can be understood as mini introductions and mini conclusions. Particularly when a section is long, or where the plato essay on the link to the next section is not immediately apparent, it might be useful to write one or two sentences to image and insight essays arts summarize the section. Writing Letter For Resume? This will indicate to and the arts the reader how far we have come in developing the argument, but also remind him or her, why we have bothered to write a section in the first place. This box contains a selection of useful phrases you can use in your essays.

You can use these words and phrases to connect the different bits and pieces of your text into cover a coherent whole. The following list is intended to give you an idea of all the phrases that are available to essays and the arts you. Generalizing : as a general rule, as a rule, in general, generally, normally, on the whole, usually. Explaining : in other words, that is, this means that. Express certainty : it is certain that, there is no doubt that, I am confident that, certainly, definitely, clearly, undoubtedly, presumably, will, is, should. Express probability : it is probable that, it is likely that, probably.

Express possibility : can, may, it is emerson essay other ralph waldo, possible that, could, might, might possibly, possibly, perhaps. Express doubt : it is doubtful that, maybe. Express improbability : is improbable, is and insight in psychoanalysis arts, unlikely, it is uncertain. Express impossibility : impossible, cannot, can’t, will not, is not. Draw attention : it is worth noting that, it should be emphasized that, it should be highlighted that, it should be underlined that, in particular, especially, mainly, chiefly, mostly, it should be pointed out that, it should be noted that, it should be remembered that, it is british uk dissertations, worth stressing that, is essays arts, vital, is crucial. Contrasting two points : however, but, in spite of, despite, in spite of the fact that, despite the fact that, nevertheless, nonetheless, instead, conversely, on the contrary, by contrast, whereas, while, whilst, although, even though, on other ralph, the one hand, on the other hand, in contrast, in comparison with, but, yet, alternatively, the former, the latter, respectively, all the same. Giving alternatives : there are two possibilities, alternatively, the one, the other, either, or, neither, nor, in addition, no only, but also, worse still, better still, equally, likewise, similarly, correspondingly, in the same way, another possibility, in image in psychoanalysis and the a similar vein, as well as, furthermore, moreover, also, although, again, what is more, besides, too, as well as. Giving examples or introducing illustrations : for example, for instance, to name an example, to give an example, is well illustrated by, a case point is, such as, such, one of which, illustrates, is an lens example of this, is shown by, is exemplified by, is illustrated by. Stating sequence : first of all, first, firstly, second, secondly, thirdly, fourthly, now, then, next, finally, to complete, after that, 1, 2, 3, last, lastly, furthermore, to begin with, moreover, in addition, to conclude, afterwards. Reformulate the same point : in other words, to put it more simply, to and insight and the put it differently, it would be better to say. Stating consequences : so, therefore, as a consequence, as a result, now, consequently, because of, thus, for this reason, then, this is why, accordingly, hence, given this, with reference to, given, on this basis, is caused by, causes, due to, has the effect, affects, the reason for, because of this, if, then, results in, leads to, produces, owing to, through, as, since, because.

Stating purpose : in order to, so that, so as to, to. Giving the method by motherland, which something happened: by …ing, by (noun), by using. Stating surprise about something unexpected: besides, however, nevertheless, surprisingly, nonetheless, notwithstanding, only, still, while, in any case, at and the any rate, for all that, after all, at the same time, all the same. Summarizing : to sum up, in summary, to british summarize, in brief, altogether, overall. Reaching a conclusion : I conclude, I therefore conclude, reached the conclusion that, it is concluded, therefore, for image essays in psychoanalysis arts, this reason, then, thus, in conclusion, to bring it all together. Listing components : distinct factors, comprises, consists of, constitutes, is essay, composed of, may be classified, may be divided, can be distinguished. Giving definitions : (something) is, means, describes, is defined as, is and insight essays, used, is emerson essay other ralph writings, concerned with, deals with, relates to, involves, signifies, consist of. Approximating results : is and insight and the arts, just over, is just under, a little over, a little under, about, approximately, nearly. Qualifying comparisons : considerably, a great deal, much, very much, rather, somewhat, significantly, slightly, scarcely, hardly, only just (bigger than); exactly, precisely, just, virtually, practically, more or less, almost, nearly, approximately, almost, not quite, not entirely (the same as); totally, very, completely, entirely, quite, considerably (different from); is similar, is dissimilar, is different. Qualifying frequency : never, rarely, sometimes, usually, often, always, generally, on the whole, frequently, occasionally, hardly ever, seldom.

Qualifying results : under no circumstances, mainly, generally, predominantly, usually, the british library uk dissertations majority, most of, almost all, a number of, may be, some, a few, a little, fairly, very, quite, rather, almost. Qualifying change : no, minimal, slight, small, slow, gradual, steady, marked, large, dramatic, complete, steep, sharp, rapid, sudden (rise, increase, fluctuation, decrease, decline, reduction, fall, drop, upwards trend, downward trend, peak, plateau, level off) Just like sections are structured into paragraphs, each paragraph should have some internal logic. You can usually use the first sentence of essays and the a paragraph to introduce what the paragraph is plato essay on the republic, about. This is image essays arts, particularly useful at the beginning of essay on the republic a new section. Consider these phrases as bridges.

For example, in one of my essays, I opened a paragraph with “It will now be necessary to consider the argument that local cultures are dominated by transnational corporations.” My readers will immediately know what the paragraph is image essays and the, about. Ideally, every single sentence is geared towards answering the question. Practically, this is writings, hard to achieve, given the essays in psychoanalysis and the arts lack of infinite time resources available to most of us. However, by your trying to link similar paragraphs into sections, and by linking sections into essay a wider argument, every essay will benefit. The result is an essay that is easier and more pleasant to read. Each paragraph, and essays and the definitely each section, should be geared towards the essay question you’re answering. Technical Terms? It’s therefore a good idea to evaluate each section in terms of image and insight in psychoanalysis and the how far this helped to answer the essay question. Complete Essay Other? You do a number of things with this: demonstrate that you’re still on track; you’re working towards a conclusion; you demonstrate the relevance of what you wrote in the section. Image And Insight Essays And The Arts? If you can’t state how a particular paragraph or section is relevant towards your answer, then probably it is not.

There are different ways to an essay on my motherland structure the main part of the essay. One key difference is between essays structured along the lines of analytic dimensions, and image and insight and the those structured along the lines of argumentative dimensions. For example, the analytic dimensions of an essay on globalization may be economic aspects , cultural aspects , or political aspects . Writing Cover Letter For Resume? On the other hand, the argumentative dimensions may be arguments that globalization affects local consumption patters a great deal, and arguments suggesting very little impact only. The analytic approach would examine the different views in terms of economic aspects first, before moving on to cultural aspects. The argumentative approach would first explore the views in favour of strong impacts in all the different dimensions: economic, cultural, political, and and insight essays in psychoanalysis arts then move on to do the complete ralph same for arguments against.

There is no fast rule which of these approaches is better. In fact, both approaches can be very successful. You should consider the image essays arts extent to which your structure helps you avoid saying the same thing twice. Whatever approach you choose, a clear indication in the introduction as to lens how you approach the essays arts essay will make sure your reader knows where you’re going. An essay where the same word or sentence structure is repeated time and writing time again is often boring. Many writers consider repetitions bad writing. There are a few things you can do to avoid repetition. Where you should be careful, however, is the image essays arts use of specialist terms. For the reasons outlined in the section on defining terms, you should never substitute a specific term with a more generic one. If you talk about power, then say so, even if this means using the same word over and over again.

By no means use a thesaurus and pick a random suggestion offered there. My word processor, for example, suggests cognition as a synonym for power . Complete Emerson Other Ralph Writings? This may be the case in some contexts, but as a key term, this is image and insight arts, hardly ever the case. The most common case when we tend to repeat the same phrase is probably where we refer to what somebody else said. In everyday speech we simply say “Amy said this, Bobby said that, Carla said yet another thing.” In the more formal style required in essay writing, this is commonly written in the following way: “Adams (2006) states that…, Bird (1999) suggests that.” In order to make your essay less repetitive, consider the following options in an essay addition to the common states and suggests. Always use your own judgement, when a phrase feels overused. Arts? By suggesting that repetition may leave a less than ideal impression, it’s not argued that this is an area of essay writing worth spending hours on.

It’s much better being repetitive, but being precise and making a good argument. Crouch (1977) argues that … Daniels (2004) sees the problem as resulting from … Elton (1848) identifies the on my motherland problem as consisting of image and insight essays in psychoanalysis … Ferro (1997) is of the opinion that … Gallagher (2003) defends the view that … Hall (1998) notes that the problem originates from library, … Inglehart (2000) considers that … Jackson (1984) views the issue as caused by image and insight in psychoanalysis and the arts, … Kanter (1970) maintains that … Lewis (2002) concurs with Mann (2000) that … Nixon (1955) supports the letter view that … Orwell (1999) holds the view that … Perry (2005) agrees that … Quart (2001) denies that … These alternative ways to put the ever same idea may be particularly useful when reviewing what different authors had to say on an issue—the parts of the essay where you simply restate what has been said before. Other alternatives you might consider are saying that somebody: added, affirmed, argued, asked, asserted, assumed, believed, challenged, claimed, concluded, considered, contradicted, demonstrated, described, determined, disagreed, discussed, disputed, emphasized, explained, found, hypothesized, implied, inferred, maintained, observed, pointed out, postulated, questioned, recommended, refuted, regarded, rejected, reported, said, stated, stipulated, suggested, viewed (something). This list should illustrate that there need be no conflict between variation in writing and writing clearly. If in doubt, however, you should always prioritize clarity. When writing for image and insight essays in psychoanalysis and the, academic purposes, there are a number of an essay on my conventions that you should follow. A key difference to most other forms of writing is that we give references to the sources of in psychoanalysis and the arts our argument. An Essay Motherland? Ambiguity is image essays, something most academics dislike, and you’re more credible, too, if you avoid it. Academic writing tends to help writing cover be rather formal, and many will advise you to avoid writing in the first person (that is, not write using I). This makes academic writing both formal and impersonal. The reason why the first person should be avoided, is that in scientific writing one’s opinions, feelings and views are not regarded as important.

Stating that I think it’s unfair that some people can’t get a visa, does not count as much. However, urging you not to use I in essays can fail in two ways. Image And Insight In Psychoanalysis Arts? Firstly, you could still write about your own feelings and plato essay opinions using different phrases, and essays and the secondly, not all uses of the first person are bad. It’s a good idea to stay clear of phrases such as “I think,” or “in my opinion,” unless you’re evaluating a claim. However, there is no apparent reason for not saying “I will first define the key terms.” Using the first person in british uk dissertations this way will make a text more approachable. Moreover, using phrases starting with I, you avoid using the passive voice which many find more difficult to read.

Having said this, some markers still consider it preferable not to use the first person. Should your tutor or marker be one of essays in psychoanalysis and the them, you may want to play it safe. Don’t use we when you mean I . If you are the sole author, the use of a plural is technically not correct. However, even a tutor who hates such phrases will not mark you down: It’s the an essay argument and general structure of your essay that count for much more. One area where there is image, no room for argument is the library uk dissertations use of colloquialisms, slang, or street language. Academic writing is formal writing, and you might be penalized for using the and insight and the wrong register. A little bit of informality here or there will not normally matter much.

Watch out for informal words, such as really , a bit , or maybe , and emerson essay waldo writings consider replacing them with very , a great deal , or perhaps' . In spoken language, we often use interjections such as actually , or to be honest . These, too, don’t belong into an academic essay. Consider the following example: “To be honest, I don’t think much of this theory” is something we might say to a colleague of image essays and the arts ours. When writing an essay, you could put this as: “It is clear from the evidence presented in this essay that the applications of this theory are limited.” The following list further illustrates what is meant by formal and informal English. Uk Dissertations? The formal words are included in brackets in each case: Ask for (request), carry out (conduct), chance (opportunity), find out (discover), get better (improve), get worse (deteriorate), guess (estimate), look into (investigate), OK (satisfactory), tell (inform), worried (concerned). Euphemisms, such as passed away for die , are another aspect of and insight essays in psychoanalysis language you should not use in your essays: if you write about and mean die , then say so.

Clarity and accuracy are paramount. For these reasons academic writing can be rather tentative and cautious. This is the case because we are not after grabbing headlines, but we write accurately what we know. If our data suggest that X possibly leads to Y, we say just that. British Library? In this case we should never say that X leads to and insight essays in psychoanalysis Y. In academia we are often unsure what really goes on, and we should be upfront about this. Similarly, contractions—such as don’t (for do not) or can’t (for cannot)—are not commonly considered formal enough for academic writing. Some of your readers will consider this convention ridiculous; others take it as a sign that you have not understood you should write in a scholarly fashion.

To play it safe, use the full forms at any time. This particular academic convention seems to ease more and more. Some students struggle with the rules of capitalization: which letters are written as capital letters. The easiest one is that every sentence starts with a capital letter. Lens Comparison Essay? Names and image and insight in psychoanalysis arts titles (called proper nouns) are also written with capital letters, unless there is a specific reason not to. So, we write the complete essay waldo writings name of Mark Granovetter with capital letters, but the special case of the iPod is written with a small one. In Psychoanalysis And The Arts? Official names and essay republic particular places are written with capital letters. It’s thus the Department of essays and the arts Health , and library uk dissertations Oxford University . However, when we write about general places, we don’t use capital letters. We study at university in general. Official titles are often capitalized, such as Value Added Tax . And Insight Essays And The Arts? Furthermore, many abbreviations come with capital letters.

It’s an MBA your friend may be studying for. The days of the week are capitalized, such as in on my motherland Monday and Wednesday , as are the names of the essays in psychoanalysis arts months. The names of countries, nationalities, languages, and people from technical terms paper, places are written with capital letters: the Swiss live in Switzerland , and Norway is a country. Apart from this, about image and insight in psychoanalysis, every other word is written with small letters. Because as scientists we normally want to be precise, there is a class of phrases we avoid: weasel terms. Weasel terms are short phrases that pretend much, but don’t actually deliver the uk dissertations promise. They are usually empty assertions, such as “it is generally known that“ or “most writers agree that.” This box contains a list of weasel terms.

In an image and insight essay, you should never use these phrases without a reference to british uk dissertations substantiate what is said. allegedly arguably as opposed to image and insight essays in psychoanalysis and the most considered by on the republic, many contrary to image in psychoanalysis many critics say that experts say that it could be argued that it has been noticed it has been said it has been stated it has been suggested it is generally claimed it is british library, widely believed that mainstream scholars say that mainstream scientists say that many people say many scientists argue that research has shown researchers argue that serious scholars say that social science says sociologists believe that some argue some feel that some historians argue the scientific community this is widely considered to and insight essays in psychoanalysis be this is technical terms research, widely regarded as widely considered as. It is possible to and insight arts use weasel terms, as long as they are backed up with a reference or two. So, saying that something is “widely considered the paper foremost example of” something is possible, if you either provide a reference to image essays in psychoanalysis arts someone who demonstrates this, or provide a group of references to back up your claim. Terms Research? However, in most cases we want to be more precise. Rather than saying that “many social scientists argue that class is essays in psychoanalysis and the, important”—which is plato on the, probably true—and giving a couple of references to back this up, it’s better to put it as follows: “Goldthorpe (2000) argues that class remains important.” Or maybe we have access to a statistic we can cite, that X% of social scientists seem to consider class important. Image And The? In either case, the terms research paper solution is more precise and thus more satisfactory. The use of references is an academic convention, and you must follow this, even though it might be a tiresome exercise. Image Essays? Not only will you follow the convention, but your work will also appear much more credible. You can find more on the use of references in a separate section.

Footnotes are often associated with academic writing. On The? Before you use footnotes in and insight essays and the arts your own writing, however, consider your reader. Footnotes interrupt the flow of reading: you force your audience to stop for a while, moving down to plato essay on the republic the bottom of the page, before they can read on. From the reader’s point of view you should avoid footnotes if you can. The only general exception is if you use footnotes for referencing. Don’t use endnotes (footnotes at the end of the text), unless they are used exclusively for referencing. Asking your reader to flick forth and and insight essays in psychoanalysis back through your essay is even more of an interruption. Endnotes exist for practical reasons from the help cover letter time before word processors.

Footnotes are used to explain obscure words, or when you want to add some special information. In the case of obscure words, if it’s a key term, define it in the main text. There are cases, where you’ll want to in psychoanalysis and the arts use an obscure word, but it is not central to the argument. Consider the following example: “The Deputy must, with every word he speaks in library uk dissertations the Diet 1 , […] anticipate himself under the scrutiny of his constituents” (Rousseau, 1762, cited in Putterman, 2003, p.465). Here I talk about the name of an image and insight essays in psychoanalysis and the assembly. The word is essay, probably obscure to most readers, but not central to my argument: I write about parliaments in general, not the Diet in particular. Adding this footnote will help the readers to and insight understand the quote. In terms of special information, if you make an plato essay important point, then make in the main text. If it’s an unimportant remark, then very often you don’t want to make it at all.

The guiding principle is whether the note is relevant to your answer. Another aspect of language you can find often in academic writing are Latin abbreviations. And Insight In Psychoanalysis? Never use these unless you’re sure what they mean. Normally, you should not use abbreviations in the main text. Instead, use plain English. Not only will you avoid embarrassing yourself if you misuse the abbreviations, but also will your reader be clear about what you mean. Cover? It’s much clearer to write for example, rather than mistakenly putting i.e. instead of e.g. And Insight In Psychoanalysis? (a common mistake). Some readers are annoyed by Latin abbreviations, not many will be impressed. Terms Research? Others will simply struggle to understand without a look in the dictionary.

The same is and insight essays in psychoanalysis and the arts, true for a number of English abbreviations. Another area of academic writing where there are many bad examples out library uk dissertations there is the use of jargon and image essays in psychoanalysis arts specialist terms. Whilst we aim for clarity and accuracy, jargon is never justified where it does not help these purposes. Specialist terms can be very useful to lens comparison summarize complex issues into a few letters. Nonetheless, all technical terms need to be defined in simpler language somewhere in image and insight and the your essay. Once you have defined your terms, you can use them without worrying too much. This is where the define section comes in. Bear in mind what your audience is on my, likely to know.

Other aspects of writing that may make your essay easier to read, and thus more approachable are: the use of and insight shorter words where possible, cutting out words where they are redundant, using the active voice ( I do , she says , rather than it is understood , it is achieved ), and using English words where they are not different from the lens comparison Latin or Greek ones. We want to write as clearly as we can, because when the writing is essays in psychoanalysis and the, not clear, very often this is an indication that the british library argument is not very clear, either. 1 The Diet was the name of the deliberative assemblies in in psychoanalysis many European countries at the time of Rousseau’s writings.

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Compare and Contrast Essay: Try These Simple Tips to Write Your Essay. The main tips on how to write a winning compare and and insight and the arts, contrast essay. British Library. If you feel you need assistance, contact us and we will write a great compare and contrast essay for you! What Is a Compare and Contrast Essay? Unlike other types of essays (see top 10 essay types), a compare and contrast essay is used to explore both the similarities and the differences between two subjects by comparing and/or contrasting them against each other. Compare and Contrast Essay Outline. To serve their particular purposes in an effective manner, a compare and contrast essay must communicate in an efficient manner. This means that compare and contrast essays should start with an opening paragraph, which will directly state what the writer is trying to say. Afterward, they can move onto the body, which will support the opening paragraph by providing supporting evidence. Once the supporting evidence has been listed, compare and contrast essays can conclude by reemphasizing their opening paragraphs in order to produce a lasting impression on essays in psychoanalysis and the the mind of the reader. With that said, a compare and contrast essay cannot be completed without conducting a comparative analysis, which the writer can use to lay out essay on the republic, their thoughts about the and insight and the subjects before sorting them into british uk dissertations, a neat and and insight essays, organized form.

Fortunately, this process is as simple as creating a Venn diagram (see below) before filling it with the characteristics of the subjects, while making sure to put shared characteristics in the overlapping area. Once the writer is satisfied with their brainstorming, they can sort through the characteristics for the ones with the most relevance to the point that they are trying to make, which is complete emerson essay other ralph waldo, important because weaker arguments can actually drag down their stronger counterparts when placed in the same essay. How to Write a Compare and Contrast Essay. How to start a compare and contrast essay? Students are normally assigned a topic to and insight essays in psychoanalysis and the arts write on, yet sometimes professors give their students the freedom of selecting the topic on their own. In the latter case choosing one out of top compare and contrast essay topics can become a challenge.

While working on comparison essay the topic selection it is and insight in psychoanalysis arts, important not to writing letter for resume choose two totally unrelated subjects, otherwise finding similarities can get problematic. In Psychoanalysis. Start out with a subject that has some basic similarities, e.g. two novels, two paintings, speeches etc. Looking for the things to compare and contrast? Here is a list of plato essay on the republic, top 30 compare contrast essay topics: TOP 30 COMPARE AND CONTRAST ESSAY TOPICS.

Once you have chosen what to write on in your comparison essay, brainstorm ideas and and insight in psychoanalysis arts, try to plato essay write down every single one of them, choosing those that are relevant to the topic. Image In Psychoanalysis Arts. You might want to divide your sheet of paper into two main sections and start jotting down everything that comes to your mind, including similarities and differences. An effective technique for complete ralph, finding similarities and differences is and insight arts, using a Venn diagram. A Venn diagram is a scheme that represents logical relations between two objects. Graphically it can be depicted as two overlapping circles, each of the circles denoting some entity. The overlapping part is the area denoting similarities, while the parts that do not overlap, are the differences (see Fig. 1). Fig. 1. Plato Essay. Venn Diagram: Comparing Apples and image in psychoanalysis and the, Oranges (Compare and Contrast Essay) A very important point in writing an library uk dissertations, effective compare and contrast essay is a correct selection of the lines of comparison: if you are comparing two objects, you should be comparing them against in psychoanalysis and the arts, one and the same parameter. Ralph Waldo Writings. For example, looking at the picture above you will see that oranges and apples are compared in regards to things like origin, place of growth, a thickness of peel etc.

All of these features are inherent in image in psychoanalysis arts, both objects. If you say that an apple is different from an orange because an apple is green and the orange is juicy, you will be “comparing apples and essay, oranges” this time in the figurative meaning of likening two incomparable things. Organization: Typical Structure of a Compare and Contrast Essay. The opening paragraph should state the essay’s subjects as well as its thesis statement about those same subjects. From that point on, the body of a compare and contrast essay tends to be structured in one of two ways: The first way: a writer can list the characteristics of one subject and then the characteristics of the other before bringing them together by analyzing their similarities and and insight in psychoanalysis and the arts, differences. This means that the body of the essay will begin with a number of uk dissertations, paragraphs about one subject, continue with a similar number of paragraphs about the image and insight arts other subject, and then finish with a crucial paragraph that will use the listed characteristics to compare and contrast the two subjects. The second way: a writer can list the similarities between the subjects and plato essay republic, then the differences between the same.

This means that the body of the essay will begin with a number of paragraphs about their similarities and finish with a number of image essays in psychoanalysis and the, paragraphs about their differences. With this structure, there is no need for an analysis at the end because its content is spread throughout the lens essay preceding paragraphs. Another mode of image in psychoanalysis, organization, although less common, is called block comparison. According to this pattern, you will be required to separate the body of your compare and contrast essay in two parts. The first part of the body will be dedicated to Object A, while the other half will be centered around Object B. Together with the introduction and the conclusion, the overall essay length will be 4 paragraphs. In case of block comparison the overall essay structure will take the following form: Once the comparison essay body of the essay is complete, its conclusion should restate the thesis statement but in a more confident manner because it has proven its point.

Sometimes, a conclusion will summarize the preceding paragraphs for a bolder and image in psychoanalysis and the, blunter emphasis, while other times, a conclusion will let them provide their support in a more implicit manner. HOW TO WRITE A COMPARE AND CONTRAST ESSAY. Additional Tips on Comparison and writing, Contrast Essay Writing. Fig. 2. Image In Psychoanalysis. Comparison and Contrast Signifiers. An important thing about writing any essay is using special cue words that will make your essay more coherent and writing for resume, logical. In the image and insight essays arts case of a compare and contrast essay you will need to use cue words signifying comparison, for comparison, example:

Words to image and insight essays compare: like, compared to, similar to, similarly, by analogy, likewise, in the same way, as well as, both, too, at the same time, correspondingly, in addition, same as, etc. The cue words signaling contrast are: Words to contrast: unlike, conversely, however, nevertheless, still, although, while, but, even though, although, despite, yet, regardless, on the one hand one the other hand, etc. Once the first draft of an essay is complete, it is writing for resume, time for the writer to put the finishing touches: Proofreading is a key factor because errors can break the reader from the flow of the image essays essay, thus robbing it of its power to persuade. Help Writing Cover For Resume. Writers should always read through their own work to check for typos, spelling mistakes, grammar mistakes, as well as lines that should be rephrased for a better result. However, they should also get other people to arts proofread for them because their closeness to their writing can make it hard for them to pick up on its problems. After all, they already know what they are trying to say, meaning that they are not looking at their work with the comparison same perspective as the reader. References are a useful way to increase an essay’s power to persuade so long as they are appropriately authoritative. Essays In Psychoanalysis And The Arts. For example, referencing a politician is plato essay, probably not going to be much use in a philosophy essay unless it is in the context of their philosophical writings.

Furthermore, references are needed to in psychoanalysis use someone else’s arguments without taking credit for them in the process, which is necessary to prevent plagiarism. Not coincidentally, this also makes it easy for the reader to check the sources so that they will know, that somebody really said so if the technical paper reader is image and insight essays and the arts, skeptical. Finally, references should be done in the style that is appropriate for the essay’s subjects for terms research paper, the convenience of different people in and insight essays in psychoanalysis and the arts, different fields. For example, most essays about the sciences should use APA, while most essays about the plato humanities should use MLA since those are the conventions. We are essay writing experts, meaning that we are ready to help those who are interested in learning more about compare and contrast essays as well as essay-writing in general. All you need to image and insight and the arts do is visit the order page and fill it out - we will start working on research paper it immediately, notifying you on in psychoanalysis the order progress. To write a winning cause and effect essay you should have a thorough understanding of the subject. British Library. If you need help with it - contact our professionals. A Comparison essay is an essay in which you either compare or contrast a specific feature/set of features between two essays.

30 Powerful Compare and Contrast Essay Topics: Full List 2017. Here is the list of top 30 powerful compare and image in psychoanalysis, contrast essay topics for free which will help you choose the one you really like! Get inspired! Enter your email address to receive exclusive members-only discounts. Yes, we can develop a primary research which qualifies as research paper on our order placement list. We would be glad to proofread your assignment, please feel free to visit our order page or contact us via email with assignment criteria if unsure. When placing an order, make sure you choose proofreading in the Academic Level section. Yes we do employ British writers that would be able to incorporate current publications in to your essay.

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We also do not make use of in psychoanalysis and the arts, essay banks and essay republic, pre-written essays; everything is written fresh for each new order. Our service is completely confidential and image essays, we regard our customers' right to privacy very highly. You certainly can email us the lens sources for your paper once you've ordered, our email address is [email protected] Our support representatives check email 24x7 and will add the files you send to your order. You might want to specify your order number to expedite the process.

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